instruments/piano.ly

   1 %------------------------------------------------------------------%
   2 % Opéra Libre -- piano.ly                                          %
   3 %                                                                  %
   4 % (c) Valentin Villenave, 2008                                     %
   5 %                                                                  %
   6 %------------------------------------------------------------------%
   7
   8 \include "italiano.ly"
   9
  10 Piano = {
  11   \set PianoStaff.instrumentName = \markup { \hcenter-in #27.5 "Piano"}
  12   \set PianoStaff.shortInstrumentName = "Pno."
  13   \set PianoStaff.midiInstrument = "acoustic grand"
  14 }
  15
  16 ProloguePiano = {
  17   \PianoDeuxMains
  18   \relative { \Piano
  19     \partial 4 r4 R2.*3 R1
  20     mi2\rfz \laissezVibrer r4 \clef bass mi,4--\laissezVibrer|
  21     r4 mi2->\laissezVibrer | r8 \tt {mi,32( fa mi' mi fa} red'4)\laissezVibrer|
  22     r4 r8 \t {mi,,16 mi' mi} | mi'2.\laissezVibrer |
  23     R2*2 | %%FIXME: \laissezVibrer isn't printed.
  24     << \makeClusters { \ind #"dans les cordes" sol,16 la si do re2 } \\
  25     {\hideNotes s4 re2 \laissezVibrer \unHideNotes} >>
  26     R2*2 |
  27     << \makeClusters { \simile sol,16 la si do mi2 } \\
  28     {\hideNotes s4 mi2 \laissezVibrer \unHideNotes} >>
  29     R2*2 |<la, re sol>2\f r4 | R2*2 |
  30     << {\voiceTwo <si re mi>2\f\laissezVibrer} \\
  31     {\voiceFour r8 \voiceOne \st {\ind #"secco"<sid, dod>8\mf <sid dod> <sid dod>}}>>
  32     \st { <sid dod> <sid dod> <sid dod> <sid dod>
  33     <sid dod> <sid dod> <sid dod> <sid dod>
  34     <sid dod> <sid dod> <sid dod> <sid dod>
  35     <sid dod> <sid dod> <sid dod> <sid dod>
  36     <dod re> <dod re> <dod re> <dod re>
  37     <dod re> <dod re> <dod re>\> <dod re>
  38     <re mib> <re mib> <red mi>\mp <red mi>
  39     <red mi> <red mi> <red mi> <red mi>
  40     <red mi>\> <red mi> <red mi> <red mi>}
  41     r8\p <mi fa>-. <mi fa>4-- |
  42     <mi fa>8-. <mi fa>4-- <mi fa>8-. <mi fa>4-- \clef treble |
  43
  44     %%% Tempo giusto %%%
  45     re'8\fp r \ind #"leggiero" re-.re-. s2*2 R2*3 s2*2
  46     \pl <re re'>4 re''4-- r2 | R2.*2 \clef bass |
  47     <sib,,,sib'>2.-- <dod dod'>-- <mi mi'>-- \clef treble |
  48     <lab lab'>2-- <mi' do'>8( <sol la>) |
  49     <la fa'>(\< <do mib>) <do lab'>( <mib fa>) <mib si'>( <fa lab>) |
  50     <re re'>4\f r8 <mi sold re'>4.->~ <mi sold re'>4 r8 <re fad si re>4.-> |
  51     \ttt {re'16(\ff la fa re do si)} \ttt {fad'( dod la fad mib reb}
  52     \ttt {do) sol'( re sib \mg sol fa} \tttt {mi re si la sold fad red) \md} |
  53     s4 \t{<dod''' re>8\> dod, <dod'' re>} | <dod,,re dod'>2\pp\laissezVibrer
  54     R2-\fermataMarkup
  55
  56     %%% Solo ténor %%%
  57     R1*2 R2. R1 R2. r2 sol\p~|
  58     sol~ sol~ sol R2 R2.*6
  59     <sol lab sol'>2.\arpeggio \laissezVibrer R2.*4 R4.
  60
  61     %%% Andantino %%%
  62     \st {
  63     <lab sol'>8\pp \mg sol, \md r |
  64     <lab'sol'> \mg sol, \md r |
  65     <lab'sol'> <lab'sol'lab> r | <sib dob sib'> r <si do si'> |
  66     <lab,sol'> \mg sol, \md r |
  67     <lab'sol'> \mg sol, \md r |
  68     <lab'sol'> \mg sol, \md r |
  69     <lab'sol'> \mg sol, \md r |
  70     <lab'sol'> <lab'sol'lab> r | R4.*3
  71     r4 <lab, sol'>8 r <si? sol' lab> r |
  72     R4. <mi do'>8 r4 | R4. <mi do'>8 r4 |
  73     R4. <re sib'>8 r4 R4. <re sib'>8 r4 |
  74     R4. <do sold'>8 r4 R4. <dod la'>8} r4 |
  75     R4.*2 s4.*2 |
  76     <la' re>4.\laissezVibrer s4.*3 |
  77     <mi' la>4.\laissezVibrer s4.*3 |
  78
  79     %%% A tempo %%%
  80     \ottava #1
  81     re''32\f \> re, re re,\! \ottava #0 s8 r R4.
  82     \ottava #1 re''32\> re, re re,\! \ottava #0 s8 r8 R4.*2
  83     <reb, lab'>4.--\mf\laissezVibrer R4.*2
  84     \pl {\st {<sol lab dod>16\fp[ <sol lab dod> sol \mg
  85     <lab, dod re> <lab dod re> <lab dod re>]} \md }
  86     {<lab'' re lab'>8\noBeam <sol, lab dod>16 s8.}
  87     \st {\stemDown <sol lab dod>16 <sol lab dod> <sol lab dod> \mg
  88     \stemUp <lab,dod re> <lab dod re> <lab dod re> \md |
  89     \stemDown <sol'lab dod> <sol lab dod> <sol lab dod> \mg
  90     \stemUp <lab,dod re> <lab dod re> <lab dod re> \md |
  91     \stemDown <sol'lab dod>\< <sol lab dod> \mg \stemUp <lab, dod re> <lab dod re>
  92     \md \stemDown <sol' lab dod> \mg \stemUp <lab, dod re>\! \md |
  93     \stemDown <lad' si mi>\psempre <lad si mi> <lad si mi> \mg
  94     \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
  95     \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
  96     \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
  97     \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
  98     \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
  99     \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
 100     \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
 101     \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
 102     \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
 103     \stemDown <lad' si mi> <lad si mi> \mg \stemUp <lad, si fa'> <lad si fa'>
 104     \md \stemDown <lad' si mi> \mg \stemUp <lad, si fa'> \md \stemDown |
 105     <fa'' sib re>8-- <si,! fa' sib>16( \mg \stemUp <sold, mi'> \md \stemDown
 106     <si' fa'> \mg \stemUp <si,, sold'>
 107     \md \stemDown <mi' si'> \mg \stemUp dod, \md \stemDown
 108     <si''! fa' sib> \mg \stemUp <si, mi sold>
 109     \md \stemDown <fa'' sib re>8) |
 110     <si re mi fa>8-- <re, sol si>16( <reb, lab'> <re' sol> \mg \stemUp
 111     <fa,, reb'> \md \stemDown <lab' re>
 112     \mg \stemUp sib,, \md \stemDown <lab'' re sol>
 113     \mg \stemUp <lab, reb fa> \md \stemDown <re' sol si>8) |
 114     <mi sold si dod re>16--(\> <sib, fa'> <si' mi sold> \mg \stemUp <re,, sib'>
 115     \md \stemDown <fa' si mi>8) | <dod' re mi sol>16--(
 116     \mg \stemUp <fa,, si> \md \stemDown
 117     <sold' re'> \mg \stemUp <sib,, fa'>
 118     \md \stemDown <si' sold'>8) |
 119     <fa' solb lab dob>16-- \mg \stemUp <mib, lab>
 120     \md \stemDown <re' mib fa lab>-- \mg \stemUp
 121     <si, mi> \md \stemDown <si' do re fa>8--\! } | R4.*9 R8*5 R2.*3
 122
 123     %%% Adagio %%%
 124     \cmb #"p" #"très clair" <sib' fa' dod'>1\laissezVibrer R1*3 R1.
 125     \makeClusters { \ind #"dans les cordes" sol,16 la si do re2.} r2 |
 126     <la' re fa sib>1\laissezVibrer R1*2 R1.
 127     \makeClusters { \simile sol,16 la si do mi2. } r2 |
 128     <dod' mi do'!>2-- <la do sold'>--\laissezVibrer R1 R2. |
 129
 130     %%% Valse %%%
 131     \ottava #1
 132     r4 \det {<fa'' lab reb>2\ppp | r4 <sib, mib solb>2 \ottava #0
 133     r4 <mi, la do>2 | r4 <sib mib solb>2 | r4 <sold dod mi>2 |
 134     r4 <sol sib mib>2 | r4 <fa lab reb> r <mib lab dob> } |
 135     \mg \stemUp r8 \slurUp \ind #"con Ped." re,8\p( mib sib' si \md fad'
 136     \stemNeutral sol8\< re' mib sib')\! | R2.*2
 137     \stemUp \t {r8 mi(\pp mib} \t {lab, sol do,} \t {si mi, mib} \mg
 138     \t {lab, sol do,)} \md \slurNeutral \stemNeutral |
 139     \det {r2 \pl <do' fa lab>2\ppp <dod' mi la> |
 140     r4 \pl <sib, reb solb>2 <la' re fa>2 |
 141     r4 <sold dod mi>2 r4 <fad la re>2 | r4 <fa lab reb>2 |
 142     r4 <dod fad la>2 r4 <sib reb solb> r <la do fa>} |
 143     R1 \stemUp \ind #"non legato" re16\mp \< mib fa lab sib si dod mi fad sol la do |
 144     \stemDown <re, re'>8->\fp \stemUp \mg re,,-. \md \stemNeutral r4 |
 145     R2*6 r4 s R2*15
 146     \st {<fad' si mi>8\p r r4 <mi la re>8 r r4 <reb lab'>8 r r4 |
 147     R2*3 sib8->\mp r r4 <fa mi'>8-> r mi'''-.\pp r } |
 148   }
 149   \relative {
 150     \partial 4 r4 R2.*3 R1
 151     \det {<mi,, mi'>2\rfz\laissezVibrer r4 <mi, mi'>4\laissezVibrer r4 <mi mi'>2\laissezVibrer |
 152     r4 <mi mi'>\laissezVibrer | r4 <mi mi'>\laissezVibrer mi'4 mi,2\laissezVibrer |R2*2 |
 153     r4 <mi mi'>2\laissezVibrer | R2*2
 154     r4 <mi mi'>2\laissezVibrer | R2 r4 <re' re'> |
 155     <dod dod'>2-> r4 } | R2*2
 156     <dod, dod'>2->-- r8 <sol' sol'>-. | r dod-. r <sol sol'>-. |
 157     dod4-- <dod, dod'>-- <sol' sol'>8-. dod--|
 158     R2 <sol sol'>4-- dod-- <sib sib'>8-. dod--~| dod <sol sol'>-. dod4-- |
 159     <dod, dod'>4-- <sol' sol'>8-. <dod dod'>4-- <sib sib'>8-. |
 160     r <dod dod'>4-- <sol sol'>8-. |
 161     <sib sib'>2--~<sib sib'>4 r2 |
 162
 163     %%% Tempo giusto %%%
 164     <re re'>8->-. r r4 |
 165     re'8-. \md re'-. \mg re,-. \md re'-. \mg |
 166     re,16(\< mib' \md re mib) re'->(\> mib, re \mg mib,) |
 167     \st {re,8\p re' re, re' | re, re' re, re' | re, re' re, re'} |
 168     <dod,dod'>16\pp\< <dod'dod'> <fa, fa'> <fa' fa'>
 169     <si, si'> \md <si' si'> \mg <mi, mi'> \md <mi' mi'> \mg |
 170     <fad, fad'> \md <fad' fad'> \mg <sol, sol'> \md <sol' sol'>
 171     <la, la'> <la' la'> <do, do'> <do' do'>\! \mg |
 172     R2. <lab,,lab'>2.--\mf( <re, re'>4) r2 |
 173     \ottava #-1
 174     <fad, fad'>2.-- <mib mib'>-- <do do'>-- |
 175     \ottava #0
 176     <sib' sib'>2-- <sol sol'>4--~ <sol sol'> <mi mi'>2-- |
 177     <re re'>2->--\laissezVibrer <re'' fa sib re>4->~
 178     <re fa sib re> <re mib fa lab do re>2-> |
 179     <dod,,dod'>1*1/2->--\laissezVibrer s2
 180     \tupletDown \t {\stemDown dod'2*1/4\laissezVibrer
 181     \stemUp <dod''re>8 dod,}
 182     \stemNeutral \tupletNeutral s4 R2 R2-\fermataMarkup
 183
 184     %%% Solo ténor %%%
 185     R1*2 R2. R1 R2. R1
 186     sol,2\pp~ sol~ sol <sol fa'>2(~ <sol mib'>2.)
 187     <sol do>( <sol sib>2 <sol la>4~ <sol la> <sol lab>2)~
 188     <sol lab>2. <sol lab> <sol lab'>\arpeggio R2.*4 R4.
 189     s4.*2 R4.*2 s4.*4 R4.*3 r8 sol'(\mp lab-.) |
 190     \acciaccatura la16 sib8-.\> r \acciaccatura fad16 sol8-. |
 191     r fa-.\! r |
 192     \st { mi8 r4 sol8 r4 |
 193     mi8 r4 sol8 r4 |
 194     red8 r4 fad8 r4 |
 195     red8 r4 fad8 r4 |
 196     mi8 r4 mi8 r4 | re8 r4 re8 r4 } |
 197     \pl {do4.\pp\laissezVibrer R4. \oneVoice R4.*2}
 198     {r8 <mi'sol>8( <fa sib>
 199     <sol reb'> <sib do> <sib mib> \md
 200     <dod fad> <red sold> <fad la>
 201     <red sol> <fad la> <sold si>) \mg}
 202     \pl {do,,,4.\laissezVibrer \oneVoice R4.*3}
 203     {r8 <mi' la>( <fad do'> \md
 204     <la re> <do fa> <re sol>
 205     <fa lab> <sol sib> <lab reb>
 206     <sib mib> <dod mi> <red fad>) \mg}
 207     \pl {do,,,4.\laissezVibrer \oneVoice R4.*3}
 208     {r8 <sol'' do>( <la re> \md
 209     <do mib> <re fa> <mib lab>
 210     <fa sib> <sold si> <lad dod>
 211     <si mi> <dod fad> <mi sol>) \mg}
 212
 213     %%% A tempo %%%
 214
 215     %% FIXME: Issue #705
 216     \stemUp re,,,8->-. \md \stemDown re''-. \mg \stemDown re,-. \stemNeutral
 217     <sold, sold'>(\< <si si'> <dod dod'>) |
 218     \stemUp re,->-.\! \md \stemDown re''-. \mg \stemDown re,-. \stemNeutral
 219     <sold, sold'>(\< <si si'> <dod dod'> |
 220     re fa sol <lab, reb lab'>4.)\!\laissezVibrer R4.*2
 221     s4.*10
 222     \stemDown <si, si'>4.*1/3\f\laissezVibrer s4 s4.
 223     <sib sib'>4.*1/3\f\laissezVibrer s4 s4.*4 \stemNeutral
 224     si'8--\mf sib-- lab-- | fa-- r4 | R4.*7 R8*5 R2.*3
 225
 226     %%% Adagio %%%
 227     \det {<fad' re'>1\laissezVibrer R1*3 R1.*2
 228     <fad dod'>1\laissezVibrer R1*2 R1.*2
 229     <sold fa'>2 <fa dod' mi>2\laissezVibrer R1 R2. \clef treble
 230
 231     %%% Valse %%%
 232     r4 <mi'' la do>2 r4 <si re sol>2 |
 233     r4 <fa lab reb>2 | r4 <si, re sol>2 |
 234     r4 <la do fa>2 \clef bass r4 <fad si re>2 |
 235     r4 <fad la re> r <mi sol do> } |
 236     \stemDown \slurDown \t {sol,,8( re' sol} \t {sib sol sib}
 237     \t {mib sib mib} \stemNeutral \t {fad mib fad} si4) | R2.*2
 238     \md \stemDown re'8( sol, mi \mg si lab mib do-- sol--) \slurNeutral |
 239     \det { \stemNeutral do,2*2\laissezVibrer s2. r4 <la'' do fa>2 |
 240     r4 <fa sib reb>2 r4 <mi la do>2 |
 241     r4 <re fa sib>2 r4 <la re fa> r <sold dod mi> } |
 242     R1 \stemDown re'16 mib sol la
 243     sib \md do mib fa solb lab si dod \mg s4
 244     \st { \stemNeutral re,,,8 re' | re, re' re, re' |
 245     re, re' re, re' | re, re' re, re' |
 246     re, re' re, re' | re, re' re, re' |
 247     re, re' re, re' | re, re' \md re'\> \mg re, |
 248     re,\! r r4 | R2*14
 249     <re' sol do>8 r r4 <mi la re>8 r r4 <sol mib'>8 r r4 |
 250     R2*3 <sib, dob>8-> r r4 | <mi, re'>8-> r mi, r } |
 251   }
 252 }
 253
 254 ActeUnSceneUnPiano = {
 255   \PianoDeuxMains
 256   \relative { \Piano \clef bass
 257     \cmb #"p" #"sombre" do,8( do \t {do\> do do} do4--\! do--)\laissezVibrer s2. |
 258     r8 do\<( \t {do\> do do} do4--\! do--)\laissezVibrer s2. |
 259     r8 do\<( \t {do\> do do} do4--\! do--)\laissezVibrer s2. |
 260     r8 \simile do( \t {do do do} do4 do)\laissezVibrer s2. |
 261     r8 do( \t {do do do} do4 do)\laissezVibrer s2. |
 262     r8 do( \t {do do do} do4 do)\laissezVibrer s2. \clef treble |
 263     <la'' mib' si'>1\pp\arpeggio \laissezVibrer |
 264     <la, mib' si'>2.\arpeggio \laissezVibrer |
 265     <do' solb' mi'>1\arpeggio \laissezVibrer |
 266     <mi, sol red' fad>2.\arpeggio \laissezVibrer \clef bass |
 267     r8 <do,do'>\mp( \t {<do do'> <do do'> <do do'>} <do do'>4 <do do'>)\laissezVibrer s2. |
 268     r8 <do do'>( \t {<do do'> <do do'> <do do'>} <do do'>4 <do do'>)\laissezVibrer \clef treble |
 269     r4 <do' fa lab>2\arpeggio |
 270     s4 \pl <sib re lab'>\arpeggio <fa'' do'>\arpeggio
 271     s \pl <sib,, re lab'>\arpeggio <fa'' do'>\arpeggio
 272     \pl {s <sib,, re lab'> s} {<do' do'>--\pp <do do'>8( <do do'> \t {<do do'> <do do'> <do do'>)}} |
 273     <do do'>4 <re, fad dod'>\arpeggio s \pl <re fad dod'>\arpeggio <sold' mi'>\arpeggio s2. |
 274     R2.*7
 275     \det {<do, do'>4\fmolto <do do'>8 <do do'> \t {<do do'> <do do'> <do do'>} <do do'>4~} |
 276     <do do'>2. |
 277
 278     %%% Ad libitum %%%
 279     \cmb #"p" #"très clair"
 280     <lab do>16[( <fa mib'>) r <lab do>-.] <mi fad'>2.--~ <mi fad'>2*3/2\laissezVibrer
 281     R2. \clef bass | r2 <solb, sib>16[( <mib reb'>) r <solb sib>-.] <mi mi'>4--~ |
 282     <mi mi'>2*3/2\laissezVibrer | r2 <lab, do>16[\ffsubito <fa mib'> r <lab do>] |
 283
 284     %%% Agitato %%%
 285     <fad fad'>2\sfz r |
 286     R1 r4 <do' fa si>->\sfz r <do fa si>->\sfz | R1*3
 287     <do re>2--\mf <do re>4-- <do re>-- \t {<do re>\> <do re> <do re>}
 288     <do re>1--\p\laissezVibrer R1 |
 289     re2--\mf re4-- re-- \t {re\> re re}
 290     <do re>1--\p\laissezVibrer R1*2 |
 291     re2-- re4-- re-- \t {re--\> re-- re--}
 292     <sib re>1--\!\laissezVibrer s2
 293     \t {do4--( lab'-- mib--)} |
 294     <do si'>2--\psempre r4 <do si'>2.-- | r4 <do si'> <do si'>2.-- r4 |
 295     r <do si'>--( <fa mi'>-- <lab sol'>-- \clef treble <mi' red'>2--) |
 296     r4 <sol do lab'>2.-- | r4 <mib' la re>2.-- r2 |
 297     s1 s2\> <sib fa' reb'>1\pp r2 R1. |
 298
 299     %%% Allegro non troppo %%%
 300     R1 R2. R1*5 R2. R1 R2. R1 R2. R1
 301     \ottava #1
 302     r16\f <reb' fa>( <do si'>16.-.) <sol' sib>32( <mi re'>2)\laissezVibrer s1
 303     \ottava #0
 304     R1*4 R2.*3 R1*6
 305
 306     %%% Moderato %%%
 307     R1*2 R2.*2 R1 R2. R1 R2. R1 s2. s1 s2. s1
 308     \ind #"molto legato" sib,,16 do sib'-- sib, do fa-- \mg fa, \md sib
 309     do \mg mib, \md sib' do |
 310     sib do sib'-- do, fa do'-- sib, do
 311     fa-- sib, do \mg mib, \md sib' \mg fa \md sib do |
 312     sib do sib'-- do, fa sib do-- mib, fa-- sib, do fa |
 313     sib, do-- reb do mib do fa-- sib, do fa sib do-- sib, do fa-- sib, |
 314     do sib'-- sib, do do'-- do, sib'-- sib, do'-- do, sib' sib, |
 315     do sib'-- do, sib' do-- sib, do sib'
 316     <sib, do>8->\mp r r2 | R1 \clef bass
 317     s2*2 r8 <sib, do>--( <la' dod>-- \clef treble <sib do sib' do>--)
 318     \pl <sold' re'>2--\laissezVibrer <sold' re'>--\laissezVibrer |
 319
 320     %%% Allegro marcato %%%
 321     \ottava #1 <fad' mi' fa!>4-.\mf <mib, mi'! fa>-.
 322     <fad' mi' fa>-. <mib, mi' fa>-. |
 323     <fad' mi' fa>-. <mib, mi' fa>-.
 324     \ottava #0 <fad, mi' fa>-. s | R1*3
 325     \ottava #1 <fad''do' fa!>4-.\mf <si, dod sol'>-.
 326     <fad' do' fa>-. <si, dod sol'>-. |
 327     <fad' do' fa> <si, dod sol'>-. \ottava #0 <sib, re lab'>-. s | R1*2
 328     r2 r4 <sib, mib sol>-.--\p
 329     <fad' si>2--( <sib, mib sol>8) r <sib mib sol>4-.-- |
 330     <fad' si>2--( <sib, mib sol>8) r r4 | R1 r2 r4 <sib mib sol>-.-- |
 331     <fad' si>2--( <sib, mib sol>8) r <sib mib sol>4-.--
 332     <fad' si>2--( <sib, mib sol>8) r r4 |
 333     R1*4 r2 r8 \ottava #1 \pl {do'16\pp la'?} {\t {do( fa lab)}}
 334     <mi reb'>4-. |
 335     r2 r8 \pl {do,16 la'?} {\t {do( fa lab)}} <mi reb'>4-. | \ottava #0 R1 \clef treble |
 336
 337     %%% Agitato %%%
 338     <re,,, do' re>2.--\f r4 |
 339     R1*3 \clef treble |
 340     \st {sib'''8->\p fa do mib-> sib fa fa'-> do |
 341     sib'-> fa do mib-> sib fa mib'-> sib |
 342     la'-> re, sol, fa'-> sib, mib, sol'-> do, |
 343     sib'-> mib, lab, mib'-> sib fa sol'-> do, |
 344     sib'-> mib, lab, si'-> fad dod sol'-> re |
 345     lab'-> mib sib fa sib mib lab-> mib |
 346     lab-> mib sib fa sib mib-> lab-> reb-> }| solb-> r r4 r1 |
 347     R1*3 R2. R2*5 R1*4
 348   }
 349   \relative {
 350     <do,,, do'>2--\ppp\laissezVibrer s2 fad2.--\laissezVibrer |
 351     <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
 352     <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
 353     <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
 354     <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
 355     <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
 356     \pl {<fa fa'>2 fa2\laissezVibrer}
 357     {s8 \ind #"en dehors" do''( \t {do do do} do4-- do)\laissezVibrer} fa,2. |
 358     \pl {fa,2 fa2\laissezVibrer}
 359     {s8 do''( \t {do do do} do4 do)\laissezVibrer} fa,2. |
 360     <reb, reb'>2\p reb2\laissezVibrer <reb' lab'>2.-- |
 361     reb,2-- reb2--\laissezVibrer<reb'-- lab'>2. |
 362     \pl <do sol'>4\arpeggio <mi' sib' re>\arpeggio s
 363     \pl <do,sol'>\arpeggio <mi' sib' re>\arpeggio s |
 364     <do, sol' mi'> s <sol' mi' sib'> |
 365     \pl <do,sol'>\arpeggio <mi' sib' re>\arpeggio s
 366     \pl <do,sol'>\arpeggio <mi' sib' re>\arpeggio s |
 367     \pl <do,sol'>\arpeggio <mi' sib' re>\arpeggio
 368     <do, do'>8\mp(\< <do do'> \t {<do do'> <do do'> <do do'>} |
 369     do4\!) r2 R2.*6
 370     \det {<do do'>4 <do do'>8 <do do'> \t {<do do'> <do do'> <do do'>} <do do'>4 |
 371     r8 <do do'>\mf\> \t {<do do'> <do do'> <do do'>} <do do'>4\!} |
 372
 373     %%% Ad libitum %%%
 374     <solb'' sib>16[( <mib reb'>) r <solb sib>-.] <do, re'>2.--~ <do re'>2*3/2\laissezVibrer |
 375     r4 do8\p( do \t {do do do} do2) r4 do,--\pp | do8 do \t {do do do} do4 |
 376     do8\< do \t {do do do} do16 do do do |
 377
 378     %%% Agitato %%%
 379     <re, re'>2*2\!\laissezVibrer R1 |
 380     r4 <do' fa si>-> r <do fa si>-> | R1*3
 381     <re, re'>2*3\laissezVibrer R1*2 |
 382     <re re'>2*3\laissezVibrer R1*3
 383     re'2*3\laissezVibrer
 384     re2*2 \ottava #-1
 385     \t {sib,8( mib fad} \t {si re sol)} s2 \ottava #0
 386     mib2*3--\laissezVibrer R1.*2
 387     mib8( mib') r4 r2 | \t {mib,8( fa' mi'!)} r4 r1 |
 388     \pl {mi,,,2*3\laissezVibrer }
 389     {\t {mi'4--\mf( si' sol'} \t {si, sol' \md mi'} \t {sol mi' si')}} \mg
 390     R1.*2
 391
 392     %%% Allegro non troppo %%%
 393     R1 R2. R1*5 R2. R1 R2. R1 R2. R1
 394     <sol,,,, sol'>2*3/2->--\laissezVibrer s1 R1*4 R2.*3 R1*6
 395
 396     %%% Moderato %%%
 397     R1*2 R2.*2 R1 R2. R1 R2. R1
 398     mib'16\mp\( mib' \md sib'( do) la-. fa'4..--\)\laissezVibrer |
 399     \mg r16 mib,( \md sib' do) \mg mib,( \md sib' do4.)
 400     \mg r16 mib,( \md sib' do) | \mg fa,,( fa' \md sib do~
 401     do4) sib16( fa' \mg fa, \md sib |
 402     do \mg fa, \md <sib do>2..) \mg |
 403     <mib,, mib'>4 <fa fa'>2*1/8 s16 s8 s4 |
 404     <mib mib'>8. <fa fa'>16~ <fa fa'>2*1/4 s8 s2 |
 405     <solb solb'>8. <lab lab'>16~ <lab lab'>2 |
 406     <solb solb'>4 <lab lab'>~ <lab lab'>16 <solb solb'>8. <lab lab'>8. <mib mib'>16~ |
 407     <mib mib'>8. <fa fa'>16~ <fa fa'>8 <solb solb'>~ <solb solb'>16 <lab lab'>8.~ |
 408     <lab lab'>4 r |
 409     \ind #"strict" <si, si'>16-- si'-. <do, do'>-- do'-.
 410     <si, si'>-- si'-. <re, re'>-- re'-.
 411     \simile <si, si'> si' <red, red'> red' |
 412     <si, si'> si' <fa, fa'> <fa' fa'>
 413     <solb, solb'> <solb' solb'> <fa, fa'> <fa' fa'>
 414     <la, la'>\< <la' la'> <lab, lab'> <lab' lab'>
 415     <sib, sib'> <sib' sib'> <sol, sol'> <sol' sol'> |
 416     \md \stemDown <sib' do>-.\mf si,-.
 417     \mg \stemUp <si,! sib' do>-. \md \stemDown si'-.
 418     <sib' do>-. \simile si, \mg \stemUp <si,! sib' do> \md \stemDown si' |
 419     <sib' do> si, \mg \stemUp <si,! sib' do> \md \stemDown si'
 420     <sib' do> si, \mg \stemUp <si,! sib' do> \md \stemDown si' \mg |
 421     <si,, si'>2\sfz\laissezVibrer s2 |
 422
 423     %%% Allegro marcato %%%
 424     <si' lad'>4-. \pl { \t {si'8\ff si si}} do'4-. <si,, do'>-. \pl si' lad' |
 425     <si,,lad'>4-. \pl { \t {si'8\ff si si}} do'4-. <si,, do'>
 426     \pl <si, si'>---> <sib'' do mi fa>--->\sffz |
 427     \ottava #-1
 428     r si,,\sfz r si\sfz r8 si-. \t {si-- si si} si-> r r4
 429     \ottava #0 | R1
 430     <si' lad'>4-. \t {<do' re>8\ff <do re> <do re>} <do re>4 si,-.-. |
 431     <si  lad'> \t {<do' re>8\ff <do re> <do re>} <do re>4
 432     \pl <si,, si'>---> <sib'' do mi fa>--->\sffz |
 433     \ottava #-1
 434     r si,,\sfz r si\sfz r8 si-. \t {si-- si si} si-> r r4 |
 435     \ottava #0
 436     r2 r4 <do'' fa>-.-- <mi sold dod>2--( <do fa>8) r <do fa>4-.-- |
 437     <mi sold dod>2--( <do fa>8) r r4 |
 438     \ottava #-1
 439     r si,,-.\pp r si-. r si-. si-.
 440     \ottava #0 <do'' fa>-.-- |
 441     <mi sold dod>2--( <do fa>8) r <do fa>4-.--
 442     <mi sold dod>2--( <do fa>8) r r4 |
 443     R1*7
 444
 445     %%% Agitato %%%
 446     <re,, re'>2.-- r4 | R1*3
 447     \st {sol'''8-> re la do-> sol re re'-> la |
 448     sol'-> re la do-> sol re do'-> sol |
 449     sol'-> do, fa, mi'?-> la, re, fa'-> sib, |
 450     sol'-> do, fa, do'-> sol re mib'-> lab, |
 451     sol'-> do, fa, mi'-> la, re, mib'-> sib |
 452     fa'-> do sol re sol do fa-> do
 453     fa-> do sol re sol do-> \clef treble fa-> sib->} |
 454     mib-> r r4 r1 | R1*3 R2. R2*5 R1*4
 455   }
 456 }
 457
 458 ActeUnSceneUnBisPiano = {
 459   \PianoDeuxMains
 460   \relative { \Piano
 461     R2.*6
 462     \stemUp \mg
 463     \ttt { \slurUp lab,16( sib reb mi sol do } \md
 464     \ttt { mib fa lab si dod mi} \ottava #1
 465     \t { sol la do} re32 mib sold la) \slurNeutral \stemNeutral
 466     <re, re'>4--\f \ottava #0 r8 re,,->--~re4 r |
 467     R2. <re' re'>4--\f <re, re'>-- \mg <re, re'>2-- \md |
 468     R2.
 469     <do'' fa la re>4\sf\arpeggio \laissezVibrer <si do re fa la>2-- |
 470     \pl <fa solb lab>-- <dob' mib lab>-- <lab reb sol>4--\laissezVibrer |
 471     r4 <mid si' fad'>2--\laissezVibrer R2.*2 |
 472     \ottava #1 \pl {<si' sol'>8\ppp <si sol'>4-- <si sol'>8 <si sol'>4--~ <si sol'>4.}
 473     {<mi' re'?>8 <mi re'>4-- <mi re'>8\> <mi re'>4--~ <mi re'>8 <mi re'>4\!--}
 474     \ottava #0 r8\fermata r4 | R2.
 475     \ottava #1 \pl {<si, sol'>8\ppp <si sol'>4-- <si sol'>8 <si sol'>4--~ <si sol'>2~<si sol'>8}
 476     {<mi' re'>8 <mi re'>4-- <mi re'>8 <mi re'>4--~ <mi re'>4 <mi re'>4.--}
 477     \ottava #0 r8\fermata r4 | R1 R2 \clef bass
 478
 479     %%% Largo %%%
 480     do,,,8\pp do \t {do do do} do4-- do~ | do2\laissezVibrer R2.
 481     r8 do \t {do do do~ } do2.\laissezVibrer R2
 482     r8 do \t {do do do~ } do4~ do2.\laissezVibrer \clef treble
 483     r2 r4 <dob' lab' sib>-.\mp | <sib sol'>2-- r4 <dob lab' sib>-. |
 484     <sib sol'>2-- r4 |
 485     R2 <dob sib'>2\p\arpeggio r R2.*2 R2*2
 486     r2 r8 <la sib'>-.\mp <lab sol'>4-- r8 <la sib'>-. | <lab sol'>2--
 487     r8 <sol sib re sol>-.\mf r4 |
 488     r8 <la do mi sol>-. <do mi? sol sib>-. r r4 |
 489     r2 r8 <lab reb sol>-.(\< <reb fa sib>-. <mi sol lab sib reb>-.)\! |
 490     R2.
 491     r4 <sib re>--\mp <mib, sib' mib>2\>\arpeggio
 492     <sib' mib sib'>8-.\arpeggio r r4 |
 493     <fad la red>2.\!\arpeggio
 494     r2 <fad la red>4-- <mi sold mi'>2-- r4 |
 495
 496     %%% Adagio %%%
 497     r4 <mi' si'>2.\laissezVibrer\pdolce R1 <mi si'>1\laissezVibrer |
 498     r2 r4 <mi si'>4\laissezVibrer R1 r2 <mi si'>\p\laissezVibrer |
 499     R1 r4 <mi si'>2.\laissezVibrer R1 <mi si'>1\laissezVibrer |
 500     r2 r4 <re la'>\laissezVibrer r2 r8 <re la'>4.\laissezVibrer |
 501     r2 <re la'>\laissezVibrer r4 r8 <re la'>~<re la'>2\laissezVibrer |
 502     r4 <re la'>2.\laissezVibrer r8 <re la'>~<re la'>2 r4 |
 503     <re la'>4\p <re la'>8( <mi sol> <do si'>4) <do si'>8( <mi sol> |
 504     <re la'>4) <re la'>8( <mi sol> <do si'>4) \simile <do si'>8 <mi sol> |
 505     <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol> |
 506     <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol> |
 507     <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol> |
 508     <re la'>4 \pl { <re la'>8\psempre <mi sol> <do si'>4 <do si'>8 <mi sol>
 509       <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol>
 510       <re la'>4 re re8 mi do4 do8 mi re4 do <do si'>8 <mi sol>
 511       <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol>
 512     <re la'>4 <re la'>8 <mi sol>}
 513     {mi'4 re re mi mi re re mi <la, mi'>8 <sol fad'> <si re>4 <si re>8 <sol fad'>
 514     <la mi'>4 <la mi'>8 <sol fad'> <si re>4 mi mi8 re fad4 fad8 re mi4 mi8 re fad4}
 515     <do, si'>4 <do si'> | <do si'> <do si'> <si' fad'> <si fad'> |
 516     <si mi> <do, si'> <do si'> <do si'> |
 517     <do si'> \pl {<sol' si> <sol si> <sol si>}
 518     {fad' fad8 re mi4 } |
 519     R1 r2 r4 <si fad'>--\pp | <re fad dod'>4--\fermata r r2 |
 520     R2 \ind #"secco" <dod, si'>8-.\p r <re si'>8-. r <re si'>-. r r4 \clef bass
 521     r4 <mi, si'>->--\sff
 522   }
 523   \relative {
 524     \ottava #-1
 525     <dod,,, sold' dod>2.\ppp\laissezVibrer
 526     \ottava #0
 527     \loco <dod' dod'>2.-- dod4--\pp dod8 dod \t {dod dod dod} |
 528     \ottava #-1
 529     <dod, dod'>2.--
 530     \pl {fa4 dod}
 531     {\ttt {r16\p lad'( si dod mi sold} fa4) }
 532     \ottava #0
 533     \pl {fa4 dod}
 534     {\ttt {r16 lad'( si dod mi sold} fa4) }
 535     r2 |
 536     \stemDown
 537     \ttt { \slurDown lab,,16( sib reb mi sol do }
 538     \ttt { mib fa lab si dod mi} \md
 539     \ttt { sol la do re mib sold) \slurNeutral } \mg \stemNeutral
 540     <re,,, re'>4 r8 re->--~re4 r |
 541     <fad, fad'>2-- r4 |
 542     re' r s2 |
 543     \pl {sib4-- reb16( sib lab8->)~ lab4}
 544     {sib'-- reb16(\< sib lab8)->\!~lab4}
 545     <sol, sol'>2.\arpeggio \laissezVibrer s2 <lad'' si dod mi>4--\laissezVibrer
 546     r4 <re, mib fa lab do>2--\laissezVibrer R2.
 547     r8 <reb,reb'>8\pp~ <reb reb'>2~ <reb reb'>2.\laissezVibrer R2.
 548     r8 <reb reb'>8\pp~ <reb reb'>2~ <reb reb'>2.\laissezVibrer R1*2 R2
 549
 550     %%% Largo %%%
 551     <do, do'>2\ppp~ <do do'>~ <do do'>\laissezVibrer R2.
 552     r8 do' \t {do do do} do4 do2\laissezVibrer R2
 553     r8 do \t {do do do} do4~do2.\laissezVibrer
 554     r2 r4 <fad sol'>-. | <reb do'>2-- r4 <fad sol'>-. |
 555     <reb do'>2-- r4 |
 556     <lab lab'>2\p~ <lab lab'> r2 |
 557     R2.*2 R2*2
 558     r2 r8 <solb' lab fa'>-. <reb sib'>4-- r8 <solb lab fa'>-. <reb sib'>2-- |
 559     r8 reb-. r4 | r8 la'-. <mib mib'>-. r r4 |
 560     r2 r8 sib-.( mi!-. si'-.) | R2.
 561     r4 sib-- <sol>2\arpeggio ~ sol
 562     <fad>2.\arpeggio r2 si4-- mi,2-- r4 |
 563
 564     %%% Adagio %%%
 565     R1*5 r2 sol\laissezVibrer
 566     r4 r8 <dod, dod'>8\pp~ <dod dod'>2\laissezVibrer |
 567     r4 <sol sol'>2.\laissezVibrer r8 <dod dod'>~<dod dod'>2.\laissezVibrer |
 568     <sol sol'>1\laissezVibrer r2 r4 <sib sib'>\laissezVibrer |
 569     r2 r8 <sol sol'>4. | r2 <sib sib'>2\laissezVibrer |
 570     r4 r8 <sol sol'>~ <sol sol'>2\laissezVibrer |
 571     r2 <sol sol'>~ <sol sol'>4 r r2 |
 572     <mi mi'>1~ <mi mi'>2. <mi mi'>4~<mi mi'>1~<mi mi'>2 r |
 573     R1*7 r2 <fa''? do'>4 <fa do'> | <sol do> r r2 |
 574     r4 \pl {fa4 fa8 la sol4 } {<do mi> <do mi> <do mi>} |
 575     R1 r2 r4 <do mi>-- <fa,? do'? mi>--\fermata r r2 |
 576     R2 re8-. r sold,-. r fa-. r r4 | r <dod sold'>->-- |
 577   }
 578 }
 579
 580 InterludeUnPiano = {
 581   \PianoDeuxMains
 582   \relative { \Piano
 583     R1. R1*3 R1. R1 R1.*2 R1*2 R1.*2 R1 R2. R2 R2.
 584     <fa' sol sib do fad>1\laissezVibrer \mf
 585     r4 r8 \ind #"en dehors" mi,32->(\ff fa16.)~ fa4 r |
 586     r8 <mi mi'>32->( fa16.)~ fa2 <sol, mi' sol>16(\f <sib fa' sib>8.)~ <sib fa' sib>2 |
 587     r2 <sol mi' sol>8\mf ( <sib fa' sib>4.)~ |
 588     <sib fa' sib>8 <mi sol>32( <fa sib>) <do sol' do>16->~ <do sol' do>4
 589     \clef bass r8 <mi, si' mi>16\>( <fa re' fa>)~ <fa re' fa>8 r |
 590     <re sol re'>2\p <sol mi' sol>( <sib fa' sib>4) r | R1 \clef treble
 591     <fa sol mi'>4---> <sold' red' la'>---> \ottava #1 <la' red sib'>---> |
 592     \ind #"très clair" fad'16\pp ( sol fad re do re fad sol fad re do re |
 593     fad4) fad16( sol fad re do re fad sol |
 594     fad4) \ottava #0 r2 R2.*3
 595     fad16( sol fad re do re fad sol fad re do re |
 596     fad4) r2 | R2.*2
 597     fad16( sol fad mi dod mi fad sol fad mi dod mi |
 598     fad4) r2 R2.*4
 599   }
 600   \relative {
 601     R1. R1*3 R1. R1 R1.*2 R1*2 R1.*2 R1 R2. R2 R2.
 602     <sol,, sol'>1\laissezVibrer r4 r8 mi''32->( fa16.)~ fa8 do,-- sib-- dod-- |
 603     <sol sol' re'>1\arpeggio r8 <dod dod'>4.-- |
 604     sol'8 <sol, sol'>-- sol' <sol, sol'>--
 605     sol' <sol, sol'>-- sol' <sol, sol'>-- |
 606     sol' <sol, sol'>-- sol' <sol, sol'>--
 607     sol' <dod, dod'>-- dod'-- <dod, dod'>-- |
 608     <sol sol'>16 sol' <sol, sol'> sol'
 609     <sol, sol'> sol' <sol, sol'> sol'
 610     <sol, sol'> sol' <sol, sol'> sol'
 611     <sol, sol'> sol' <sol, sol'> sol'
 612     <sol, sol'> sol' <sol, sol'> sol'
 613     <sol, sol'> sol' <sol, sol'> sol' |
 614     <sol, sol'> sol' <sol, sol'> sol'
 615     <sol, sol'> sol' <sol, sol'> sol'
 616     <dod, dod'> dod' <dod, dod'> dod'
 617     <dod, dod'> dod' <dod, dod'> dod' |
 618     <fad,, fad'>8-- <fad fad'>-- <fad fad'>--\> <fad fad'>-- <fad fad'>-- <fad fad'>-- |
 619     <sol sol'>2--\! r4 | R2.*15
 620   }
 621 }
 622
 623 ActeUnSceneDeuxPiano = {
 624   \PianoDeuxMains
 625   \relative { \Piano
 626     %%% Air de la Soprano2 %%%
 627
 628     \repeat unfold 6 {R2.*2 R1*2} R2. | \clef bass
 629     dod,8\p( re fad sold) fad( re) | dod1--\mp~ dod~ |
 630     dod2 r4 | re-. fad8( sold fad4-.) |
 631     mi8(\pp fa la si la fa) mi( fa |
 632     la si la4) fa8( la si re | si4) \clef treble la8( si re fa |
 633     re4) fa8( sol si do) |
 634     \ottava #1 si''8\pp( do si sol fa sol si4) |
 635     si8( do si sol) fa( sol si do) |
 636     si( do si sol) fa( sol | fa re) si( re la4) |
 637     \ottava #0
 638     <lab, lab'>1--\mf ~ <lab lab'>2. r4 | R2.*2 R1*2 |
 639     R2. lab8(\> re, do lab) s4 \clef bass |
 640     r4\pp <re, sold>2.\arpeggio \laissezVibrer R1 |
 641     R2. \clef treble |
 642     r4 r8 \ottava #1 \st {fa''''!(\ppp sol,!4) | \ottava #0
 643     r4 r8 \ottava #1 fa'( do sol) sold( re) |
 644     do'( sol re sold la,4) \ottava #0 r | R2.*2 |
 645     r4 \ottava #1 fa'' \ottava #0 r2 R1 | R2.*2 |
 646     r8 \ottava #1 fa( do sol) fad'( si, mi,4) |
 647     \ottava #0 R1 | R2. |
 648     r8 \ottava #1 fa'!( do sol lad'4) |
 649     red,4} \ottava #0 r r2 |
 650
 651     %FIXME: line breaks make the "15ma" text move to the left.
 652     r2 \ottava #2
 653     \cmb #"pp" #"très clair" sol!4-. do-. | si8( sol fa4-.) si8( do |
 654     si sol fa sol si4-.) |
 655     sol4-. fa8( do' si4-.) do8( si |
 656     sol fa sol si-.) r do( fa, sol |
 657     si4-.) do-. fa,-. | si8( sol fa sol si4-.) |
 658     si8( do si sol) fa( sol si do |
 659     si sol) fa( sol) si4-. si8( do |
 660     si sol) fa( sol si do | si sol) fa( sol) si4-. |
 661     si8( do si sol fa4-.) si8( do |
 662     si sol fa sol si4-.) si8( do |
 663     si sol fa4-.) si8( do |
 664     si sol fa sol si4-.) |
 665     si8(\> do si sol fa4-.) si8( do |
 666     si sol fa sol si4-.)\! r |
 667     \ind #"quasi niente" si8( do si sol fa4)\laissezVibrer
 668     \ottava #0 | R2. R1 | r2
 669     \ottava #1 <si,, dod lad'>2--\pp\fermata \ottava #0 |
 670
 671     %%% Récitatif %%%
 672     R2.*2 R1 R2.*3 R1 R2.*5
 673     <sol, lab mib'>8->-.\sf r r2 \clef bass
 674     r8 \t {sold,,16(\mf la si} re8-.) r |
 675     R2. R1*2 R2.*5 R1
 676
 677     %%% Duo %%%
 678     <re sib' re>8-.\pp
 679     \repeat unfold 32 <re sib' re>-.
 680     <re sib' re>( <mi do' mi>-.)
 681     \repeat unfold 12 <mi do' mi>-.
 682     <mi do' mi>( <sol red' fad>-.)
 683     \repeat unfold 7 <sol red' fad>-.
 684     \repeat unfold 8 <fa reb' solb>-. r4 \clef treble |
 685     R2
 686     \repeat unfold 12 { r8 <si fa' sol>-.}
 687     <si fa' sol>-. r <si fa' sol>-. <si fa' sol>-. \clef bass |
 688     r4 \det {<mi, fad lad> <fad lad dod>
 689       <si, mi> <fad' lad dod> \clef treble
 690     <dod' mi sold> <mi lad red> |
 691     <fad, lad mi'>\< <lad dod sold'> <mi' lad red> <sold mi' lad> |
 692     <do sol' re'>\mf \clef bass <mib,, sib'> <sib' fa'> |
 693     <lab, mib'>\> \clef treble <sib' fa' do'> <fa' do' sol'> |
 694     <si fad' sol re'>\pp\arpeggio }
 695     <fad' si>8-. <fad si>-. <red fad>-. <red fad>-. |
 696     <lad red>-. <lad red>-. r4 r2 \clef bass |
 697
 698     %%% Piu vivo %%%
 699     r4 sol,,16(\mp lab sol sib) lab( sib lab reb) |
 700     sib( reb sib mib) reb( mib reb mi)
 701     red( mi red fad) mi( fad mi la) |
 702     fad(\< la fad si) la( si la do)
 703     si( do si re) \clef treble |
 704     do( re do fa) re( fa re sol) fa( sol fa lab) \clef bass |
 705     \mg \dynamicUp <sol,,, sol'>8(\mf \dynamicNeutral
 706     \md sol') \mg <re' sol>-. \md
 707     <fa sib reb mib>->~ <fa sib reb mib>2 |
 708     dod2-- dod4--
 709     \mg sol,8( re') \md sol-. \mg <re' sol>-.
 710     \md <fa sib reb mi!>2-> |
 711     dod2.--
 712     \mg sol,8( re') \md lab'( sol) \mg <re' sol>-. \md
 713     <sol sib dod fad>4.-> |
 714     dod,4-- r2 \clef treble | R2.
 715     \mg sol,8( re') la'-. \md <la' re mi sold>4.->\laissezVibrer R2.
 716     \mg si,,8( fad') dod'-.\md <la' re mi sold>4.->\laissezVibrer R2.
 717     \mg <re,,, re'>8.(\fsempre re''16) \md <si' mi>8-.
 718     <re sold la>4.->\laissezVibrer R2.*2
 719     r8 <re' mi re' mi>-.->\mf r2 | R2.*2 \clef bass
 720     r4 r8 <re,, sold dod>->-.\mp r4 | R2.
 721     \pl {fa2 s2} <sib re fa>1\arpeggio\fmolto
 722     <sib re>1\arpeggio \clef treble
 723     <si' re mi>2--->\p\laissezVibrer r \clef bass |
 724
 725     %%% Tempo giusto %%%
 726     <re,, sib' re>8-.\p
 727     \repeat unfold 14 <re sib' re>-.
 728     <re sib' re>( <mi do' mi>-.)
 729     \repeat unfold 6 <mi do' mi>-.
 730     <mi do' mi>( <red si' red>-.)
 731     \repeat unfold 7 <red si' red>-.
 732     <sol si>-. <sol si>-. <sol si>-. <sol si>-. \clef treble
 733     \t {r si(\< si'} \t {la la' do)} |
 734     <dod, dod'>2->--\f r4 \clef bass |
 735     r8\mf <si,, re>( lad' <si, re>) \clef treble
 736     r <fa''' si>( mi' <fa, si>) \clef bass |
 737     r  <si,,,re>( lad' <si, re>) \clef treble
 738     r <fa''' si>( mi' <fa, si>) | R2.
 739     <lab, lab'>2\mp\arpeggio \clef bass |
 740     r8 <re,, sold>(\mf dod' <re, sold>) \clef treble
 741     \ottava #1 r <do''' fa>( <si' mi> <do, fa>)
 742     \clef bass \ottava #0 r <re,,, sold>( dod' <re, sold>)
 743     \clef treble \ottava #1
 744     r <do''' fa>( <si' mi>2.) \ottava #0
 745     \tt {la,,,16(\f mi' si' re mi} \stemUp <si la'>4--) |
 746     <la si'>4-- <la si'>-- \stemNeutral |
 747     \tt {la'16( sol, la re mi} \stemUp <si la'>4--) |
 748     <la si'>-- <la si'>-- <si la'>-- s
 749     <mi re'>8-- \t {la,16( re sol} <mi re'>4--) |
 750     <re mi'>-- <re mi'>-- <mi re'>-- R2.
 751     R1 R2.*3 R2 R2. R1*4
 752   }
 753   \relative {
 754     %%% Air de la Soprano2 %%%
 755
 756     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2. r2 mi,4--\mp~ |
 757     mi1~ mi2 r4 fad8(\< sold) | si2.\!~|si2 r4|
 758     R1*2 | re,4-.\mp si'-. sold8( fad |
 759     re4-.) sold8( fad re dod) |
 760     sold1-- | re'8( fad sold4-.) re8( dod) sold4--~ |
 761     sold2.| R2. | dod,1--~ dod~ | dod2 r4 |
 762     re-. fad8( sold) fad( re) |
 763     <dod dod'>1~ <dod dod'>~ | <dod dod'>2 r4 | R2.|
 764     << {\voiceTwo <mi mi'>1--\mp~\laissezVibrer s1
 765     <dod dod'>2.~ <dod dod'>2 }\\
 766     { \voiceOne r2 \clef treble fa''8( sol si do
 767       si sol) fa( sol si4) r4 \clef bass
 768     r4 la,8( si re4) si8( re fa sol) } >> r4
 769     <sol,,,! sol'!>1--~ <sol sol'>2. r4 | R2.*2 |
 770     <sol sol'>1--\mf~ <sol sol'>2. r4 |
 771     R2. << {s2 sol''8( re) s1 s1
 772     dod8( re) fad2--~ fad r4 s1 s2.} \\
 773     {R2. <sold,, sold'>1--~ <sold sold'>~
 774       <sold sold'>2.~ <sold sold'>~
 775     <sold sold'>1~ <sold sold'>2.}>> r4
 776     R2.*2 R1*2 R2.*2 R1*2 R2.*2 \clef treble
 777     <re''' la'>1\pp\laissezVibrer r2 \ottava #1
 778     sol''!4-. do-. | si8( sol fa4-.) si8( do |
 779     si sol fa sol si4-.) |
 780     sol4-. fa8( do' si4-.) do8( si |
 781     sol fa sol si-.) r do( fa, sol |
 782     si4-.) do-. fa,-. | si8( sol fa4-.) si8( fa) | sol1--~|
 783     sol2. \ottava #0 r4 | R2.*2 |
 784     R1*2 |R2.*2 | R1*2 | R2.*2 |
 785     R1 r2 <la,,! do!>2--\fermata \clef bass |
 786
 787     %%% Récitatif %%%
 788     r4 r8 mi,4.\mp dod2.\laissezVibrer R1 R2.
 789     r4 r8 reb4. sib2.\laissezVibrer R1 R2.*2
 790     r4 r8 mib4 lab,8~ lab2.\laissezVibrer R2.
 791     <lab mi'>8-.-> r r2 |
 792     r8 \t {sold,16( la si} re8-.) r |
 793     R2.
 794     sol!1\pp\laissezVibrer R1 R2.*5 R1
 795
 796     %%% Duo %%%
 797     \repeat unfold 17 <re sib'>4-.--
 798     \repeat unfold 7 <reb lab'>-.--
 799     \repeat unfold 4 <si lad'>-.--
 800     \repeat unfold 4 <sib la'>-.-- r
 801     R2 \det {reb'4\mp reb lab reb lab fa lab reb lab fa reb |
 802     reb' r8 lab r4 |
 803     <mi, mi'> <mi' si'> si' |
 804     <mi,, mi'> <si'' mi> <mi fad> <lad dod> |
 805     <mi, si'> <si' mi fad> <mi, si'> <si' fad' dod'> |
 806     <reb,, reb'> <reb' lab'> <lab' mib'> |
 807     <reb,, reb'> <reb' lab' mib'> <lab' mib' sib'> |
 808     <mib' sib' dob solb'>\arpeggio }\clef treble
 809     <sib'' mib>8-. <sib mib>-. <sol sib>-. <sol sib>-.
 810     <re sol>-. <re sol>-. r4 r2 \clef bass |
 811
 812     %%% Piu vivo %%%
 813     r4 sol,,,16( lab sol sib) lab( sib lab reb) |
 814     sib( reb sib mib) reb( mib reb mi)
 815     red( mi red fad) mi( fad mi la) |
 816     fad( la fad si) la( si la do) si( do si re)  |
 817     do( re do fa) re( fa re sol) fa( sol fa lab) |
 818     s1 dod,,2.-- s1 dod4-- dod2-- |
 819     s1 dod4-- r2 | R2.
 820     s2. R2. s2. R2. s2. R2.*5
 821     %FIXME: keep this staff alive
 822     r4 r8 <re mi>->-. r4 | R2.
 823     \pl <fa, fa'>1*1/2->--\arpeggio <sib' re>2\arpeggio fad'(
 824     sol\arpeggio lab)\laissezVibrer R1 |
 825
 826     %%% Tempo giusto %%%
 827     \repeat unfold 8 <re,, sib'>4-.--
 828     \repeat unfold 4 <dod la'>-.--
 829     \repeat unfold 4 <si red si'>-.-- |
 830     <si sol'>-.-- r8 <sib sib'>4->--\f
 831     <lab lab'>->-- <si si'>8->-. |
 832     <sol sol'>2->-- r4 |
 833     <sol sol'>2--~ <sol sol'>8 sol'\f \t {sol sol sol} |
 834     <sol,sol'>2--~ <sol sol'>8 sol' \t {sol sol sol} |
 835     <sol,sol'>8-- r r2 | r4 \t {re''8( si dod) } |
 836     <sold,sold'>2--~ <sold sold'>8 sold'\f \t {sold sold sold} |
 837     <sold,sold'>4--~ <sold sold'>8 sold' \t {sold sold sold} |
 838     <sold,sold'>8 r r <sold sold'>--( <fad fad'>-- <la la'>--) |
 839     \pl <fa fa'>2->--\laissezVibrer
 840     {s4 \stemUp \ttt {mi''16( la re \stemDown \md sol si mi)} }
 841     \mg \stemUp \ttt {si,,( mi la re \stemDown \md sol mi')}
 842     \mg \stemUp \ttt {sol,,,(re'la' \stemDown \md mi' si' sol')}
 843     \mg \stemNeutral \pl <fa,,,, fa'>2->--\laissezVibrer
 844     {s4 \clef treble \stemUp
 845     \ttt {re'''16( mi fa sol \stemDown \md si mi) \mg \clef bass } }
 846     \stemUp \ttt {sol,,( do re \stemDown \md la' si mi)}
 847     \stemUp \mg \ttt {do,,( sol' re' \stemDown \md la' mi' si') \mg}
 848     fa,,,32( la si mi \md sol la do re) \mg  \clef treble \stemNeutral
 849     mi( fa sol la \md si re mi la) \mg \clef bass |
 850     \pl <fad,,,, fad'>2->--\laissezVibrer
 851     {s4 \stemDown \clef treble
 852     \ttt {sol''16( re' la' \md mi' fad si) } }
 853     \mg \ttt {fad,,( si mi \md la re sol) }
 854     \mg \clef bass \ttt {fad,,,( mib' sib' \md fa' do' sol')}
 855     \mg \clef treble \ttt {fa,( si mi \md \ottava #1
 856     sib' mib la) } \ottava #0 \mg R2.
 857     R1 R2.*3 R2 R2. R1*4
 858   }
 859 }
 860
 861 InterludeDeuxPiano = {
 862   \PianoDeuxMains
 863   \relative { \Piano
 864     R1 R2. R2 R2. R2 R2. R2
 865     R2*13 r4 \acciaccatura red'16 <mi, mi'>4\p
 866     <si re>1~ <si re>~ <si re>~ <si re>4 r r2 | R2.
 867     <la re>1~ <la re>2 r4 | R2.
 868     <fa si re mi>2-- r | R2. <fa sold mi'>4-- r |
 869   }
 870   \relative {
 871     R1 R2. R2 R2. R2 R2. R2
 872     %R2*6 la2 R2*7   %%%%%% TEST whether both staves appear or not.
 873     R2*14
 874     \pl {<la, mi'>1~ <la mi'>~ <la mi'>~ <la mi'>4 }
 875     {s2 mi''4-.--\laissezVibrer mi,-.--\laissezVibrer
 876     s2 mi'4-.--\laissezVibrer mi,-.--\laissezVibrer
 877     s2 mi'4-.--\laissezVibrer mi,-.--\laissezVibrer s } r r2 | R2.
 878     \pl {<fa, do'>1~ <fa do'>2}
 879     {s2 mi''4-.--\laissezVibrer mi,-.--\laissezVibrer s2} r4 |
 880     R2. <dod, la'>2-- r | R2. <dod la'>4-- r |
 881   }
 882 }
 883
 884 ActeUnSceneTroisPiano = {
 885   \PianoDeuxMains
 886   \relative { \Piano
 887     R2.*20 \clef bass sol2.~\mp sol4 r sol8\> sol sol2.~\! sol4 r8 sol \t {sol\> sol sol} |
 888
 889     %%% Lamento %%%
 890     sol1.\!\laissezVibrer r1 r4 sol4~\p sol1 la2~-- la1~ la8 la\> \t {la la la~} la1\! r2 |
 891     sib,8\mp sib \t {sib--\> sib-- sib~--} sib4\! r r2 |
 892     \simile dob8  dob \t {dob dob dob~} dob4 r2 |
 893     r8    sib \t {sib sib sib~} sib4 r2 |
 894     r8    dob \t {dob dob dob~} dob4 r2 |
 895     r8    sib \t {sib sib sib~} sib4 r2 |
 896     r8    dob \t {dob dob dob~} dob4 r2 |
 897     r8    mi,\mf \t {mi  mi  mi~ } mi4  r  |
 898     r8    mi  \t {mi  mi  mi~ } mi4  r  |
 899     r8    mi  \t {mi  mi  mi~ } mi4  r  |
 900     r8    mi  \t {mi  mi  mi~ } mi4  r  |
 901     <do'do'>4.\f <do do'> <do do'>4-- <do do'>-- <do do'>-- <do do'>4.---> r8 r4 | R2*2
 902
 903     %%% Tempo I %%%
 904     R2.*14
 905
 906     %%% Tempo II %%%
 907     R1. r8 do,\mp \t {do do do} do4-- do2.--\laissezVibrer | R1.*4 R1*5/4
 908     <si'' red sold>1\pp\arpeggio \laissezVibrer R2. r4 <mid, lad mid'>--
 909   }
 910   \relative {
 911     do,,8.--\mp do16~-- do8 do\< do do | do2.--\! |
 912     do8.-- do16~-- do8 do\< do do | do2.--\!\laissezVibrer
 913     R2.*7
 914     si8.\p si16~ si8 si\> si si | sib2.\pp |
 915     si8. si16~ si8 si\> si si | sib2.\! |
 916     si8.-- si16~-- si8 si\> si si | \ottava #-1 <re, dod'>2.\p\laissezVibrer \ottava #0
 917     R2.*7
 918
 919     %%% Lamento %%%
 920     R1.*5 sib'2\pp( re4) r r2 reb( fa4) r2 sib,( reb4) r2 re( fa4) r2 sib, reb4 r2 mib si4 r2|
 921     \ottava #-1
 922     mi,2\p r mi r mi r mi r <reb reb'>4. <reb reb'> <reb reb'>4-- <reb reb'>-- <reb reb'>--|
 923     <reb reb'>4.---> \ottava #0 r8 r4 | R2*2
 924
 925     %%% Tempo I %%%
 926     R2.*3
 927     r4 mi'--\pp r r mi-- r r mi-- r \ottava #-1 |
 928     <mi,mi'>--\mp <mi mi'>-- r <mi mi'>-- <mi mi'>-- r
 929     <mi mi'>\< <mi mi'> <mi mi'>\!
 930     \ottava #0 R2.*5
 931
 932     %%% Tempo II %%%
 933     R1. \ottava #-1 do1.\pp\laissezVibrer \ottava #0 R1.*4 R1*5/4
 934     <do' sol' mi'>1\arpeggio \laissezVibrer R2.
 935     r4 <si fad' si>--
 936   }
 937 }
 938
 939 ActeUnSceneTroisBisPiano = {
 940   \PianoDeuxMains
 941   \relative { \Piano
 942     R1*3 \cmb #"p" #"très clair" <do fad>8 <red la'>~ <red la'>2 r4 |
 943     R1*2 <mi, la red>8 <sol do fad>~<sol do fad>2 r4 |
 944     R1 r2 <do mib>4-- <si fa'>-- | \ten <fad fad'>1~ <fad fad'>~ <fad fad'>2. r4 |
 945     R1*8 r2 r4 dod'--\mp | <mi sol>-- r r2 |
 946     r2 \t {r16 <lad, dod mi>8--\p <lad dod mi>-- <lad dod mi>16-.}
 947     \t {r16 <lad dod mi>8-- <lad dod mi>-- <lad dod mi>16-.} |
 948     \t {r16 <sold lad dod mi>8-- <sold lad dod mi>-- <sold lad dod mi>16-.}
 949     \t {r16 <sold lad dod mi>8-- <sold lad dod mi>-- <sold lad dod mi>16-.}
 950     \t {r16 <dod mi sol la>8-- <dod mi sol la>-- <dod mi sol la>16-.}
 951     \t {r16 <mi sol la do>8-- <mi sol la do>-- <mi sol la do>16-. } |
 952     <fad,fad'>1~\ppsubito <fad fad'> R1
 953     <sol red' fad>\pp\arpeggio %%% Tomb Raider II !!!
 954     <sol fad'>2-- <sol fad'>-- <sib do fad>-- <sib do fad>-- <sib do fad>-- <sib do fad>-- |
 955     <sib do fad>-- <sib do fad>-- <sib do fad>-- <sib do fad>-- <sib do fad>-- <sib do fad>--\>|
 956     <sib fad' la>2.\!\arpeggio r4 R2. R1*2
 957     \tt {fad16\ppp( sol la do re)}\tt {fad,( sol la do re)}\tt {fad,( sol la do re)}\tt {\simile fad, sol la do re}
 958     \tt {fad, sol la do re} \tt {fad, sol la do re} \tt {fad, sol la do re} \tt {fad, sol la do re}
 959     \tt {fad, sol la do re} \tt {fad, sol la do re} \tt {fad, sol la do re} \tt {fad, sol la do re}
 960     \tt {fad, sol la do re} fad, sol la do re fad, sol la do re fad, sol |
 961     la do re fad, sol la do re \t {fad,8( sol la} \t {do re) fad,(} |
 962     \t {sol la do} \t {re) fad,( sol} \t {la do re)} fad,( sol |
 963     la do re) fad,( sol la do re) | <fad, fad'>1~\mp <fad fad'>~ <fad fad'>~ <fad fad'>2. r4 |
 964     R1*6 \cmb #"p" #"très clair" <sib mi la>8 <reb mi sol do>~ <reb mi sol do>2 r4 |
 965     do2~\p do8 do\< \t {do\> do do} do4\! do2.\laissezVibrer | R1*9
 966     <sol' dod fad>2*2/1\mp\laissezVibrer <sol dod fad>2*2/1\laissezVibrer
 967     <sol dod fad>2*2/1\laissezVibrer R1
 968   }
 969   \relative {
 970     R1*3 <dod, la'>8 <sib mi sol>~<sib mi sol>2 r4 |
 971     R1*2 \pl re,2. {sib'8 <sold dod>~<sold dod>2} r4 |
 972     R1 r2 <lad mi>4-- sold-- \ten <fad, fad'>1~ <fad fad'>~ <fad fad'>2. r4 |
 973     R1*8 r2 r4 sib''-- <fa lab>-- r r2 |
 974     R1 \t {<si,, si'>8--( <fa' fa'>-- <re re'>--)} \t {<si si'>--( <fa' fa'>-- <re re'>--)}
 975     \t {<si si'>--( <la la'>-- <fa' fa'>--)} \t {<re re'>--( <si si'>-- <la la'>--)} |
 976     <fad fad'>1~ fad'8 fad\pp \t {fad fad fad} fad2
 977     R1
 978     <si>1\arpeggio si2-- si-- <si sol'>-- <si sol'>-- <si sol'>-- <si sol'>-- |
 979     <si sol'>-- <si sol'>-- <si sol'>-- <si sol'>-- <sold mi'>-- <sold mi'>-- |
 980     <do, sold' mi'>2.\arpeggio r4 | R2. R1*2
 981     R1*7
 982     <fad, fad'>1~ fad'4~ fad8 fad\pp \t {fad fad fad} fad4~ fad1~ fad2. r4 |
 983     R1*6 \cmb #"p" #"très clair" <la re fa>8 <fad si sold'>~<fad si sold'>2 r4 | R1*11
 984     <fad' do'>2*2/1\laissezVibrer <fad do'>2*2/1\laissezVibrer
 985     <fad do'>2*2/1\laissezVibrer R1
 986   }
 987 }
 988
 989 ActeUnSceneTroisTerPiano = {
 990   \PianoDeuxMains
 991   \relative { \Piano
 992     R2*3 R2. R2*2 R2.
 993     <re re'>8-.->\p r r2 R2.*2 |
 994     <si fad' sol re'>2\p\arpeggio r4 |
 995     <sib sib'>8-.-> r r2 | R2. R1*2
 996     r4 r8 r16 \ottava #1
 997     \st {
 998     \pl {sol'''\p <fad, fad'>8 <lab lab'>16 <mi mi'><sol, sol'> re''}
 999     {<sol sol'>16 fad <fa fa'> lab mi sol, <re' re'>} r8 |
1000     r4 r16 <si si'> <la la'> <mi mi'> r <red red'> r <fa fa'> r4 |
1001     r8 r16 \pl {mib la, fa' mi'8} {mib16 la fa <mi mi'>8} r
1002     <si si'>16 <do do'> <sib sib'>8 r |
1003     r16 <solb solb'> <fa fa'>8 r <do' do'>16 <reb reb'> <si si'>8 r16 <fa fa'>
1004     r \stemDown <sol, sol'>\noBeam \stemUp <fad'' fad'>8\noBeam \stemNeutral |
1005     r8 <dod dod'>16 <re re'> <do do'>8 <re re'>16 <mib mib'> r
1006     <la, la'>\< <red red'> <mi mi'>} | re'2.\mp\laissezVibrer
1007     \ottava #0
1008     R2.*8
1009     <re,,, mib re'>2.\p\arpeggio \laissezVibrer | R2.*4
1010     <re mib re'>2.\arpeggio \laissezVibrer R2.*17
1011     \ottava #1
1012     \st {\pl {fa''16\p dod do8} {<fa fa'>16 dod' do8} r16
1013     \pl {do, fa dod} {do' <fa, fa'> dod'} \ottava #0 r4 |
1014     R2.*2 r2 r8 r16 \ottava #1 <do, do'>\p
1015     \pl {fa,, dod' mi do' mi <dod, dod'>}
1016     {fa' dod mi8 <mi mi'>16 dod} r8 r4 |
1017     r16 <sol' sol'> r <dod, dod'> r16
1018     \pl {<dod, dod'> sol' s} {s sol' <red red'>} r4|
1019     \pl {sol,16 s s <dod, dod'> sol' s s fad'}
1020     {sol <red red'> \oneVoice r \voiceOne s sol <red red'> \oneVoice r \voiceOne fad' }
1021     <fa, fa'> <mi mi'> r8 |
1022     \pl sol,-> sol''-> } \ottava #0 r r4 r2 |
1023     R2.*8
1024     r2 \ottava #1 <mi, fa'>8-.\pp r16 <la sold'>-. \ottava #0 |
1025     R2.*2
1026     r4 r8 \ottava #1 \st {mi'16\p <dod, dod'> do'8 <sold sold'>16 <si si'> \ottava #0 |
1027     R2.*2
1028     r8 r16 \ottava #1 dod do,8 <si sold' si> r16 <re si' re> r8 <re mi re' mi>16 <re mi re' mi>}
1029     \ottava #0 r8 r4
1030     \mg <sol,,, sib re>-- \md <sol' sib re>-- \mg <sib, re sol>-- \md <fad' si red>-- |
1031     \mg <si, red fad>-- \md <sol' si red fad>--\<( <sib re sol>--\!) |
1032     R2.*19
1033   }
1034   \relative {
1035     R2*3 R2. R2*2 R2.*4
1036     <mib, sib'>2\arpeggio r4 | R2.*2 R1*6 R2.
1037     re,2.\laissezVibrer R2.*2 re2.\laissezVibrer R2. re\laissezVibrer R2.*2
1038     re2.\laissezVibrer R2.*2 re2.\laissezVibrer R2.*5
1039     r8 sold\p( la do dod mi | fa,2.)\laissezVibrer R2.
1040     r8 sold( la do dod mi | fa,2.)\laissezVibrer R2.
1041     r8 sold( la do la sold| dod,2.)\laissezVibrer R2.
1042     r8 mi( fa sold la do | dod,2.)\laissezVibrer R2.
1043     r8 mi( fa sold fa mi | <la, la'>2.)\laissezVibrer R2.*2
1044     <la la'>2.\laissezVibrer R2.*5 R1
1045     fad'2.\mp\laissezVibrer R2.*2 fad2.\laissezVibrer R2.*2
1046     \ind #"poco più" <fa, fa'>2.--\laissezVibrer R2. r4 <dod' dod'>2-- |
1047     <fa, fa'>2.--\mf\laissezVibrer R2. r4 <la la'>2-- |
1048     \ottava #-1
1049     <dod, dod'>2.--\mf\laissezVibrer R2. r4 <la' la'>2-- |
1050     <dod, dod'>2.*1/3--\laissezVibrer \ottava #0 s2 s2. s4
1051     \pl {fa''!8 fa,4.--->} {<sib' re>4-- <si red fad>--} |
1052     \ottava #-1
1053     <la,,, la'>2.--->\f\laissezVibrer \ottava #0 R2.*18
1054   }
1055 }
1056
1057 InterludeTroisPiano = {
1058   \PianoDeuxMains
1059   \relative { \Piano
1060     r2 r4 <do reb>8-.\pp r |
1061     r2 <do reb>8-. r | R1 R2. \clef bass
1062     <do,mib si'>8-.\pp <do mib si'>4-- <do mib si'>--
1063     <do mib si'>-- <do mib si'>8-. |
1064     <do mib si'>-. <do mib si'>4-- <do mib si'>-- <do mib si'>8-. |
1065     \simile <mi! sol do mib> <mi sol do mib>4 <mi sol do mib>
1066     <mi sol do mib> <mi sol do mib>8 |
1067     <mi sol do mib> <mi sol do mib>4 <mi sol do mib> <fa lab reb mi>8 |
1068     <mi sol do mib>\ppsempre <mi sol do mib>4 <mi sol do mib>
1069     <mi sol do mib> <mi sol do mib>8 |
1070     <mi sol do mib> <mi sol do mib>4 <mi sol do mib> <mi sol do mib>8 |
1071     <fa si>( <re sold>) <fa si>( <re sold>) <fa si>( <reb do'>) |
1072     <fa si> <re sold> <fa si> <re sold> \clef treble |
1073     <lab' si dod re sol>4\mp <lab si dod re sol> <lab si dod re sol> |
1074     <lab si dod re sol> <lab si dod re sol> |
1075     <si re fad sol sib> <si re fad sol sib> |
1076     <si re fad sol sib> <si re fad sol sib> \clef bass |
1077     \stemDown \ind #"staccato" sol16\f \stemUp \mg sol,, sol' \stemDown \md mi' \stemUp \mg mi,, mi'
1078     \stemDown \md mi' \stemUp \mg sold, |
1079     \stemDown \md sold' \stemUp \mg mi, mi' \stemDown \md do' \stemUp \mg sold,
1080     \stemDown \md sold' \stemUp \mg mi \stemDown \md mi' \clef treble | \stemNeutral s4
1081     r16 re'\< sib' dod | <fad, lad dod fa!>8->\! r r4 |
1082   }
1083   \relative {
1084     r2 r4 re,8-. r |
1085     r2 re8-. r | R1 R2.
1086     <mi, sol>4-- <mi sol>-- <mi sol>-- <mi sol>-- |
1087     <mi sol>-- <mi sol>-- <mi sol>-- |
1088     <mi si'> <mi si'> <mi si'> <mi si'> |
1089     <mi si'> <mi si'> <mi si'> |
1090     <mi si'> <mi si'> <mi si'> <mi si'> |
1091     <mi si'> <mi si'> <mi si'> |
1092     r8 <mi sol>-. r <mi sol>-. r <mi sol>-. |
1093     r <mi sol> r <mi sol> |
1094     r <mi sol mi'> r <mi sol mi'> r <mi sol mi'> |
1095     r <mi sol mi'> r <mi sol mi'> |
1096     r <mi sol mi'> r <mi sol mi'> r <mi sol mi'> r <mi sol mi'> |
1097     s2 s2 si'16 \md si' \mg sol \md sol' \mg \clef treble
1098     re sib' dod8 \clef bass |
1099     <la,, la'>8-> r r4 |
1100   }
1101 }
1102
1103 ActeUnSceneQuatrePiano = {
1104   \PianoDeuxMains
1105   \relative { \Piano
1106     \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1107     s2 R1 R2. <la'do re>2--\pp( <la do re>--) <la do re>--( <la do re>--)
1108     <sol la do re>--( <sol la do re>-- <sol la do re>--) |
1109     <do re>4--( <la do>--) r <la do>-- | <do re>--( <la do>--) r <la do>-- |
1110     <la do re>--(\psempre <sol la do>--) <la do re>--( <sol la do>--) <la do re>--( <sol la do>--) |
1111     <la do re>--( <sol la do>--) <la do re>--( <sol la do>--) |
1112     <la do re>--( <sol la do>-- <re sol la>-- <do re>--) |
1113
1114     %%% Agitato %%%
1115     R2.*5
1116     <si mi>2.--\mp <mib sol>-- <do sol'>4-- r2 |
1117     R2.*10
1118     r2 la'32(\fsubito sib re mi la8-.->) \clef bass |
1119     r8 <red,,, mi'>-. \clef treble \ttt {r16 la'''( re, mi la, si}
1120     mi,8-.->) \mg \t {mi,16\< mi mi\!} \md | R2.
1121     \ttt {r16 re'( la' mi' la, re} la'4-.->) r8 \mg \t {mi,,16\< mi mi\!} \md |
1122     r16 <mib' lab re>-.-> r8 r2 | s2. R2.
1123     s2. <re' mi la>4-> s2 |
1124     <mi' la>2--->\laissezVibrer s2 |
1125     R2. R1 R2. R2 R2. R2 R2. R2 R2.
1126     R1*5 R2 R2. R1 |
1127
1128     %%% Andante a piacere %%%
1129     r2\p <la,,, dod>~ <la dod> r |
1130     r <la dod>~ <la dod> r |
1131     r <si fa'>~ <si fa'> r |
1132     r <si fa'>~ <si fa'> r |
1133     r4 <mib la dod>~ \t {<mib la dod> <mib la dod> <mib la dod>~} |
1134     <mib la dod>8 <mi sold re'> <mi sold re'>\< <mi sold re'>~
1135     \t {<mi sold re'> <mi la red> <mi la red>\!} |
1136     r4 <lab re fad>~\t {<lab re fad> <lab re fad> <lab re fad>~} |
1137     <lab re fad>8 <sib mi sold> <sib mi sold>\< <sib mi sold>
1138     \t {<sib mib la> <sib mib la> <sib mib la>\!} |
1139     R1*7 r4 <re,sol si>---.\p <mib fad la re>2--\laissezVibrer s2 R2.*6
1140
1141     %%% A tempo %%%
1142     r8 <mi sol do>~\mp\<\t {<mi sol do><mi sol do><mi sol do>}
1143     \t {<fa sib reb><fa sib reb><fa sib reb>}
1144     \t {<sol do mib><sol do mib><sol do mib>\!} |
1145     r <sib reb solb>~\<\t {<sib reb solb><sib reb solb><sib reb solb>}
1146     \t {<do mib lab><do mib lab><do mib lab>}
1147     \t {<dod fad la><dod fad la><dod fad la>} |
1148     \t {<red sold la><red sold la><red sold la>}
1149     \t {<fad la><fad la><fad la>} \t {<sold la><sold la><sold la>\!} r4 |
1150     <la,,sib sol' la>2\mp\laissezVibrer s2 |
1151     R2. R1 R2. R1 R2. R1 R2.
1152     r8 \stemUp <dod'fa la dod>~\mf\<
1153     \t {<dod fa la dod><dod fa la dod><dod fa la dod>~}
1154     <dod fa la dod>16 <dod fa la dod><dod fa la dod><dod fa la dod>\>~
1155     \t {<dod fa la dod>8 <dod fa la dod> <dod fa la dod>\!} \stemNeutral |
1156     r8 \stemUp <dod fa la dod>~\<
1157     \t {<dod fa la dod><dod fa la dod><dod fa la dod>~}
1158     <dod fa la dod>16 <dod fa la dod><dod fa la dod><dod fa la dod>~\>
1159     \t {<dod fa la dod>8 <dod fa la dod> <dod fa la dod>\!} \stemNeutral |
1160     \t {r4 \stemUp <dod fa la dod>\< <dod fa la dod>} <dod fa la dod>8 <dod fa la dod> |
1161     <dod fa la dod>\><dod fa la dod>
1162     \t {<dod fa la dod>4<dod fa la dod><dod fa la dod>\!} \stemNeutral |
1163     r4\f \stemUp <red sol si red>2---> \stemNeutral |
1164     r8 \stemUp <red sol si red>8~---> <red sol si red>2. |
1165     <red sol si red>2---> \stemNeutral r8 \stemUp
1166     <fa sold si fa'>~ \t {<fa sold si fa'><fa fa'> <fa fa'>} |
1167
1168     <re re'>4-.->\ff r2 | R4.
1169     r8 \st {<sold,, lad>\mf <sold lad> <sold lad> r <sold lad> |
1170     <sold lad> r <sold lad>} | <re'' re'>-> r r4 R4.
1171     r8 \st {<sol,,do fa> <sol do fa> r |
1172     <sol do fa> <sol do fa> <sol do fa> <sol do fa>} |
1173     <re''sold re'mi>-> r r4 | R4. \clef bass |
1174     \st {<re,,mi sold lad dod>8\mp <re mi sold lad dod> <re mi sold lad dod> r |
1175     <re mi sold lad dod> r <mi sold lad dod> <mi sold lad dod> \clef treble |
1176     <si're mi> <si re mi> <la re mi> <la re mi> |
1177     <si re mi> <si re mi> <la re mi> |
1178     <si re mi fa> <si re mi fa> <la re mi sol> <la re mi sol> |
1179     <si! re mi sib'>\< <si re mi sib'> <la re mi sol> <la re mi sol>} |
1180
1181     R2\! R4. r2 r8 \t {sold''16( si dod} |
1182     <re, re'>8-.\fp) \st {re, re re re re re re} |
1183     \simile re re re re re re re re |
1184     <re mib> <re mib> <re mib> <re mib> <do mib> <do mib> <do mib> <do mib> |
1185     <do fa> <do fa> <do fa> <do fa> <sib fa'> <sib fa'> <sib fa'> <sib fa'> |
1186     <la sib fad'> <la sib fad'> <la sib fad'> <la sib fad'>
1187     <la sib fad'> <la sib fad'> <la sib fad'> <la sib fad'> |
1188     <la sib fad'>-> <la sib fad'> <la sib fad'> <sol la do mib fad>->
1189     <sol la do mib fad> <sol la do mib fad> <sol la do mib fad>-> <sol la do mib fad>|
1190     r <sol la do mib lab>-. <sol la do mib lab>4-> <do mib fad si>-> r8 <mib fad si>-> |
1191     r <mib solb lab reb>-> r4 <mib fa lab reb>-> \clef bass
1192     <red, mi lab reb>-- \clef treble |
1193     <re'! re'!>4-> s4 s2 | R1*2 \clef bass |
1194
1195     \st {<re,sib' re>8\pp <re sib' re> <re sib' re> <re sib' re>
1196     <re sib' re>  <re sib' re> <re sib' re> <re sib' re>|
1197     R2
1198     <re sib' re>8 <re sib' re> <re sib' re> <re sib' re>
1199     <re sib' re>  <re sib' re> |
1200     R2.
1201     <re sib' re>8 <re sib' re> <re sib' re> <re sib' re>} |
1202     R1 \clef treble
1203
1204     %%% Piu lento %%%
1205     R2.*3 r4 fa'--\pp sib,-- <fa' solb sib>2.--\arpeggio \laissezVibrer |
1206     R2. r4 fa-- \mg re,-- \md
1207     <dob' fa solb sib>2.--\arpeggio \laissezVibrer |
1208     R2. r4 <re fa>-- <sib do!>-- |
1209     s4. <re fa solb sib>4.\arpeggio \laissezVibrer |
1210     R2.*2 re'8( sib la fad mi re)\laissezVibrer |
1211     <fad la sib re>2.\arpeggio \laissezVibrer |
1212     <solb sib>4-- <reb fa>-- <lab do>-- | s2.
1213     <reb fa solb sib>2.\arpeggio \laissezVibrer | R2.*3
1214     R1. R1 R1. R1 R1. R1 R1. R1 R1. R1 R1.*5
1215     R1 R1. R1 R1. R1 R1.*5 R1 R1. r2 <dod mi la>4--\mf r |
1216   }
1217   \relative {
1218     \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1219     s2^\markup { \score { \new ChordNames
1220     \chordmode { la:7 } \layout {indent = 0 }}}
1221     R1 R2. R1*2 R1. \clef treble <sol'la>2--( <sol la>--) <sol la>--( <sol la>--) |
1222     <si, red fad>--( <si red fad>-- <si red fad>--) <si red fad>--( <si red fad>--) \clef bass |
1223     <mib, sol sib>2.-- r4 |
1224
1225     %%% Agitato %%%
1226     <la, re sol la>8-.->\pp r r2 | R2.*3
1227     r2 fad'8( dod) | <la re sol>2.-- <do fa sib>-- <mi la re>4-- r
1228     <sold,,sold'>~--\mf| <sold sold'> <dod dod'>-- <si si'>-- |
1229     <re re'>-- r2 | <re re'>4-- <re re'>-- <re re'>-- |
1230     <re re'>-- r2 | <re re'>4-- <re re'>-- <re re'>-- | <re re'>-- <re re'>-- <re re'>-- |
1231     <mib mib'>-- r2 | <do do'>4--\p <do do'>-- <do do'>-- | <fad fad'>-- r2 |
1232     <lab lab'>4-- <lab lab'>-- <lab lab'>-- | <sib, sib'>-- r8 <sib sib'>4-- <sib sib'>8-. |
1233     mi8-. mi'-. r4 r8 s | mi,4-> mi-> mi-> | mi-- r r8 s | mi4-> r2 \clef treble |
1234     \ttt { mib''16( lab sib re \md mib la} re4-.->) \mg r \clef bass |
1235     mi,,,,-- mi-- <sib sib'>8-. mi-> |
1236     \tt {mi'16--( si' \md la re mi} sold4--) \mg
1237     \ttt {re16--( \md \stemDown mi sold la re \mg \stemUp <la, mi'>)} |
1238     r4 \clef treble \tt {la16--( re mi la \md \stemDown mi'}
1239     \tttt {<la re> \mg \stemUp la, re mi sold \md \stemDown la re) \mg \clef bass} |
1240     \stemNeutral dod,,,,2--->\laissezVibrer s |
1241     R2. R1 R2. R2 R2. R2 R2. R2 R2.
1242     R1*5 R2 R2. R1
1243
1244     %%% Andante a piacere %%%
1245     fa2( <sib mib>~<sib mib> reb,8) r r4 |
1246     fa2 <sib mib>~<sib mib> reb,8 r r4 |
1247     <fa, fa'>2 <lab'mib'>~<lab mib'> reb,8 r r4 |
1248     <fa, fa'>2 <lab'mib'>~<lab mib'> reb,8 r r4 |
1249     <sol, sol'>1*1/4--->\mp\laissezVibrer <dod' fad lad>4~
1250     \t {<dod fad lad> <dod fad lad> <dod fad lad>~} |
1251     <dod fad lad>8 <dod mid si'> <dod mid si'> <dod mid si'>~
1252     \t {<dod mid si'> <dod fad do'!> <dod fad do'>} |
1253     <sol, sol'>1*1/4--->\laissezVibrer <fa''si mib>4~
1254     \t {<fa si mib> <fa si mib> <fa si mib>~} |
1255     <fa si mib>8 <fa si solb'> <fa si solb'> <fa si solb'>
1256     \t {<fa dod' sol'> <fa dod' sol'> <fa dod' sol'>} |
1257     R1*7 r4 <fa la>-.--\p <do mi sib'>2--\laissezVibrer s2 R2.*6
1258
1259     %%% A tempo %%%
1260     <do,do'>1*1/8\f\laissezVibrer <red' sold si>8~
1261     \t {<red sold si> <red sold si> <red sold si>}
1262     \t {<fad la re> <fad la re> <fad la re>}
1263     \t {<sold si mi> <sold si mi> <sold si mi>}
1264     <do,,do'>1*1/8\laissezVibrer \clef treble <la''re fa>8~
1265     \t {<la re fa> <la re fa> <la re fa>}
1266     \t {<si mi sol> <si mi sol> <si mi sol>}
1267     \t {<re fa sib> <re fa sib> <re fa sib>} |
1268     \t {<mi sol do> <mi sol do> <mi sol do>}
1269     \t {<fa sib reb> <fa sib reb> <fa sib reb>}
1270     \t {<sol do mib> <sol do mib> <sol do mib>} r4 | R1 \clef bass |
1271     \st {la,,16 fad sold red dod sib' do sol fa re mi' si | la8} r r4 r2 |
1272     r4 \st {la8\ppsempre mi sol re | dod sold' si fad fa do mib' sib | la} r r2 |
1273     R1 R2.
1274     <sol,sol'>1*1/8\f\laissezVibrer \md \stemDown <dod''mi sol sib>8~
1275     \t {<dod mi sol sib> <dod mi sol sib> <dod mi sol sib>~}
1276     <dod mi sol sib>16 <dod mi sol sib> <dod mi sol sib> <dod mi sol sib>~
1277     \t {<dod mi sol sib>8 <dod mi sol sib> <dod mi sol sib> \mg \stemNeutral } |
1278     <sol,,sol'>1*1/8\laissezVibrer \md \stemDown <dod''mi sol sib>8~
1279     \t {<dod mi sol sib> <dod mi sol sib> <dod mi sol sib>~}
1280     <dod mi sol sib>16 <dod mi sol sib> <dod mi sol sib> <dod mi sol sib>~
1281     \t {<dod mi sol sib>8 <dod mi sol sib> <dod mi sol sib> \mg \stemNeutral } |
1282     \noTuplet
1283     \t {<sol,,sol'>2*1/2\laissezVibrer
1284     \md \stemDown <dod''mi sol sib>4<dod mi sol sib>}
1285     <dod mi sol sib>8 <dod mi sol sib> |
1286     <dod mi sol sib> <dod mi sol sib> \t {<dod mi sol sib>4
1287     <dod mi sol sib> <dod mi sol sib> \mg \stemNeutral }
1288     <fa,,,fa'>2*1/2\laissezVibrer \md \stemDown <si'' re sold>2 \mg \stemNeutral |
1289     <fa,, fa'>1*1/8\laissezVibrer \md \stemDown <si'' re sold>8~
1290     <si re sold>2. <si re sold>2 \mg \stemNeutral r8 <mib,,,mib'>4*1/2--->(
1291     \md \stemDown <si''' re sold si>4*1/2 \mg \stemNeutral fad,,8) |
1292     <re re'>4-.->  r2 |
1293     R4.
1294
1295     <sold sold'>4-> r <si si'>-> | r8 <dod dod'>-> r |
1296     <re re'>-> r r4 | R4.
1297     <la la'>4-> r8 <sib sib'>-> | r8 r16 <do do'>-> r4 |
1298     <mib mib'>8-> r r4 R4. <si si'>4-> r8 \ottava #-1 <si, si'>-> \ottava #0 |
1299     r <do' do'>-> r16 <re re'>-> r8 | fa2~--\p fa4 r8 r <fa, fa'>-> r4 |
1300     r8 <fa fa'>-> r <fa fa'>-> |
1301     R2 R4. R2.
1302
1303     \st{<re' re'>4 re re re} re re re re |
1304     re re re re re re re re re re re re |
1305     <re re'> <re re'> <re re'> <re re'> |
1306     <re re'> r8 <re re'>-. r re'-. <sol la do>4---> |
1307     <re,re'>-- \st {re'8 <sol la do> r <re re'> r <re,re'> |
1308     r <re re'> <re' re'> re re, <re' re'>-> re, re'} | re,4-- r r2 | R1
1309
1310     <re sib'>4--\pp <re sib'>-- <re sib'>-- <re sib'>-- R2
1311     <re sib'>4-- <re sib'>-- <re sib'>-- R2.
1312     <re sib'>4-- <re sib'>-- R1
1313
1314     %%% Piu lento %%%
1315     R2.*4 <fa' solb sib dob>2.--\arpeggio \laissezVibrer |
1316     R2. r2 s4 <re, mib dod'>2.--\arpeggio \laissezVibrer |
1317     R2.*2 <re' sol>4.-- <fad sol sib do>\arpeggio \laissezVibrer |
1318     R2.*5 <mib sol>4-- re2~-- <re sol lab do>2.\arpeggio \laissezVibrer |
1319     R2.*3
1320
1321     \st {la8\p r sib mib r sold, fad si r mi re, sol | la4-> r r2 |
1322     la8 fad sold red r sib' do sol r re mi' r | la,4-> r r2 |
1323     la8 r re mi r si fad sold r mib sib' r | la4->} r r2 |
1324     R1. R1 R1. R1
1325     \st {la8 r sib mib r sold, fad si r mi re, sol |
1326     la r re mi r si fad sold r mib sib' r |
1327     la fad sold red r sib' do sol r re mi' r |
1328     la, si mi r fa, sol r sib r mib, lab r |
1329     la do sib mib r si fad sold r re mi' r |
1330     la,4--} r r2 | R1.
1331     \pl {do,1\pp~do1.} {r4 do' \t {do do do} do-- do--~do1} |
1332     R1
1333     \st {la8 r sold red r sib' do sol r re mi' si |
1334     la r mi' re, r sol do sib r mib, lab r |
1335     la do sib mib r sold, fad si r mi re, r |
1336     la' sol re' r dod si r sold r mib sib' r |
1337     la fad sold red r sol do sib r mi re, r |
1338     la'4->} r r2 | R1. r2 <re, la' fa'>4-- r |
1339   }
1340 }
1341
1342 EntractePiano = {
1343   \PianoDeuxMains
1344   \relative { \Piano
1345     R2*9
1346     R1*12
1347     r4 \st {<lab'' sol'>8\p <lab sol'> <sol lab'>4 r R1
1348     r4 <lab reb sol> r <lab reb sol> |
1349     r <lab sol'>8 <lab sol'> <sol lab'>4 r R1*2
1350     r2 re8\p( la mi si)} R1 |
1351     r2 r4 \pl {sib16( dod fad la)} {sib\<( dod fad la)} |
1352     <re, re'>4--\! r r2 | R1
1353     r8 r16 \pl {re\p( la8.) re16( la4-.)} {sold'16( dod8.) sold16( dod4-.)} r |
1354     r2 r8 r16 \pl {re,( la4-.)} {sold'16( dod4-.)} R1
1355     \ottava #1 r8 r16 \pl {reb( lab4-.)} {sol'!16( do!4-.)} r2 |
1356     R1*3 r4 <re, dod'>-.\p <dod re'>-. \ottava #0 r R1
1357     r2 r4 \loco <sib,, re fad>-- |
1358     r <si red sol>-- r <do mi sold>--
1359     r <dod fa la >-- r <re fad sib>-- |
1360     r <mib sol si>-- r <mi sold do>-- |
1361     r <fa la dod>-- r <fad re'>8( sib) |
1362     <re re'>4-> r r2 R2. R1 \clef bass |
1363
1364     %%% Fugato %%%
1365     <red,, mi re'>1\f\laissezVibrer s1 R2.*2 R2
1366     R1 R2.*2 R1*2 R2.*2 R1 \clef treble
1367     \ottava #2 <si'''' lad'>1\pp <lad si'>2. <si lad'>
1368     <lad si'>1~ <lad si'>2 \ottava #0 r |
1369     R2.*2 R1*2 \loco fad,,4.--\p sol~-- sol2 r4 |
1370     r2 r4 <re' dod'>8-.\f <re dod'>-.
1371
1372     %%% Stretto %%%
1373     <re re'>4-> r r2 | R1 \clef bass |
1374     \st {<re,,sib' re>8\pp <re sib' re> <re sib' re> <re sib' re>
1375     <re sib' re> <re sib' re> <re sib' re> <re sib' re>} |
1376     \simile <mi do' mi> <mi do' mi> <mi do' mi> <mi do' mi>
1377     <mid dod' mid> <mid dod' mid> <mid dod' mid> <mid dod' mid> \clef treble |
1378     <sol mi' sol> <sol mi' sol> <sol mi' sol> <sol mi' sol>
1379     <sol mi' sol> <sol mi' sol> <sol mi' sol> <sol mi' sol> |
1380     <sold mi' sold>->\pleggiero <sold mi' sold> <sold mi' sold> <sold mi' sold>
1381     <sold mi' sold> <lad fad' lad>-> <lad fad' lad> <lad fad' lad> |
1382     <sold mi' sold>-> <sold mi' sold> <sold mi' sold> <lad fad' lad>
1383     <lad fad' lad> <lad fad' lad> <lad fad' lad> <lad fad' lad> |
1384     <si sol' si> <si sol' si> <si sol' si> <si sol' si>
1385     <si sol' si> <si sol' si> <si sol' si> <si sol' si> |
1386     <dod lad' dod>\psempre <dod lad' dod> <dod lad' dod> <dod lad' dod>
1387     <dod lad' dod> <dod lad' dod> <dod lad' dod> <dod lad' dod> |
1388     <re sib' re>4 r r2 |
1389     r4 <re re'>--\p r <re re'>-- r <re re'>-- r2 | R1
1390
1391     %%% Noir %%%
1392     R2.-\fermataMarkup R2.*4 R2 R2. R1 R2. R2
1393     R1*5 R1.*4 R1 R2.-\fermataMarkup R2.*8 R2.-\fermataMarkup
1394
1395     %%% Poco più %%%
1396     R2.*4 R2.-\fermataMarkup
1397
1398     %%% Andantino %%%
1399     R1 R2 R1 R2 R1 R2 R1 R2.
1400
1401     %%% Largo non troppo %%%
1402     <la'mi'>4\mp( <mi do'> <la mi'> <mi do'> <la mi'> <mi do'>) |
1403     <la mi'>( <mi si'> <la mi'> <mi si'> <la mi'> <mi si'>) |
1404     \simile <la mi'> <mi la> <la mi'> <mi la> <la mi'> <mi la> |
1405     <la mi'> <fa la> <la re> <fa la> <sold do> <mi sold> |
1406     <la mi'> <mi do'> <la mi'> <mi do'> <la mi'> <mi do'> |
1407     <sol re'>\mpsempre <re do'> <fa re'> <re do'> <fa re'> <re sol> |
1408     <sol mi'> <mi do'> <sol mi'> <mi do'> <sol mi'> <mi do'> |
1409     <fa re'> <re la'> <fa re'> <re la'> <fa re'> <re si'> |
1410     <la'mi'> <mi do'> <la mi'> <mi do'> <la mi'> <mi do'> |
1411     <sol re'> <re sol> <sol re'> <re sol> <sol re'> <re sol> |
1412     <sol mi'> <mi sol> <sol mi'> <mi sol> <sol mi'> <mi sol> |
1413     <la mi'> <mi la> <la mi'> <mi la> <la mi'> <mi la> |
1414     <sol mi'> <mi sol> <fa re'> <re fa> <fa re'> <re fa> |
1415     <fa re'> <re fa> <fa re'> <re fa> <fa re'> <re fa> |
1416     <mi re'> <re mi> <mi do'> <do mi> <mi do'> <do mi> |
1417     \cresc <fa do'> <do fa> <fa si> <si, fa'> <fa' la> <la, fa'> |
1418     <do la'> <la do> <si sol'?> <sold si> \clef bass <la do fa> <fa la do> |
1419     <mi la do mi>2--\f r1 <mi la si mi>2-- r | R1 R2. R2
1420   }
1421   \relative {
1422     sold,,2*1/4\pp\laissezVibrer
1423     sold'8-- \t {sold-- sold-- sold--}
1424     sold2--\laissezVibrer |
1425     \simile sold,2*1/4\laissezVibrer
1426     sold'8 \t {sold sold sold}
1427     sold2\laissezVibrer |
1428     sold,2*1/4\laissezVibrer
1429     sold'8 \t {sold sold sold}
1430     sold2\laissezVibrer |
1431     r8 <sold,sold'>
1432     \t {<sold sold'><sold sold'><sold sold'>} |
1433     <sold sold'>2 sold2*1/4\laissezVibrer
1434     <sold' sold'>8
1435     \t {<sold sold'><sold sold'><sold sold'>} |
1436
1437     %%% Vivo subito %%%
1438     <re re'>4 r r2 | R1*11 \clef treble
1439     r4 \st {<la'' sold'>8 <la sold'> <sold la'>4 r R1
1440     r4 <la'? re?> r <la re> |
1441     r <la, sold'>8 <la sold'> <sold la'>4} r R1*3 \clef bass
1442     fad8-.( dod-.) sold2.-- R1 |
1443     r4 <re re'>-- r2 R1*8 \clef treble
1444     r4 <re'' dod'>-. <dod re'>-. r R1 \clef bass
1445     r2 sold,4--\p r | fad-- r mib'-- r fa-- r do-- r sib-- r sol-- r la-- r mi-- r |
1446     r <re re'>-> r2 R2. R1
1447
1448     %%% Fugato %%%
1449     <mi, mi'>1\f\laissezVibrer s1 R2.*2 R2
1450     R1 R2. <mi' red'>2.\pp <red mi'>2 <mi red'> <red mi'>2. r4 | R2.*2 R1 \clef treble
1451     <lad''' si'>1 <si lad'>2. <lad si'> <si lad'>1~ <si lad'>2 r |
1452     R2.*2 R1*2 \clef bass
1453     sol,4.-- fad~-- fad2 r4 | r2 r4 <re, mib'>8-. <re mib'>-. |
1454
1455     %%% Stretto %%%
1456     <re re'>4-> <re, re'>-- r <re re'>-- r <re re'>-- r2 |
1457     <re' sib'>4-- <re sib'>-- <re sib'>-- <re sib'>-- |
1458     \simile <reb lab'> <reb lab'> <si sold'> <si sold'> |
1459     <sib fa'> <sib fa'> <sib fa'> <sib fa'> |
1460     \ottava #-1
1461     <sold mi'> <sold mi'> <sol re'> <sol re'> |
1462     <sold mi'> <sold mi'> <sol re'> <sol re'> |
1463     <fa re'> <fa re'> <fa re'> <fa re'> |
1464     <mi si'> <mi si'> <mi si'> <mi si'> |
1465     <re sib' re> \ottava #0 r r2 |
1466     r4 \loco re'-- r re-- r re-- r2 | R1
1467
1468     %%% Noir %%%
1469     R2.-\fermataMarkup R2.*4 R2 R2. R1 R2. R2
1470     R1*5 R1.*4 R1 R2.-\fermataMarkup R2.*8 R2.-\fermataMarkup
1471
1472     %%% Poco più %%%
1473     R2.*4 R2.-\fermataMarkup
1474
1475     %%% Andantino %%%
1476     R1 R2 R1 R2 R1 R2 R1 R2.
1477
1478     %%% Largo non troppo %%%
1479     \det {<la la'>2 <la' la'> <la, la'> <si si'> <si' si'> <si, si'>
1480     <do do'> <do' do'> <do, do'> <re re'> <re' re'> <re, re'> |
1481     <la la'> <la' la'> <la, la'> <si si'> <si' si'> <si, si'>
1482     <do do'> <do' do'> <do, do'> <re re'> <re' re'> <re, re'> |
1483     \pl {la la la si si si do do do dod dod dod re re re sol, sol sol do do do re, re re red red red mi}
1484     {la'4 la la la la la si si si si si si do do do do do do
1485       dod dod dod dod dod dod re re re re re re sol, sol sol sol sol sol do do do do do do
1486       \ottava #-1
1487     re, re re re re re red red red red red red mi mi} r1
1488     \pl mi,2 {mi'4 mi}} r2 R1 R2. \pl mi,4-. <red' mi>-.\sffz \ottava #0 r |
1489   }
1490 }
1491
1492 ActeDeuxSceneUnPiano = {
1493   \PianoDeuxMains
1494   \relative { \Piano
1495     R2.*4 R2 R2.*2 R2 \clef bass r8\p
1496     <sol lab sib dob re>\arpeggio ~
1497     <sol lab sib dob re>2\laissezVibrer R2.*2 R2 |
1498     R2. R2 R2.*2 R2 |
1499     r8 <sol lab si do mib>\arpeggio ~
1500     <sol lab si do mib>2\laissezVibrer |
1501     R2.*2 R2 | R2. R2 | R2.*2 | R2 | R2.*3 R2 \clef treble
1502
1503     %%% Entrée de la Soprano Deux %%%
1504     r2 r8 \st {<la' si>\p | r4 <re, mi la>8 r r4 |
1505     r <la' re mi>8 r r2 |
1506     r4 r8 <re mi la>} r4 | R1
1507     <la, mib' lab>2.\mp\arpeggio ~ <la mib' lab>2 |
1508     <sold re' sib'>2*3/2--\laissezVibrer R1
1509
1510     %%% Andantino %%%
1511     \ind #"soudain très clair" <re'mi la>2*2--\p \laissezVibrer R1 R2.
1512     <re la'>2*3/2--\laissezVibrer R2.*2 R2
1513     R2.*5 R1 R2. R2
1514     <si re la'>2*3/2--\laissezVibrer R1 R2. R1
1515     <si re la'>2*3/2--\laissezVibrer R1
1516     r4 <do re sol>--\p r R1 |
1517     r4 <re fa>-- r | <re fa>-- r <re fa>-- r |
1518     r \simile <la re mi> r | r <la re> r <la re> | r <la re> r |
1519     <re la'>2*2\laissezVibrer R2. R1 R2. R1 R2. R1
1520     r8\p sold,( dod <fad si> <mi' la re>4)\laissezVibrer | R1
1521
1522     %%% Entrée de la Contralto %%%
1523     <re, sold>2*3/2--\pp\laissezVibrer R1
1524     <la re mi sold>2*3/2--\laissezVibrer R1 |
1525     R2. R1 R2. R1 <la re>2*3/2\laissezVibrer R1 R2. |
1526     R1 <la re mi>4\p r8 <la re mi>4.\laissezVibrer | R1 R2. R1 |
1527     r4\p <do re> r | r8 <do re>4. r8 <do re>4. |
1528     r4 <do re> r | r8 <do re>4. r8 <do re>4. |
1529     r4 <do re sol>-- r | r <do re> r | <fa sib mib>-- r2 |
1530     r4\mp <do fa> <do fa> | r <si mi> <si mi> |
1531     r  <do fa> <do fa> | r <si mi> r R2.
1532     <do fa sib>2*3/2--\laissezVibrer R2. R1 R2.
1533     <dod fad>2*2--\pp\laissezVibrer R2. R1
1534     r4\p <mib solb> <mib solb> | r <do fa> r8 <do fa>4. |
1535     r4 <mib solb> <mib solb> | r2 <do fa sib>2--\laissezVibrer R2. R1
1536     <re la'>2*3/2--\pp\laissezVibrer R1 R2. R2
1537     <la re fad>2*2\arpeggio \laissezVibrer R2. R1 R2. R1 R2. R1
1538   }
1539   \relative {
1540     R2.*4 R2 R2.*2 R2 mi,,2.\laissezVibrer R2.*2 R2 |
1541     R2. R2 R2.*2 R2 | mi2.\laissezVibrer | R2.*2 R2 |
1542     R2. R2 | R2.*2 | R2 | R2.*3 R2 \clef treble
1543
1544     %%% Entrée de la Soprano Deux %%%
1545     r2 r8 \st {<dod''mi> | r4 <fad,si>8 r r4 |
1546     r <dod'fad sold>8 r r2 | r4 r8 <mib lab sib>} r4 |
1547     R1 \clef bass <fa,, mi'>2.\arpeggio ~ <fa mi'>2 |
1548     <mi red'>2*3/2--\laissezVibrer R1
1549
1550     %%% Andantino %%%
1551     sib'2*2--\laissezVibrer R1 R2.
1552     <mi si'!>2*3/2--\laissezVibrer R2.*2 R2
1553     R2.*5 R1 R2. R2
1554     <fad,dod'mi>2*3/2--\laissezVibrer R1 R2.
1555     \st {do'4( sol' fad)} r | <fad,dod'mi>2*3/2--\laissezVibrer R1
1556     r4 <sib fa'>-- r R1
1557     r4 <mib lab sib>-- r | <mib lab sib>-- r <mib lab sib>-- r |
1558     r sib r | r <si mi> r <si mi> | r <si mi> r |
1559     R1 R2. R1 R2. R1 R2. R1
1560     fad2*3/2\laissezVibrer R1
1561     <sold'dod>2*3/2--\laissezVibrer R1
1562     fad,2*3/2--\laissezVibrer R1
1563     R2. R1 R2. R1 do2*3/2\laissezVibrer R1 R2.
1564     R1 dod2*3/2\laissezVibrer R1 R2. R1
1565     fad4 r fad' | fa, r fa' r | fad, r fad' | fa, r fa' r |
1566     fad, r fad' | sol,2.~ sol4 r2 |
1567     sib4 r2 | si4 r2 | sib4 r2 | si4 r2 |
1568     R2. mib2*3/2--\laissezVibrer R2. R1 R2.
1569     <re si'>2*2--\laissezVibrer R2. R1
1570     lab4 r lab' | la, r la' r | lab, r lab' |
1571     sol,2*2\laissezVibrer R2. R1
1572     re2*3/2--\laissezVibrer R1 R2. R2
1573     <sib' fa' sold>2*2 \arpeggio \laissezVibrer
1574     R2. R1 R2. R1 R2. R1
1575   }
1576 }
1577
1578 ActeDeuxSceneUnBisPiano = {
1579   \PianoDeuxMains
1580   \relative { \Piano
1581     R1 R2. R2 R1*5/4*6 \clef bass |
1582     r1 \acc {mi,,4( <red sold>) r r2 mi4( |
1583     <red sold> r sol <mi si'>) r |
1584     r2 mi4( <red sold> sol | <mi si'>) r sib' r <sib re>( |
1585     <la fad'>) r <re fa>( <dod la'>) r | <mid fad dod'>\sfz} r1 |
1586     R1*5/4*8 \clef treble \acc {<sol la mib' fad>4 r2 <sol la mib' fad>4 r |
1587     <sol la mib' fad> r <sol la mib' fad> r2 |
1588     <sol la mib' fad>4 r r8 <sol la mib' fad> r2 | <re' do'>4\sfz} r1 |
1589     R1*5/4*6 <lab re fa sol lab>1*5/4\mf\laissezVibrer \arpeggio
1590     R1*5/4*11 \clef bass <re, fad dod'>4-> r1 | R1*5/4-\fermataMarkup
1591
1592     %%% Boum %%%
1593     R1*5/4*13 | \clef treble
1594     \dynamicUp
1595     \cmb #"mf" #"legato con Ped."
1596     <sol' sib mib>8( \mg <mib, lab dob> \md \dynamicNeutral
1597     <sol' sib mib> \mg <mib, lab dob> \md
1598     <sol' sib mib> \mg <mib, lab dob> \md
1599     <fab' lab reb> \mg <fa, sib re> \md
1600     <fab' lab reb>) \mg <fa, sib re> \md
1601     <sol' sib mib>( \mg <mib, lab dob> \md
1602     <sol' sib mib> \mg <mib, lab dob> \md
1603     <fab' lab reb> \mg <fa, sib re> \md
1604     <fab' lab reb> \mg <fa, sib re> \md
1605     <fab' lab reb>) \mg <fa, sib re> \md |
1606     <sol' sib mib>( \mg <mib, lab dob> \md
1607     <sol' sib mib> \mg <mib, lab dob> \md
1608     <sol' sib mib> \mg <mib, lab dob> \md
1609     <sol' sib mib>) \mg <mib, lab dob> \md
1610     <fab' lab reb>(\< \mg <fa, sib re> \md |
1611     <fab' lab reb> \mg <fa, sib re> \md
1612     <fab' lab reb> \mg <fa, sib re> \md
1613     <sol' sib mib> \mg <mib, lab dob> \md
1614     <sol' sib mib> \mg <mib, lab dob> \md
1615     <sol' sib mib>) \mg <mib, lab dob> \md |
1616     <sib'' mib lab>\! \mg <mi,,,, mi'>2*1/4->\laissezVibrer \md
1617     <sib'''' mib lab>8 \mg <sib,, mib lab> \md
1618     <sib'' mib lab> \mg <sib,, mib lab> \md
1619     <sib'' mib lab> \mg <sib,, mib lab> \md
1620     <sib'' mib lab> \mg <sib,, mib lab> \md |
1621     <sib'' mib lab> \mg <sib,, mib lab> \md
1622     <sib'' mib lab> \mg <sib,, mib lab> \md
1623     <sib'' mib lab> \mg <sib,, mib lab> \md
1624     <sib'' mib lab> \mg <sib,, mib lab> \md
1625     <sib'' mib lab> \mg <sib,, mib lab> \md |
1626     <sib'' mib>( \mg <mib,, lab> \md
1627     <sib'' mib> \mg <mib,, lab> \md
1628     <sib'' mib> \mg <mib,, lab> \md
1629     <sib'' mib> \mg <mib,, lab> \md
1630     <sib'' mib>) \mg <mib,, lab> \md |
1631     <reb'' fa sib> \mg \stemDown <mi,,,, mi'>2*1/4->\laissezVibrer \stemNeutral \md
1632     <reb'''' fa sib>8 \mg <lab,, reb fa> \md
1633     <reb'' fa sib> \mg <lab,, reb fa> \md
1634     <sib'' mib lab>( \mg <sib,, mib lab> \md
1635     <sib'' mib lab> \mg <sib,, mib lab> \md |
1636     <reb'' fa sib> \mg <lab,, reb fa> \md
1637     <reb'' fa sib>) \mg <lab,, reb fa> \md
1638     <sib'' mib lab>(\< \mg <sib,, mib lab> \md
1639     <sib'' mib lab> \mg <sib,, mib lab> \md
1640     <reb'' fa sib>) \mg <lab,, reb fa> \md
1641     <mib''' lab dob>\! \mg \stemDown <mi,,,,! mi'!>2*1/4->\laissezVibrer \stemNeutral \md
1642     <mib'''' lab dob>8 \mg <sol,,, sib mib> \md
1643     <mib''' lab dob> \mg <sol,,, sib mib> \md
1644     <reb''' fa sib>( \mg <lab,, reb fa> \md
1645     <reb'' fa sib> \mg <lab,, reb fa> \md |
1646     <mib''' lab dob> \mg <sol,,, sib mib> \md
1647     <mib''' lab dob>) \mg <sol,,, sib mib> \md
1648     <reb''' fa sib>(\< \mg <lab,, reb fa> \md
1649     <reb'' fa sib> \mg <lab,, reb fa> \md
1650     <reb'' fa sib> \mg <lab,, reb fa> \md |
1651     <mib''' lab dob> \mg <sol,,, sib mib> \md
1652     <mib''' lab dob> \mg <sol,,, sib mib> \md
1653     <mib''' lab dob>) \mg <sol,,, sib mib> \md
1654     <reb''' fa sib> \mg <lab,, reb fa> \md
1655     <mib''' lab dob> \mg <sol,,, sib mib> \md |
1656     <fa''' sib re>\! \mg \stemDown <mi,,,, mi'>4*1/2->\laissezVibrer \stemNeutral \md
1657     <fa'''' sib re>8 \mg <sold,,, dod> \md
1658     <fa''' sib re> \mg \stemDown <mi,,,, mi'>2*1/4->\laissezVibrer \stemNeutral \md
1659     <fa'''' sib re>8 \mg <sold,,, dod> \md
1660     <fa''' sib re> \mg <dod,, sold'> \md |
1661     <fa'' sib>\>( \mg mi,,, \md
1662     <fa''' sib> \mg <dod,, sold'> \md
1663     fa'') \mg <sold,, dod> \md <dod sold'>2--\p\laissezVibrer |
1664     r1 <red sold>4--\laissezVibrer | R1*5/4
1665     <dod sold'>1*5/4--\laissezVibrer | r4 <dod sold'>1--\laissezVibrer |
1666     r2 <dod lad'>2.--\laissezVibrer |
1667
1668     %%% Moderato assai %%%
1669     R1*7/4*7 \clef bass
1670     r4\pp \acciaccatura do,8 reb4-. \acciaccatura sold8 la4-. | R1
1671     r4 \acciaccatura fad8 sol4-. \acciaccatura re'8 mib4-. | R2
1672     r4 \acciaccatura si,8 do4-. \acciaccatura sol'8 lab4-. |
1673     r <si do sol'>2--\arpeggio |
1674     \simile r4 \acciaccatura si,8 do4 \acciaccatura sol'8 lab4 |
1675     r <red, sold si>2\arpeggio |
1676     r4 \acciaccatura si8 do4 \acciaccatura sol'8 lab4 |
1677     r \acciaccatura fad8 sol4 \acciaccatura la8 sib4 |
1678     r \acciaccatura red,8 mi4 \acciaccatura si'8 do4 |
1679     r <sol lab mi'>2\arpeggio | R2. \clef treble |
1680     <re' la' re>1\arpeggio \laissezVibrer r2 r4 | R1*7/4*2 \clef bass |
1681     r4 \acciaccatura fa,8 solb4-. \acciaccatura dod8 re4-. |
1682     r <dod, re la'>-.\arpeggio r |
1683     \simile r \acciaccatura fa8 solb4 \acciaccatura dod8 re4 |
1684     r <la re fa>\arpeggio r |
1685     r \acciaccatura fa8 solb4 \acciaccatura dod8 re4 |
1686     r \acciaccatura lad8 si4 \acciaccatura red8 mi4 |
1687     r \acciaccatura la,8 sib4 \acciaccatura fa'8 fad4 |
1688     R1*7/4*4 \clef treble |
1689     \repeat volta 2 { \det {<dod mi la>1\p <sib re sol?>2.
1690     <dod mi la> <sib re sol>1} R1*7/4 }
1691     <sib re sol>1*7/4\arpeggio \laissezVibrer R1*7/4
1692
1693     %%% Presto subito %%%
1694     \tt {\ind #"staccato leggiero" <mi sol>8\mp \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1695     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1696     \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1697     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1698     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1699     \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1700     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1701     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1702     \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1703     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1704     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1705     \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1706     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1707     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1708     \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1709
1710     %%% Tempo giusto %%%
1711     <mi' sol>4 r <mi sol>8\pp( fad,) | <mi' sol>4-. r <fa lab>-. |
1712     <mi sol>-. r <mi sol>8( fad,) | <mi' sol>4-. r <mi sol>8( fad,) |
1713     <mi' sol>4-. r <mi sol>8( fad,) | <mi' sol>4-. r <fa lab>-. |
1714     <mi sol>-. r8 fad,( <fa' lab>4-.) | <re la'>4-. r sol,8( re' la' sib |
1715     <mi, si'>4-.) r8 dod <fad si>( dod) | <sold' si>4-. r <la do>8( re, |
1716     <fa do'>4-.) r <la do>-. <lad dod>8( red,) r4 <si' re>-.\< <do mib>-.\! r R4. |
1717     r8 <lab re sol>~->\mf\< \t {<lab re sol> <lab re sol> <lab re sol>} |
1718     \t {<la red sold> <la red sold> <la red sold>}
1719     \t {<sib mi la> <sib mi la> <sib mi la>} |
1720     <sol do sib'>4--\f \st {<re' re'>8 <fad fad'> <re re'> <fa fa'> <dod dod'> |
1721     <fad, fad'>-> r r2 |
1722     r4 <re' re'>8 <fad fad'> <dod dod'> <fa fa'> <re re'> |
1723     <fad, fad'>-> r r2 | r8 <re' re'>\< <red red'> <mi mi'> <fa fa'> |
1724     <fad fad'>->\! \t {la16( do sib} mib8-.) \t {fa,16( lab solb} |
1725     si8) dod,16\< mi re sol} |
1726     <la, la'>4->\! r2 | R2.*3 \clef bass
1727     r8\pp mib,( sol do) mi,( lab | mib') lab,( si) mi,( sol sib |
1728     mib) mi,( sol do) mib,( si' | sol') mib,( sol do sol') si,( |
1729     mib) mi,( lab sol do si \clef treble | mi mib sol lab si do) |
1730     r4 \t {si,8( mib sol)} \t {re( fad sib)} |
1731     \t {sib,( re fad)} \t {si,( mib sol)} \t {fad,( sib re)} |
1732     \t {mib( sol si)} \t {do( mi sold} \t {la dod fa} |
1733     <la, la'>2.\mp)\laissezVibrer R2. R2 R4. R2 R1*5/8 R2.
1734
1735     %%% Tempo I %%%
1736     R1
1737     \acc {<solb, fa'>4\mf r2 <solb fa'>4 r <solb fa'> r <solb fa'> r2 |
1738     <solb fa'>4 r r8 <solb fa'> r2 \clef bass | <lab,, do>4\sffz} r1\fermata
1739     R1*5/4*21
1740   }
1741   \relative { \clef bass
1742     R1 R2. R2 R1*5/4*6
1743     r1 \ottava #-1 si,,4->( \acc {<sol? do>) r r2 si4( |
1744     <sol do> r do <sold red'>) r |
1745     r2 si4( <sol do> do <sold red'>) \ottava #0
1746     r \loco la' r <fa la>( <dod sib'>) r <sib' dod>( <fa re'>) r |
1747     <re la' sib>\sfz} r1 | R1*5/4*8
1748     \acc {<re do'>4 r2 <re do'>4 r <re do'> r <re do'> r2 |
1749     <re do'>4 r r8 <re do'> r2 | <sold si fa' sol!>4\sfz} r1 |
1750     R1*5/4*3
1751     \det {do1*5/4 re fa2~} fa8 sol~-- sol2 |
1752     <do, fa>1*5/4\laissezVibrer \arpeggio R1*5/4*11
1753     \ottava #-1 <mi,, fa'>4-> \ottava #0 r1 | R1*5/4-\fermataMarkup
1754
1755     %%% Boum %%%
1756     R1*5/4*13
1757     s1*5/4*14
1758     R1*5/4*5
1759
1760     %%% Moderato assai %%%
1761     R1*7/4*7
1762     \stdet {fa'4 r2 R1 si4 r2 R2 |
1763     mi,4 r2 red'4} r2 | mi,4 r2 sol4 r2 |
1764     mi4 r2 | fad4 r2 sol4 r2 | la4 r2 r4 do2 |
1765     <fa, mib'>1\arpeggio r2 r4 R1*7/4*2 |
1766     \stdet {sib4 r2 fad4} r2 | sib4 r2 dod4 r2 |
1767     sib4 r2 do4 r2 re4 r2 |
1768     R1*7/4*4 |
1769     \repeat volta 2 {\det {<la re fa>1 <si? mi sold>2.
1770     <la re fa> <si mi sold>1} R1*7/4}
1771     <si mi sold>1*7/4\arpeggio R1*7/4
1772
1773     %%% Presto subito %%%
1774     s1.*5
1775     \st {re,4\p mib' fa, | re mib' fa, | re mib' fa, |
1776     re mib' fa, | re mib' fa, | re mib' fa, |
1777     mib' sib si' | mi,, si' R2 |
1778     <fad dod'>4 sold' r | <fad, dod'> <si la'> r |
1779     <sold fad'> re' red | <sold, fad'> fad la | fa4} r R4. |
1780     <mi' la red>4~-> \t {<mi la red>8 <mi la red> <mi la red>}
1781     \t {<fa sib mi> <fa sib mi> <fa sib mi>}
1782     \t {<fad si mid> <fad si mid> <fad si mid>} |
1783     <mib,, mib'>2--\laissezVibrer R4. R2. |
1784     <mib mib'>2--\laissezVibrer R4. R2. |
1785     <mib mib'>2*5/4--\laissezVibrer |
1786     <la la'>2\laissezVibrer R4. <la' la'>4-> r2 | R2.*3
1787     <sol, sol'>2.--\laissezVibrer s
1788     <sol sol'>--\laissezVibrer s |
1789     <sol sol'>--\laissezVibrer s |
1790     <sol sol'>--\laissezVibrer s s |
1791     <sold sold'>2.\mp\laissezVibrer R2. R2 R4. R2 R1*5/8 R2.
1792
1793     %%% Tempo I %%%
1794     R1
1795     \acc {<lab' sol'>4 r2 <lab sol'>4 r <lab sol'> r <lab sol'> r2 |
1796     <lab sol'>4 r r8 <lab sol'> r2 | \ottava #-1
1797     <re,, sol dod>4} r1\fermata |
1798     R1*5/4*21
1799   }
1800 }
1801
1802 ActeDeuxSceneDeuxPiano = {
1803   \PianoDeuxMains
1804   \relative { \Piano
1805     R1.*6 R1*2 R2. \clef bass |
1806     \mg <re,, re'>16->\mf \md <re' sol lab dod>-.
1807     <re sol lab dod>-. \mg <fa, fa'>->
1808     \md <re' sol lab dod>-. \mg <re, re'>->
1809     \md <re' sol lab dod>-. \mg <fa, fa'>->
1810     \md <re' sol lab dod>-. \mg <fad, fad'>->
1811     \md <re' sol lab dod>-. <re sol lab dod>-. |
1812     <fa la sib mi>8.-> <fa la sib mi>16-.
1813     r8 <fa la sib mi>16-. <fa la sib mi>-.
1814     r <fa la sib mi>-. <fa la sib mi>8-- |
1815     r16 <re sol lab dod>8\< <fa la sib mi>16 r
1816     <re sol lab dod> <fa la sib mi>8 r16 <fa la sib mi>\! r8 |
1817     R2. R1.*3 | R1*2 R2. |
1818     \mg <si,, si'>16->\mf \md <re' sol lab dod>-. <re sol lab dod>-. \mg <re, re'>->
1819     \md <re' sol lab dod>-. \mg <si, si'>-> \md <re' sol lab dod>-. \mg <re, re'>->
1820     \md <re' sol lab dod>-. \mg <red, red'>-> \md <re' sol lab dod>-. <re sol lab dod>-.
1821     <re sol lab dod>-. \mg <si, si'>-> \md re' \mg <red, red'>-> \md |
1822     r \st {mi' dod re do mib} |
1823     \cmb #"p" #"sec" si8 \st {si16 si \mg si, \md si' si \mg si, \md si' si
1824     \mg sold, \md si' si \mg sold \md si si |
1825     \mg si, \md si' si si si si \mg sold, \md si'
1826     si \mg sol, \md si' si si \mg sol \md si si |
1827     \mg si, \md si' si si \mg lad-> \md si \mg si, \md si'
1828     si \mg si, \md si' si si \mg lad-> \md si si |
1829     \mg si, \md si' si \mg si, \md si' si \mg si, \md si'
1830     r8 \mg si,16 \md si' si si \mg lad \md si |
1831     \mg si, \md si' si \mg <fad'dod'> \md si, si \mg si, \md si'
1832     \mg <fad'dod'> \md si, \mg si, \md si' si \mg <dod'sold'> \md si, si |
1833     \mg si, \md si' si \mg si, \md si' si \mg si, \md si'} r2 |
1834     R2. R1. R1*2 R2.*3 R2 R2.*3 R2
1835     r16 \st {la'16\< fad sol fa lab} |
1836     \cmb #"p" #"sec" mi\! \st {mi mi \mg sol, \md mi' \mg mi, \md mi' mi
1837     \mg mi, \md mi' \mg sol, \md mi' \mg mi, sol \md mi' mi |
1838     \mg mi, \md mi' mi \mg sol, \md mi' \mg mi, sol \md mi'
1839     \mg mi, \md mi' \mg sold, \md mi' mi \mg mi' \md mi, mi |
1840     \mg mi, \md mi' mi \mg sol, \md mi' \mg mi, \md mi' mi
1841     \mg mi, \md mi' mi \mg sol, \md mi' \mg sold, \md mi' mi |
1842     \mg mi, \md mi' mi \mg la, \md mi' \mg mi, \md mi' \mg la,
1843     \md mi' mi \mg re \md mi \mg la, mi \md mi' mi |
1844     \mg mi, \md mi' \mg la, re \md mi mi }
1845     <re sol do>8 r8 r16 \st {la'\mp fad sol fa lab} |
1846     mi8-- \clef treble \st {<si' dod sold'> %% FIXME Issue #400
1847     <si dod sold'> r | r <dod red lad'> <dod red lad'>} r |
1848     r \simile <fad si dod> <fad si dod> r | r <si dod mi> <si dod mi> r |
1849     r <lad si fad'> <lad si fad'> r |
1850     r32 sold\mp\<( mi sold fadd lad fadd lad sold si sold si lad\> dod mi sold |
1851     si2*2\!)\laissezVibrer R2.
1852     R1. R1 R1.
1853     <la,, sib re la'>1*3/2\p\laissezVibrer \arpeggio R2. R1
1854     R2. R1 R2. R1 R2. R1 R2.
1855     R1 R2. R1 R2. R1 R2. R1
1856     R2. R1 R2. R1 R2. R1 R2.
1857     <la' la'>4--\pp \st {la8 \mg la, \md dod' \mg dod, \md fa'\< \mg fa,} |
1858     \md <la la'>4--\! \st {la8 \mg la, \md do'! \mg do,! \md mib'\< \mg mib,
1859     \md fad' \mg fad,} \md | <la la'>4--\! s s2 s1*2 |
1860     <sold' la'>8-.-> r2 | r4 r8 <la,, re mib sold>-> r |
1861     <la re mib sold>-> r r4 <mib' re' mib>8-. |
1862     <re' mib>-. r4 <mib, sold la re>8-. r | R2*5/4
1863     \acc {<la, re sold>4\sfz r r8 | R2*5/4
1864     r4 r8 <la re mib sold> r | r4 <re mib>8 r4 |
1865     <la re sold>4\sfz r r8 | R2*5/4*4
1866     R1*2 \clef bass <do,! la' dod>4\sffz} r r2 \clef treble |
1867     r4 \st {<re' dod'>\pp <si lad'> r | r <si lad'> <lab sol'>} r | R1
1868     mi'1->\p\laissezVibrer s1*2 <si' sold'>4-.-> r2 |
1869     r8*1/2 s8. r4 | R1*2 R2.*4
1870     r8 r16 <sold dod>( <fa mi'>8-.) r r4 |
1871     r8 r16 <sold red'>( <fa! fad'>8-.) r r4 | R2.
1872     R2*2 R2.*2 R2*5 \clef bass
1873     <re, sib' re>16\ppleggiero <re sib' re> <re sib' re> <re sib' re>
1874     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1875     <re sib' re> <re sib' re> <re sib' re> <re sib' re>
1876     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1877     <re sib' re> <re sib' re> <re sib' re> <re sib' re>
1878     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1879     <re sib' re> <re sib' re> <re sib' re> <re sib' re>
1880     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1881     <mi do' mi>8 r r4 R2*4 \clef treble r8 \st {<dod' mi sold>\pp <do fa la>} r |
1882     R2 \clef bass |
1883     <re, sib' re>16\pp <re sib' re> <re sib' re> <re sib' re>
1884     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1885     <re sib' re> <re sib' re> <re sib' re> <re sib' re>
1886     <mi sold mi'> <mi sold mi'> <mi sold mi'> <mi sold mi'> |
1887     <re sib' re>8 \clef treble <re' fad>-. <mib sol>-. r | R2*6
1888     R2.*7 \ottava #1 |
1889     \det {<dod'' fad dod'>4\ppp( <red sold red'>)} r8 <si lad'> |
1890     \det {<dod fad dod'>4( <sold red' sold>)} \ottava #0 r | R2.
1891     \ottava #1
1892     \det {<dod sold' dod>4\ppp( <sol' dod sol'> <dod, sol'? dod>) |
1893     <red sold red'>( <lad' red lad'>) r <dod, sol' dod>( <sold' dod sold'>) r |
1894     <dod, sold' dod>\>( <la' fa' la>\!)} \ottava #0 r R2.*2 |
1895   }
1896   \relative {
1897     R1.*6 R1*2 R2.
1898     s2. <re,, re'>8-> \st {mib re fa re lab' |
1899     fa sib lab si dod mi fa\> mi sol sib} dod4--\! | R1.*3
1900     R1*2 R2.
1901     s1 r16 \st {mi,, dod re do mib} |
1902     si4 s2. | s1*4 s2 r2 |
1903     R2. R1. R1*2 R2.*3 R2 R2.*3 R2
1904     r16 \st {la'16 fad sol fa lab} |
1905     mi8 s8 s4 s2 s1*3 s2 r8 r16 \st {la fad sol fa lab} mi8-- r r dod-. |
1906     mi-- r \st {dod do} | \simile mi-- r r dod-. mi r dod do mi4 r8 mi mi r r4 |
1907     <dod dod'>2*2--\laissezVibrer R2.
1908     R1. R1 R1.
1909     <sol' re'>1*3/2\laissezVibrer \arpeggio R2. R1
1910     R2. R1 R2. R1 R2. R1 R2.
1911     R1 R2. R1 R2. R1 R2. R1
1912     R2. R1 R2. R1 R2. R1 R2.
1913     <la la'>4-- s s2 |
1914     <la la'>4-- s s2. |
1915     <la la'>8-- \st {mib sol \md fad' sib \mg sib, re \md dod' |
1916     fa \mg fa, la \md sold' do \mg do, mi \md mib' |
1917     sol\< sol, si sib' re re, fad fa'\!} \mg |
1918     <la,,,,, sold'>8-.-> r2 | r4 r8 <la' sold'>-> r |
1919     <la sold'>8-> r r4 <la, sold'>8-. | <sold'' la>-. r2 | R2*5/4
1920     <sold,, mib' la>4->\sfz r r8 | R2*5/4
1921     r4 r8 <la' sold'>-> r | r4 <re mib>8-> r4 |
1922     <re, sold mib'>4->\sfz r r8 | R2*5/4*4
1923     R1*2 <si lad'>4->\sffz r r2 |
1924     r4 \st {<mi red'> <sol fad'> r | r <reb do'> <mi red'>} r | R1
1925     r8 <mi mi'>\pp\< \t {<mi mi'> <mi mi'> <mi mi'>} <mi mi'>4--\! <mi mi'>~-- |
1926     <mi mi'>8 <mi mi'>\< \t {<mi mi'> <mi mi'> <mi mi'>} <mi mi'>4--\! <mi mi'>~-- |
1927     <mi mi'>8 <mi mi'>\< \t {<mi mi'> <mi mi'> <mi mi'>} <mi mi'>2--\! |
1928     <re' dod'>4-.-> r2 |
1929     r16 r32 \stemUp <sold, si fa'>\p[ \md \stemDown <dod' mib re'>8-.] \stemNeutral \mg r4 |
1930     R1*2 R2.*4 r8 r16 <dod, fad>( <sib la'>8-.) r r4 |
1931     r8 r16 <la mi'>( <fad sol'>8-.) r r4 | R2.
1932     R2*2 R2.*2 R2*5 <re sib'>8 <re sib'> <re sib'> <re sib'> |
1933     <re sib'> <re sib'> <re sib'> <re sib'> |
1934     <re sib'> <re sib'> <re sib'> <re sib'> |
1935     <re sib'> <re sib'> <re sib'> <re sib'> |
1936     <dod sold'> r r4 | R2*4
1937     r8 \st {la'\pp sold} r | R2
1938     <re sib'>8 <re sib'> <re sib'> <re sib'> |
1939     <re sib'> <re sib'> sold sold | <re sib' re> \st {<sol' si> <fad lad>} r |
1940     R2*6
1941     R2.*7 \clef treble
1942     \pl {<fa'! do'!>2. <fa! do'>2} {fad'4--( sold--) r fad-- s } r4 |
1943     R2.
1944     \pl {<la, do mi>2.-- <la do mi>-- <sib re sol>-- <la do mi>2-- }
1945     {sold'4--( <sold dod>-- sold--) sold--( <sold red'>--) r4 |
1946     s4 dod-- r4 sold--( <dod fa>--)} r4 | R2.*2
1947   }
1948 }
1949
1950 ActeDeuxSceneTroisPiano = {
1951   \PianoDeuxMains
1952   \relative { \Piano
1953     %%% Larghetto %%%
1954     R4.*30 \clef bass |
1955     s4.*5 R4.*2 s4.*3 R4.*2 s4.*4 R4.*2 s4.*3
1956     \st {<re, sib' re>16\ppleggiero <re sib' re> <re sib' re> <re sib' re> |
1957     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1958     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1959     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1960     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1961     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1962     <re sib' re> <re sib' re> <re sib' re>} <re sib' re>( |
1963     <mi do' mi>) \st {<mi do' mi> <mi do' mi> <mi do' mi> |
1964     <mi do' mi> <mi do' mi> <mi do' mi> <mi do' mi> |
1965     <mi do' mi> <mi do' mi> <mi do' mi> <mi do' mi> |
1966     <mi do' mi> <mi do' mi> <mi do' mi> <mi do' mi> |
1967     s4
1968     <mi do' mi>16 <mi do' mi> <mi do' mi> <mi do' mi> |
1969     <mi do' mi> <mi do' mi> <mi do' mi>} <mi do' mi>( |
1970     <mid dod' mid>8) s16 \st {<mid dod' mid> |
1971     <mid dod' mid> <mid dod' mid> <mid dod' mid> <mid dod' mid> |
1972     si8-- <mid dod' mid>16 <mid dod' mid> |
1973     <mid dod' mid>\ppsempre <mid dod' mid> <mid dod' mid> <mid dod' mid> |
1974     <mid dod' mid> <mid dod' mid> <mid dod' mid> <mid dod' mid> |
1975     <mid dod' mid> <mid dod' mid> <mid dod' mid> <mid dod' mid> |
1976     <mid dod' mid> <mid dod' mid> <mid dod' mid> <mid dod' mid> |
1977     \clef treble
1978     <sol mi' sol> <sol mi' sol> <sol mi' sol> <sol mi' sol> |
1979     <sol mi' sol> <sol mi' sol> <sol mi' sol> <sol mi' sol> |
1980     <sol mi' sol> <sol mi' sol> <sol mi' sol> <sol mi' sol> | R4
1981     <lab re sol>16 <lab re sol> r <lab re sol> |
1982     <lab re sol> <lab re sol> r <lab re sol> |
1983     <lab re sol> <lab re sol> r <lab re sol> r8 |
1984     r16 <lab reb sol> r <lab reb sol> |
1985     r <lab reb sol> r <lab reb sol> |
1986     r <lab reb sol> r <lab reb sol>} | R4*4
1987     \clef bass
1988     s4.*5 R4.*2 s4.*7 \clef treble
1989     <do' sol' re'>16\pleggiero <do sol' re'> <do la' re> <do la' re> |
1990     <do sol' re'> <do sol' re'> <do la' re> <do la' re> |
1991     <do re sol> <do re sol> <do re la'> <do re la'> |
1992     <do re sol> <do re sol> <do re la'> <do re la'> |
1993     <sol la do>\> <sol la do> <sol la re> <sol la re> |
1994     <sol la do> <sol la do> <sol la re> <sol la re> |
1995     <re sol do> <re sol do> <la re> <la re>\! \clef bass |
1996     \cmb #"pp" #"secco" <re, sib' re>\< <re sib' re> <re sib' re> <re sib' re> |
1997     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1998     <mi do' mi>8->\! r R4 |
1999     <re sib' re>16\< <re sib' re> <re sib' re> <re sib' re> |
2000     <mi do' mi>8->\! r r4 |
2001     <dod sib' dod>16\< <dod sib' dod> <re sib' re> <re sib' re> |
2002     <mi do' mi>8->\! r R4*3 \clef treble |
2003     <re' la' mi'>4\p\arpeggio \laissezVibrer s4 R4*3
2004     r8 <dod red>-.\pp r <dod red>-. |
2005     r <do re sol>-. r <do re sol>-. |
2006     R2.-\fermataMarkup R2.*2
2007     r8 \st {<la sold'>\p la' <sol, fad'>
2008     sol' r | R2.
2009     r8 <la, sold'> la' <sol, fad'>
2010     sol' r | R2.
2011
2012     %%% Interlude %%%
2013     r8 <la, sold'> la' r <do, si'> do' r <mib, re'>} |
2014     <mi red'>2\laissezVibrer \clef bass |
2015     r8 <fa, mi'>\pp~ <fa mi'>16 <mi fa'>8.~
2016     <mi fa'>2\laissezVibrer s
2017     r4 \set tieWaitForNote = ##t
2018     \t {la8 fa~ mi'~} <fa, mi'>2\laissezVibrer
2019     \set  tieWaitForNote = ##f
2020     R2
2021     r4*1/2 s8 \tt {mi'16 mi,( dod' fa8)~} fa4 |
2022     \clef treble <reb do'>4.\p \> <do' si'>8~ |
2023     <do si'> <si do'>4.\! |
2024     \t {do8( si') fa16 solb} s4 |
2025     r8 r16 <la sold'>-.->\pp r8 <sold la'>---> |
2026     r <la sold'>---> r16 <sold la'>8.---> |
2027     r16 <la sold'>8.---> <sold la'>4---> |
2028     <la sold'>---> r <do la'>16->\mp <do la'>-> |
2029     <si fad' lad>4--\laissezVibrer r4 |
2030     R2*2
2031     la,4--(\p <re, dod'>--) R2*2 r4 <re fad dod'>--( |
2032     <si! fa' sib>--) r r <fa' la mi'>--( |
2033     <re sold dod>--) r8 mib16-.( sib--~|
2034     \tt {sib re' la dod' sold } sol'4->) |
2035     \st {\ottava #1 r16
2036     \pl {do,, fad8} {si16 fa' sib}
2037     \ottava #0 r8 sold,,16 <re dod'> |
2038     r sol' r8 r4 |
2039     r8 <sold la'>\pp r r16 <la sold'> |
2040     r8 <sold la'> r16 <la sold'> r8 |
2041     r <sold la'>\< r r16 <la sold'> |
2042     r8 <sold la'> r16 <la sold'>} r4 |
2043
2044     %%% Quatuor %%%
2045     <sold la'>8--\! r r4 R4. R2 R4. R2 R4.*2
2046     R2.-\fermataMarkup R2.*6 R2*2 R2. \clef bass
2047
2048     %%% Air baryton 1 %%%
2049     \cmb #"p" #"sombre" do,,,8( do \t {do\> do do} |
2050     do4--\! do--)~ do do,-- r |
2051     do'8(\< do \t {do\> do do} |
2052     do4--\! do--)~ do do,-- r |
2053     do'8(\< do \t {do\> do do} |
2054     do4--\! do--)~ do do-- r |
2055     do,8( do \t {do-- do-- do--} |
2056     do2--) s2. R2 s4. R2 s4. s8 r r4 |
2057     R2 <do do'>4--\mp <do do'>8-- <do do'>--
2058     \t {<do do'>--( <do do'>-- <do do'>--)} | s2
2059     R2 r4 r8 <dod dod'>--\< \t {<dod dod'> <dod dod'> <dod dod'>} |
2060     <re re'>1--->\!\laissezVibrer s2. R2 |
2061
2062     %%% Doppio tempo %%%
2063     R2*7 R2.*7 R2 R2.
2064     r4\pp <si'' re mi>--~ <si re mi>2 <la re mi>4--~ |
2065     <la re mi>2 <si re mi>2.-- <la re mi>2-- |
2066     R2. R2 R2. R2 R2. R2 R2. |
2067     r4 <re, re'>4-- <re re'>8-.( <re re'>-.
2068     \mg <re re'>-.) \md \clef treble |
2069     \ottava #1 \tt {re''''16->(\> dod si sold fad}
2070     \tt {fa mib do sib la} \ottava #0 |
2071     \tt {sol mi dod si sold\!}
2072     \mg \t {mib8 sib sol)} \md \clef bass |
2073     r4 <re re'>4-- <re re'>8-.( <re re'>-.
2074     \mg <re re'>-.) \md \clef treble |
2075     \ottava #1
2076     \tt {sold''''16->(\> re la mi si} \ottava #0
2077     fad re sib solb | \t {fa8 do lab\!} \mg fa mib) \md |
2078     R2*2
2079     \ottava #1
2080     \t {sib'''''16\sf( fa do)} \t {re( la mi)} \t {solb( reb lab)} |
2081     \ottava #0
2082     \tt {<fa sib>\(( do) <la re>( mi) <reb solb>} \mg \stemUp
2083     lab32 sib fa do\) \md \stemNeutral \clef bass |
2084     re8.-- re16 re8-. re-- re16 re-. re8-- | re2.---> r4 \clef treble |
2085
2086     %%% Soprano 2 %%%
2087     R2. R1 R2. R1 R2. R1 R2.
2088     R1 R2. R1 R2. R1 R2. R1
2089     R2. R1 R2. R1 R2. R1 R2. R1
2090     R2. R1 R2. R1 R2. R1 R2.
2091     R1 R2. R1 R2. R1 R2. R1
2092     R2. R1 R2. R1 R2. R1 R2. R1
2093     R2. R1 R2. R1 R2. R1 R2.
2094     R1 R2. R1 R2. R1 R2.
2095
2096     %%% Duo %%%
2097     r4\p <mi'' sold>8( <fa la>) r4 <mi sold>8( <fa la>) |
2098     r4 <mi sold>8( <fa la>) \mg <la, dod>-. \md <la' dod>-.
2099     \mg <sold, do>-. \md <sold' do>-. |
2100     r4 <mid sold>8( <fad la>) r4 <mid sold>8( <fad la>) |
2101     s1
2102     sold8( la) sold'( la) sold,( la) sold'( la) |
2103     r4 <sold, la'>---. r sold---. | R2*3 \clef bass |
2104
2105     %%% Baryton 2 %%%
2106     <re,, re'>2.->--\f s <re dod' re>->-- s <re do'! re>->-- |
2107     r2 s4 r4 \clef treble s2 |
2108     \ttt {re''16(\< fa sol si dod red}
2109     \ottava #1 \tt {fad)\! sol,(\< dod red fad}
2110     \ttt {lad)\! dod,(\< red fad la si} |
2111     <re re'>2->--)\sf\laissezVibrer s4\ottava #0 R2.*2 R4.
2112     \tt {lab16\pleggiero sol fa re do}
2113     \tt {si la fad mi red}
2114     \tt {dod sib lab sol fa} |
2115     re8-. lab'-. sib-. sol-. si4-- r8 mi-. re-. fa-. dod4-- |
2116     r8 \st {<fad,, lad> <sol si> r <lab do> <la dod> |
2117     r <sib re> <si red> r <do mi> <dod fa> |
2118     r \cresc <la sold'> <la sold'>( <sold la'>) r <mib' re'> |
2119     <mib re'>( <re mib'>) r <la' sold'> <la sold'>( <sold la'>)} |
2120     <re' re'>4->--\f <re re'>->-- <re re'>->-- <re re'>->-- r2 |
2121     <re re'>4->-- <re re'>->-- <re re'>->-- <re re'>->-- r2 |
2122
2123     %%% Boum %%%
2124     <sol,,! la sold'>4--\sffz r2 R2.*2
2125     \ottava #1
2126     \cmb #"ppp" #"étincelant" % N'ayons pas peur des mots !
2127     re''''16-- si( do dod
2128     \tt { re--) sold,( si dod re--) }
2129     \tt { fad,( sol la do re) } |
2130     \tt { mib( re do re do }
2131     \tt { la) do( la sol la }
2132     \tt { sol fad mi dod re) } |
2133     \tt { si--( dod mi fad mi }
2134     \tt { fad sol fad lad si }
2135     \tt { lad) sol( sold si dod } |
2136     \tt { re--) lad( si do dod }
2137     \tt { re--) sold,( lad si dod }
2138     \tt { re--) fad,( sol la do) } |
2139     \tt { re--( fa mib re do }
2140     \tt { la) do( la sol la) }
2141     \tt { fad( sol si sold re') } |
2142     \tt { si( do mib do mi }
2143     \tt { sold) sol( si sol sold }
2144     \tt { mi fad) mi( red dod } |
2145     \tt { lad dod) lad( sold lad }
2146     \tt { sol lab) sol( lab sol }
2147     \tt { fa sol sib lab sol) } |
2148     \tt { fa--( sol lab sol fa) }
2149     \tt { re( fa re do si) }
2150     \tt { lab( sol si) do( mib } |
2151     \tt { mi sol) red( mi sol }
2152     \tt { si) lad( re sold, fad }
2153     \tt { re'--) fa,( sold si dod } |
2154     \tt { re--) mib,( sol sib dod }
2155     \tt { re--) do,( fa sol la }
2156     \tt { re--) sib,( mib lab mi } |
2157     \tt { re'--) sol,( do, sib' mib,) }
2158     \tt { lab,( re sol red' sold) }
2159     \tt { la,( fad fa mi mib } |
2160     \tt { re--) sol,( la do re }
2161     \tt { mib) \ottava #0 re,(\< mib mi fa }
2162     \tt { fad) sol,( sold la do\! } |
2163
2164     %%% Contralto %%%
2165     <re, re'>4->) r | R2*11 R2. R2*6 \clef bass |
2166     s2.*4 \clef treble |
2167
2168     %%% Grand ensemble %%%
2169     r2 r8 <la sold'>4.\pp <sold la'> <la sold'>8~ <la sold'>2 |
2170
2171     %%%%% FIXME
2172     %%%%% something's blowing my mind here.
2173
2174     %<la'!>1*1/8\arpeggio \laissezVibrer % WTF???
2175
2176     <la'>1*1/8\arpeggio \laissezVibrer
2177     sib'8( \t {si'4 do,8)~} do2\laissezVibrer
2178     R1*3
2179     r4 \ind #"clair" <dod,, lad'>4.-- <do sol'>-- |
2180     <si lad'>2-- r8 <fa' la>4( lad8 |
2181     <mi si'>4) r r2 | R1*3
2182     r4 \t {sold8( \mg la,) \md sold'}
2183     \t {la( \mg sold,) \md la'} \t {sib( \mg sol,) \md sib'} |
2184     si-.( \mg fad,-.)
2185     \md \cmb #"p" #"scherzando" <sold'' do>( <la dod>) \mg
2186     <sold, do>( <la dod>) \md <sold' do>( <la dod>) |
2187     <mi' sold>4-. r r <mib sol>8-. <mib sol>-. |
2188     <mi sold>4-. r r2 | R1
2189     mid,8(\mp fad) <dod' mid>( <re fad>)
2190     <dod, mid>( <re fad>) <dod' mid>( <re fad>) |
2191     <mid, sold>( <fad la>) <mid' sold>( <fad la>)
2192     <mid, sold>( <fad la>) <mid' sold>( <fad la>)|
2193     <dod, mid>( <re fad>) <dod' mid>( <re fad>)
2194     <dod, mid>( <re fad>) <dod' mid>( <re fad>) |
2195     <mid, sold>( <fad la>) <mid' sold>( <fad la>)
2196     <mid, sold>( <fad la>) <mid' sold>( <fad la>) |
2197     <la, sold'>(\mpsempre <sold la'> <sold la'> <la sold'>)
2198     <la sold'>( <sold la'> <sold la'> <la sold'>) |
2199     <la sold'>( <sold la'> <sold la'> <la sold'>)
2200     <la sold'>( <sold la'> <sold la'> <la sold'>) |
2201     <la sold'> \ottava #1 <la' sold'>->\mp <la sold'>-> <la sold'>->
2202     <la sold'>-> <la sold'>-> <la sold'>-> <la sold'>-> |
2203     <la sold'>-> \ottava #0 r r2 |
2204
2205     s2 \t { <sol,,, do mib>8 <re'' fa dod'> <sib, fad' la>} |
2206     \ottava #1
2207     \cmb #"f" #"sonore" <lad'' dod sold'>16-> <la, mi sol> <lad' dod sold'>-> <la, mi sol>
2208     <do' fad la>-> <sold, si fa'> re' <sold, si fa'>
2209     <re'' mi fa sol>-- <sib, do red> <re' mi fa sol>-- <dod, red fad> |
2210     <sid' red sold>-> <la, re fa> <sid' red sold>-> <la, re fa>
2211     <dod' fad la>->\> <sold, si mi> sol' <sold, si mi>
2212     \ottava #0
2213     <sold' lad si dod> <mi, fad la> <sold' lad si dod> <sol, la do> |
2214     <fad' la re>-> <red, sold si> <fad' la re>-> <red, sold si>
2215     <sol' do mib>->\mp <re, fa sib> dod' <re, fa sib>
2216     <re' mi fa sol> <sib, do red> <re' mi fa sol> <dod, red fad> |
2217     <do' mib lab>-> <la, re fa> <do' mib lab>-> <la, re fa>
2218     <dod' fad la>->\p\> <sold, si mi> <la' re mib> <sold, si mi>
2219     <re' sold>--( re <re sold>-- re |
2220     <re  sold>8--)\! r r4 | R2*2
2221
2222     %%% Andante al fine %%%
2223     R2.*4
2224     mi2--\p\laissezVibrer s4 s2. R2.*3
2225     r8 do\p\>( si'4. la'8 fad'2)\!\laissezVibrer s4 s2. R2.*5
2226     <do,, si'>2--\laissezVibrer s4 s2. R2.*15
2227     r2 <mi mi'>8-.\mp <mi mi'>-. <mi mi'>4-- r2 |
2228     r4 <mi mi'>8-. <mi mi'>-. \t {<mi mi'>-. <mi mi'>-.<mi mi'>-.} |
2229     <mi mi'>4-- r2 |
2230     r8 r16 \mg \stemUp la, \stemNeutral \md
2231     \tt {sib([ fa'] do'[ dod sold']} \ottava #1
2232     <mi' la red mi>4--)\sffz \ottava #0
2233     r8 <mi, mi'>\ff\< \t {<mi mi'> <mi mi'> <mi mi'>}
2234     \tt {<mi mi'>16 <mi mi'> <mi mi'> <mi mi'> <mi mi'>\!}
2235   }
2236   \relative {
2237     %%% Larghetto %%%
2238     R4.*27
2239     \pl <fa,, do'>4.--\pp\laissezVibrer  la'--\laissezVibrer R4.
2240     <la, mi'>4.--\laissezVibrer
2241     \ottava #-1
2242     dod,,16-.(\p dod'-. \md dod'8-.) r \mg |
2243     re,-. \md re'-.-> r \mg |
2244     dod,,16-.( dod'-. \md dod'8-.) r \mg |
2245     re,-. \md re'-.-> r \mg |
2246     fad,,16-.( fad'-. \md fad'8-.) r \mg | R4.*2
2247     dod,,16-.(\p dod'-. \md dod'8-.) r \mg |
2248     re,-> \md re'->-. r \mg |
2249     dod,,16-.( dod'-. \md dod'8-.) r \mg | R4.*2
2250     dod,,16-.( dod'-. \md dod'8-.) r \mg |
2251     sol,-. \md sol'-.-> r \mg |
2252     dod,,16-.( dod'-. \md dod'8-.) r \mg |
2253     sol,16---. \md sol' \mg fa,---. \md fa'
2254     \mg lab,---. \md lab' \mg |
2255     mi,8-- r4 | R4.
2256     mi16---. \md mi' \mg re,---. \md re'
2257     \mg fa,---. \md fa' \mg |
2258     dod,16-.\p( dod'-. \md dod'8-.) r \mg |
2259     dod,,-. dod'-. \md dod'-- \mg |
2260     \ottava #0
2261     \stdet {<re, sib'>8 <re sib'> |
2262     <re sib'> <re sib'> |
2263     <re sib'> <re sib'> |
2264     <re sib'> <re sib'> |
2265     <re sib'> <re sib'> |
2266     <re sib'> <re sib'> |
2267     <re sib'> <re sib'> |
2268     <dod sold'> <dod sold'> |
2269     <dod sold'> <dod sold'> |
2270     <dod sold'> <dod sold'> |
2271     <dod sold'> <dod sold'> |}
2272     \ottava #-1 dod,16-.\p dod'-. \md dod'8-. \mg |
2273     \stdet {<dod, sold'> <dod sold'> |
2274     <dod sold'> <dod sold'>} |
2275     \ottava #-1
2276     si,16-.\mp si'-. \md si'8*1/2-. \mg s16 |
2277     r8 si,,16-. si'-.
2278     \ottava #0 R4 |
2279     \stdet {<si sold'>8 <si sold'> |
2280     <si sold'> <si sold'> |
2281     <si sold'> <si sold'> |
2282     <si sold'> <si sold'> |
2283     <sib fa'> <sib fa'> |
2284     <sib fa'> <sib fa'> |
2285     <sib fa'> <sib fa'> | R4
2286     <sib mi la>8 <sib mi la> |
2287     <sib mi la> <sib mi la> |
2288     <sib mi la> <sib mi la> r |
2289     <sib mib la>\> <sib mib la> |
2290     <sib mib la> <sib mib la> |
2291     <sib mib la> <sib mib la>\!} | R4*4
2292
2293     \ottava #-1
2294     sold16-.\p( sold'-. \md sold'8-.) r \mg |
2295     re,,-. \md <re' re'>->-. r \mg |
2296     sold,16-.( sold'-. \md sold'8-.) r \mg |
2297     re,,-. \md <re' re'>-.-> r \mg |
2298     sold,16-.( sold'-. \md sold'8-.) r \mg |
2299     sold,,16( sold') r4 | R4.
2300     fad,16-.(\mp fad'-. \md fad'8-.) r \mg |
2301     do,,-. \md <do' do'>-.-> r \mg |
2302     fad,16-.( fad'-. \md fad'8-.) r \mg |
2303     do,,-. \md <do' do'>-.-> r \mg |
2304     fad,16-.( fad'-. \md fad'8-.) r \mg |
2305     fa,,16-.( fa'-. \md fa'8-.) r \mg |
2306     mi,,16-.( mi'-.) \md <sol mi'>8-.-- r \mg |
2307     \ottava #0
2308     <mib, mib'>4--\mp\laissezVibrer s4*2 R4*4
2309     \st {<re' sib'>8 <re sib'> |
2310     <re sib'> <re sib'> |
2311     <dod sold'>-> r R4 |
2312     <re sib'>8 <re sib'> |
2313     <dod sold'>-> r R4 |
2314     <mib sib'>8 <re sib'> <dod sold'>->} r R4*3 |
2315     <do sol' re'>4--\arpeggio \laissezVibrer s4 R4*3
2316     r8 <si sol'>-. r <si sol'>-. |
2317     r <si sol'>-. r <si sol'>-. |
2318     R2.-\fermataMarkup R2.*2
2319     r8 \st {sib' <si! sib'> lab <la sold'> r R2.
2320     r8 sib <si! sib'> lab <la sold'> r R2.
2321
2322     %%% Interlude %%%
2323     r8 sib <si! sib'> r |
2324     dod <re dod'> r mi} |
2325     fa2\laissezVibrer s
2326     r4 <do, si'>8.\ppp <si do'>16~ | <si do'>2
2327     \ind #"con Ped." si8 sib' r4 |
2328     <fa mi'>4. <mi fa'>8~ <mi fa'>4. <do si'>8~|
2329     <do si'>16 si do'( \md fa) \mg r4 r16 mib,8.--|
2330     \pl <solb fa'>2-- {s4 \t {reb''16( solb, fa)~} fa8 } |
2331     solb,4-- r16 <do, si'>8.--\pp\laissezVibrer |
2332     r4 \md fa'''16-.( solb,-. \mg fa-.) solb,--~ |
2333     solb8 <solb, fa'>4.-- |
2334     r16 <do si'>8.~ <do si'>8 <si do'>~ |
2335     <si do'>16 do( si') solb fa( do reb,8)~ |
2336     reb4 r16 \pl {reb~ reb4} {<do' si'>16~ <do si'>4} |
2337     <sol, sol'>4--\laissezVibrer r4 |
2338     R2*2 \pl sol'!4-- \t {sold'8( fad mi)} <mi, red'>4-- R2*2 |
2339     r4 <mi red' sol>--( <sol do fad>--) r r <sol fad' sib>--(\arpeggio |
2340     <sib mib la>--) r R2*3
2341     <sol sol'>8.\f <sib, sib'>16~ <sib sib'> <dod dod'>8. |
2342     <mi, mi'>2---> | <dod' dod'>4 <mi, mi'>--->~ |
2343     <mi mi'>8. sib''16-. <dod, dod'>8-- r4 |
2344
2345     %%% Quatuor %%%
2346     <sol'' sol'>8-- r r4 R4. R2 R4. R2 R4.*2
2347     R2.-\fermataMarkup R2.*6 R2*2 R2.
2348
2349     %%% Air baryton 1 %%%
2350     <do,,, do'>2--\ppp\laissezVibrer do'-- fad,2--\laissezVibrer r4 |
2351     <do do'>2--\laissezVibrer do'-- fad,2--\laissezVibrer r4 |
2352     <do do'>2--\laissezVibrer do'-- sol2--\laissezVibrer r4 |
2353     \ottava #-1
2354     do,2--~ do |
2355     do4--\pp \md r8 do' \t {do--( do-- do--)} \mg <sol sol'>2-- |
2356     dod16 \md dod' \t {dod( dod dod)} dod8-- \mg |
2357     <sol, sol'>2-- |
2358     mi'16\p( \md mi') \t {mi( mi mi)} mi8-- | <do, do'>8--\mg
2359     <do, do'>~\t {<do do'>(-- do'-- do--)} |
2360     <do, do'>2-- | do4--( do-- do--) |
2361     dod16-.( dod'-. \md dod'8-.) \mg dod,16-.( \md dod'-. dod'8-.) \mg |
2362     dod,,,16( dod') r8 r4 | r2 dod,4-- |
2363     re1->--\mf re2-- re4--~ re8 re---. \t {re-.-- re---. re---.}\ottava #0 |
2364
2365     %%% Doppio tempo %%%
2366     re'4-> r | R2*6 R2.*7 R2 R2.
2367     <fa, fa'>2--(~ <fa fa'>4 r lab--) |
2368     <fa fa'>2--( r4 lab2--) | <fa fa'>2-- |
2369     \ottava #-1 fa4\mp~ fa8 fa \t {fa fa fa} |
2370     fa2--~ fa4 r8 fa4 fa8~ \t {fa fa fa} fa4-- |
2371     r8 fa4 fa8~ \t {fa fa fa} |
2372     fa4-- r \ottava #0 R2. |
2373     <re' re'>4--\mf r r4 s8 | <re' re'>2->--\laissezVibrer r4 s |
2374     <re, re'>4-- r r4 s8 | <re' re'>2->--\laissezVibrer r4 s |
2375     <re, re'>4-- <re re'>->--~ <re re'>8 <re re'>--
2376     \t {<re re'>--(\< <re re'>-- <re re'>--)} |
2377     lab'4->--\! r8 r4 \stemDown lab'8 \stemNeutral |
2378     <lab,, lab'>4-- r8 re4-> lab8-. | re2.->-- r4 |
2379
2380     %%% Soprano 2 %%%
2381     R2. R1 R2. R1 R2. R1 R2.
2382     R1 R2. R1 R2. R1 R2. R1
2383     R2. R1 R2. R1 R2. R1 R2. R1
2384     R2. R1 R2. R1 R2. R1 R2.
2385     R1 R2. R1 R2. R1 R2. R1
2386     R2. R1 R2. R1 R2. R1 R2. R1
2387     R2. R1 R2. R1 R2. R1 R2.
2388     R1 R2. R1 R2. R1 R2. \clef treble |
2389
2390     %%% Duo %%%
2391     \ind #"scherzando" <mi'' sold>8( <fa la>) r4
2392     <mi sold>8( <fa la>) r4 |
2393     <mi sold>8( <fa la>) r4 s2 |
2394     <mid sold>8( <fad la>) r4
2395     <mid sold>8( <fad la>) r4 |
2396     <do' mib>8( <re fad>)
2397     <mib sold>-. \md <re' fad>-. \mg
2398     <mib, sold>-. \md <mib' sold>-. \mg
2399     <sold, la>-. \md <sold' la>-. \mg |
2400     la,,8( sold) la'( sold) la,( sold) la'( sold) |
2401     r4 la,---. r <sold, la'>---. \clef bass R2*3
2402
2403     %%% Baryton 2 %%%
2404     re,4-- re-- re-- \t {re8(\mp \< \md mi sol} la16 sib do mib fa solb lab si\!) \mg |
2405     re,,4-- re-- re-- re16(\< \md mib fa lab sib si dod mi \t {fad8 sol la)\!} \mg |
2406     re,,4-- re-- re-- re16(\pleggiero fa sol sold) lad( dod red mi) fad( \md la si do) \mg |
2407     re,( mi fa sol) sib( \md do reb mib) fad( sold la si) \mg |
2408     r4 <re,,, re'>2->--\< | <dod dod'>2--->\!\laissezVibrer s4 R2.*2 R4.
2409     re4-- re-- re-- re8-. sib''-. lab-. si-. sol4-- |
2410     r8 re-. mi-. dod-. fa4-- |
2411     re,8-. r r re-. r4 |
2412     re8-. r r re-. r4 |
2413     re8-. r r4 sold8-. r |
2414     r4 sold,8-. r r4 |
2415     <re' re'>4->-- re->-- re->-- re->-- r2 |
2416     re4->-- re->-- re->-- re->-- r2 |
2417
2418     %%% Boum %%%
2419     <si fad' lad>4--\sffz r2 | R2.*2
2420     sold2\p\laissezVibrer s4 s2. |
2421     mi'2\laissezVibrer s4 s2. |
2422     do2\laissezVibrer s4 s2. |
2423     si2\laissezVibrer s4 s2. |
2424     fa2\laissezVibrer s4 s2. |
2425     sold2\laissezVibrer s4 s2. |
2426
2427     %%% Contralto %%%
2428     <re' re'>4-> r | R2*11 R2. R2*6
2429     \ottava #-1
2430     dod,8-.(\p dod'-. \md dod'4-.) r \mg |
2431     sol,4-. \md sol'->-. r |
2432     dod,,8-.( dod'-. \md dod'4-.) r \mg |
2433     sol,4-. \md sol'->-. r \mg \ottava #0 |
2434
2435     %%% Grand ensemble %%%
2436     <reb do'>2.\pp <do reb'>4~ <do reb'> <reb do'>2. |
2437     <sol, sol' lab'>1\arpeggio \laissezVibrer
2438     r2 \pl {r4 reb'\p~ reb2 sol,~ sol sold-- <mi mi'>1--\mp}
2439     { <reb'' do'>2--\> r8 <do reb'>4.\!~ <do reb'>2\laissezVibrer
2440     s1 r8 red4.-- r8 re4.--}
2441     <mi, dod'>2-- r8 <re' sib'>4.(~ |
2442     <re la'>4) r r2 | R1*3
2443     sib1*1/4--\laissezVibrer s4 s2 \clef treble | s1
2444     <red'' la'>4-. r r <mi sib'>8-. <mi sib'>-. |
2445     <red la'>4-. r r2 | R1 \clef bass
2446     re,,,1--\laissezVibrer s s s2 <re re'>2--\f~ |
2447     <re re'>4 r8 <re re'>--~ <re re'>2 |
2448     r4 <re re'>2.--
2449     r8 <re re'>4.--~ <re re'>2 R2.
2450
2451     %%% Chute %%%
2452     \t {<re, do' re>8--\mf\< \ottava #0 \md <do''' mib lab> \mg
2453     <si, mi sol> } \t { \md <dod' fad la> \mg <fa, sib> \md
2454     <sold' si mi>\! \mg } s4 | R2.*4 R2*3
2455
2456     %%% Andante al fine %%%
2457     R2.*21 <fa,, mi'>4.(\ppp <mi fa'>)\laissezVibrer s2.
2458     <fa mi'>2( <mi fa'>4)\laissezVibrer s2.R2.*9
2459     r2 mi'8-. mi-. mi4-- r2 |
2460     r4 mi8-. mi-. \t {mi-. mi-. mi-.} mi4-- r2
2461     r16 sol,\< re' s r4 \clef treble <mi'' la>4--\sffz \clef bass |
2462     r8 \ind #"ample" <mi,,, mi'> \t {<mi mi'> <mi mi'> <mi mi'>}
2463     \tt {<mi mi'>16 <mi mi'> <mi mi'> <mi mi'> <mi mi'>}
2464   }
2465 }