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[opera_libre.git] / instruments / contrebasse.ly
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1 %------------------------------------------------------------------%
2 % Opéra Libre -- contrebasse.ly %
3 % %
4 % (c) Valentin Villenave, 2008, 2009 % %
5 %------------------------------------------------------------------%
7 \include "italiano.ly"
9 Contrebasse = {
10 #(make-instrument-name 'double-bass "contrabass" 27.5)
11 \clef "F_8"
14 PrologueContrebasse = { \Contrebasse
15 \relative {
16 %%% Introduction %%%
18 \partial 4 r4 R2.*3 R1 | mi,,,2\f r8 mi'-- \t {mi--( mi-- mi--)}
19 mi,2.~|mi2 r8 mi'-- \t {mi--( mi-- mi--)} | mi,2.~\mp| mi4 \pizz mi |
20 r8 mi--\mf\> \t {mi-- mi-- mi--}| \arco mi2.\mp ~ | mi4 \pizz mi |
21 r8 mi \t {mi mi mi}| \arco mi2. ~ | mi4 mi'~| mi8 mi\< \t {re--( re-- re--)} |
22 dod4--->\f r2 | \t {\pizz dod4--\mf re-- mi--} sol4-- r |
23 \arco dod,2--->\f r8 sol-. r dod-. r sol-. | dod4---> dod---> sol8-. dod~--->|
24 dod4 r | sol-- dod-- sib8-. dod~--| dod sol-. dod4-- | dod-- sol8-. dod-. r sib-. |
25 r dod4\>( sol8) | sib2~--\p sib2 r4 |
27 %%% Tempo giusto %%%
28 re8\sfz re'-. re,-. re'-. |
29 re,-. re'-. re,-. re'-. |
30 re,-. re'-. re,-. re'-. |
31 re,-- re mib re | fa re lab' fa |
32 sib lab si dod | dod, r r4 | R2
33 re4--\f re-- re-- | lab2-- r4 |
34 re4.-- re-- | fad,2.\mp mib' do |
35 sib2\< sol4~ sol mi'2 | \ten re2.~\f re4 r8 sol--\ff mi-- re-- |
36 \ten dod1~---> dod4 r R2 R2-\fermataMarkup |
38 %%% Solo ténor %%%
39 R1*2 R2. R1 R2. R1
40 sol2~\pp sol~ sol~ sol~ sol2.~ sol~sol~ sol~
41 sol2 r4 | \repeat tremolo 12 {sol32\p\<( lab\!} sol'2.) R2.*4
42 R4.
44 %%% Andantino %%%
45 \pizz <sol lab>8\p\plak r4 | <sol lab>8 r4 | R4.*2
46 <sol lab>8 r4 | <sol lab>8 r4 |
47 <sol lab>8 r4 | <sol lab>8 r4 |
48 R4.*6
49 mi,4\p r8 <sol sol'>4\plak r8 |
50 mi4 r8 <sol sol'>4\plak r8 |
51 red'4 r8 | <fad, fad'>4\plak r8 |
52 red'4 r8 | <fad, fad'>4\plak r8 |
53 mi4 r8 | <mi mi'>4\plak r8 |
54 re'4 r8 \arco solb8\>( mib reb) \ten do4.~\pp do~ do4 r8 |
55 solb'8( mib reb) | do4.~ do~ do4 r8 |
56 solb'8( mib reb) | do4.~ do4 r8 |
57 fad4\< mib8~ mib dod4 |
59 %%% A tempo %%%
60 re8\sfz r4 | \pizz sold,8--\mf( si-- dod--) |
61 re8\sfz r4 | sold,8\mf( si dod) re( fa sol) |
62 lab4-- r8 | \arco lab4--->\f fa8~---> fa mib4---> |
63 \ten re4.~---> re~ re4 r8 |
64 mib4( re8) \ten fa,4.~ fa~ fa4 r8 |
65 fa'4.\mf re\< do si4.~\fmolto si4 r8 |
66 \ten sib4.~ sib~ sib~ sib4 r8 | R4.
67 si8--\f\>( sib-- lab--) |
68 fa4.~\mp fa~ fa8 r4 | R4.*3
69 fa8\pp fa fa fa4.:8 fa4---> r8 r16 fad'\mf fad fad |
70 re4--\f mib-- re-- | fa8.--( lab--) fa8--\>( mib-- re--) | do2\mf mib4--\> |
72 %%% Adagio %%%
73 la,1~\p\CaV la~\CaV la\CaV |
74 sib1~\p sib1.~ sib4 r r1 |
75 la1~\CaV la\CaV
76 sib~\p sib1.~\pp sib4 r r1 |
77 la1~\CaV la\CaV sib2.\p |
79 %%% Valse %%%
80 sol2.~\pp sol4 r dod~-- | dod2 r4 |
81 sol2-- r4 | dod2-- r4 | sol2-- r4 |
82 \pizz sib4 r <mi, mi'>\plak r | sol4 r2
83 R2 R2.*2 R1
84 r4 \arco do2--\pp r4 | fad,2-- r4 | do'2-- r4 | fad,2-- r4 |
85 do'2-- r4 | \pizz fad,4 r2 | <mi mi'>4\plak r | <sol sol'>\plak r |
86 \arco do1\mf do4 do4. sold8 |
88 %%% Vivo al fine %%%
89 <re' re>8\sfz lab'-. sib-. fa-.
90 <re re>-> sib'-. dod-. sold-. |
91 <re re>-> lab' sib fa
92 <re re>-> sib' dod sold |
93 <re re>-> dod mi fad
94 <re re>-> fa lab <re, re>-> |
95 sol sib <re, re>-> lab' si <re, re'>-> la' mib |
96 re4-> <re mib'>---> <re dod'>---> <re mib'>---> |
97 <re dod'>---> <re mib'>---> <re dod'>---> <re mib'>---> |
98 <re re'>\> re re\p re |
99 re re re re re-- re'-- re,-- re'-- re,-- r |
100 \pizz re r re r R2*9
101 r4 mi,\mp
105 ActeUnSceneUnContrebasse = { \Contrebasse
106 \relative {
107 do,,2--\pp( do) fad,-- r4 |
108 do'2--( do--) fad4--( fad,2--) |
109 do'2--( do--) fad4.--( fad,8~-- fad4) |
110 do'2--( do--) fad2--( fad,4--) |
111 do'2-- do fad8 fad,~-- fad2 |
112 do'2-- do-- fad2~--\mp\< fad8 fad, |
113 \ten fa1\p fa4-- fa2-- |
114 \ten fa1-- fa2--( fa'4--) |
115 reb1--\psempre reb4--( reb2--) |
116 reb1 reb2--\<( reb4--) |
117 \t {do4\mf( sol'8} mi'4) \t {do,4\>( sol'8} mi'4\!) |
118 do,4-- \t {sol'4( do,8)} sol'4-- |
119 do,16( sol' mi') sol,
120 do,( sol' mi') sol,
121 do,( sol' mi') sol,
122 do,( sol' mi') sol, |
123 do,( sol') do, sol'
124 do,( sol') do, sol'
125 do,( sol') do, sol' |
126 do,4\downbow do\downbow do\downbow \simile do do do do do do |
127 \t {fad,8-- sol--( la--)} \t {<fad do'>-- re'--( mib--)} fa4-- |
128 \t {<fad, la>8-- do'--( re--)} \t {mib-- fa--( lab--)} sib4-- |
129 fad,4\downbow fad\downbow fad\downbow fad8---> fad-- \t {fad-- fad-- fad--} fad'4---> |
130 \ten do1~\f do2 r4 |
132 %%% Ad libitum %%%
133 R1 R2.*2 R1 R2.*2 |
135 %%% Agitato %%%
136 re2:8\fp re: re: re: re: re: re: re: re: re: re: re: |
137 re: re: re: re: re: re: re: |
138 re: re: re: re: re: re: re: re: re: |
139 re: re: re: | re4:8 mib: re: mib: | re8-> re mib re-> re mib re-> re |
140 mib4\mp\downbow mib\downbow \simile mib mib mib mib |
141 mib mib mib mib mib mib mib mib mib mib mib mib |
142 mib mib mib mib mib2:8\< mib: mib: |
143 \ten <mi, mi'>1.\f R1.*2
145 %%% Allegro non troppo %%%
146 R1R2.R1*5 R2. R1 R2. R1 R2. R1
147 sol2.\ff sib4.--\< reb8~--\! \t {reb4 sib--\>( lab--\!)} |
148 sol2. r4 | R1*3 R2.*3 R1*6
150 %%% Moderato %%%
151 la4.---> sib8~\mp sib2 | la4. sib8~ sib2 |
152 la8. sib16~ sib4. la8 | do2.~ do2 r |
153 la8. sib16~ sib4~ sib16 la8. | do1~ |
154 do2 la4 | do2 r4 \t {la8--\<\upbow( do-- sib--)} |
155 \ten mib2.~\mf mib2 r | \ten fa2.~\p fa2 r | mib4\mp( fa2) |
156 mib8.( fa16~) fa2~ \t {fa8 mib--\<( fa--)} |
157 solb8.\mf( lab16~) lab2 | solb4-- lab4~-- lab16 solb8.-- lab-- mib16~---> |
158 mib8.\< fa16~---> fa8 solb~---> solb16 lab8.~--->\! | lab8 fa,->\f solb-> lab-> |
159 si8\sfz r r2 | R1 R2*4 |
161 %%% Allegro marcato %%%
162 \acc {si?4\f si' si, si' si, si' si,} r | R1*3
163 \acc {si4\f si' si, si' si, si' si,} r | R1*16
165 %%% Agitato %%%
166 re2:8\f re: re: re: re: re: re: re: |
167 \det {re4\fp re' re, re' re, re' re, re' |
168 re, re' re, re' re, re' re, re' |
169 re, re' re, re' re, re' re, re' |
170 re, re' re, re'} <re, re'>8->\sfz r r4 r1 | R1*3 R2. R2*3
171 re'16\<\CaV re\CaV re\CaV re\CaV re8->->\! r | R2 R1*4
175 ActeUnSceneUnBisContrebasse = { \Contrebasse
176 \relative {
177 dod,,2.\pp
178 <dod sold'>~ <dod sold'>2 r4 |
179 \st {sib16\pp lab si sol sib lab si sol sib lab si sol |
180 dod re mi sol} dod,8-- r \st {dod16 re mi sol |
181 dod,\p\< re mi sib sol la sib mi dod re mi sol,} |
182 lab8--\mf lab16 lab fa8-- fa'16 fa mib8-- mib16 mib |
184 %%% Piu vivo %%%
185 re4\sfz r r8 do-- sol--( la--) | fad2--\f \t {sol8--( la-- do--)} |
186 re4---> r r8 mib-- lab,--( fa--)| sib4.-- lab-- |
187 \ten sol2.~---> sol~ sol4 r reb'---> | sol2.---> |
188 R2. r4 reb'2~\p reb4. r8\fermata r4 |
189 R2. r4 reb2~ reb~ reb8 r\fermata r4 | r2 r4 fad,,--\p( sol-- la--) |
191 %%% Largo %%%
192 do2\downbow \ten do~\downbow do~ do2.~
193 do2~ do2.~ do2~ do2.~
194 do4 do2\<\upbow do4\mp r r2 |
195 R1 R2. R2 R1 R2.*2 R2*2 R2. R2*3 R2. R1 R2.
196 R2*3 R2.*3
198 %%% Adagio %%%
199 R1*9 \clef "G_8"
200 r2 r4 r8 <\parenthesize sol' si''>~\pp\CaV |
201 si''1~\CaV si2.\CaV r4 \clef "F_8" |
202 R1 sib,,8\p( lab) si sol~ sol2~ |
203 sol4 sib-- sol2~--
204 sol4 sol,--( fa-- sold--) |
205 mi1~\pp mi~ mi~ mi2 r | R1*13
206 R2 \pizz re''4\mp sold, fa r
207 r \arco dod\f\downbow
211 InterludeUnContrebasse = { \Contrebasse
212 \relative {
213 R1. R1*3 R1. R1 R1.*2 R1*2
214 la,4\CaV r r1 \clef "G_8"
215 la'1\mf( si2 do1~) do4 r2 | R2 \clef "F_8"
216 r2 \ttt {r16 fad,,-- red-- dod-- sib-- do--} |
217 sol1~\f sol2 sol8 do-- sib-- dod-- |
218 sol1-- r8 dod4.-- | sol8-- sol'-- sol,-- sol'-- sol,-- sol'-- sol,-- sol'-- |
219 sol, sol' sol, sol' sol, dod dod dod |
220 sol16--\mf sol sol'-- sol sol,-- sol sol'-- sol
221 sol,-- sol sol'-- sol sol,-- sol sol'-- sol
222 sol,-- sol sol sol sol sol sol sol |
223 sol sol sol sol sol sol sol sol dod dod dod dod \t {r8 mib--( reb--)} |
224 fad,2.--->\ff\> sol2\p r4 | R2.*4
225 si2.~\pp si~ si~ si~ si8 sib4( lab) si8( |
226 sol'2.~) sol~ sol~ sol~ R2.*2
230 ActeUnSceneDeuxContrebasse = { \Contrebasse
231 \relative {
232 %%% Air de la Soprano2 %%%
234 \repeat unfold 9 {R2.*2 R1*2}
235 R2. | r4 dod,,--\mf r |
236 \ten sol1~\f sol~ | sol2.~ sol4 r2 | sol1~---> sol2. r4 |R2.*2 |
237 sold1~\pp sold~| sold2.~ sold~ |sold1~ sold2. r4 |
238 \repeat unfold 7 {R2.*2 R1*2} R2.*2 R1 R1-\fermataMarkup |
240 %%% Récitatif %%%
242 R2.*2 R1 R2.*3 R1 R2.*6 R2 R2. R1*2 R2.*5 R1 |
244 %%% Duo %%%
246 \pizz re'4\p
247 \repeat unfold 16 re
248 \repeat unfold 7 reb
249 \repeat unfold 4 si
250 \repeat unfold 4 sib r |
251 \arco sol\f lab8--( sib--) |
252 reb4-- dob-- \simile sib | dob sib lab sib |
253 dob sib lab fa | dob' r8 sib r4 |
254 mi,2.~\mp| mi r4| mi'1\mp\<\upbow | \ten reb2.~\!|reb~|reb4 r2 | R1 |
256 %%% Piu vivo %%%
257 \ten sol,2.~ | sol1~ sol2 r4 | R2.
258 sol2\ff sol4\downbow sol dod4.-> dod8 dod dod |
259 sol2-- r8 sol sol sol | dod4.-> dod8\downbow \t {dod dod dod} |
260 sol4---> sol2-> r4 |
261 dod4-> r8 sib-> lab-> si-> |
262 sol4--->\ff sol---> sol---> sol---> r2 | \simile sol4 sol sol si r2 |
263 sib4 sib sib | re r2 | re4 re re re r2 | re4 re re re r2 re4 re re |
264 dod r2 dod4 dod dod \ten fa,1~\ff fa2 r4 si~\f\> | si8 do4. dod2\! |
266 %%% Tempo giusto %%%
267 \pizz re4\mf re re re re re re re |
268 dod dod dod dod si si si si | si r r2 |
269 \arco <sol sol'>2--->\f r4 |
270 sol8-.\mp sol-. sol-. sol-. \simile sol sol \repeat unfold 10 sol |
271 sol-- r r2 | r4 \t { re'8--\upbow si-- do--} |
272 \repeat unfold 14 sold |
273 sold r r sold--\upbow fad-- la-- |
274 fa2~\f fa4. fa8 |
275 fa2~ fa |
276 r8 la\upbow( sol sib) |
277 \ten fad2~ fad2. \pizz la'8\CaV r r2
278 R1 R2.*3 R2 R2. R1*4
282 InterludeDeuxContrebasse = { \Contrebasse
283 \relative {
284 R1 R2. R2 R2. R2 R2. R2
285 \pizz si,,4--\mf r re-- r si-- r fad'-- r sol--\p r sol r sol r |
286 dod, r mi sib do fad mi sib do fad mi r R2 |
287 \arco \ten la,1~\p la~ la~ la2 r | R2.
288 \ten fa1~ fa2 r4 | R2. \pizz dod'4\p r r2 | R2. dod4 r |
292 ActeUnSceneTroisContrebasse = { \Contrebasse
293 \relative {
294 R2.*4 do,,2.\upbow\p ~ do~ do\< do4->\sfz r2 | R2.*3
295 si2.\mp sib2.:32\pp si2. sib2.:32 si2.\mp dod2.:32~\mf dod:~\< dod4\! r
296 \pizz sold\mf si r2
297 \arco \ten sib2.~\p sib~ sib~ sib2 r4 |
299 %%% Lamento %%%
300 r2 r4 \pizz re\p si dod \arco sib2\>( re4\!) r r2 | reb\>( fa4\!) r r2 |
301 sib,\>( re4\!) r r2 reb\>( fa4\!) r r2 | sib,\>( re4\!) r r2 | reb\>( fa4\!) r2 |
302 sib,\p( reb4) r2 | re( fa4) r2 \simile sib, reb4 r2 sib si4 r2 |
303 mi,2\mp\> sol4\upbow\! r | \simile sold2 si4 r |
304 mi,2 sol4 r | si2\< fa'4\mf r |
305 \ten reb2\p reb4 reb4. reb8-> reb-> reb-> reb4---> reb8->\ff reb-> r4 | R2*2
307 %%% Tempo I %%%
308 R2.*3
309 << {mi2.~\p mi~ mi~ mi~ mi~ mi~ mi4}\\
310 {s2.*2 mi,4-+ s2 mi4-+ s2 mi4-+ r mi-+
311 mi-+ r mi-+ mi-+}>> r8 mi'\f \t {mi\< mi mi} sold4\sfz r2 |
312 R2.*3
314 %%% Tempo II %%%
315 R1. do,~\pp do~ do~ do~ do2 r1 | r2 r4 do->\sffz r | R1 R2. R2
319 ActeUnSceneTroisBisContrebasse = { \Contrebasse
320 \relative {
321 R1*3 r4 sol2--\pp\CaV r4 R1*2 r4 sol2--\CaV r4 |
322 R1 r2 re,4--\p la8( si) fad4-- r r2 | R1*8
323 fad1~\pp fad~ fad2. r4 | R1*2 %%FIXME: harmonics
324 \pizz <re' la'\harmonic>4 r <re sol\harmonic> r
325 \arco <re fad\harmonic>1~\p <re fad\harmonic>2. r4 \clef "G_8" |
326 \simile fad''4\p\CaV r fad\CaV r
327 fad\CaV r fad\CaV r
328 fad\CaV r fad\CaV r
329 fad\CaV r fad\CaV r
330 fad\CaV r fad\CaV r
331 fad\CaV r fad\CaV r
332 fad\CaV r fad\CaV r
333 fad\CaV r fad\CaV r |
334 \ordin fad(\glissando red8) r red4(\glissando do8) r |
335 sib\>(\glissando sol16) r sol8(\glissando mi16) r mi8(\glissando dod16\!) r \clef "F_8" |
336 re,1~ re~ re
337 <fa dod'>4\mp\upbow \ind #"pizz. du pouce" re\thumbpizz r2
338 <fa dod'>4\upbow \simile re\thumbpizz r2
339 <fa dod'>4\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
340 <fa dod'>\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
341 <fa dod'>\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
342 <fa dod'>\upbow re\thumbpizz <fa dod'>\downbow <la, fa'> |
343 fad1~\p fad~ fad~ fad~ fad~ fad~ fad2. r4 |
344 R1*7
345 <re' fad\harmonic>1~\pp <re fad\harmonic>~ <re fad\harmonic>4
346 r4 \ordin fad2~ fad1~ fad4 r r2 |
347 sol1\p\> \ten fad~\pp fad~ fad~ fad~ fad~ fad\fermata
351 ActeUnSceneTroisTerContrebasse = { \Contrebasse
352 \relative {
353 R2*3 R2. R2*2 R2.*7
354 \pizz mib,,4 r r2
355 mi4 r fa r |
356 re8\mp sol, do fad, lad-- si sol sold |
357 la-- fad sib-- sol lab reb-- sol, si |
358 do lab la sib-- sol si-- lab la |
359 re-- lab do reb la sib mib-- la, |
360 dod-- re sib\< si do dod |
362 %%% Poco meno %%%
363 re4\mf r2 R2.*2
364 \arco re'2.~\CaV re~\CaV re~\CaV re~\CaV re4\CaV r2 |
365 re2.~\CaV re~\CaV re4\CaV r2 |
366 <re, sol\harmonic re''>2.~\CaV
367 <re sol\harmonic re''>~\CaV
368 <re sol\harmonic re''>~\CaV
369 <re sol\harmonic re''>~\CaV
370 <re sol\harmonic re''>2\CaV r4
371 <re sol\harmonic re''>2.:32~\CaV
372 <re sol\harmonic re''>8\CaV r r2
373 \pizz fa4\mf r2 R2.*2
374 fa,4 r2 R2.*2
375 dod'4 r2 R2.*2
376 dod4 r2 R2.
377 r8 \arco mi\mf fa( sold) fa( mi) |
378 la,2.~--\CaV la~\CaV la2\CaV r4 |
379 <la la'>2.~\mf <la la'>~<la la'>4 r8 \pizz la' r4 |
380 sold r8 si r16 fad8. | fa4 do r |
381 mib r sib | la r8 la' sol,-- sol' sib,-- sib' |
382 \arco fad,2.~\mp fad~ fad2 r4 |
383 fad2.~ fad~ fad2 r4 |
384 fa2.~ fa~ fa4 dod'2--\upbow |
385 fa2.~ fa~ fa4 la2--\mf\upbow |
386 dod,2.~ dod~ dod4 la'2-- |
387 dod,2.~-- dod~ dod4 fa2--\f |
388 la,2.~---> la~ la~ la2 r4 |
389 la'2.\pp\CaV la,4-+ r2 | R2.*13
393 InterludeTroisContrebasse = { \Contrebasse
394 \relative {
395 sol,,4\p(\upbow mi)\thumbpizz r2 | sol4(\upbow mi)\thumbpizz r |
396 sol8\upbow mi\thumbpizz sol\upbow mi\thumbpizz
397 sol\upbow mi\thumbpizz \pizz sol lab |
398 \arco sol\upbow mi\thumbpizz sol\upbow mi\thumbpizz
399 \pizz sol lab |
400 \simile sol mi sol mi sol mi sol lab |
401 sol mi sol mi sol lab |
402 sol mi sol mi sol mi sol lab |
403 sol mi sol mi sol r |
404 r \arco mi-.\mf( r mi-.) r mi-.( sol-. lab-.) |
405 r mi r mi sol mi |
406 r mi r mi sol lab |
407 r mi sol mi |
408 r <mi mi'>\f r <mi mi'> r <mi mi'> |
409 r <mi mi'> r <mi mi'> |
410 r <mi mi'> r <mi mi'> |
411 r <mi sol'>\ff r <mi sol'> |
412 sol16 mi sol lab si lab si do |
413 mib\< do mib mi sol mi sol lab |
414 sol8->\! re-> sol-> re-> la8\sfz r r4 |
418 ActeUnSceneQuatreContrebasse = { \Contrebasse
419 \relative {
420 \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
421 R2-\fermataMarkup
422 R1 R2. R1*2 R1. R1*2 R1. R1*2
424 %%% Agitato %%%
425 \pizz la,4\mp r2 | la,4 r2 | do4 r2 | do4 r2 |
426 R2. \arco la'2~\mf\< la4\glissando do2.\! | mi4 r
427 sold,,~\f\upbow | sold dod-- si-- | re-- r2 |
428 re4-- r r16 la'\upbow\< la la | re,4--\! r2 |
429 re4-- r r16 la\< la la |
430 re4--\! r8 re'-.\mp\upbow fad,-. si-. |
431 mib,4-- r8 reb4--\downbow sol8-. | do,4-- r8 fa-.\upbow la,-. re-. |
432 fad,4-- r8 la4--\downbow mib'8-. | lab4 r8 la-. reb,-. solb-. |
433 sib,4-- r8 sib4--\downbow\< sib8-- | mi4->\! r8 mi,-. \t {mi\< mi mi} |
434 mi4--\f\downbow mi\downbow mi | mi4---> r2 |
435 mi'4-> r8 mi,-. \t {mi\< mi mi} | mi4->\! r2 |
436 mi'4--\downbow mi--\downbow sib8-. mi~-> | mi2 re4~---> | re fa2---> |
437 dod2~\sfp dod8 r r4 | R2. R1 R2. R2 R2. R2 R2. R2 R2.
439 %%% Placando assai %%%
440 dod2.--\p(\upbow dod4--) sol2.-- r4 | dod2.--(\upbow dod4--) sol2.-- r4 |
441 dod2\<(\upbow re mib) \ten mi2.~\p mi2. r4 |
443 %%% Andante a piacere %%%
444 \pizz fa,4\mp r r2 r reb'4 r |
445 fa, r r2 r reb'4 r |
446 \arco \ten fa,1~\mp fa2 reb fa1~ fa2 reb |
447 sol2.\mf r4 r8 dod4--\upbow sol-- dod8-. |
448 sol2.---> r4 r8 dod4--\upbow sol-- sol8-. |
449 dod8-.\sfz r r4 r2 |
450 sol1\pp~sol~sol~sol~sol~sol2. r4 |
451 R2*3 R2.*6
453 %%% A tempo %%%
454 do4--->\f r8 fad,4-> do'-> fad,8-. |
455 do'4---> r8 fad,4-> do'-> fad,8-. |
456 do'4-> do-> r8 fad,-.-> r4 |
458 \pizz la16\mp fad' sold8 dod,16 sib do8 fa16 re mi,8 |
459 la4-> r4 r2 | r4 la4\mf sol'8 re dod4 si8 fad fa4 mib'8 sib |
460 la4-> r2 | r16 re,8.-> r4 r2 |
461 R2. \arco sol2~--->( sol8 sol--) \t {sol-> sol-> sol->} | sol2---> r8 dod4.---> |
462 sol2---> r4 sol\downbow\< sol\downbow sol\downbow fa2--->\ff\downbow fa4-- fa~---> \t {fa8 fa4~--->} \t {fa fa8~--->} fa4 |
463 r fa~--->( fa8 mib'-.) \t {mib-> mib-> fad->} |
465 \ten re2.~--->\ff re8 r4 | sold,2--\f si4~--\<( si8 dod4--) |
466 re2~--\! re8 r4 | la4.-- sib8~--\<( sib8. do16~-- do4) |
467 mib2~--\! mib8 r4 | si2~\mf si8 do~--\<( do16 re8.--) |
468 fa,2~--\! fa4 r8 | fa2~--\mf fa | R2 R4. R2.
469 re'4\f\CaV r r re--\p | re-- re-- re-- re-- \simile re re re re |
470 re re re re re re re re |
471 re' <re, re'> re' <re, re'> re' <re, re'> re' <re, re'> |
472 re'8 re <re, re'> re re' re <re, re'> re |
473 re'16\CaV re re re re re re re re re re re re re re re |
474 re4\CaV re,-+ re'\CaV re,-+ \pizz <re re'> r r2 |
475 R1 R2 R2.*2 R2 R1
477 %%% Piu lento %%%
478 r2 \clef "G_8" \arco \ten si''?4~\pp si2 r4 | R2.
479 r2 \simile si4~ si2 r4 |
480 r2 si4~ si2 r4 |
481 r2 si4~ si2 r4 |
482 r2 do4~ do2 r4 | R2.
483 r2 re4~ re2 r4 |
484 r2 mib4~ mib2 r4 |
485 r2 mib4~ mib2 r4 | R2. \clef "F_8"
486 r4 \pizz si,?\mp\> r r re,\! r |
488 %%% Stesso tempo %%%
489 la4\f r r2 r8 mi4. | la4 r r2 |
490 la4 r r do r mi, | la4-> r r2 |
491 la4 re dod fad fa sib, | la4-> r r2 | R1. R1 R1. R1
492 la8\mp do sib4 fa'8 sold, fad4 dod'8 mi re4 |
493 la8 sol re'4 dod8 si fad'4 fa8 mib sib4 |
494 la8 fad sold4 dod8 sib do4 fa8 re mi4 |
495 la,8 si mi,4 fa'8 sol do,4 reb8 mib lab,4 |
496 la8 do sib4 dod8 si fad4 fa'8 re mi,4 |
497 la-> r r2 | R1. \arco \ten do1\pp~ do1.
498 do4-.->\ffsubito r \pizz sib\mp reb |
499 la8 fad sold4 dod8 sib do4 fa,8 re' mi,4 |
500 la8 si mi,4 fa8 sol do4 reb8 mib lab,4 |
501 la8 do sib4 fa8 lab solb4 dod8 mi, re'4 |
502 la8 sol' re4 dod8 si fad4 fa'8 mib sib4 |
503 la8 fad' sold4 fa8 sol do,4 dod8 mi, re' sol |
504 la,4-> r r2 R1. R1
508 EntracteContrebasse = { \Contrebasse
509 \relative {
510 sold,,2~\pp sold sold~ sold |
511 sold~ sold sold sold sold4 r8 \t {sold16\< dod si} |
512 re4\sfz r r2 | R1*22
513 re'2:16\mp\CaV re:\CaV re:\CaV re:\CaV re:\CaV re:\CaV re:\CaV re:\CaV
514 re:\CaV re:\CaV re:\CaV re:\CaV re:\CaV re16\< dod si sib lab sol fa mib |
515 re4->\! r r2 \pizz re4\mf r si fa' dod red sold,8 sold' r4 |
516 fad,4 sib mib reb fa si, do mi sib fad sol la8 sol |
517 la4 sol'8 la mi4 do | \arco re2:8\mf re: re: re4: re2: re: |
519 %%% Fugato %%%
520 <mi, mi'>1~\f <mi mi'>~ <mi mi'>2.~ <mi mi'>~ <mi mi'>4 r |
521 mi'1~\mf mi2.~ mi~ mi1~ mi~ mi2.~ mi4 r2 |
522 mi,1~ mi~ mi2.~ mi fa2\p mi fa1~ fa2.~ fa2. |
523 r4 fad2.\mp sol2 fad sol2. r4 sol2\< |
524 sold2.\! \t {sold8\< si dod} |
526 %%% Stretto %%%
527 re2:8\f re: re: re:
528 re8 re'\mp\CaV re4:8\CaV re2:8\CaV
529 <re, do'\harmonic>2:8
530 <re do'\harmonic>:
531 <re do'\harmonic>:
532 <re do'\harmonic>:
533 <re si'\harmonic>:
534 <re si'\harmonic>:
535 <re si'\harmonic>:
536 <re si'\harmonic>:
537 <re sol\harmonic>:
538 <re sol\harmonic>:
539 \ordin mi: mi: re4-.-> r r2 R1*3
541 %%% Noir %%%
542 R2.-\fermataMarkup R2.*4 R2 R2. R1
543 R2. R2 R1*5 R1.*4 R1 R2.-\fermataMarkup
544 R2.*8 R2.-\fermataMarkup
546 %%% Poco più %%%
547 la2.\pp sib do dod2 r4 R2.-\fermataMarkup
549 %%% Andantino %%%
550 R1 R2 R1 R2 R1 R2 R1 R2.
552 %%% Largo non troppo %%%
553 \det {la2\mf la la si si si do do do re re re |
554 la la la si si si do do do re re re |
555 <la la'> <la la'> <la la'> <si sol'> <si sol'> <si sol'> |
556 <do sol'> <do sol'> <do sol'> \cresc dod dod dod |
557 <re re'> <re re'> <re re'> sol, <sol' sol> sol, |
558 do do do re re re red red red} |
559 <mi, mi'>--->\ff r1 <mi mi'>2---> r R1 R2. R2
563 ActeDeuxSceneUnContrebasse = { \Contrebasse
564 \relative {
565 R2.*4 R2 R2.*2 R2 |
566 r4 sol2~\p\CaV sol2.~\CaV sol2.~\CaV sol4\CaV r |
567 R2. R2 | R2.*2 R2 |
568 r4 sold2~ sold2.~ sold2.~ sold4 r |
569 R2. R2 | R2.*2 R2 | R2.*2 | R2. \clef "G_8" |
570 \ttt { mi8\f[ mi16 mi mi mi] } \ttt { mi[ mi mi mi mi mi] }|
572 %%% Entrée de la Soprano Deux %%%
573 R2.*2 r4 \ttt {dod'8\f dod16 dod dod dod} dod8 r r4 |
574 r2 \ttt {fa,8\f fa16 fa fa fa} \clef "F_8" |
575 R1 \pizz fa,,4\p fa' r R2 mi,4 mi' r R1 |
577 %%% Andantino %%%
578 sib4 r r2 R1 R2. mi4 r2 R2.*2 R2 \clef "G_8"
579 \arco <re''mi>2._\markup {
580 \center-column \bracket {
581 \score { \new Staff \with {
582 \remove Time_signature_engraver }
583 \relative { \clef "F_8" <la,, do\harmonic re sol\harmonic>1}
584 \layout {indent = #0 }
587 }~\p\CaV
588 <re mi>2.~\CaV <re mi>~\CaV <re mi>2\CaV r4 |
589 <re mi>--\CaV r <re mi>--\CaV | r <re mi>--\CaV r <re mi>--\CaV |
590 r <re mi>--\CaV r | R2 \clef "F_8" |
591 fad,,4--\mp dod'-- sid8 sold \ten fad1~-- fad2 r4 |
592 r8 fad( fad,) do''! fad,4--( fad,--) | fad'2.~\upbow fad2( fad,4)\thumbpizz r |
593 R2. R1 fad'2.~\p fad2. r4 | R2. fad1~ fad2 r4 |
594 fad,1\pp\upbow fa2.~ fa2. r4 | fad2.~\upbow fad1 fa2.~ fa2. r4 |
595 fad2.~\downbow fad2. r4 |
597 %%% Entrée de la Contralto %%%
598 R2. R1 R2. R1
599 R2. R1 R2. R1 do'2.~ do2. r4 | r do2~ |
600 r4 do2.\upbow | dod2.~ dod2. r4 | do2 r4 | R1
601 fad2.\mf\upbow fa2. r4 | fad2.\upbow fa2. r4 |
602 fad2. \ten sol2.~ sol4 r \pizz fa |
603 sib, r2 si4 r2 sib4 r2 si4 r2 | mi4 r2 |
604 \arco \ten mib2.~\mp mib2 r4 | R1 R2.
605 R1 R2. R1 \pizz lab4\mp r2 la4 r r2 | lab4 r2 |
606 sol4 r r2 | R2. r4 \arco lab\mp\>( sol) fa |
607 re2.~\pp re1~ re4 r2 R2 |
608 R1 R2. R1 R2. R1 R2. R1
612 ActeDeuxSceneUnBisContrebasse = { \Contrebasse
613 \relative {
614 R1 R2. R2 \clef "G_8"
616 %%% Presto agitato %%%
617 <sol, do\harmonic sol''>1*5/4~\pp
618 \simile sol''~\CaV sol~\CaV sol~\CaV sol2.\CaV r2 |
619 R1*5/4 <sol,,sib\harmonic re''>1*5/4~\p
620 <sol sib\harmonic re''>2. r2 \clef "F_8" |
621 R1*5/4*7
622 sib,1*5/4~\p sib~ sib2. r2 |
623 dod2\mp re( mi4) \ten sol1*5/4~ sol2. r2 |
624 \accdet {<re do'>4\sfz r2 <re do'>4\sfz r | <re do'>\sfz r <re do'>\sfz r2 |
625 <re do'>4\sfz r r8 <re do'>\sfz r2 | <fa' sol>4\sfz} r1 |
626 R1*5/4*3
627 \ind #"détaché (sotto voce)" sol,,8\mp mi sol mi sol mi sol mi sol-> lab |
628 sol mi sol mi sol mi sol mi sol-> lab |
629 \simile sol mi sol mi sol mi sol mi sol lab |
630 sol mi sol mi sol mi sol mi sol lab |
631 sol mi sol mi sol mi sol mi sol lab |
632 sol mi sol mi sol mi sol mi sol lab |
633 sol mi sol mi sol mi sol mi sol lab |
634 sol mi sol mi sol mi sol mi sol lab |
635 sol mi sol mi sol mi sol mi sol lab |
636 sol\< mi sol mi sol mi sol mi sol4 |
637 \accdet {lab4\sfz r2 lab4\sfz r | lab\sfz r lab\sfz r2 |
638 lab4\sfz r r8 lab\sfz r2 | do4\sfz} r1 |
639 R1*5/4 <mi,red'>4->\sffz r1 | R1*5/4-\fermataMarkup |
641 %%% Boum %%%
642 R1*5/4*12 r1 \t {la'8--\f\< mi-- fad--} |
643 \ten <mi, red'>1*5/4~--->\! <mi red'>2. r4 \t {la'8--\< mi-- fad--} |
644 <mi, red'>1*5/4--->\! fa4-- mib'2-> \t {reb8--\< sib-- do--} \t {sol-- fa-- lab--} |
645 \ten <mi mi'>1*5/4\!---> | r4 mi2.\upbow\< fa4~\! |
646 fa2 \det {sib8\f\< lab si sol fa lab | \ten <mi mi'>1*5/4~->\!} <mi mi'>2. fa2---> |
647 \ten <mi mi'>1*5/4~ <mi mi'>1*5/4 \acc {sib'2\upbow\ff lab\< si4 |
648 <mi, mi'>1*5/4~--\!} <mi mi'>2. r2 | R1*5/4*5
650 %%% Moderato assai %%%
651 R1*7/4*7
652 \pizz fa8\p( do' dod sold' la mi') | R1
653 si,8( fad' sol re') \clef "G_8" mib sib' \clef "F_8" R2 |
654 mi,,,4 r2 red'4 r2 mi,4 r2 sol4 r2 mi4 r2 fad4 r2 sol4 r2 si4 r2 do4 r2 |
655 \arco \ten fa,1*7/4~-- fa4 r2 r1 | R1*7/4 R2.*7
656 sol'1*7/4~\mf sol1 r2 r4 |
657 R1*7/4*2 \repeat volta 2 {\det {la1\mf si2. la si1 R1*7/4} \meno si1} r2 r4 | R1*7/4
659 %%% Presto subito %%%
660 \tt {mi,,8\f re' fa r4} \tt {mi,8 re' fa r4} \tt {mi,8 re' fa r4} |
661 \tt {mi,8 re' fa r4} \tt {mi,8 re' fa r4} \tt {mi, r8 re' fa} |
662 \tt {mi,4 r8 re' fa} \tt {mi,4 r8 re' fa} \tt {mi,4 r8 re' fa} |
663 \tt {mi,4 r8 re' fa} \tt {\ind #"détaché" mi, re' fa sol re} \tt {mi, re' fa sol re} |
664 \tt {mi, re' fa sol re} \tt {mi, re' fa sol re} \tt {mi, re' fa sol re} |
665 \pl {re2.~ re~ re~ re~ re~ re2}
666 {re4\leftpizz r2 re4\leftpizz r2 re4\leftpizz r2 re4\leftpizz r2 re4\leftpizz r2 re4\leftpizz r}
667 \pizz re r fa r mi r r mi |
668 fad r2 fad4 r2 sold4 r sold r fad r \clef "G_8" sib8 mib lab4 R4. \clef "F_8" |
669 mi,4-> \clef "G_8" mi'-> mi'-> r \clef "F_8" |
671 \arco mib,,4--->\ff \accdet {mib~ mib8 mib4 | fad2 r4 |
672 mib4 mib~} mib8 \accdet {mib4 | do2 r4 | mib4} \det {mib8\< mib mib |
673 <la, la'>2} \acc {la'8\< la la\!} |
674 \pl {la,\sfp\leftpizz \pizz do sib mib} {la8 s s4} r4 |
675 fad,8 si dod mi r4 |
676 sold,4 r8 sold r4 sold4 sold sold |
677 \arco \ten sol2.~--\mp sol2 r4 | sol2.~-- sol2 r4 sol2.~-- sol2 r4 |
678 sol2 r4 sol2 r4 r si2--\upbow sold2.--\mp | R2. R2 R4. R2 R1*5/8 R2.
680 %%% Tempo I %%%
681 R1 \accdet {<la sold'>4\sfz r2 <la sold'>4\sfz r <la sold'>\sfz r <la sold'>\sfz r2 |
682 <la sold'>4\sfz r r8 <la sold'>\sfz} r2 | <dod sold'>4\sffz r1\fermata |
683 R1*5/4*21
687 ActeDeuxSceneDeuxContrebasse = { \Contrebasse
688 \relative {
689 R1.*6 R1*2 R2.
690 re,,8->\f r r16 re-> fa8-> r16 fad8.-- |
691 re8---> re16 re re re re re re8 mib |
692 re fa mib lab fa si lab lab, sib mi si fa' |
693 \ten re1.~--\mf re1 r2 |
694 R1. R1*2 R2.
695 si8->\f r r16 si8-- re16 r red8.-- r16 \acc {si re red} |
696 R4. si4---> r r8 \pizz sold4. |
697 <si si'>4\plak r8 sold r sol r4 |
698 <si si'>4\plak r8 si r si r4 |
699 <si si'>4\plak r8 si r si r4 |
700 <si si'>4\plak r8 si r si r4 |
701 <si si'>4\plak r8 si r \arco si--\ff \det {la\> do |
702 \ten sold2.~->\mf} sold1 r2 | R1*2
704 \pizz fa4\mp r2 fa4 r2 fa4 r2 fa4 r |
705 fa' r red <mi, mi'>\plak r2 mi'4 r2 |
706 do4 r |
707 r16 \arco la->\upbow \acc {fad sol fa lab |
708 <mi mi'>4--} r r8 \pl sol sol'\leftpizz r4 |
709 <mi, mi'>4-> r8 \st {sol r sold} r4 |
710 <mi mi'>4-> r8 mi' r mi r4 |
711 <mi, mi'>4 r8 mi' r mi r4 |
712 <mi, mi'>4 r8 mi' r r16 \acc {la, fad sol fa lab |
713 mi8-.} \ind #"scherzando" mi'-.\p r dod-. | <mi, mi'>4-- dod'8-. do-. |
714 <mi, mi'>8 mi' mi, mi' |
715 r16 \acc {sib\pp la do dod sol fa lab} |
716 mi8 mi' r4 | \t {mi re fa} |
717 \ten dod1~\mf dod2 r4 |
719 \det {dod1\pp r4 dod | sol2. r4 |
720 dod1 r4 dod | \ten sol1.~\mp} sol2 r4 | R1 \clef "G_8"
721 la'''2.~\pdolce\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV |
722 la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV |
723 la4\CaV r2 \clef "F_8" | R1 R2. R1 R2. R1 R2.
724 \ten <la,,,la'>2~\f la~ <la la'>~ la2.~ <la la'>2~ la~ la1~ la2. r4 |
726 <la sold'>4---> r r8 | <la la'>8 <la la'> <la sold'> r4 |
727 \acc {la8 la sold r4 | <la la'>8 <la la'> <la sold'> r4 |
728 <la sold'>4--} r r8 | \dwnb {sold4 sold r8 | la4} r r8 |
729 <la sold'>4---> r \st {mib'8 | mib re} r4 r8 | \dwnb {<re sold>4 <re sold> r8 |
730 <mib la>4} r r8 | \acc {mi8 mi fa} r4 | r8 \accdet {fad4 fad sol} r r8 |
732 R1*2 si,4->\sffz r r2 | r4 \pizz mi\mp fa r r dod mi r | R1
733 \arco <mi, mi'>2~--->\mp mi8 mi-. mi4--\upbow |
734 <mi mi'>2~---> mi8 mi-. mi4--\upbow |
735 <mi mi'>2~---> mi8 mi-. mi4--\upbow |
736 \pl mi4_\thumbpizz mi'^\f\leftpizz r2 | \pizz re4\mp r |
737 R1*2 R2.*4 r4 sib' r r fad r | R2.
738 \pizz <la, la'>4\p\plak mib' sold re |
739 dod' sol do | fa, si mi, |
740 mib la, re sold, |
741 dod sol do fad, | fa' mi <re sib'>\arpeggUp <re sib'>\arpeggUp |
742 \simile <re sib'> <re sib'> |
743 <re sib'> <re sib'> |
744 <re sib'> <re sib'> |
745 dod sol do fad, | si fa sib mi, |
746 R2 r8 \arco la16-.\pp \st {la sold8} r | R2
747 \pizz <re'sib'>4\p <re sib'> |
748 <re sib'> sold re-> r | R2*6 \clef "G_8"
750 la''2.~\pp\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2\CaV r4 |
751 R2.*9
755 ActeDeuxSceneTroisContrebasse = { \Contrebasse
756 \relative {
757 %%% Larghetto %%%
758 R4.*9
759 \ten re,,4.~\pp re~ re4 r8 | R4.
760 fad4.~ fad~ fad8 r4 |
761 fa4.~ fa~ fa~ fa4 r8 | R4.*3
762 la4.~ la4 r8 | R4.*2
763 fa4.~ fa8 r4 | la4-- r8 |
764 \pizz dod,4\mp r8 |
765 re4 r8 | dod4 r8 |
766 re4 r8 | fad4 r8 |
767 \arco \ten fa4.~\p fa4 r8 |
768 \pizz dod4\mp r8 | re4 r8 |
769 dod4 r8 |
770 \arco \ten do4.~\p do4 r8 |
771 \pizz dod4\mp r8 sol4 r8 |
772 dod4 r8 | sol fa lab |
773 \pl {mi4_\leftpizz s8 s4} {\arco \ten mi'4.~\p mi4 } r8 |
774 \pizz mi\< re fa |
775 dod4\mp r8 | dod dod dod |
776 <re sib'>4\p\arpeggUp | <re sib'>\arpeggUp |
777 <re sib'>\arpeggUp | <re sib'>\arpeggUp |
778 <re sib'>\arpeggUp | <re sib'>\arpeggUp |
779 <re sib'>\arpeggUp |
780 <dod sold'>\arpeggUp | <dod sold'>\arpeggUp |
781 <dod sold'>\arpeggUp | <dod sold'>\arpeggUp |
782 dod <dod sold'>\arpeggUp |
783 <dod sold'>\arpeggUp |
784 si r8 si | R4
785 <si sold'>\arpeggUp | <si sold'>\arpeggUp |
786 <si sold'>\arpeggUp | <si sold'>\arpeggUp |
787 <sib fa'>\arpeggUp <sib fa'>\arpeggUp <sib fa'>\arpeggUp | R4
788 <sib mi>\plak <sib mi> | <sib mi> r8 |
789 sib4 sib sib R4*4
790 sold4 r8 | re'4 r8 |
791 sold,4 r8 | re'4 r8 |
792 sold,4 r8 | sold'4 r8 |
793 sol4 sib,8 |
794 fad4 r8 | do'4-- fa,8 |
795 fad4 r8 | do'4-- fa8 |
796 fad4 fad8 fa4-- fad8 |
797 mi4-- sol8 |
798 \arco \ten mib4~\mf mib~ mib~ mib8 r | R4*3
799 \pizz <re sib'>4\mf\arpeggUp <re sib'>\arpeggUp |
800 dod8-> r | R4
801 re4 dod8-> r | R4
802 re4\mp dod8 sold' dod, sold' |
803 dod, sold' dod, sold' |
804 do, sol' do, sol' |
805 do, sol' do, sol' |
806 do, sol' do, si |
807 r si r si r si |
808 R2.-\fermataMarkup R2.*6
810 %%% Interlude %%%
811 R2*2 \arco fa'2~\p fa~ fa4 si,~ si2~ si |
812 fa'2~ fa4. si8~ si2. |
813 fad2~ fad4 r16 do8.~ |
814 do4 r8 r16 fad~ |
815 fad2 r16 do'8.~\< do4~ |
816 do4. dod8~\! dod2 r8 |
817 sol,2~\p sol~ sol~ sol4 mi~ |
818 mi2~ mi8 sol4.~ sol16 mi8.~ mi4 |
819 sol8\mp sol' sol sol sol sol sol sib, |
820 sib sib sib sib sib sib sol' sol |
821 sol8. sib,16 r sib8 sib16 |
822 r sol'8 sol,16 r8 sib |
823 sol'8.--->\f sib,16~---> sib dod8.---> |
824 <mi, mi'>2---> dod'4---> <mi, mi'>~---> |
825 mi8. sib'16-> dod8.-> mi,16->\< dod'-> sib-> |
827 %%% Quatuor %%%
828 sol'4--->\! \pizz sol\mf\CaV | sol\CaV r8 |
829 sol4\CaV sol\CaV sol\CaV r8 |
830 mi16\CaV la\CaV re8\CaV
831 mi,16\CaV la\CaV re8\CaV |
832 \ordin mi,4 r8 | re8. fa |
833 \arco dod2--\f r4\fermata | R2.*6 R2*2 R2.
835 %%% Air Baryton 1 %%%
836 do!2--\pp( do--) fad,-- r4 |
837 do'2--( do--) fad,-- r4 |
838 do'2--( do--) sol-- r4 |
839 do2~ do~ do r4 |
840 sol8-.\mp\upbow sol~-- sol16 dod8--( sol16-.) | dod4-- r8 |
841 sol-.\upbow sol~-- sol16 dod8--( sol16-.) | mi'4-- r8 |
842 \ten do2~\p do4 r16 sol8-- do16~--( do sol-.) do8~-- do4 do\upbow\<( |
843 dod4\!)\thumbpizz r |
844 r8 \arco sol~---> sol16 dod8--( si16-.) |
845 sol'2---> r4 |
846 re1~--->\f re2.~ re4 r |
848 %%% Doppio tempo %%%
849 re8-> r r4 | R2*5
850 r8 sold,4--\upbow\mp( re'8-.) |
851 sold,2.~ sold~ sold2 r4 |
852 sold'2.~ sold~ sold2 r4 |
853 R2. R2 r8 sold,4--\f\>( fad--) la8-. |
854 fa2~--\mp fa lab4 |
855 fa2~ fa4 lab2 |
856 fa~ fa r4 | fa2~ fa r4 | fa2~ fa r4 |
857 r8 fa'4.\upbow\f mib2-- fad4-- |
859 %%% Climax %%%
860 <re re'>4---> \st {<re re'>8 <re re'>} |
861 <re re'>4:16\< <re re'>8: |
862 <re re'>4--->\! r |
863 r8 mib'-. \ind #"détaché" do16 si la fad |
864 re4---> \st {<re re'>8 <re re'>} |
865 <re re'>4:16\< <re re'>8: |
866 <re re'>4--->\! r |
867 r8 sold'-. fad16 mib reb do |
868 re,4---> r8 <re re'>~->\< |
869 <re re'> <re re'>-. <re re'>-. <re re'>-. |
870 sold,-.\! sold-. sold-. sold4:16 sold8:16 |
871 sold4---> r8 re'4---> sold,8-. |
872 re'2:16 re4-- r |
874 %%% Soprano 2 %%%
875 \pizz re4\mp la sold dod do fa, mi' |
876 la, r2 | la4 r r2 |
877 re4 si fad' red r la sold |
878 dod r2 | reb4 do8 sol' r fa r mi |
879 si4 r2 si4 r r2 |
880 sib4\p fa' r8 sib, |
881 r4 r8 fa' r4 sib, |
882 R2. R1
883 sib4 fa' sib, fa' mib r8 do r4 |
884 R2. dod4\mp r r2 | sol4 r2 |
885 R1 R2. R1 R2.
886 re'4\p r r2 |
887 r8 sold'\< re si fa re |
888 do4\! r r2 | R2.
889 \arco sib'4-.\mp fa'-. mi8( do) sib4-. |
890 do8( sib) fa'( mi) r4 |
891 \pizz sold,,4 r r2 | r8 sold' r4 mi |
893 %%% Soprano 1 %%%
894 re4-> r r2 | re4\p r2 |
895 re'4\CaV r r2 | dod,4 r2 |
896 dod4 r r2 |
897 si4 r2 si'4 r si, r |
898 sib8\p fa' r sib, r4 |
899 fa' r sib, r8 fa' |
900 r sib, fa' sib, r fa' |
901 r4 sib, r fa' |
902 r8 sib, r fa' sib, fa' |
903 r sib, r4 fa' r |
904 sib, r8 fa' r sib, |
905 dod4 r r2 | sol4 r2 |
906 sib8\p fa' r4 r2 | R2.
907 sib,8 fa' sib,4 r2 |
908 r4 r8 fa' r4 | R1
909 sib,8 fa' sib,4 r |
910 r8 \arco dod\mp\( re( fa) fad( la) sib,4--\) |
911 r8 dod\( re( fa) fad( la)\) |
912 r re,\( mib( fad) sol( sib) si,4~--\) |
913 si2 r4 |
915 %%% Duo %%%
916 \pizz la\p do sib mib |
917 fa lab, solb si | dod mi re sol, |
918 sib sol la mi | re' si dod sold |
919 fad mib' fa do |
920 do'8 la si fad sold dod, red re |
921 sold,4 r |
923 %%% Baryton 2 %%%
924 \arco <re' re>4--->\downbow\fsubito <re re>--->\downbow <re re>--->\downbow <re re>--->\downbow \det {re re |
925 re re re re re re |
926 <re re'>-> <re re'>-> <re re'>-> |
927 <re re'>->} re8\< re \t {re re re} |
928 \accdet {re4\! re re re} \det {re re |
929 dod dod dod si si si |
930 sol\< si fa'} si8-.->\! fa4---> |
931 \det {<re sib'>\fp <re sib'> <re sib'> |
932 <re si'> <re si'> <re si'> |
933 <re do'> <re do'> <re do'>} |
934 <re dod'>8-> re-. <re dod'>-> re-. <re dod'>-> re-. |
935 <re mib'>-> re-. <re mib'>-> re-. <re mib'>-> re-. |
936 <re fad'>-> re-. <re fad'>-> re-. <re fad'>-> re-. |
937 <re sold'>4---> <re sold'>---> re---> |
938 <re re'>--->\sfz r2 |
939 r8 \acc {si' mi, fad do mib re4-- r2 |
940 r8 sol sib do mib4 |
942 %%% Boum %%%
943 <si, lad'>4\sffz} r2 | R2.*2
944 \ten sold2.--\mp~ sold2 r4 |
945 mi2.--~ mi2 r4 |
946 do'2.--~ do2 r4 |
947 si2.--~ si2 r4 |
948 fa2.--\mf~ fa2 r4 |
949 sold2.--~ sold2 r4 |
951 %%% Contralto %%%
952 re'4---> r R2 r4 re'--\mf\CaV re,---> \pizz re\mp |
953 re re re re re re re re |
954 do do do do |
955 \arco si8\mp si r4 | la4---> r | R2. R2*6
956 \pizz dod4\mp r2 sol4 r2 | dod4 r2 | sol4 r sold-> |
958 %%% Grand ensemble %%%
959 \arco dod1~\psubito dod sol~ sol2 dod~ |
960 dod sol~sol\< sold\! | \ten mi1~ mi2. r4 |
961 r2 mi'--\mp~ mi4 sib--~sib8 mi4-- sib8-. |
962 mi2.-- r4 | R1
963 \ten sib'1--\mf~ sib2 r8 do,4.-- |
964 <la la'>1--~ <la la'>2. r4 |
965 sib4--\< la-- sib-- do-- |
966 \ten <re re'>1\f~ <re re'>2. r4 |
967 r \det {<re re'> <re re'> <re re'> |
968 <re re'> <re re'> <re re'> <re re'> |
969 r <re re'> <re re'> <re re'> |
970 <re re'> <re re'> <re re'> <re re'> }|
971 r8 <re re'>-> <re re'>-> <re re'>->
972 <re re'>-> <re re'>-> <re re'>-> <re re'>-> |
975 %%% Chute %%%
976 re2.:32\sfp~ re2:32
977 <re re'\harmonic>4:32~ <re re'\harmonic>2.:32~
978 <re re'\harmonic>4:32 \glissando
979 <re la'\harmonic>2:32~\psempre
980 <re la'\harmonic>2:32\glissando
981 <re sol\harmonic>4:16
982 <re sol\harmonic>16 <re sol\harmonic>16
983 <re sol\harmonic>16 <re sol\harmonic>16
984 <re sol\harmonic>16 <re sol\harmonic>16
985 <re sol\harmonic>16 <re sol\harmonic>16
986 <re sol\harmonic>16 <re sol\harmonic>16
987 <re sol\harmonic>8 r4
990 %%% Andante al fine %%%
991 R2.*4
992 \harmo { <la do\harmonic>2.\pp~
993 \oneVoice
994 <la do\harmonic>~
995 <la do\harmonic>~
996 <la do\harmonic>~
997 <la do\harmonic>~
998 <la do\harmonic>~
999 <la do\harmonic>~
1000 <la do\harmonic>~
1001 <la do\harmonic>~
1002 <la do\harmonic>~
1003 <la do\harmonic>~
1004 <la do\harmonic>~
1005 <la do\harmonic>~
1006 <la do\harmonic>~
1007 <la do\harmonic>~
1008 <la do\harmonic>~
1009 <la do\harmonic>~
1010 <la do\harmonic>~
1011 <la do\harmonic>~
1012 <la do\harmonic>~
1013 <la do\harmonic>~
1014 <la do\harmonic>~
1015 <la do\harmonic>~
1016 <la do\harmonic>~
1017 <la do\harmonic>~
1018 <la do\harmonic>~
1019 <la do\harmonic>~
1020 <la do\harmonic>~
1021 <la do\harmonic>2} mi'' r4 | R2.*2
1022 \ten mi,2.\pp~ mi2 r4 |
1023 \longHairpins {mi,2.:32\mp~\< mi2:32\f } \ind #"ample" <mi mi'>4---> |
1024 <mi mi'>8--->\< <mi mi'>---> \t {<mi mi'>---> <mi mi'>-. <mi mi'>-.}
1025 \tt {<mi mi'>16-> <mi mi'>-> <mi mi'>-> <mi mi'>-> <mi mi'>->\!}