instruments/piano.ly

   1 %------------------------------------------------------------------%
   2 % Opéra Libre -- piano.ly                                          %
   3 %                                                                  %
   4 % (c) Valentin Villenave, 2008, 2009                               %
   5 %------------------------------------------------------------------%
   6
   7 \include "italiano.ly"
   8
   9 Piano = {
  10   \set PianoStaff.instrumentName = \markup { \hcenter-in #27.5 "Piano"}
  11   \set PianoStaff.shortInstrumentName = "Pno."
  12   \set PianoStaff.midiInstrument = "acoustic grand"
  13 }
  14
  15 ProloguePiano = {
  16   \PianoDeuxMains
  17   \relative { \Piano
  18     \partial 4 r4 R2.*3 R1
  19     mi2\rfz \laissezVibrer r4 \clef bass mi,4--\laissezVibrer|
  20     r4 mi2->\laissezVibrer | r8 \tt {mi,32( fa mi' mi fa} red'4)\laissezVibrer|
  21     r4 r8 \t {mi,,16 mi' mi} | mi'2.\laissezVibrer |
  22     R2*2 | %%FIXME: \laissezVibrer isn't printed.
  23     << \makeClusters { \ind #"dans les cordes" sol,16 la si do re2 } \\
  24     {\hideNotes s4 re2 \laissezVibrer \unHideNotes} >>
  25     R2*2 |
  26     << \makeClusters { \simile sol,16 la si do mi2 } \\
  27     {\hideNotes s4 mi2 \laissezVibrer \unHideNotes} >>
  28     R2*2 |<la, re sol>2\f r4 | R2*2 |
  29     << {\voiceTwo <si re mi>2\f\laissezVibrer} \\
  30     {\voiceFour r8 \voiceOne \st {\ind #"secco"<sid, dod>8\mf <sid dod> <sid dod>}}>>
  31     \st { <sid dod> <sid dod> <sid dod> <sid dod>
  32     <sid dod> <sid dod> <sid dod> <sid dod>
  33     <sid dod> <sid dod> <sid dod> <sid dod>
  34     <sid dod> <sid dod> <sid dod> <sid dod>
  35     <dod re> <dod re> <dod re> <dod re>
  36     <dod re> <dod re> <dod re>\> <dod re>
  37     <re mib> <re mib> <red mi>\mp <red mi>
  38     <red mi> <red mi> <red mi> <red mi>
  39     <red mi>\> <red mi> <red mi> <red mi>}
  40     r8\p <mi fa>-. <mi fa>4-- |
  41     <mi fa>8-. <mi fa>4-- <mi fa>8-. <mi fa>4-- \clef treble |
  42
  43     %%% Tempo giusto %%%
  44     re'8\fp r \ind #"leggiero" re-.re-. s2*2 R2*3 s2*2
  45     \pl <re re'>4 re''4-- r2 | R2.*2 \clef bass |
  46     <sib,,,sib'>2.-- <dod dod'>-- <mi mi'>-- \clef treble |
  47     <lab lab'>2-- <mi' do'>8( <sol la>) |
  48     <la fa'>(\< <do mib>) <do lab'>( <mib fa>) <mib si'>( <fa lab>) |
  49     <re re'>4\f r8 <mi sold re'>4.->~ <mi sold re'>4 r8 <re fad si re>4.-> |
  50     \ttt {re'16(\ff la fa re do si)} \ttt {fad'( dod la fad mib reb}
  51     \ttt {do) sol'( re sib \mg sol fa} \tttt {mi re si la sold fad red) \md} |
  52     s4 \t{<dod''' re>8\> dod, <dod'' re>} | <dod,,re dod'>2\pp\laissezVibrer
  53     R2-\fermataMarkup
  54
  55     %%% Solo ténor %%%
  56     R1*2 R2. R1 R2. r2 sol\p~|
  57     sol~ sol~ sol R2 R2.*6
  58     <sol lab sol'>2.\arpeggio \laissezVibrer R2.*4 R4.
  59
  60     %%% Andantino %%%
  61     \st {
  62     <lab sol'>8\pp \mg sol, \md r |
  63     <lab'sol'> \mg sol, \md r |
  64     <lab'sol'> <lab'sol'lab> r | <sib dob sib'> r <si do si'> |
  65     <lab,sol'> \mg sol, \md r |
  66     <lab'sol'> \mg sol, \md r |
  67     <lab'sol'> \mg sol, \md r |
  68     <lab'sol'> \mg sol, \md r |
  69     <lab'sol'> <lab'sol'lab> r | R4.*3
  70     r4 <lab, sol'>8 r <si? sol' lab> r |
  71     R4. <mi do'>8 r4 | R4. <mi do'>8 r4 |
  72     R4. <re sib'>8 r4 R4. <re sib'>8 r4 |
  73     R4. <do sold'>8 r4 R4. <dod la'>8} r4 |
  74     R4.*2 s4.*2 |
  75     <la' re>4.\laissezVibrer s4.*3 |
  76     <mi' la>4.\laissezVibrer s4.*3 |
  77
  78     %%% A tempo %%%
  79     \ottava #1
  80     re''32\f \> re, re re,\! \ottava #0 s8 r R4.
  81     \ottava #1 re''32\> re, re re,\! \ottava #0 s8 r8 R4.*2
  82     <reb, lab'>4.--\mf\laissezVibrer R4.*2
  83     \pl {\st {<sol lab dod>16\fp[ <sol lab dod> sol \mg
  84     <lab, dod re> <lab dod re> <lab dod re>]} \md }
  85     {<lab'' re lab'>8\noBeam <sol, lab dod>16 s8.}
  86     \st {\stemDown <sol lab dod>16 <sol lab dod> <sol lab dod> \mg
  87     \stemUp <lab,dod re> <lab dod re> <lab dod re> \md |
  88     \stemDown <sol'lab dod> <sol lab dod> <sol lab dod> \mg
  89     \stemUp <lab,dod re> <lab dod re> <lab dod re> \md |
  90     \stemDown <sol'lab dod>\< <sol lab dod> \mg \stemUp <lab, dod re> <lab dod re>
  91     \md \stemDown <sol' lab dod> \mg \stemUp <lab, dod re>\! \md |
  92     \stemDown <lad' si mi>\psempre <lad si mi> <lad si mi> \mg
  93     \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
  94     \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
  95     \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
  96     \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
  97     \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
  98     \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
  99     \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
 100     \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
 101     \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
 102     \stemDown <lad' si mi> <lad si mi> \mg \stemUp <lad, si fa'> <lad si fa'>
 103     \md \stemDown <lad' si mi> \mg \stemUp <lad, si fa'> \md \stemDown |
 104     <fa'' sib re>8-- <si,! fa' sib>16( \mg \stemUp <sold, mi'> \md \stemDown
 105     <si' fa'> \mg \stemUp <si,, sold'>
 106     \md \stemDown <mi' si'> \mg \stemUp dod, \md \stemDown
 107     <si''! fa' sib> \mg \stemUp <si, mi sold>
 108     \md \stemDown <fa'' sib re>8) |
 109     <si re mi fa>8-- <re, sol si>16( <reb, lab'> <re' sol> \mg \stemUp
 110     <fa,, reb'> \md \stemDown <lab' re>
 111     \mg \stemUp sib,, \md \stemDown <lab'' re sol>
 112     \mg \stemUp <lab, reb fa> \md \stemDown <re' sol si>8) |
 113     <mi sold si dod re>16--(\> <sib, fa'> <si' mi sold> \mg \stemUp <re,, sib'>
 114     \md \stemDown <fa' si mi>8) | <dod' re mi sol>16--(
 115     \mg \stemUp <fa,, si> \md \stemDown
 116     <sold' re'> \mg \stemUp <sib,, fa'>
 117     \md \stemDown <si' sold'>8) |
 118     <fa' solb lab dob>16-- \mg \stemUp <mib, lab>
 119     \md \stemDown <re' mib fa lab>-- \mg \stemUp
 120     <si, mi> \md \stemDown <si' do re fa>8--\! } | R4.*9 R8*5 R2.*3
 121
 122     %%% Adagio %%%
 123     \cmb #"p" #"très clair" <sib' fa' dod'>1\laissezVibrer R1*3 R1.
 124     \makeClusters { \ind #"dans les cordes" sol,16 la si do re2.} r2 |
 125     <la' re fa sib>1\laissezVibrer R1*2 R1.
 126     \makeClusters { \simile sol,16 la si do mi2. } r2 |
 127     <dod' mi do'!>2-- <la do sold'>--\laissezVibrer R1 R2. |
 128
 129     %%% Valse %%%
 130     \ottava #1
 131     r4 \det {<fa'' lab reb>2\ppp | r4 <sib, mib solb>2 \ottava #0
 132     r4 <mi, la do>2 | r4 <sib mib solb>2 | r4 <sold dod mi>2 |
 133     r4 <sol sib mib>2 | r4 <fa lab reb> r <mib lab dob> } |
 134     \mg \stemUp r8 \slurUp \ind #"con Ped." re,8\p( mib sib' si \md fad'
 135     \stemNeutral sol8\< re' mib sib')\! | R2.*2
 136     \stemUp \t {r8 mi(\pp mib} \t {lab, sol do,} \t {si mi, mib} \mg
 137     \t {lab, sol do,)} \md \slurNeutral \stemNeutral |
 138     \det {r2 \pl <do' fa lab>2\ppp <dod' mi la> |
 139     r4 \pl <sib, reb solb>2 <la' re fa>2 |
 140     r4 <sold dod mi>2 r4 <fad la re>2 | r4 <fa lab reb>2 |
 141     r4 <dod fad la>2 r4 <sib reb solb> r <la do fa>} |
 142     R1 \stemUp \ind #"non legato" re16\mp \< mib fa lab sib si dod mi fad sol la do |
 143     \stemDown <re, re'>8->\fp \stemUp \mg re,,-. \md \stemNeutral r4 |
 144     R2*6 r4 s R2*15
 145     \st {<fad' si mi>8\p r r4 <mi la re>8 r r4 <reb lab'>8 r r4 |
 146     R2*3 sib8->\mp r r4 <fa mi'>8-> r mi'''-.\pp r } |
 147   }
 148   \relative {
 149     \partial 4 r4 R2.*3 R1
 150     \det {<mi,, mi'>2\rfz\laissezVibrer r4 <mi, mi'>4\laissezVibrer r4 <mi mi'>2\laissezVibrer |
 151     r4 <mi mi'>\laissezVibrer | r4 <mi mi'>\laissezVibrer mi'4 mi,2\laissezVibrer |R2*2 |
 152     r4 <mi mi'>2\laissezVibrer | R2*2
 153     r4 <mi mi'>2\laissezVibrer | R2 r4 <re' re'> |
 154     <dod dod'>2-> r4 } | R2*2
 155     <dod, dod'>2->-- r8 <sol' sol'>-. | r dod-. r <sol sol'>-. |
 156     dod4-- <dod, dod'>-- <sol' sol'>8-. dod--|
 157     R2 <sol sol'>4-- dod-- <sib sib'>8-. dod--~| dod <sol sol'>-. dod4-- |
 158     <dod, dod'>4-- <sol' sol'>8-. <dod dod'>4-- <sib sib'>8-. |
 159     r <dod dod'>4-- <sol sol'>8-. |
 160     <sib sib'>2--~<sib sib'>4 r2 |
 161
 162     %%% Tempo giusto %%%
 163     <re re'>8->-. r r4 |
 164     re'8-. \md re'-. \mg re,-. \md re'-. \mg |
 165     re,16(\< mib' \md re mib) re'->(\> mib, re \mg mib,) |
 166     \st {re,8\p re' re, re' | re, re' re, re' | re, re' re, re'} |
 167     <dod,dod'>16\pp\< <dod'dod'> <fa, fa'> <fa' fa'>
 168     <si, si'> \md <si' si'> \mg <mi, mi'> \md <mi' mi'> \mg |
 169     <fad, fad'> \md <fad' fad'> \mg <sol, sol'> \md <sol' sol'>
 170     <la, la'> <la' la'> <do, do'> <do' do'>\! \mg |
 171     R2. <lab,,lab'>2.--\mf( <re, re'>4) r2 |
 172     \ottava #-1
 173     <fad, fad'>2.-- <mib mib'>-- <do do'>-- |
 174     \ottava #0
 175     <sib' sib'>2-- <sol sol'>4--~ <sol sol'> <mi mi'>2-- |
 176     <re re'>2->--\laissezVibrer <re'' fa sib re>4->~
 177     <re fa sib re> <re mib fa lab do re>2-> |
 178     <dod,,dod'>1*1/2->--\laissezVibrer s2
 179     \tupletDown \t {\stemDown dod'2*1/4\laissezVibrer
 180     \stemUp <dod''re>8 dod,}
 181     \stemNeutral \tupletNeutral s4 R2 R2-\fermataMarkup
 182
 183     %%% Solo ténor %%%
 184     R1*2 R2. R1 R2. R1
 185     sol,2\pp~ sol~ sol <sol fa'>2(~ <sol mib'>2.)
 186     <sol do>( <sol sib>2 <sol la>4~ <sol la> <sol lab>2)~
 187     <sol lab>2. <sol lab> <sol lab'>\arpeggio R2.*4 R4.
 188     s4.*2 R4.*2 s4.*4 R4.*3 r8 sol'(\mp lab-.) |
 189     \acciaccatura la16 sib8-.\> r \acciaccatura fad16 sol8-. |
 190     r fa-.\! r |
 191     \st { mi8 r4 sol8 r4 |
 192     mi8 r4 sol8 r4 |
 193     red8 r4 fad8 r4 |
 194     red8 r4 fad8 r4 |
 195     mi8 r4 mi8 r4 | re8 r4 re8 r4 } |
 196     \pl {do4.\pp\laissezVibrer R4. \oneVoice R4.*2}
 197     {r8 <mi'sol>8( <fa sib>
 198     <sol reb'> <sib do> <sib mib> \md
 199     <dod fad> <red sold> <fad la>
 200     <red sol> <fad la> <sold si>) \mg}
 201     \pl {do,,,4.\laissezVibrer \oneVoice R4.*3}
 202     {r8 <mi' la>( <fad do'> \md
 203     <la re> <do fa> <re sol>
 204     <fa lab> <sol sib> <lab reb>
 205     <sib mib> <dod mi> <red fad>) \mg}
 206     \pl {do,,,4.\laissezVibrer \oneVoice R4.*3}
 207     {r8 <sol'' do>( <la re> \md
 208     <do mib> <re fa> <mib lab>
 209     <fa sib> <sold si> <lad dod>
 210     <si mi> <dod fad> <mi sol>) \mg}
 211
 212     %%% A tempo %%%
 213
 214     %% FIXME: Issue #705
 215     \stemUp re,,,8->-. \md \stemDown re''-. \mg \stemDown re,-. \stemNeutral
 216     <sold, sold'>(\< <si si'> <dod dod'>) |
 217     \stemUp re,->-.\! \md \stemDown re''-. \mg \stemDown re,-. \stemNeutral
 218     <sold, sold'>(\< <si si'> <dod dod'> |
 219     re fa sol <lab, reb lab'>4.)\!\laissezVibrer R4.*2
 220     s4.*10
 221     \stemDown <si, si'>4.*1/3\f\laissezVibrer s4 s4.
 222     <sib sib'>4.*1/3\f\laissezVibrer s4 s4.*4 \stemNeutral
 223     si'8--\mf sib-- lab-- | fa-- r4 | R4.*7 R8*5 R2.*3
 224
 225     %%% Adagio %%%
 226     \det {<fad' re'>1\laissezVibrer R1*3 R1.*2
 227     <fad dod'>1\laissezVibrer R1*2 R1.*2
 228     <sold fa'>2 <fa dod' mi>2\laissezVibrer R1 R2. \clef treble
 229
 230     %%% Valse %%%
 231     r4 <mi'' la do>2 r4 <si re sol>2 |
 232     r4 <fa lab reb>2 | r4 <si, re sol>2 |
 233     r4 <la do fa>2 \clef bass r4 <fad si re>2 |
 234     r4 <fad la re> r <mi sol do> } |
 235     \stemDown \slurDown \t {sol,,8( re' sol} \t {sib sol sib}
 236     \t {mib sib mib} \stemNeutral \t {fad mib fad} si4) | R2.*2
 237     \md \stemDown re'8( sol, mi \mg si lab mib do-- sol--) \slurNeutral |
 238     \det { \stemNeutral do,2*2\laissezVibrer s2. r4 <la'' do fa>2 |
 239     r4 <fa sib reb>2 r4 <mi la do>2 |
 240     r4 <re fa sib>2 r4 <la re fa> r <sold dod mi> } |
 241     R1 \stemDown re'16 mib sol la
 242     sib \md do mib fa solb lab si dod \mg s4
 243     \st { \stemNeutral re,,,8 re' | re, re' re, re' |
 244     re, re' re, re' | re, re' re, re' |
 245     re, re' re, re' | re, re' re, re' |
 246     re, re' re, re' | re, re' \md re'\> \mg re, |
 247     re,\! r r4 | R2*14
 248     <re' sol do>8 r r4 <mi la re>8 r r4 <sol mib'>8 r r4 |
 249     R2*3 <sib, dob>8-> r r4 | <mi, re'>8-> r mi, r } |
 250   }
 251 }
 252
 253 ActeUnSceneUnPiano = {
 254   \PianoDeuxMains
 255   \relative { \Piano \clef bass
 256     \cmb #"p" #"sombre" do,8( do \t {do\> do do} do4--\! do--)\laissezVibrer s2. |
 257     r8 do\<( \t {do\> do do} do4--\! do--)\laissezVibrer s2. |
 258     r8 do\<( \t {do\> do do} do4--\! do--)\laissezVibrer s2. |
 259     r8 \simile do( \t {do do do} do4 do)\laissezVibrer s2. |
 260     r8 do( \t {do do do} do4 do)\laissezVibrer s2. |
 261     r8 do( \t {do do do} do4 do)\laissezVibrer s2. \clef treble |
 262     <la'' mib' si'>1\pp\arpeggio \laissezVibrer |
 263     <la, mib' si'>2.\arpeggio \laissezVibrer |
 264     <do' solb' mi'>1\arpeggio \laissezVibrer |
 265     <mi, sol red' fad>2.\arpeggio \laissezVibrer \clef bass |
 266     r8 <do,do'>\mp( \t {<do do'> <do do'> <do do'>} <do do'>4 <do do'>)\laissezVibrer s2. |
 267     r8 <do do'>( \t {<do do'> <do do'> <do do'>} <do do'>4 <do do'>)\laissezVibrer \clef treble |
 268     r4 <do' fa lab>2\arpeggio |
 269     s4 \pl <sib re lab'>\arpeggio <fa'' do'>\arpeggio
 270     s \pl <sib,, re lab'>\arpeggio <fa'' do'>\arpeggio
 271     \pl {s <sib,, re lab'> s} {<do' do'>--\pp <do do'>8( <do do'> \t {<do do'> <do do'> <do do'>)}} |
 272     <do do'>4 <re, fad dod'>\arpeggio s \pl <re fad dod'>\arpeggio <sold' mi'>\arpeggio s2. |
 273     R2.*7
 274     \det {<do, do'>4\fmolto <do do'>8 <do do'> \t {<do do'> <do do'> <do do'>} <do do'>4~} |
 275     <do do'>2. |
 276
 277     %%% Ad libitum %%%
 278     \cmb #"p" #"très clair"
 279     <lab do>16[( <fa mib'>) r <lab do>-.] <mi fad'>2.--~ <mi fad'>2*3/2\laissezVibrer
 280     R2. \clef bass | r2 <solb, sib>16[( <mib reb'>) r <solb sib>-.] <mi mi'>4--~ |
 281     <mi mi'>2*3/2\laissezVibrer | r2 <lab, do>16[\ffsubito <fa mib'> r <lab do>] |
 282
 283     %%% Agitato %%%
 284     <fad fad'>2\sfz r |
 285     R1 r4 <do' fa si>->\sfz r <do fa si>->\sfz | R1*3
 286     <do re>2--\mf <do re>4-- <do re>-- \t {<do re>\> <do re> <do re>}
 287     <do re>1--\p\laissezVibrer R1 |
 288     re2--\mf re4-- re-- \t {re\> re re}
 289     <do re>1--\p\laissezVibrer R1*2 |
 290     re2-- re4-- re-- \t {re--\> re-- re--}
 291     <sib re>1--\!\laissezVibrer s2
 292     \t {do4--( lab'-- mib--)} |
 293     <do si'>2--\psempre r4 <do si'>2.-- | r4 <do si'> <do si'>2.-- r4 |
 294     r <do si'>--( <fa mi'>-- <lab sol'>-- \clef treble <mi' red'>2--) |
 295     r4 <sol do lab'>2.-- | r4 <mib' la re>2.-- r2 |
 296     s1 s2\> <sib fa' reb'>1\pp r2 R1. |
 297
 298     %%% Allegro non troppo %%%
 299     R1 R2. R1*5 R2. R1 R2. R1 R2. R1
 300     \ottava #1
 301     r16\f <reb' fa>( <do si'>16.-.) <sol' sib>32( <mi re'>2)\laissezVibrer s1
 302     \ottava #0
 303     R1*4 R2.*3 R1*6
 304
 305     %%% Moderato %%%
 306     R1*2 R2.*2 R1 R2. R1 R2. R1 s2. s1 s2. s1
 307     \ind #"molto legato" sib,,16 do sib'-- sib, do fa-- \mg fa, \md sib
 308     do \mg mib, \md sib' do |
 309     sib do sib'-- do, fa do'-- sib, do
 310     fa-- sib, do \mg mib, \md sib' \mg fa \md sib do |
 311     sib do sib'-- do, fa sib do-- mib, fa-- sib, do fa |
 312     sib, do-- reb do mib do fa-- sib, do fa sib do-- sib, do fa-- sib, |
 313     do sib'-- sib, do do'-- do, sib'-- sib, do'-- do, sib' sib, |
 314     do sib'-- do, sib' do-- sib, do sib'
 315     <sib, do>8->\mp r r2 | R1 \clef bass
 316     s2*2 r8 <sib, do>--( <la' dod>-- \clef treble <sib do sib' do>--)
 317     \pl <sold' re'>2--\laissezVibrer <sold' re'>--\laissezVibrer |
 318
 319     %%% Allegro marcato %%%
 320     \ottava #1 <fad' mi' fa!>4-.\mf <mib, mi'! fa>-.
 321     <fad' mi' fa>-. <mib, mi' fa>-. |
 322     <fad' mi' fa>-. <mib, mi' fa>-.
 323     \ottava #0 <fad, mi' fa>-. s | R1*3
 324     \ottava #1 <fad''do' fa!>4-.\mf <si, dod sol'>-.
 325     <fad' do' fa>-. <si, dod sol'>-. |
 326     <fad' do' fa> <si, dod sol'>-. \ottava #0 <sib, re lab'>-. s | R1*2
 327     r2 r4 <sib, mib sol>-.--\p
 328     <fad' si>2--( <sib, mib sol>8) r <sib mib sol>4-.-- |
 329     <fad' si>2--( <sib, mib sol>8) r r4 | R1 r2 r4 <sib mib sol>-.-- |
 330     <fad' si>2--( <sib, mib sol>8) r <sib mib sol>4-.--
 331     <fad' si>2--( <sib, mib sol>8) r r4 |
 332     R1*4 r2 r8 \ottava #1 \pl {do'16\pp la'?} {\t {do( fa lab)}}
 333     <mi reb'>4-. |
 334     r2 r8 \pl {do,16 la'?} {\t {do( fa lab)}} <mi reb'>4-. | \ottava #0 R1 \clef treble |
 335
 336     %%% Agitato %%%
 337     <re,,, do' re>2.--\f r4 |
 338     R1*3 \clef treble |
 339     \st {sib'''8->\p fa do mib-> sib fa fa'-> do |
 340     sib'-> fa do mib-> sib fa mib'-> sib |
 341     la'-> re, sol, fa'-> sib, mib, sol'-> do, |
 342     sib'-> mib, lab, mib'-> sib fa sol'-> do, |
 343     sib'-> mib, lab, si'-> fad dod sol'-> re |
 344     lab'-> mib sib fa sib mib lab-> mib |
 345     lab-> mib sib fa sib mib-> lab-> reb-> }| solb-> r r4 r1 |
 346     R1*3 R2. R2*5 R1*4
 347   }
 348   \relative {
 349     <do,,, do'>2--\ppp\laissezVibrer s2 fad2.--\laissezVibrer |
 350     <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
 351     <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
 352     <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
 353     <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
 354     <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
 355     \pl {<fa fa'>2 fa2\laissezVibrer}
 356     {s8 \ind #"en dehors" do''( \t {do do do} do4-- do)\laissezVibrer} fa,2. |
 357     \pl {fa,2 fa2\laissezVibrer}
 358     {s8 do''( \t {do do do} do4 do)\laissezVibrer} fa,2. |
 359     <reb, reb'>2\p reb2\laissezVibrer <reb' lab'>2.-- |
 360     reb,2-- reb2--\laissezVibrer<reb'-- lab'>2. |
 361     \pl <do sol'>4\arpeggio <mi' sib' re>\arpeggio s
 362     \pl <do,sol'>\arpeggio <mi' sib' re>\arpeggio s |
 363     <do, sol' mi'> s <sol' mi' sib'> |
 364     \pl <do,sol'>\arpeggio <mi' sib' re>\arpeggio s
 365     \pl <do,sol'>\arpeggio <mi' sib' re>\arpeggio s |
 366     \pl <do,sol'>\arpeggio <mi' sib' re>\arpeggio
 367     <do, do'>8\mp(\< <do do'> \t {<do do'> <do do'> <do do'>} |
 368     do4\!) r2 R2.*6
 369     \det {<do do'>4 <do do'>8 <do do'> \t {<do do'> <do do'> <do do'>} <do do'>4 |
 370     r8 <do do'>\mf\> \t {<do do'> <do do'> <do do'>} <do do'>4\!} |
 371
 372     %%% Ad libitum %%%
 373     <solb'' sib>16[( <mib reb'>) r <solb sib>-.] <do, re'>2.--~ <do re'>2*3/2\laissezVibrer |
 374     r4 do8\p( do \t {do do do} do2) r4 do,--\pp | do8 do \t {do do do} do4 |
 375     do8\< do \t {do do do} do16 do do do |
 376
 377     %%% Agitato %%%
 378     <re, re'>2*2\!\laissezVibrer R1 |
 379     r4 <do' fa si>-> r <do fa si>-> | R1*3
 380     <re, re'>2*3\laissezVibrer R1*2 |
 381     <re re'>2*3\laissezVibrer R1*3
 382     re'2*3\laissezVibrer
 383     re2*2 \ottava #-1
 384     \t {sib,8( mib fad} \t {si re sol)} s2 \ottava #0
 385     mib2*3--\laissezVibrer R1.*2
 386     mib8( mib') r4 r2 | \t {mib,8( fa' mi'!)} r4 r1 |
 387     \pl {mi,,,2*3\laissezVibrer }
 388     {\t {mi'4--\mf( si' sol'} \t {si, sol' \md mi'} \t {sol mi' si')}} \mg
 389     R1.*2
 390
 391     %%% Allegro non troppo %%%
 392     R1 R2. R1*5 R2. R1 R2. R1 R2. R1
 393     <sol,,,, sol'>2*3/2->--\laissezVibrer s1 R1*4 R2.*3 R1*6
 394
 395     %%% Moderato %%%
 396     R1*2 R2.*2 R1 R2. R1 R2. R1
 397     mib'16\mp\( mib' \md sib'( do) la-. fa'4..--\)\laissezVibrer |
 398     \mg r16 mib,( \md sib' do) \mg mib,( \md sib' do4.)
 399     \mg r16 mib,( \md sib' do) | \mg fa,,( fa' \md sib do~
 400     do4) sib16( fa' \mg fa, \md sib |
 401     do \mg fa, \md <sib do>2..) \mg |
 402     <mib,, mib'>4 <fa fa'>2*1/8 s16 s8 s4 |
 403     <mib mib'>8. <fa fa'>16~ <fa fa'>2*1/4 s8 s2 |
 404     <solb solb'>8. <lab lab'>16~ <lab lab'>2 |
 405     <solb solb'>4 <lab lab'>~ <lab lab'>16 <solb solb'>8. <lab lab'>8. <mib mib'>16~ |
 406     <mib mib'>8. <fa fa'>16~ <fa fa'>8 <solb solb'>~ <solb solb'>16 <lab lab'>8.~ |
 407     <lab lab'>4 r |
 408     \ind #"strict" <si, si'>16-- si'-. <do, do'>-- do'-.
 409     <si, si'>-- si'-. <re, re'>-- re'-.
 410     \simile <si, si'> si' <red, red'> red' |
 411     <si, si'> si' <fa, fa'> <fa' fa'>
 412     <solb, solb'> <solb' solb'> <fa, fa'> <fa' fa'>
 413     <la, la'>\< <la' la'> <lab, lab'> <lab' lab'>
 414     <sib, sib'> <sib' sib'> <sol, sol'> <sol' sol'> |
 415     \md \stemDown <sib' do>-.\mf si,-.
 416     \mg \stemUp <si,! sib' do>-. \md \stemDown si'-.
 417     <sib' do>-. \simile si, \mg \stemUp <si,! sib' do> \md \stemDown si' |
 418     <sib' do> si, \mg \stemUp <si,! sib' do> \md \stemDown si'
 419     <sib' do> si, \mg \stemUp <si,! sib' do> \md \stemDown si' \mg |
 420     <si,, si'>2\sfz\laissezVibrer s2 |
 421
 422     %%% Allegro marcato %%%
 423     <si' lad'>4-. \pl { \t {si'8\ff si si}} do'4-. <si,, do'>-. \pl si' lad' |
 424     <si,,lad'>4-. \pl { \t {si'8\ff si si}} do'4-. <si,, do'>
 425     \pl <si, si'>---> <sib'' do mi fa>--->\sffz |
 426     \ottava #-1
 427     r si,,\sfz r si\sfz r8 si-. \t {si-- si si} si-> r r4
 428     \ottava #0 | R1
 429     <si' lad'>4-. \t {<do' re>8\ff <do re> <do re>} <do re>4 si,-.-. |
 430     <si  lad'> \t {<do' re>8\ff <do re> <do re>} <do re>4
 431     \pl <si,, si'>---> <sib'' do mi fa>--->\sffz |
 432     \ottava #-1
 433     r si,,\sfz r si\sfz r8 si-. \t {si-- si si} si-> r r4 |
 434     \ottava #0
 435     r2 r4 <do'' fa>-.-- <mi sold dod>2--( <do fa>8) r <do fa>4-.-- |
 436     <mi sold dod>2--( <do fa>8) r r4 |
 437     \ottava #-1
 438     r si,,-.\pp r si-. r si-. si-.
 439     \ottava #0 <do'' fa>-.-- |
 440     <mi sold dod>2--( <do fa>8) r <do fa>4-.--
 441     <mi sold dod>2--( <do fa>8) r r4 |
 442     R1*7
 443
 444     %%% Agitato %%%
 445     <re,, re'>2.-- r4 | R1*3
 446     \st {sol'''8-> re la do-> sol re re'-> la |
 447     sol'-> re la do-> sol re do'-> sol |
 448     sol'-> do, fa, mi'?-> la, re, fa'-> sib, |
 449     sol'-> do, fa, do'-> sol re mib'-> lab, |
 450     sol'-> do, fa, mi'-> la, re, mib'-> sib |
 451     fa'-> do sol re sol do fa-> do
 452     fa-> do sol re sol do-> \clef treble fa-> sib->} |
 453     mib-> r r4 r1 | R1*3 R2. R2*5 R1*4
 454   }
 455 }
 456
 457 ActeUnSceneUnBisPiano = {
 458   \PianoDeuxMains
 459   \relative { \Piano
 460     R2.*6
 461     \stemUp \mg
 462     \ttt { \slurUp lab,16( sib reb mi sol do } \md
 463     \ttt { mib fa lab si dod mi} \ottava #1
 464     \t { sol la do} re32 mib sold la) \slurNeutral \stemNeutral
 465     <re, re'>4--\f \ottava #0 r8 re,,->--~re4 r |
 466     R2. <re' re'>4--\f <re, re'>-- \mg <re, re'>2-- \md |
 467     R2.
 468     <do'' fa la re>4\sf\arpeggio \laissezVibrer <si do re fa la>2-- |
 469     \pl <fa solb lab>-- <dob' mib lab>-- <lab reb sol>4--\laissezVibrer |
 470     r4 <mid si' fad'>2--\laissezVibrer R2.*2 |
 471     \ottava #1 \pl {<si' sol'>8\ppp <si sol'>4-- <si sol'>8 <si sol'>4--~ <si sol'>4.}
 472     {<mi' re'?>8 <mi re'>4-- <mi re'>8\> <mi re'>4--~ <mi re'>8 <mi re'>4\!--}
 473     \ottava #0 r8\fermata r4 | R2.
 474     \ottava #1 \pl {<si, sol'>8\ppp <si sol'>4-- <si sol'>8 <si sol'>4--~ <si sol'>2~<si sol'>8}
 475     {<mi' re'>8 <mi re'>4-- <mi re'>8 <mi re'>4--~ <mi re'>4 <mi re'>4.--}
 476     \ottava #0 r8\fermata r4 | R1 R2 \clef bass
 477
 478     %%% Largo %%%
 479     do,,,8\pp do \t {do do do} do4-- do~ | do2\laissezVibrer R2.
 480     r8 do \t {do do do~ } do2.\laissezVibrer R2
 481     r8 do \t {do do do~ } do4~ do2.\laissezVibrer \clef treble
 482     r2 r4 <dob' lab' sib>-.\mp | <sib sol'>2-- r4 <dob lab' sib>-. |
 483     <sib sol'>2-- r4 |
 484     R2 <dob sib'>2\p\arpeggio r R2.*2 R2*2
 485     r2 r8 <la sib'>-.\mp <lab sol'>4-- r8 <la sib'>-. | <lab sol'>2--
 486     r8 <sol sib re sol>-.\mf r4 |
 487     r8 <la do mi sol>-. <do mi? sol sib>-. r r4 |
 488     r2 r8 <lab reb sol>-.(\< <reb fa sib>-. <mi sol lab sib reb>-.)\! |
 489     R2.
 490     r4 <sib re>--\mp <mib, sib' mib>2\>\arpeggio
 491     <sib' mib sib'>8-.\arpeggio r r4 |
 492     <fad la red>2.\!\arpeggio
 493     r2 <fad la red>4-- <mi sold mi'>2-- r4 |
 494
 495     %%% Adagio %%%
 496     r4 <mi' si'>2.\laissezVibrer\pdolce R1 <mi si'>1\laissezVibrer |
 497     r2 r4 <mi si'>4\laissezVibrer R1 r2 <mi si'>\p\laissezVibrer |
 498     R1 r4 <mi si'>2.\laissezVibrer R1 <mi si'>1\laissezVibrer |
 499     r2 r4 <re la'>\laissezVibrer r2 r8 <re la'>4.\laissezVibrer |
 500     r2 <re la'>\laissezVibrer r4 r8 <re la'>~<re la'>2\laissezVibrer |
 501     r4 <re la'>2.\laissezVibrer r8 <re la'>~<re la'>2 r4 |
 502     <re la'>4\p <re la'>8( <mi sol> <do si'>4) <do si'>8( <mi sol> |
 503     <re la'>4) <re la'>8( <mi sol> <do si'>4) \simile <do si'>8 <mi sol> |
 504     <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol> |
 505     <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol> |
 506     <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol> |
 507     <re la'>4 \pl { <re la'>8\psempre <mi sol> <do si'>4 <do si'>8 <mi sol>
 508       <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol>
 509       <re la'>4 re re8 mi do4 do8 mi re4 do <do si'>8 <mi sol>
 510       <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol>
 511     <re la'>4 <re la'>8 <mi sol>}
 512     {mi'4 re re mi mi re re mi <la, mi'>8 <sol fad'> <si re>4 <si re>8 <sol fad'>
 513     <la mi'>4 <la mi'>8 <sol fad'> <si re>4 mi mi8 re fad4 fad8 re mi4 mi8 re fad4}
 514     <do, si'>4 <do si'> | <do si'> <do si'> <si' fad'> <si fad'> |
 515     <si mi> <do, si'> <do si'> <do si'> |
 516     <do si'> \pl {<sol' si> <sol si> <sol si>}
 517     {fad' fad8 re mi4 } |
 518     R1 r2 r4 <si fad'>--\pp | <re fad dod'>4--\fermata r r2 |
 519     R2 \ind #"secco" <dod, si'>8-.\p r <re si'>8-. r <re si'>-. r r4 \clef bass
 520     r4 <mi, si'>->--\sff
 521   }
 522   \relative {
 523     \ottava #-1
 524     <dod,,, sold' dod>2.\ppp\laissezVibrer
 525     \ottava #0
 526     \loco <dod' dod'>2.-- dod4--\pp dod8 dod \t {dod dod dod} |
 527     \ottava #-1
 528     <dod, dod'>2.--
 529     \pl {fa4 dod}
 530     {\ttt {r16\p lad'( si dod mi sold} fa4) }
 531     \ottava #0
 532     \pl {fa4 dod}
 533     {\ttt {r16 lad'( si dod mi sold} fa4) }
 534     r2 |
 535     \stemDown
 536     \ttt { \slurDown lab,,16( sib reb mi sol do }
 537     \ttt { mib fa lab si dod mi} \md
 538     \ttt { sol la do re mib sold) \slurNeutral } \mg \stemNeutral
 539     <re,,, re'>4 r8 re->--~re4 r |
 540     <fad, fad'>2-- r4 |
 541     re' r s2 |
 542     \pl {sib4-- reb16( sib lab8->)~ lab4}
 543     {sib'-- reb16(\< sib lab8)->\!~lab4}
 544     <sol, sol'>2.\arpeggio \laissezVibrer s2 <lad'' si dod mi>4--\laissezVibrer
 545     r4 <re, mib fa lab do>2--\laissezVibrer R2.
 546     r8 <reb,reb'>8\pp~ <reb reb'>2~ <reb reb'>2.\laissezVibrer R2.
 547     r8 <reb reb'>8\pp~ <reb reb'>2~ <reb reb'>2.\laissezVibrer R1*2 R2
 548
 549     %%% Largo %%%
 550     <do, do'>2\ppp~ <do do'>~ <do do'>\laissezVibrer R2.
 551     r8 do' \t {do do do} do4 do2\laissezVibrer R2
 552     r8 do \t {do do do} do4~do2.\laissezVibrer
 553     r2 r4 <fad sol'>-. | <reb do'>2-- r4 <fad sol'>-. |
 554     <reb do'>2-- r4 |
 555     <lab lab'>2\p~ <lab lab'> r2 |
 556     R2.*2 R2*2
 557     r2 r8 <solb' lab fa'>-. <reb sib'>4-- r8 <solb lab fa'>-. <reb sib'>2-- |
 558     r8 reb-. r4 | r8 la'-. <mib mib'>-. r r4 |
 559     r2 r8 sib-.( mi!-. si'-.) | R2.
 560     r4 sib-- <sol>2\arpeggio ~ sol
 561     <fad>2.\arpeggio r2 si4-- mi,2-- r4 |
 562
 563     %%% Adagio %%%
 564     R1*5 r2 sol\laissezVibrer
 565     r4 r8 <dod, dod'>8\pp~ <dod dod'>2\laissezVibrer |
 566     r4 <sol sol'>2.\laissezVibrer r8 <dod dod'>~<dod dod'>2.\laissezVibrer |
 567     <sol sol'>1\laissezVibrer r2 r4 <sib sib'>\laissezVibrer |
 568     r2 r8 <sol sol'>4. | r2 <sib sib'>2\laissezVibrer |
 569     r4 r8 <sol sol'>~ <sol sol'>2\laissezVibrer |
 570     r2 <sol sol'>~ <sol sol'>4 r r2 |
 571     <mi mi'>1~ <mi mi'>2. <mi mi'>4~<mi mi'>1~<mi mi'>2 r |
 572     R1*7 r2 <fa''? do'>4 <fa do'> | <sol do> r r2 |
 573     r4 \pl {fa4 fa8 la sol4 } {<do mi> <do mi> <do mi>} |
 574     R1 r2 r4 <do mi>-- <fa,? do'? mi>--\fermata r r2 |
 575     R2 re8-. r sold,-. r fa-. r r4 | r <dod sold'>->-- |
 576   }
 577 }
 578
 579 InterludeUnPiano = {
 580   \PianoDeuxMains
 581   \relative { \Piano
 582     R1. R1*3 R1. R1 R1.*2 R1*2 R1.*2 R1 R2. R2 R2.
 583     <fa' sol sib do fad>1\laissezVibrer \mf
 584     r4 r8 \ind #"en dehors" mi,32->(\ff fa16.)~ fa4 r |
 585     r8 <mi mi'>32->( fa16.)~ fa2 <sol, mi' sol>16(\f <sib fa' sib>8.)~ <sib fa' sib>2 |
 586     r2 <sol mi' sol>8\mf ( <sib fa' sib>4.)~ |
 587     <sib fa' sib>8 <mi sol>32( <fa sib>) <do sol' do>16->~ <do sol' do>4
 588     \clef bass r8 <mi, si' mi>16\>( <fa re' fa>)~ <fa re' fa>8 r |
 589     <re sol re'>2\p <sol mi' sol>( <sib fa' sib>4) r | R1 \clef treble
 590     <fa sol mi'>4---> <sold' red' la'>---> \ottava #1 <la' red sib'>---> |
 591     \ind #"très clair" fad'16\pp ( sol fad re do re fad sol fad re do re |
 592     fad4) fad16( sol fad re do re fad sol |
 593     fad4) \ottava #0 r2 R2.*3
 594     fad16( sol fad re do re fad sol fad re do re |
 595     fad4) r2 | R2.*2
 596     fad16( sol fad mi dod mi fad sol fad mi dod mi |
 597     fad4) r2 R2.*4
 598   }
 599   \relative {
 600     R1. R1*3 R1. R1 R1.*2 R1*2 R1.*2 R1 R2. R2 R2.
 601     <sol,, sol'>1\laissezVibrer r4 r8 mi''32->( fa16.)~ fa8 do,-- sib-- dod-- |
 602     <sol sol' re'>1\arpeggio r8 <dod dod'>4.-- |
 603     sol'8 <sol, sol'>-- sol' <sol, sol'>--
 604     sol' <sol, sol'>-- sol' <sol, sol'>-- |
 605     sol' <sol, sol'>-- sol' <sol, sol'>--
 606     sol' <dod, dod'>-- dod'-- <dod, dod'>-- |
 607     <sol sol'>16 sol' <sol, sol'> sol'
 608     <sol, sol'> sol' <sol, sol'> sol'
 609     <sol, sol'> sol' <sol, sol'> sol'
 610     <sol, sol'> sol' <sol, sol'> sol'
 611     <sol, sol'> sol' <sol, sol'> sol'
 612     <sol, sol'> sol' <sol, sol'> sol' |
 613     <sol, sol'> sol' <sol, sol'> sol'
 614     <sol, sol'> sol' <sol, sol'> sol'
 615     <dod, dod'> dod' <dod, dod'> dod'
 616     <dod, dod'> dod' <dod, dod'> dod' |
 617     <fad,, fad'>8-- <fad fad'>-- <fad fad'>--\> <fad fad'>-- <fad fad'>-- <fad fad'>-- |
 618     <sol sol'>2--\! r4 | R2.*15
 619   }
 620 }
 621
 622 ActeUnSceneDeuxPiano = {
 623   \PianoDeuxMains
 624   \relative { \Piano
 625     %%% Air de la Soprano2 %%%
 626
 627     \repeat unfold 6 {R2.*2 R1*2} R2. | \clef bass
 628     dod,8\p( re fad sold) fad( re) | dod1--\mp~ dod~ |
 629     dod2 r4 | re-. fad8( sold fad4-.) |
 630     mi8(\pp fa la si la fa) mi( fa |
 631     la si la4) fa8( la si re | si4) \clef treble la8( si re fa |
 632     re4) fa8( sol si do) |
 633     \ottava #1 si''8\pp( do si sol fa sol si4) |
 634     si8( do si sol) fa( sol si do) |
 635     si( do si sol) fa( sol | fa re) si( re la4) |
 636     \ottava #0
 637     <lab, lab'>1--\mf ~ <lab lab'>2. r4 | R2.*2 R1*2 |
 638     R2. lab8(\> re, do lab) s4 \clef bass |
 639     r4\pp <re, sold>2.\arpeggio \laissezVibrer R1 |
 640     R2. \clef treble |
 641     r4 r8 \ottava #1 \st {fa''''!(\ppp sol,!4) | \ottava #0
 642     r4 r8 \ottava #1 fa'( do sol) sold( re) |
 643     do'( sol re sold la,4) \ottava #0 r | R2.*2 |
 644     r4 \ottava #1 fa'' \ottava #0 r2 R1 | R2.*2 |
 645     r8 \ottava #1 fa( do sol) fad'( si, mi,4) |
 646     \ottava #0 R1 | R2. |
 647     r8 \ottava #1 fa'!( do sol lad'4) |
 648     red,4} \ottava #0 r r2 |
 649
 650     %FIXME: line breaks make the "15ma" text move to the left.
 651     r2 \ottava #2
 652     \cmb #"pp" #"très clair" sol!4-. do-. | si8( sol fa4-.) si8( do |
 653     si sol fa sol si4-.) |
 654     sol4-. fa8( do' si4-.) do8( si |
 655     sol fa sol si-.) r do( fa, sol |
 656     si4-.) do-. fa,-. | si8( sol fa sol si4-.) |
 657     si8( do si sol) fa( sol si do |
 658     si sol) fa( sol) si4-. si8( do |
 659     si sol) fa( sol si do | si sol) fa( sol) si4-. |
 660     si8( do si sol fa4-.) si8( do |
 661     si sol fa sol si4-.) si8( do |
 662     si sol fa4-.) si8( do |
 663     si sol fa sol si4-.) |
 664     si8(\> do si sol fa4-.) si8( do |
 665     si sol fa sol si4-.)\! r |
 666     \ind #"quasi niente" si8( do si sol fa4)\laissezVibrer
 667     \ottava #0 | R2. R1 | r2
 668     \ottava #1 <si,, dod lad'>2--\pp\fermata \ottava #0 |
 669
 670     %%% Récitatif %%%
 671     R2.*2 R1 R2.*3 R1 R2.*5
 672     <sol, lab mib'>8->-.\sf r r2 \clef bass
 673     r8 \t {sold,,16(\mf la si} re8-.) r |
 674     R2. R1*2 R2.*5 R1
 675
 676     %%% Duo %%%
 677     <re sib' re>8-.\pp
 678     \repeat unfold 32 <re sib' re>-.
 679     <re sib' re>( <mi do' mi>-.)
 680     \repeat unfold 12 <mi do' mi>-.
 681     <mi do' mi>( <sol red' fad>-.)
 682     \repeat unfold 7 <sol red' fad>-.
 683     \repeat unfold 8 <fa reb' solb>-. r4 \clef treble |
 684     R2
 685     \repeat unfold 12 { r8 <si fa' sol>-.}
 686     <si fa' sol>-. r <si fa' sol>-. <si fa' sol>-. \clef bass |
 687     r4 \det {<mi, fad lad> <fad lad dod>
 688       <si, mi> <fad' lad dod> \clef treble
 689     <dod' mi sold> <mi lad red> |
 690     <fad, lad mi'>\< <lad dod sold'> <mi' lad red> <sold mi' lad> |
 691     <do sol' re'>\mf \clef bass <mib,, sib'> <sib' fa'> |
 692     <lab, mib'>\> \clef treble <sib' fa' do'> <fa' do' sol'> |
 693     <si fad' sol re'>\pp\arpeggio }
 694     <fad' si>8-. <fad si>-. <red fad>-. <red fad>-. |
 695     <lad red>-. <lad red>-. r4 r2 \clef bass |
 696
 697     %%% Piu vivo %%%
 698     r4 sol,,16(\mp lab sol sib) lab( sib lab reb) |
 699     sib( reb sib mib) reb( mib reb mi)
 700     red( mi red fad) mi( fad mi la) |
 701     fad(\< la fad si) la( si la do)
 702     si( do si re) \clef treble |
 703     do( re do fa) re( fa re sol) fa( sol fa lab) \clef bass |
 704     \mg \dynamicUp <sol,,, sol'>8(\mf \dynamicNeutral
 705     \md sol') \mg <re' sol>-. \md
 706     <fa sib reb mib>->~ <fa sib reb mib>2 |
 707     dod2-- dod4--
 708     \mg sol,8( re') \md sol-. \mg <re' sol>-.
 709     \md <fa sib reb mi!>2-> |
 710     dod2.--
 711     \mg sol,8( re') \md lab'( sol) \mg <re' sol>-. \md
 712     <sol sib dod fad>4.-> |
 713     dod,4-- r2 \clef treble | R2.
 714     \mg sol,8( re') la'-. \md <la' re mi sold>4.->\laissezVibrer R2.
 715     \mg si,,8( fad') dod'-.\md <la' re mi sold>4.->\laissezVibrer R2.
 716     \mg <re,,, re'>8.(\fsempre re''16) \md <si' mi>8-.
 717     <re sold la>4.->\laissezVibrer R2.*2
 718     r8 <re' mi re' mi>-.->\mf r2 | R2.*2 \clef bass
 719     r4 r8 <re,, sold dod>->-.\mp r4 | R2.
 720     \pl {fa2 s2} <sib re fa>1\arpeggio\fmolto
 721     <sib re>1\arpeggio \clef treble
 722     <si' re mi>2--->\p\laissezVibrer r \clef bass |
 723
 724     %%% Tempo giusto %%%
 725     <re,, sib' re>8-.\p
 726     \repeat unfold 14 <re sib' re>-.
 727     <re sib' re>( <mi do' mi>-.)
 728     \repeat unfold 6 <mi do' mi>-.
 729     <mi do' mi>( <red si' red>-.)
 730     \repeat unfold 7 <red si' red>-.
 731     <sol si>-. <sol si>-. <sol si>-. <sol si>-. \clef treble
 732     \t {r si(\< si'} \t {la la' do)} |
 733     <dod, dod'>2->--\f r4 \clef bass |
 734     r8\mf <si,, re>( lad' <si, re>) \clef treble
 735     r <fa''' si>( mi' <fa, si>) \clef bass |
 736     r  <si,,,re>( lad' <si, re>) \clef treble
 737     r <fa''' si>( mi' <fa, si>) | R2.
 738     <lab, lab'>2\mp\arpeggio \clef bass |
 739     r8 <re,, sold>(\mf dod' <re, sold>) \clef treble
 740     \ottava #1 r <do''' fa>( <si' mi> <do, fa>)
 741     \clef bass \ottava #0 r <re,,, sold>( dod' <re, sold>)
 742     \clef treble \ottava #1
 743     r <do''' fa>( <si' mi>2.) \ottava #0
 744     \tt {la,,,16(\f mi' si' re mi} \stemUp <si la'>4--) |
 745     <la si'>4-- <la si'>-- \stemNeutral |
 746     \tt {la'16( sol, la re mi} \stemUp <si la'>4--) |
 747     <la si'>-- <la si'>-- <si la'>-- s
 748     <mi re'>8-- \t {la,16( re sol} <mi re'>4--) |
 749     <re mi'>-- <re mi'>-- <mi re'>-- R2.
 750     R1 R2.*3 R2 R2. R1*4
 751   }
 752   \relative {
 753     %%% Air de la Soprano2 %%%
 754
 755     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2. r2 mi,4--\mp~ |
 756     mi1~ mi2 r4 fad8(\< sold) | si2.\!~|si2 r4|
 757     R1*2 | re,4-.\mp si'-. sold8( fad |
 758     re4-.) sold8( fad re dod) |
 759     sold1-- | re'8( fad sold4-.) re8( dod) sold4--~ |
 760     sold2.| R2. | dod,1--~ dod~ | dod2 r4 |
 761     re-. fad8( sold) fad( re) |
 762     <dod dod'>1~ <dod dod'>~ | <dod dod'>2 r4 | R2.|
 763     << {\voiceTwo <mi mi'>1--\mp~\laissezVibrer s1
 764     <dod dod'>2.~ <dod dod'>2 }\\
 765     { \voiceOne r2 \clef treble fa''8( sol si do
 766       si sol) fa( sol si4) r4 \clef bass
 767     r4 la,8( si re4) si8( re fa sol) } >> r4
 768     <sol,,,! sol'!>1--~ <sol sol'>2. r4 | R2.*2 |
 769     <sol sol'>1--\mf~ <sol sol'>2. r4 |
 770     R2. << {s2 sol''8( re) s1 s1
 771     dod8( re) fad2--~ fad r4 s1 s2.} \\
 772     {R2. <sold,, sold'>1--~ <sold sold'>~
 773       <sold sold'>2.~ <sold sold'>~
 774     <sold sold'>1~ <sold sold'>2.}>> r4
 775     R2.*2 R1*2 R2.*2 R1*2 R2.*2 \clef treble
 776     <re''' la'>1\pp\laissezVibrer r2 \ottava #1
 777     sol''!4-. do-. | si8( sol fa4-.) si8( do |
 778     si sol fa sol si4-.) |
 779     sol4-. fa8( do' si4-.) do8( si |
 780     sol fa sol si-.) r do( fa, sol |
 781     si4-.) do-. fa,-. | si8( sol fa4-.) si8( fa) | sol1--~|
 782     sol2. \ottava #0 r4 | R2.*2 |
 783     R1*2 |R2.*2 | R1*2 | R2.*2 |
 784     R1 r2 <la,,! do!>2--\fermata \clef bass |
 785
 786     %%% Récitatif %%%
 787     r4 r8 mi,4.\mp dod2.\laissezVibrer R1 R2.
 788     r4 r8 reb4. sib2.\laissezVibrer R1 R2.*2
 789     r4 r8 mib4 lab,8~ lab2.\laissezVibrer R2.
 790     <lab mi'>8-.-> r r2 |
 791     r8 \t {sold,16( la si} re8-.) r |
 792     R2.
 793     sol!1\pp\laissezVibrer R1 R2.*5 R1
 794
 795     %%% Duo %%%
 796     \repeat unfold 17 <re sib'>4-.--
 797     \repeat unfold 7 <reb lab'>-.--
 798     \repeat unfold 4 <si lad'>-.--
 799     \repeat unfold 4 <sib la'>-.-- r
 800     R2 \det {reb'4\mp reb lab reb lab fa lab reb lab fa reb |
 801     reb' r8 lab r4 |
 802     <mi, mi'> <mi' si'> si' |
 803     <mi,, mi'> <si'' mi> <mi fad> <lad dod> |
 804     <mi, si'> <si' mi fad> <mi, si'> <si' fad' dod'> |
 805     <reb,, reb'> <reb' lab'> <lab' mib'> |
 806     <reb,, reb'> <reb' lab' mib'> <lab' mib' sib'> |
 807     <mib' sib' dob solb'>\arpeggio }\clef treble
 808     <sib'' mib>8-. <sib mib>-. <sol sib>-. <sol sib>-.
 809     <re sol>-. <re sol>-. r4 r2 \clef bass |
 810
 811     %%% Piu vivo %%%
 812     r4 sol,,,16( lab sol sib) lab( sib lab reb) |
 813     sib( reb sib mib) reb( mib reb mi)
 814     red( mi red fad) mi( fad mi la) |
 815     fad( la fad si) la( si la do) si( do si re)  |
 816     do( re do fa) re( fa re sol) fa( sol fa lab) |
 817     s1 dod,,2.-- s1 dod4-- dod2-- |
 818     s1 dod4-- r2 | R2.
 819     s2. R2. s2. R2. s2. R2.*5
 820     %FIXME: keep this staff alive
 821     r4 r8 <re mi>->-. r4 | R2.
 822     \pl <fa, fa'>1*1/2->--\arpeggio <sib' re>2\arpeggio fad'(
 823     sol\arpeggio lab)\laissezVibrer R1 |
 824
 825     %%% Tempo giusto %%%
 826     \repeat unfold 8 <re,, sib'>4-.--
 827     \repeat unfold 4 <dod la'>-.--
 828     \repeat unfold 4 <si red si'>-.-- |
 829     <si sol'>-.-- r8 <sib sib'>4->--\f
 830     <lab lab'>->-- <si si'>8->-. |
 831     <sol sol'>2->-- r4 |
 832     <sol sol'>2--~ <sol sol'>8 sol'\f \t {sol sol sol} |
 833     <sol,sol'>2--~ <sol sol'>8 sol' \t {sol sol sol} |
 834     <sol,sol'>8-- r r2 | r4 \t {re''8( si dod) } |
 835     <sold,sold'>2--~ <sold sold'>8 sold'\f \t {sold sold sold} |
 836     <sold,sold'>4--~ <sold sold'>8 sold' \t {sold sold sold} |
 837     <sold,sold'>8 r r <sold sold'>--( <fad fad'>-- <la la'>--) |
 838     \pl <fa fa'>2->--\laissezVibrer
 839     {s4 \stemUp \ttt {mi''16( la re \stemDown \md sol si mi)} }
 840     \mg \stemUp \ttt {si,,( mi la re \stemDown \md sol mi')}
 841     \mg \stemUp \ttt {sol,,,(re'la' \stemDown \md mi' si' sol')}
 842     \mg \stemNeutral \pl <fa,,,, fa'>2->--\laissezVibrer
 843     {s4 \clef treble \stemUp
 844     \ttt {re'''16( mi fa sol \stemDown \md si mi) \mg \clef bass } }
 845     \stemUp \ttt {sol,,( do re \stemDown \md la' si mi)}
 846     \stemUp \mg \ttt {do,,( sol' re' \stemDown \md la' mi' si') \mg}
 847     fa,,,32( la si mi \md sol la do re) \mg  \clef treble \stemNeutral
 848     mi( fa sol la \md si re mi la) \mg \clef bass |
 849     \pl <fad,,,, fad'>2->--\laissezVibrer
 850     {s4 \stemDown \clef treble
 851     \ttt {sol''16( re' la' \md mi' fad si) } }
 852     \mg \ttt {fad,,( si mi \md la re sol) }
 853     \mg \clef bass \ttt {fad,,,( mib' sib' \md fa' do' sol')}
 854     \mg \clef treble \ttt {fa,( si mi \md \ottava #1
 855     sib' mib la) } \ottava #0 \mg R2.
 856     R1 R2.*3 R2 R2. R1*4
 857   }
 858 }
 859
 860 InterludeDeuxPiano = {
 861   \PianoDeuxMains
 862   \relative { \Piano
 863     R1 R2. R2 R2. R2 R2. R2
 864     R2*13 r4 \acciaccatura red'16 <mi, mi'>4\p
 865     <si re>1~ <si re>~ <si re>~ <si re>4 r r2 | R2.
 866     <la re>1~ <la re>2 r4 | R2.
 867     <fa si re mi>2-- r | R2. <fa sold mi'>4-- r |
 868   }
 869   \relative {
 870     R1 R2. R2 R2. R2 R2. R2
 871     %R2*6 la2 R2*7   %%%%%% TEST whether both staves appear or not.
 872     R2*14
 873     \pl {<la, mi'>1~ <la mi'>~ <la mi'>~ <la mi'>4 }
 874     {s2 mi''4-.--\laissezVibrer mi,-.--\laissezVibrer
 875     s2 mi'4-.--\laissezVibrer mi,-.--\laissezVibrer
 876     s2 mi'4-.--\laissezVibrer mi,-.--\laissezVibrer s } r r2 | R2.
 877     \pl {<fa, do'>1~ <fa do'>2}
 878     {s2 mi''4-.--\laissezVibrer mi,-.--\laissezVibrer s2} r4 |
 879     R2. <dod, la'>2-- r | R2. <dod la'>4-- r |
 880   }
 881 }
 882
 883 ActeUnSceneTroisPiano = {
 884   \PianoDeuxMains
 885   \relative { \Piano
 886     R2.*20 \clef bass sol2.~\mp sol4 r sol8\> sol sol2.~\! sol4 r8 sol \t {sol\> sol sol} |
 887
 888     %%% Lamento %%%
 889     sol1.\!\laissezVibrer r1 r4 sol4~\p sol1 la2~-- la1~ la8 la\> \t {la la la~} la1\! r2 |
 890     sib,8\mp sib \t {sib--\> sib-- sib~--} sib4\! r r2 |
 891     \simile dob8  dob \t {dob dob dob~} dob4 r2 |
 892     r8    sib \t {sib sib sib~} sib4 r2 |
 893     r8    dob \t {dob dob dob~} dob4 r2 |
 894     r8    sib \t {sib sib sib~} sib4 r2 |
 895     r8    dob \t {dob dob dob~} dob4 r2 |
 896     r8    mi,\mf \t {mi  mi  mi~ } mi4  r  |
 897     r8    mi  \t {mi  mi  mi~ } mi4  r  |
 898     r8    mi  \t {mi  mi  mi~ } mi4  r  |
 899     r8    mi  \t {mi  mi  mi~ } mi4  r  |
 900     <do'do'>4.\f <do do'> <do do'>4-- <do do'>-- <do do'>-- <do do'>4.---> r8 r4 | R2*2
 901
 902     %%% Tempo I %%%
 903     R2.*14
 904
 905     %%% Tempo II %%%
 906     R1. r8 do,\mp \t {do do do} do4-- do2.--\laissezVibrer | R1.*4 R1*5/4
 907     <si'' red sold>1\pp\arpeggio \laissezVibrer R2. r4 <mid, lad mid'>--
 908   }
 909   \relative {
 910     do,,8.--\mp do16~-- do8 do\< do do | do2.--\! |
 911     do8.-- do16~-- do8 do\< do do | do2.--\!\laissezVibrer
 912     R2.*7
 913     si8.\p si16~ si8 si\> si si | sib2.\pp |
 914     si8. si16~ si8 si\> si si | sib2.\! |
 915     si8.-- si16~-- si8 si\> si si | \ottava #-1 <re, dod'>2.\p\laissezVibrer \ottava #0
 916     R2.*7
 917
 918     %%% Lamento %%%
 919     R1.*5 sib'2\pp( re4) r r2 reb( fa4) r2 sib,( reb4) r2 re( fa4) r2 sib, reb4 r2 mib si4 r2|
 920     \ottava #-1
 921     mi,2\p r mi r mi r mi r <reb reb'>4. <reb reb'> <reb reb'>4-- <reb reb'>-- <reb reb'>--|
 922     <reb reb'>4.---> \ottava #0 r8 r4 | R2*2
 923
 924     %%% Tempo I %%%
 925     R2.*3
 926     r4 mi'--\pp r r mi-- r r mi-- r \ottava #-1 |
 927     <mi,mi'>--\mp <mi mi'>-- r <mi mi'>-- <mi mi'>-- r
 928     <mi mi'>\< <mi mi'> <mi mi'>\!
 929     \ottava #0 R2.*5
 930
 931     %%% Tempo II %%%
 932     R1. \ottava #-1 do1.\pp\laissezVibrer \ottava #0 R1.*4 R1*5/4
 933     <do' sol' mi'>1\arpeggio \laissezVibrer R2.
 934     r4 <si fad' si>--
 935   }
 936 }
 937
 938 ActeUnSceneTroisBisPiano = {
 939   \PianoDeuxMains
 940   \relative { \Piano
 941     R1*3 \cmb #"p" #"très clair" <do fad>8 <red la'>~ <red la'>2 r4 |
 942     R1*2 <mi, la red>8 <sol do fad>~<sol do fad>2 r4 |
 943     R1 r2 <do mib>4-- <si fa'>-- | \ten <fad fad'>1~ <fad fad'>~ <fad fad'>2. r4 |
 944     R1*8 r2 r4 dod'--\mp | <mi sol>-- r r2 |
 945     r2 \t {r16 <lad, dod mi>8--\p <lad dod mi>-- <lad dod mi>16-.}
 946     \t {r16 <lad dod mi>8-- <lad dod mi>-- <lad dod mi>16-.} |
 947     \t {r16 <sold lad dod mi>8-- <sold lad dod mi>-- <sold lad dod mi>16-.}
 948     \t {r16 <sold lad dod mi>8-- <sold lad dod mi>-- <sold lad dod mi>16-.}
 949     \t {r16 <dod mi sol la>8-- <dod mi sol la>-- <dod mi sol la>16-.}
 950     \t {r16 <mi sol la do>8-- <mi sol la do>-- <mi sol la do>16-. } |
 951     <fad,fad'>1~\ppsubito <fad fad'> R1
 952     <sol red' fad>\pp\arpeggio %%% Tomb Raider II !!!
 953     <sol fad'>2-- <sol fad'>-- <sib do fad>-- <sib do fad>-- <sib do fad>-- <sib do fad>-- |
 954     <sib do fad>-- <sib do fad>-- <sib do fad>-- <sib do fad>-- <sib do fad>-- <sib do fad>--\>|
 955     <sib fad' la>2.\!\arpeggio r4 R2. R1*2
 956     \tt {fad16\ppp( sol la do re)}\tt {fad,( sol la do re)}\tt {fad,( sol la do re)}\tt {\simile fad, sol la do re}
 957     \tt {fad, sol la do re} \tt {fad, sol la do re} \tt {fad, sol la do re} \tt {fad, sol la do re}
 958     \tt {fad, sol la do re} \tt {fad, sol la do re} \tt {fad, sol la do re} \tt {fad, sol la do re}
 959     \tt {fad, sol la do re} fad, sol la do re fad, sol la do re fad, sol |
 960     la do re fad, sol la do re \t {fad,8( sol la} \t {do re) fad,(} |
 961     \t {sol la do} \t {re) fad,( sol} \t {la do re)} fad,( sol |
 962     la do re) fad,( sol la do re) | <fad, fad'>1~\mp <fad fad'>~ <fad fad'>~ <fad fad'>2. r4 |
 963     R1*6 \cmb #"p" #"très clair" <sib mi la>8 <reb mi sol do>~ <reb mi sol do>2 r4 |
 964     do2~\p do8 do\< \t {do\> do do} do4\! do2.\laissezVibrer | R1*9
 965     <sol' dod fad>2*2/1\mp\laissezVibrer <sol dod fad>2*2/1\laissezVibrer
 966     <sol dod fad>2*2/1\laissezVibrer R1
 967   }
 968   \relative {
 969     R1*3 <dod, la'>8 <sib mi sol>~<sib mi sol>2 r4 |
 970     R1*2 \pl re,2. {sib'8 <sold dod>~<sold dod>2} r4 |
 971     R1 r2 <lad mi>4-- sold-- \ten <fad, fad'>1~ <fad fad'>~ <fad fad'>2. r4 |
 972     R1*8 r2 r4 sib''-- <fa lab>-- r r2 |
 973     R1 \t {<si,, si'>8--( <fa' fa'>-- <re re'>--)} \t {<si si'>--( <fa' fa'>-- <re re'>--)}
 974     \t {<si si'>--( <la la'>-- <fa' fa'>--)} \t {<re re'>--( <si si'>-- <la la'>--)} |
 975     <fad fad'>1~ fad'8 fad\pp \t {fad fad fad} fad2
 976     R1
 977     <si>1\arpeggio si2-- si-- <si sol'>-- <si sol'>-- <si sol'>-- <si sol'>-- |
 978     <si sol'>-- <si sol'>-- <si sol'>-- <si sol'>-- <sold mi'>-- <sold mi'>-- |
 979     <do, sold' mi'>2.\arpeggio r4 | R2. R1*2
 980     R1*7
 981     <fad, fad'>1~ fad'4~ fad8 fad\pp \t {fad fad fad} fad4~ fad1~ fad2. r4 |
 982     R1*6 \cmb #"p" #"très clair" <la re fa>8 <fad si sold'>~<fad si sold'>2 r4 | R1*11
 983     <fad' do'>2*2/1\laissezVibrer <fad do'>2*2/1\laissezVibrer
 984     <fad do'>2*2/1\laissezVibrer R1
 985   }
 986 }
 987
 988 ActeUnSceneTroisTerPiano = {
 989   \PianoDeuxMains
 990   \relative { \Piano
 991     R2*3 R2. R2*2 R2.
 992     <re re'>8-.->\p r r2 R2.*2 |
 993     <si fad' sol re'>2\p\arpeggio r4 |
 994     <sib sib'>8-.-> r r2 | R2. R1*2
 995     r4 r8 r16 \ottava #1
 996     \st {
 997     \pl {sol'''\p <fad, fad'>8 <lab lab'>16 <mi mi'><sol, sol'> re''}
 998     {<sol sol'>16 fad <fa fa'> lab mi sol, <re' re'>} r8 |
 999     r4 r16 <si si'> <la la'> <mi mi'> r <red red'> r <fa fa'> r4 |
1000     r8 r16 \pl {mib la, fa' mi'8} {mib16 la fa <mi mi'>8} r
1001     <si si'>16 <do do'> <sib sib'>8 r |
1002     r16 <solb solb'> <fa fa'>8 r <do' do'>16 <reb reb'> <si si'>8 r16 <fa fa'>
1003     r \stemDown <sol, sol'>\noBeam \stemUp <fad'' fad'>8\noBeam \stemNeutral |
1004     r8 <dod dod'>16 <re re'> <do do'>8 <re re'>16 <mib mib'> r
1005     <la, la'>\< <red red'> <mi mi'>} | re'2.\mp\laissezVibrer
1006     \ottava #0
1007     R2.*8
1008     <re,,, mib re'>2.\p\arpeggio \laissezVibrer | R2.*4
1009     <re mib re'>2.\arpeggio \laissezVibrer R2.*17
1010     \ottava #1
1011     \st {\pl {fa''16\p dod do8} {<fa fa'>16 dod' do8} r16
1012     \pl {do, fa dod} {do' <fa, fa'> dod'} \ottava #0 r4 |
1013     R2.*2 r2 r8 r16 \ottava #1 <do, do'>\p
1014     \pl {fa,, dod' mi do' mi <dod, dod'>}
1015     {fa' dod mi8 <mi mi'>16 dod} r8 r4 |
1016     r16 <sol' sol'> r <dod, dod'> r16
1017     \pl {<dod, dod'> sol' s} {s sol' <red red'>} r4|
1018     \pl {sol,16 s s <dod, dod'> sol' s s fad'}
1019     {sol <red red'> \oneVoice r \voiceOne s sol <red red'> \oneVoice r \voiceOne fad' }
1020     <fa, fa'> <mi mi'> r8 |
1021     \pl sol,-> sol''-> } \ottava #0 r r4 r2 |
1022     R2.*8
1023     r2 \ottava #1 <mi, fa'>8-.\pp r16 <la sold'>-. \ottava #0 |
1024     R2.*2
1025     r4 r8 \ottava #1 \st {mi'16\p <dod, dod'> do'8 <sold sold'>16 <si si'> \ottava #0 |
1026     R2.*2
1027     r8 r16 \ottava #1 dod do,8 <si sold' si> r16 <re si' re> r8 <re mi re' mi>16 <re mi re' mi>}
1028     \ottava #0 r8 r4
1029     \mg <sol,,, sib re>-- \md <sol' sib re>-- \mg <sib, re sol>-- \md <fad' si red>-- |
1030     \mg <si, red fad>-- \md <sol' si red fad>--\<( <sib re sol>--\!) |
1031     R2.*19
1032   }
1033   \relative {
1034     R2*3 R2. R2*2 R2.*4
1035     <mib, sib'>2\arpeggio r4 | R2.*2 R1*6 R2.
1036     re,2.\laissezVibrer R2.*2 re2.\laissezVibrer R2. re\laissezVibrer R2.*2
1037     re2.\laissezVibrer R2.*2 re2.\laissezVibrer R2.*5
1038     r8 sold\p( la do dod mi | fa,2.)\laissezVibrer R2.
1039     r8 sold( la do dod mi | fa,2.)\laissezVibrer R2.
1040     r8 sold( la do la sold| dod,2.)\laissezVibrer R2.
1041     r8 mi( fa sold la do | dod,2.)\laissezVibrer R2.
1042     r8 mi( fa sold fa mi | <la, la'>2.)\laissezVibrer R2.*2
1043     <la la'>2.\laissezVibrer R2.*5 R1
1044     fad'2.\mp\laissezVibrer R2.*2 fad2.\laissezVibrer R2.*2
1045     \ind #"poco più" <fa, fa'>2.--\laissezVibrer R2. r4 <dod' dod'>2-- |
1046     <fa, fa'>2.--\mf\laissezVibrer R2. r4 <la la'>2-- |
1047     \ottava #-1
1048     <dod, dod'>2.--\mf\laissezVibrer R2. r4 <la' la'>2-- |
1049     <dod, dod'>2.*1/3--\laissezVibrer \ottava #0 s2 s2. s4
1050     \pl {fa''!8 fa,4.--->} {<sib' re>4-- <si red fad>--} |
1051     \ottava #-1
1052     <la,,, la'>2.--->\f\laissezVibrer \ottava #0 R2.*18
1053   }
1054 }
1055
1056 InterludeTroisPiano = {
1057   \PianoDeuxMains
1058   \relative { \Piano
1059     r2 r4 <do reb>8-.\pp r |
1060     r2 <do reb>8-. r | R1 R2. \clef bass
1061     <do,mib si'>8-.\pp <do mib si'>4-- <do mib si'>--
1062     <do mib si'>-- <do mib si'>8-. |
1063     <do mib si'>-. <do mib si'>4-- <do mib si'>-- <do mib si'>8-. |
1064     \simile <mi! sol do mib> <mi sol do mib>4 <mi sol do mib>
1065     <mi sol do mib> <mi sol do mib>8 |
1066     <mi sol do mib> <mi sol do mib>4 <mi sol do mib> <fa lab reb mi>8 |
1067     <mi sol do mib>\ppsempre <mi sol do mib>4 <mi sol do mib>
1068     <mi sol do mib> <mi sol do mib>8 |
1069     <mi sol do mib> <mi sol do mib>4 <mi sol do mib> <mi sol do mib>8 |
1070     <fa si>( <re sold>) <fa si>( <re sold>) <fa si>( <reb do'>) |
1071     <fa si> <re sold> <fa si> <re sold> \clef treble |
1072     <lab' si dod re sol>4\mp <lab si dod re sol> <lab si dod re sol> |
1073     <lab si dod re sol> <lab si dod re sol> |
1074     <si re fad sol sib> <si re fad sol sib> |
1075     <si re fad sol sib> <si re fad sol sib> \clef bass |
1076     \stemDown \ind #"staccato" sol16\f \stemUp \mg sol,, sol' \stemDown \md mi' \stemUp \mg mi,, mi'
1077     \stemDown \md mi' \stemUp \mg sold, |
1078     \stemDown \md sold' \stemUp \mg mi, mi' \stemDown \md do' \stemUp \mg sold,
1079     \stemDown \md sold' \stemUp \mg mi \stemDown \md mi' \clef treble | \stemNeutral s4
1080     r16 re'\< sib' dod | <fad, lad dod fa!>8->\! r r4 |
1081   }
1082   \relative {
1083     r2 r4 re,8-. r |
1084     r2 re8-. r | R1 R2.
1085     <mi, sol>4-- <mi sol>-- <mi sol>-- <mi sol>-- |
1086     <mi sol>-- <mi sol>-- <mi sol>-- |
1087     <mi si'> <mi si'> <mi si'> <mi si'> |
1088     <mi si'> <mi si'> <mi si'> |
1089     <mi si'> <mi si'> <mi si'> <mi si'> |
1090     <mi si'> <mi si'> <mi si'> |
1091     r8 <mi sol>-. r <mi sol>-. r <mi sol>-. |
1092     r <mi sol> r <mi sol> |
1093     r <mi sol mi'> r <mi sol mi'> r <mi sol mi'> |
1094     r <mi sol mi'> r <mi sol mi'> |
1095     r <mi sol mi'> r <mi sol mi'> r <mi sol mi'> r <mi sol mi'> |
1096     s2 s2 si'16 \md si' \mg sol \md sol' \mg \clef treble
1097     re sib' dod8 \clef bass |
1098     <la,, la'>8-> r r4 |
1099   }
1100 }
1101
1102 ActeUnSceneQuatrePiano = {
1103   \PianoDeuxMains
1104   \relative { \Piano
1105     \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1106     s2 R1 R2. <la'do re>2--\pp( <la do re>--) <la do re>--( <la do re>--)
1107     <sol la do re>--( <sol la do re>-- <sol la do re>--) |
1108     <do re>4--( <la do>--) r <la do>-- | <do re>--( <la do>--) r <la do>-- |
1109     <la do re>--(\psempre <sol la do>--) <la do re>--( <sol la do>--) <la do re>--( <sol la do>--) |
1110     <la do re>--( <sol la do>--) <la do re>--( <sol la do>--) |
1111     <la do re>--( <sol la do>-- <re sol la>-- <do re>--) |
1112
1113     %%% Agitato %%%
1114     R2.*5
1115     <si mi>2.--\mp <mib sol>-- <do sol'>4-- r2 |
1116     R2.*10
1117     r2 la'32(\fsubito sib re mi la8-.->) \clef bass |
1118     r8 <red,,, mi'>-. \clef treble \ttt {r16 la'''( re, mi la, si}
1119     mi,8-.->) \mg \t {mi,16\< mi mi\!} \md | R2.
1120     \ttt {r16 re'( la' mi' la, re} la'4-.->) r8 \mg \t {mi,,16\< mi mi\!} \md |
1121     r16 <mib' lab re>-.-> r8 r2 | s2. R2.
1122     s2. <re' mi la>4-> s2 |
1123     <mi' la>2--->\laissezVibrer s2 |
1124     R2. R1 R2. R2 R2. R2 R2. R2 R2.
1125     R1*5 R2 R2. R1 |
1126
1127     %%% Andante a piacere %%%
1128     r2\p <la,,, dod>~ <la dod> r |
1129     r <la dod>~ <la dod> r |
1130     r <si fa'>~ <si fa'> r |
1131     r <si fa'>~ <si fa'> r |
1132     r4 <mib la dod>~ \t {<mib la dod> <mib la dod> <mib la dod>~} |
1133     <mib la dod>8 <mi sold re'> <mi sold re'>\< <mi sold re'>~
1134     \t {<mi sold re'> <mi la red> <mi la red>\!} |
1135     r4 <lab re fad>~\t {<lab re fad> <lab re fad> <lab re fad>~} |
1136     <lab re fad>8 <sib mi sold> <sib mi sold>\< <sib mi sold>
1137     \t {<sib mib la> <sib mib la> <sib mib la>\!} |
1138     R1*7 r4 <re,sol si>---.\p <mib fad la re>2--\laissezVibrer s2 R2.*6
1139
1140     %%% A tempo %%%
1141     r8 <mi sol do>~\mp\<\t {<mi sol do><mi sol do><mi sol do>}
1142     \t {<fa sib reb><fa sib reb><fa sib reb>}
1143     \t {<sol do mib><sol do mib><sol do mib>\!} |
1144     r <sib reb solb>~\<\t {<sib reb solb><sib reb solb><sib reb solb>}
1145     \t {<do mib lab><do mib lab><do mib lab>}
1146     \t {<dod fad la><dod fad la><dod fad la>} |
1147     \t {<red sold la><red sold la><red sold la>}
1148     \t {<fad la><fad la><fad la>} \t {<sold la><sold la><sold la>\!} r4 |
1149     <la,,sib sol' la>2\mp\laissezVibrer s2 |
1150     R2. R1 R2. R1 R2. R1 R2.
1151     r8 \stemUp <dod'fa la dod>~\mf\<
1152     \t {<dod fa la dod><dod fa la dod><dod fa la dod>~}
1153     <dod fa la dod>16 <dod fa la dod><dod fa la dod><dod fa la dod>\>~
1154     \t {<dod fa la dod>8 <dod fa la dod> <dod fa la dod>\!} \stemNeutral |
1155     r8 \stemUp <dod fa la dod>~\<
1156     \t {<dod fa la dod><dod fa la dod><dod fa la dod>~}
1157     <dod fa la dod>16 <dod fa la dod><dod fa la dod><dod fa la dod>~\>
1158     \t {<dod fa la dod>8 <dod fa la dod> <dod fa la dod>\!} \stemNeutral |
1159     \t {r4 \stemUp <dod fa la dod>\< <dod fa la dod>} <dod fa la dod>8 <dod fa la dod> |
1160     <dod fa la dod>\><dod fa la dod>
1161     \t {<dod fa la dod>4<dod fa la dod><dod fa la dod>\!} \stemNeutral |
1162     r4\f \stemUp <red sol si red>2---> \stemNeutral |
1163     r8 \stemUp <red sol si red>8~---> <red sol si red>2. |
1164     <red sol si red>2---> \stemNeutral r8 \stemUp
1165     <fa sold si fa'>~ \t {<fa sold si fa'><fa fa'> <fa fa'>} |
1166
1167     <re re'>4-.->\ff r2 | R4.
1168     r8 \st {<sold,, lad>\mf <sold lad> <sold lad> r <sold lad> |
1169     <sold lad> r <sold lad>} | <re'' re'>-> r r4 R4.
1170     r8 \st {<sol,,do fa> <sol do fa> r |
1171     <sol do fa> <sol do fa> <sol do fa> <sol do fa>} |
1172     <re''sold re'mi>-> r r4 | R4. \clef bass |
1173     \st {<re,,mi sold lad dod>8\mp <re mi sold lad dod> <re mi sold lad dod> r |
1174     <re mi sold lad dod> r <mi sold lad dod> <mi sold lad dod> \clef treble |
1175     <si're mi> <si re mi> <la re mi> <la re mi> |
1176     <si re mi> <si re mi> <la re mi> |
1177     <si re mi fa> <si re mi fa> <la re mi sol> <la re mi sol> |
1178     <si! re mi sib'>\< <si re mi sib'> <la re mi sol> <la re mi sol>} |
1179
1180     R2\! R4. r2 r8 \t {sold''16( si dod} |
1181     <re, re'>8-.\fp) \st {re, re re re re re re} |
1182     \simile re re re re re re re re |
1183     <re mib> <re mib> <re mib> <re mib> <do mib> <do mib> <do mib> <do mib> |
1184     <do fa> <do fa> <do fa> <do fa> <sib fa'> <sib fa'> <sib fa'> <sib fa'> |
1185     <la sib fad'> <la sib fad'> <la sib fad'> <la sib fad'>
1186     <la sib fad'> <la sib fad'> <la sib fad'> <la sib fad'> |
1187     <la sib fad'>-> <la sib fad'> <la sib fad'> <sol la do mib fad>->
1188     <sol la do mib fad> <sol la do mib fad> <sol la do mib fad>-> <sol la do mib fad>|
1189     r <sol la do mib lab>-. <sol la do mib lab>4-> <do mib fad si>-> r8 <mib fad si>-> |
1190     r <mib solb lab reb>-> r4 <mib fa lab reb>-> \clef bass
1191     <red, mi lab reb>-- \clef treble |
1192     <re'! re'!>4-> s4 s2 | R1*2 \clef bass |
1193
1194     \st {<re,sib' re>8\pp <re sib' re> <re sib' re> <re sib' re>
1195     <re sib' re>  <re sib' re> <re sib' re> <re sib' re>|
1196     R2
1197     <re sib' re>8 <re sib' re> <re sib' re> <re sib' re>
1198     <re sib' re>  <re sib' re> |
1199     R2.
1200     <re sib' re>8 <re sib' re> <re sib' re> <re sib' re>} |
1201     R1 \clef treble
1202
1203     %%% Piu lento %%%
1204     R2.*3 r4 fa'--\pp sib,-- <fa' solb sib>2.--\arpeggio \laissezVibrer |
1205     R2. r4 fa-- \mg re,-- \md
1206     <dob' fa solb sib>2.--\arpeggio \laissezVibrer |
1207     R2. r4 <re fa>-- <sib do!>-- |
1208     s4. <re fa solb sib>4.\arpeggio \laissezVibrer |
1209     R2.*2 re'8( sib la fad mi re)\laissezVibrer |
1210     <fad la sib re>2.\arpeggio \laissezVibrer |
1211     <solb sib>4-- <reb fa>-- <lab do>-- | s2.
1212     <reb fa solb sib>2.\arpeggio \laissezVibrer | R2.*3
1213     R1. R1 R1. R1 R1. R1 R1. R1 R1. R1 R1.*5
1214     R1 R1. R1 R1. R1 R1.*5 R1 R1. r2 <dod mi la>4--\mf r |
1215   }
1216   \relative {
1217     \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1218     s2^\markup { \score { \new ChordNames
1219     \chordmode { la:7 } \layout {indent = 0 }}}
1220     R1 R2. R1*2 R1. \clef treble <sol'la>2--( <sol la>--) <sol la>--( <sol la>--) |
1221     <si, red fad>--( <si red fad>-- <si red fad>--) <si red fad>--( <si red fad>--) \clef bass |
1222     <mib, sol sib>2.-- r4 |
1223
1224     %%% Agitato %%%
1225     <la, re sol la>8-.->\pp r r2 | R2.*3
1226     r2 fad'8( dod) | <la re sol>2.-- <do fa sib>-- <mi la re>4-- r
1227     <sold,,sold'>~--\mf| <sold sold'> <dod dod'>-- <si si'>-- |
1228     <re re'>-- r2 | <re re'>4-- <re re'>-- <re re'>-- |
1229     <re re'>-- r2 | <re re'>4-- <re re'>-- <re re'>-- | <re re'>-- <re re'>-- <re re'>-- |
1230     <mib mib'>-- r2 | <do do'>4--\p <do do'>-- <do do'>-- | <fad fad'>-- r2 |
1231     <lab lab'>4-- <lab lab'>-- <lab lab'>-- | <sib, sib'>-- r8 <sib sib'>4-- <sib sib'>8-. |
1232     mi8-. mi'-. r4 r8 s | mi,4-> mi-> mi-> | mi-- r r8 s | mi4-> r2 \clef treble |
1233     \ttt { mib''16( lab sib re \md mib la} re4-.->) \mg r \clef bass |
1234     mi,,,,-- mi-- <sib sib'>8-. mi-> |
1235     \tt {mi'16--( si' \md la re mi} sold4--) \mg
1236     \ttt {re16--( \md \stemDown mi sold la re \mg \stemUp <la, mi'>)} |
1237     r4 \clef treble \tt {la16--( re mi la \md \stemDown mi'}
1238     \tttt {<la re> \mg \stemUp la, re mi sold \md \stemDown la re) \mg \clef bass} |
1239     \stemNeutral dod,,,,2--->\laissezVibrer s |
1240     R2. R1 R2. R2 R2. R2 R2. R2 R2.
1241     R1*5 R2 R2. R1
1242
1243     %%% Andante a piacere %%%
1244     fa2( <sib mib>~<sib mib> reb,8) r r4 |
1245     fa2 <sib mib>~<sib mib> reb,8 r r4 |
1246     <fa, fa'>2 <lab'mib'>~<lab mib'> reb,8 r r4 |
1247     <fa, fa'>2 <lab'mib'>~<lab mib'> reb,8 r r4 |
1248     <sol, sol'>1*1/4--->\mp\laissezVibrer <dod' fad lad>4~
1249     \t {<dod fad lad> <dod fad lad> <dod fad lad>~} |
1250     <dod fad lad>8 <dod mid si'> <dod mid si'> <dod mid si'>~
1251     \t {<dod mid si'> <dod fad do'!> <dod fad do'>} |
1252     <sol, sol'>1*1/4--->\laissezVibrer <fa''si mib>4~
1253     \t {<fa si mib> <fa si mib> <fa si mib>~} |
1254     <fa si mib>8 <fa si solb'> <fa si solb'> <fa si solb'>
1255     \t {<fa dod' sol'> <fa dod' sol'> <fa dod' sol'>} |
1256     R1*7 r4 <fa la>-.--\p <do mi sib'>2--\laissezVibrer s2 R2.*6
1257
1258     %%% A tempo %%%
1259     <do,do'>1*1/8\f\laissezVibrer <red' sold si>8~
1260     \t {<red sold si> <red sold si> <red sold si>}
1261     \t {<fad la re> <fad la re> <fad la re>}
1262     \t {<sold si mi> <sold si mi> <sold si mi>}
1263     <do,,do'>1*1/8\laissezVibrer \clef treble <la''re fa>8~
1264     \t {<la re fa> <la re fa> <la re fa>}
1265     \t {<si mi sol> <si mi sol> <si mi sol>}
1266     \t {<re fa sib> <re fa sib> <re fa sib>} |
1267     \t {<mi sol do> <mi sol do> <mi sol do>}
1268     \t {<fa sib reb> <fa sib reb> <fa sib reb>}
1269     \t {<sol do mib> <sol do mib> <sol do mib>} r4 | R1 \clef bass |
1270     \st {la,,16 fad sold red dod sib' do sol fa re mi' si | la8} r r4 r2 |
1271     r4 \st {la8\ppsempre mi sol re | dod sold' si fad fa do mib' sib | la} r r2 |
1272     R1 R2.
1273     <sol,sol'>1*1/8\f\laissezVibrer \md \stemDown <dod''mi sol sib>8~
1274     \t {<dod mi sol sib> <dod mi sol sib> <dod mi sol sib>~}
1275     <dod mi sol sib>16 <dod mi sol sib> <dod mi sol sib> <dod mi sol sib>~
1276     \t {<dod mi sol sib>8 <dod mi sol sib> <dod mi sol sib> \mg \stemNeutral } |
1277     <sol,,sol'>1*1/8\laissezVibrer \md \stemDown <dod''mi sol sib>8~
1278     \t {<dod mi sol sib> <dod mi sol sib> <dod mi sol sib>~}
1279     <dod mi sol sib>16 <dod mi sol sib> <dod mi sol sib> <dod mi sol sib>~
1280     \t {<dod mi sol sib>8 <dod mi sol sib> <dod mi sol sib> \mg \stemNeutral } |
1281     \noTuplet
1282     \t {<sol,,sol'>2*1/2\laissezVibrer
1283     \md \stemDown <dod''mi sol sib>4<dod mi sol sib>}
1284     <dod mi sol sib>8 <dod mi sol sib> |
1285     <dod mi sol sib> <dod mi sol sib> \t {<dod mi sol sib>4
1286     <dod mi sol sib> <dod mi sol sib> \mg \stemNeutral }
1287     <fa,,,fa'>2*1/2\laissezVibrer \md \stemDown <si'' re sold>2 \mg \stemNeutral |
1288     <fa,, fa'>1*1/8\laissezVibrer \md \stemDown <si'' re sold>8~
1289     <si re sold>2. <si re sold>2 \mg \stemNeutral r8 <mib,,,mib'>4*1/2--->(
1290     \md \stemDown <si''' re sold si>4*1/2 \mg \stemNeutral fad,,8) |
1291     <re re'>4-.->  r2 |
1292     R4.
1293
1294     <sold sold'>4-> r <si si'>-> | r8 <dod dod'>-> r |
1295     <re re'>-> r r4 | R4.
1296     <la la'>4-> r8 <sib sib'>-> | r8 r16 <do do'>-> r4 |
1297     <mib mib'>8-> r r4 R4. <si si'>4-> r8 \ottava #-1 <si, si'>-> \ottava #0 |
1298     r <do' do'>-> r16 <re re'>-> r8 | fa2~--\p fa4 r8 r <fa, fa'>-> r4 |
1299     r8 <fa fa'>-> r <fa fa'>-> |
1300     R2 R4. R2.
1301
1302     \st{<re' re'>4 re re re} re re re re |
1303     re re re re re re re re re re re re |
1304     <re re'> <re re'> <re re'> <re re'> |
1305     <re re'> r8 <re re'>-. r re'-. <sol la do>4---> |
1306     <re,re'>-- \st {re'8 <sol la do> r <re re'> r <re,re'> |
1307     r <re re'> <re' re'> re re, <re' re'>-> re, re'} | re,4-- r r2 | R1
1308
1309     <re sib'>4--\pp <re sib'>-- <re sib'>-- <re sib'>-- R2
1310     <re sib'>4-- <re sib'>-- <re sib'>-- R2.
1311     <re sib'>4-- <re sib'>-- R1
1312
1313     %%% Piu lento %%%
1314     R2.*4 <fa' solb sib dob>2.--\arpeggio \laissezVibrer |
1315     R2. r2 s4 <re, mib dod'>2.--\arpeggio \laissezVibrer |
1316     R2.*2 <re' sol>4.-- <fad sol sib do>\arpeggio \laissezVibrer |
1317     R2.*5 <mib sol>4-- re2~-- <re sol lab do>2.\arpeggio \laissezVibrer |
1318     R2.*3
1319
1320     \st {la8\p r sib mib r sold, fad si r mi re, sol | la4-> r r2 |
1321     la8 fad sold red r sib' do sol r re mi' r | la,4-> r r2 |
1322     la8 r re mi r si fad sold r mib sib' r | la4->} r r2 |
1323     R1. R1 R1. R1
1324     \st {la8 r sib mib r sold, fad si r mi re, sol |
1325     la r re mi r si fad sold r mib sib' r |
1326     la fad sold red r sib' do sol r re mi' r |
1327     la, si mi r fa, sol r sib r mib, lab r |
1328     la do sib mib r si fad sold r re mi' r |
1329     la,4--} r r2 | R1.
1330     \pl {do,1\pp~do1.} {r4 do' \t {do do do} do-- do--~do1} |
1331     R1
1332     \st {la8 r sold red r sib' do sol r re mi' si |
1333     la r mi' re, r sol do sib r mib, lab r |
1334     la do sib mib r sold, fad si r mi re, r |
1335     la' sol re' r dod si r sold r mib sib' r |
1336     la fad sold red r sol do sib r mi re, r |
1337     la'4->} r r2 | R1. r2 <re, la' fa'>4-- r |
1338   }
1339 }
1340
1341 EntractePiano = {
1342   \PianoDeuxMains
1343   \relative { \Piano
1344     R2*9
1345     R1*12
1346     r4 \st {<lab'' sol'>8\p <lab sol'> <sol lab'>4 r R1
1347     r4 <lab reb sol> r <lab reb sol> |
1348     r <lab sol'>8 <lab sol'> <sol lab'>4 r R1*2
1349     r2 re8\p( la mi si)} R1 |
1350     r2 r4 \pl {sib16( dod fad la)} {sib\<( dod fad la)} |
1351     <re, re'>4--\! r r2 | R1
1352     r8 r16 \pl {re\p( la8.) re16( la4-.)} {sold'16( dod8.) sold16( dod4-.)} r |
1353     r2 r8 r16 \pl {re,( la4-.)} {sold'16( dod4-.)} R1
1354     \ottava #1 r8 r16 \pl {reb( lab4-.)} {sol'!16( do!4-.)} r2 |
1355     R1*3 r4 <re, dod'>-.\p <dod re'>-. \ottava #0 r R1
1356     r2 r4 \loco <sib,, re fad>-- |
1357     r <si red sol>-- r <do mi sold>--
1358     r <dod fa la >-- r <re fad sib>-- |
1359     r <mib sol si>-- r <mi sold do>-- |
1360     r <fa la dod>-- r <fad re'>8( sib) |
1361     <re re'>4-> r r2 R2. R1 \clef bass |
1362
1363     %%% Fugato %%%
1364     <red,, mi re'>1\f\laissezVibrer s1 R2.*2 R2
1365     R1 R2.*2 R1*2 R2.*2 R1 \clef treble
1366     \ottava #2 <si'''' lad'>1\pp <lad si'>2. <si lad'>
1367     <lad si'>1~ <lad si'>2 \ottava #0 r |
1368     R2.*2 R1*2 \loco fad,,4.--\p sol~-- sol2 r4 |
1369     r2 r4 <re' dod'>8-.\f <re dod'>-.
1370
1371     %%% Stretto %%%
1372     <re re'>4-> r r2 | R1 \clef bass |
1373     \st {<re,,sib' re>8\pp <re sib' re> <re sib' re> <re sib' re>
1374     <re sib' re> <re sib' re> <re sib' re> <re sib' re>} |
1375     \simile <mi do' mi> <mi do' mi> <mi do' mi> <mi do' mi>
1376     <mid dod' mid> <mid dod' mid> <mid dod' mid> <mid dod' mid> \clef treble |
1377     <sol mi' sol> <sol mi' sol> <sol mi' sol> <sol mi' sol>
1378     <sol mi' sol> <sol mi' sol> <sol mi' sol> <sol mi' sol> |
1379     <sold mi' sold>->\pleggiero <sold mi' sold> <sold mi' sold> <sold mi' sold>
1380     <sold mi' sold> <lad fad' lad>-> <lad fad' lad> <lad fad' lad> |
1381     <sold mi' sold>-> <sold mi' sold> <sold mi' sold> <lad fad' lad>
1382     <lad fad' lad> <lad fad' lad> <lad fad' lad> <lad fad' lad> |
1383     <si sol' si> <si sol' si> <si sol' si> <si sol' si>
1384     <si sol' si> <si sol' si> <si sol' si> <si sol' si> |
1385     <dod lad' dod>\psempre <dod lad' dod> <dod lad' dod> <dod lad' dod>
1386     <dod lad' dod> <dod lad' dod> <dod lad' dod> <dod lad' dod> |
1387     <re sib' re>4 r r2 |
1388     r4 <re re'>--\p r <re re'>-- r <re re'>-- r2 | R1
1389
1390     %%% Noir %%%
1391     R2.-\fermataMarkup R2.*4 R2 R2. R1 R2. R2
1392     R1*5 R1.*4 R1 R2.-\fermataMarkup R2.*8 R2.-\fermataMarkup
1393
1394     %%% Poco più %%%
1395     R2.*4 R2.-\fermataMarkup
1396
1397     %%% Andantino %%%
1398     R1 R2 R1 R2 R1 R2 R1 R2.
1399
1400     %%% Largo non troppo %%%
1401     <la'mi'>4\mp( <mi do'> <la mi'> <mi do'> <la mi'> <mi do'>) |
1402     <la mi'>( <mi si'> <la mi'> <mi si'> <la mi'> <mi si'>) |
1403     \simile <la mi'> <mi la> <la mi'> <mi la> <la mi'> <mi la> |
1404     <la mi'> <fa la> <la re> <fa la> <sold do> <mi sold> |
1405     <la mi'> <mi do'> <la mi'> <mi do'> <la mi'> <mi do'> |
1406     <sol re'>\mpsempre <re do'> <fa re'> <re do'> <fa re'> <re sol> |
1407     <sol mi'> <mi do'> <sol mi'> <mi do'> <sol mi'> <mi do'> |
1408     <fa re'> <re la'> <fa re'> <re la'> <fa re'> <re si'> |
1409     <la'mi'> <mi do'> <la mi'> <mi do'> <la mi'> <mi do'> |
1410     <sol re'> <re sol> <sol re'> <re sol> <sol re'> <re sol> |
1411     <sol mi'> <mi sol> <sol mi'> <mi sol> <sol mi'> <mi sol> |
1412     <la mi'> <mi la> <la mi'> <mi la> <la mi'> <mi la> |
1413     <sol mi'> <mi sol> <fa re'> <re fa> <fa re'> <re fa> |
1414     <fa re'> <re fa> <fa re'> <re fa> <fa re'> <re fa> |
1415     <mi re'> <re mi> <mi do'> <do mi> <mi do'> <do mi> |
1416     \cresc <fa do'> <do fa> <fa si> <si, fa'> <fa' la> <la, fa'> |
1417     <do la'> <la do> <si sol'?> <sold si> \clef bass <la do fa> <fa la do> |
1418     <mi la do mi>2--\f r1 <mi la si mi>2-- r | R1 R2. R2
1419   }
1420   \relative {
1421     sold,,2*1/4\pp\laissezVibrer
1422     sold'8-- \t {sold-- sold-- sold--}
1423     sold2--\laissezVibrer |
1424     \simile sold,2*1/4\laissezVibrer
1425     sold'8 \t {sold sold sold}
1426     sold2\laissezVibrer |
1427     sold,2*1/4\laissezVibrer
1428     sold'8 \t {sold sold sold}
1429     sold2\laissezVibrer |
1430     r8 <sold,sold'>
1431     \t {<sold sold'><sold sold'><sold sold'>} |
1432     <sold sold'>2 sold2*1/4\laissezVibrer
1433     <sold' sold'>8
1434     \t {<sold sold'><sold sold'><sold sold'>} |
1435
1436     %%% Vivo subito %%%
1437     <re re'>4 r r2 | R1*11 \clef treble
1438     r4 \st {<la'' sold'>8 <la sold'> <sold la'>4 r R1
1439     r4 <la'? re?> r <la re> |
1440     r <la, sold'>8 <la sold'> <sold la'>4} r R1*3 \clef bass
1441     fad8-.( dod-.) sold2.-- R1 |
1442     r4 <re re'>-- r2 R1*8 \clef treble
1443     r4 <re'' dod'>-. <dod re'>-. r R1 \clef bass
1444     r2 sold,4--\p r | fad-- r mib'-- r fa-- r do-- r sib-- r sol-- r la-- r mi-- r |
1445     r <re re'>-> r2 R2. R1
1446
1447     %%% Fugato %%%
1448     <mi, mi'>1\f\laissezVibrer s1 R2.*2 R2
1449     R1 R2. <mi' red'>2.\pp <red mi'>2 <mi red'> <red mi'>2. r4 | R2.*2 R1 \clef treble
1450     <lad''' si'>1 <si lad'>2. <lad si'> <si lad'>1~ <si lad'>2 r |
1451     R2.*2 R1*2 \clef bass
1452     sol,4.-- fad~-- fad2 r4 | r2 r4 <re, mib'>8-. <re mib'>-. |
1453
1454     %%% Stretto %%%
1455     <re re'>4-> <re, re'>-- r <re re'>-- r <re re'>-- r2 |
1456     <re' sib'>4-- <re sib'>-- <re sib'>-- <re sib'>-- |
1457     \simile <reb lab'> <reb lab'> <si sold'> <si sold'> |
1458     <sib fa'> <sib fa'> <sib fa'> <sib fa'> |
1459     \ottava #-1
1460     <sold mi'> <sold mi'> <sol re'> <sol re'> |
1461     <sold mi'> <sold mi'> <sol re'> <sol re'> |
1462     <fa re'> <fa re'> <fa re'> <fa re'> |
1463     <mi si'> <mi si'> <mi si'> <mi si'> |
1464     <re sib' re> \ottava #0 r r2 |
1465     r4 \loco re'-- r re-- r re-- r2 | R1
1466
1467     %%% Noir %%%
1468     R2.-\fermataMarkup R2.*4 R2 R2. R1 R2. R2
1469     R1*5 R1.*4 R1 R2.-\fermataMarkup R2.*8 R2.-\fermataMarkup
1470
1471     %%% Poco più %%%
1472     R2.*4 R2.-\fermataMarkup
1473
1474     %%% Andantino %%%
1475     R1 R2 R1 R2 R1 R2 R1 R2.
1476
1477     %%% Largo non troppo %%%
1478     \det {<la la'>2 <la' la'> <la, la'> <si si'> <si' si'> <si, si'>
1479     <do do'> <do' do'> <do, do'> <re re'> <re' re'> <re, re'> |
1480     <la la'> <la' la'> <la, la'> <si si'> <si' si'> <si, si'>
1481     <do do'> <do' do'> <do, do'> <re re'> <re' re'> <re, re'> |
1482     \pl {la la la si si si do do do dod dod dod re re re sol, sol sol do do do re, re re red red red mi}
1483     {la'4 la la la la la si si si si si si do do do do do do
1484       dod dod dod dod dod dod re re re re re re sol, sol sol sol sol sol do do do do do do
1485       \ottava #-1
1486     re, re re re re re red red red red red red mi mi} r1
1487     \pl mi,2 {mi'4 mi}} r2 R1 R2. \pl mi,4-. <red' mi>-.\sffz \ottava #0 r |
1488   }
1489 }
1490
1491 ActeDeuxSceneUnPiano = {
1492   \PianoDeuxMains
1493   \relative { \Piano
1494     R2.*4 R2 R2.*2 R2 \clef bass r8\p
1495     <sol lab sib dob re>\arpeggio ~
1496     <sol lab sib dob re>2\laissezVibrer R2.*2 R2 |
1497     R2. R2 R2.*2 R2 |
1498     r8 <sol lab si do mib>\arpeggio ~
1499     <sol lab si do mib>2\laissezVibrer |
1500     R2.*2 R2 | R2. R2 | R2.*2 | R2 | R2.*3 R2 \clef treble
1501
1502     %%% Entrée de la Soprano Deux %%%
1503     r2 r8 \st {<la' si>\p | r4 <re, mi la>8 r r4 |
1504     r <la' re mi>8 r r2 |
1505     r4 r8 <re mi la>} r4 | R1
1506     <la, mib' lab>2.\mp\arpeggio ~ <la mib' lab>2 |
1507     <sold re' sib'>2*3/2--\laissezVibrer R1
1508
1509     %%% Andantino %%%
1510     \ind #"soudain très clair" <re'mi la>2*2--\p \laissezVibrer R1 R2.
1511     <re la'>2*3/2--\laissezVibrer R2.*2 R2
1512     R2.*5 R1 R2. R2
1513     <si re la'>2*3/2--\laissezVibrer R1 R2. R1
1514     <si re la'>2*3/2--\laissezVibrer R1
1515     r4 <do re sol>--\p r R1 |
1516     r4 <re fa>-- r | <re fa>-- r <re fa>-- r |
1517     r \simile <la re mi> r | r <la re> r <la re> | r <la re> r |
1518     <re la'>2*2\laissezVibrer R2. R1 R2. R1 R2. R1
1519     r8\p sold,( dod <fad si> <mi' la re>4)\laissezVibrer | R1
1520
1521     %%% Entrée de la Contralto %%%
1522     <re, sold>2*3/2--\pp\laissezVibrer R1
1523     <la re mi sold>2*3/2--\laissezVibrer R1 |
1524     R2. R1 R2. R1 <la re>2*3/2\laissezVibrer R1 R2. |
1525     R1 <la re mi>4\p r8 <la re mi>4.\laissezVibrer | R1 R2. R1 |
1526     r4\p <do re> r | r8 <do re>4. r8 <do re>4. |
1527     r4 <do re> r | r8 <do re>4. r8 <do re>4. |
1528     r4 <do re sol>-- r | r <do re> r | <fa sib mib>-- r2 |
1529     r4\mp <do fa> <do fa> | r <si mi> <si mi> |
1530     r  <do fa> <do fa> | r <si mi> r R2.
1531     <do fa sib>2*3/2--\laissezVibrer R2. R1 R2.
1532     <dod fad>2*2--\pp\laissezVibrer R2. R1
1533     r4\p <mib solb> <mib solb> | r <do fa> r8 <do fa>4. |
1534     r4 <mib solb> <mib solb> | r2 <do fa sib>2--\laissezVibrer R2. R1
1535     <re la'>2*3/2--\pp\laissezVibrer R1 R2. R2
1536     <la re fad>2*2\arpeggio \laissezVibrer R2. R1 R2. R1 R2. R1
1537   }
1538   \relative {
1539     R2.*4 R2 R2.*2 R2 mi,,2.\laissezVibrer R2.*2 R2 |
1540     R2. R2 R2.*2 R2 | mi2.\laissezVibrer | R2.*2 R2 |
1541     R2. R2 | R2.*2 | R2 | R2.*3 R2 \clef treble
1542
1543     %%% Entrée de la Soprano Deux %%%
1544     r2 r8 \st {<dod''mi> | r4 <fad,si>8 r r4 |
1545     r <dod'fad sold>8 r r2 | r4 r8 <mib lab sib>} r4 |
1546     R1 \clef bass <fa,, mi'>2.\arpeggio ~ <fa mi'>2 |
1547     <mi red'>2*3/2--\laissezVibrer R1
1548
1549     %%% Andantino %%%
1550     sib'2*2--\laissezVibrer R1 R2.
1551     <mi si'!>2*3/2--\laissezVibrer R2.*2 R2
1552     R2.*5 R1 R2. R2
1553     <fad,dod'mi>2*3/2--\laissezVibrer R1 R2.
1554     \st {do'4( sol' fad)} r | <fad,dod'mi>2*3/2--\laissezVibrer R1
1555     r4 <sib fa'>-- r R1
1556     r4 <mib lab sib>-- r | <mib lab sib>-- r <mib lab sib>-- r |
1557     r sib r | r <si mi> r <si mi> | r <si mi> r |
1558     R1 R2. R1 R2. R1 R2. R1
1559     fad2*3/2\laissezVibrer R1
1560     <sold'dod>2*3/2--\laissezVibrer R1
1561     fad,2*3/2--\laissezVibrer R1
1562     R2. R1 R2. R1 do2*3/2\laissezVibrer R1 R2.
1563     R1 dod2*3/2\laissezVibrer R1 R2. R1
1564     fad4 r fad' | fa, r fa' r | fad, r fad' | fa, r fa' r |
1565     fad, r fad' | sol,2.~ sol4 r2 |
1566     sib4 r2 | si4 r2 | sib4 r2 | si4 r2 |
1567     R2. mib2*3/2--\laissezVibrer R2. R1 R2.
1568     <re si'>2*2--\laissezVibrer R2. R1
1569     lab4 r lab' | la, r la' r | lab, r lab' |
1570     sol,2*2\laissezVibrer R2. R1
1571     re2*3/2--\laissezVibrer R1 R2. R2
1572     <sib' fa' sold>2*2 \arpeggio \laissezVibrer
1573     R2. R1 R2. R1 R2. R1
1574   }
1575 }
1576
1577 ActeDeuxSceneUnBisPiano = {
1578   \PianoDeuxMains
1579   \relative { \Piano
1580     R1 R2. R2 R1*5/4*6 \clef bass |
1581     r1 \acc {mi,,4( <red sold>) r r2 mi4( |
1582     <red sold> r sol <mi si'>) r |
1583     r2 mi4( <red sold> sol | <mi si'>) r sib' r <sib re>( |
1584     <la fad'>) r <re fa>( <dod la'>) r | <mid fad dod'>\sfz} r1 |
1585     R1*5/4*8 \clef treble \acc {<sol la mib' fad>4 r2 <sol la mib' fad>4 r |
1586     <sol la mib' fad> r <sol la mib' fad> r2 |
1587     <sol la mib' fad>4 r r8 <sol la mib' fad> r2 | <re' do'>4\sfz} r1 |
1588     R1*5/4*6 <lab re fa sol lab>1*5/4\mf\laissezVibrer \arpeggio
1589     R1*5/4*11 \clef bass <re, fad dod'>4-> r1 | R1*5/4-\fermataMarkup
1590
1591     %%% Boum %%%
1592     R1*5/4*13 | \clef treble
1593     \dynamicUp
1594     \cmb #"mf" #"legato con Ped."
1595     <sol' sib mib>8( \mg <mib, lab dob> \md \dynamicNeutral
1596     <sol' sib mib> \mg <mib, lab dob> \md
1597     <sol' sib mib> \mg <mib, lab dob> \md
1598     <fab' lab reb> \mg <fa, sib re> \md
1599     <fab' lab reb>) \mg <fa, sib re> \md
1600     <sol' sib mib>( \mg <mib, lab dob> \md
1601     <sol' sib mib> \mg <mib, lab dob> \md
1602     <fab' lab reb> \mg <fa, sib re> \md
1603     <fab' lab reb> \mg <fa, sib re> \md
1604     <fab' lab reb>) \mg <fa, sib re> \md |
1605     <sol' sib mib>( \mg <mib, lab dob> \md
1606     <sol' sib mib> \mg <mib, lab dob> \md
1607     <sol' sib mib> \mg <mib, lab dob> \md
1608     <sol' sib mib>) \mg <mib, lab dob> \md
1609     <fab' lab reb>(\< \mg <fa, sib re> \md |
1610     <fab' lab reb> \mg <fa, sib re> \md
1611     <fab' lab reb> \mg <fa, sib re> \md
1612     <sol' sib mib> \mg <mib, lab dob> \md
1613     <sol' sib mib> \mg <mib, lab dob> \md
1614     <sol' sib mib>) \mg <mib, lab dob> \md |
1615     <sib'' mib lab>\! \mg <mi,,,, mi'>2*1/4->\laissezVibrer \md
1616     <sib'''' mib lab>8 \mg <sib,, mib lab> \md
1617     <sib'' mib lab> \mg <sib,, mib lab> \md
1618     <sib'' mib lab> \mg <sib,, mib lab> \md
1619     <sib'' mib lab> \mg <sib,, mib lab> \md |
1620     <sib'' mib lab> \mg <sib,, mib lab> \md
1621     <sib'' mib lab> \mg <sib,, mib lab> \md
1622     <sib'' mib lab> \mg <sib,, mib lab> \md
1623     <sib'' mib lab> \mg <sib,, mib lab> \md
1624     <sib'' mib lab> \mg <sib,, mib lab> \md |
1625     <sib'' mib>( \mg <mib,, lab> \md
1626     <sib'' mib> \mg <mib,, lab> \md
1627     <sib'' mib> \mg <mib,, lab> \md
1628     <sib'' mib> \mg <mib,, lab> \md
1629     <sib'' mib>) \mg <mib,, lab> \md |
1630     <reb'' fa sib> \mg \stemDown <mi,,,, mi'>2*1/4->\laissezVibrer \stemNeutral \md
1631     <reb'''' fa sib>8 \mg <lab,, reb fa> \md
1632     <reb'' fa sib> \mg <lab,, reb fa> \md
1633     <sib'' mib lab>( \mg <sib,, mib lab> \md
1634     <sib'' mib lab> \mg <sib,, mib lab> \md |
1635     <reb'' fa sib> \mg <lab,, reb fa> \md
1636     <reb'' fa sib>) \mg <lab,, reb fa> \md
1637     <sib'' mib lab>(\< \mg <sib,, mib lab> \md
1638     <sib'' mib lab> \mg <sib,, mib lab> \md
1639     <reb'' fa sib>) \mg <lab,, reb fa> \md
1640     <mib''' lab dob>\! \mg \stemDown <mi,,,,! mi'!>2*1/4->\laissezVibrer \stemNeutral \md
1641     <mib'''' lab dob>8 \mg <sol,,, sib mib> \md
1642     <mib''' lab dob> \mg <sol,,, sib mib> \md
1643     <reb''' fa sib>( \mg <lab,, reb fa> \md
1644     <reb'' fa sib> \mg <lab,, reb fa> \md |
1645     <mib''' lab dob> \mg <sol,,, sib mib> \md
1646     <mib''' lab dob>) \mg <sol,,, sib mib> \md
1647     <reb''' fa sib>(\< \mg <lab,, reb fa> \md
1648     <reb'' fa sib> \mg <lab,, reb fa> \md
1649     <reb'' fa sib> \mg <lab,, reb fa> \md |
1650     <mib''' lab dob> \mg <sol,,, sib mib> \md
1651     <mib''' lab dob> \mg <sol,,, sib mib> \md
1652     <mib''' lab dob>) \mg <sol,,, sib mib> \md
1653     <reb''' fa sib> \mg <lab,, reb fa> \md
1654     <mib''' lab dob> \mg <sol,,, sib mib> \md |
1655     <fa''' sib re>\! \mg \stemDown <mi,,,, mi'>4*1/2->\laissezVibrer \stemNeutral \md
1656     <fa'''' sib re>8 \mg <sold,,, dod> \md
1657     <fa''' sib re> \mg \stemDown <mi,,,, mi'>2*1/4->\laissezVibrer \stemNeutral \md
1658     <fa'''' sib re>8 \mg <sold,,, dod> \md
1659     <fa''' sib re> \mg <dod,, sold'> \md |
1660     <fa'' sib>\>( \mg mi,,, \md
1661     <fa''' sib> \mg <dod,, sold'> \md
1662     fa'') \mg <sold,, dod> \md <dod sold'>2--\p\laissezVibrer |
1663     r1 <red sold>4--\laissezVibrer | R1*5/4
1664     <dod sold'>1*5/4--\laissezVibrer | r4 <dod sold'>1--\laissezVibrer |
1665     r2 <dod lad'>2.--\laissezVibrer |
1666
1667     %%% Moderato assai %%%
1668     R1*7/4*7 \clef bass
1669     r4\pp \acciaccatura do,8 reb4-. \acciaccatura sold8 la4-. | R1
1670     r4 \acciaccatura fad8 sol4-. \acciaccatura re'8 mib4-. | R2
1671     r4 \acciaccatura si,8 do4-. \acciaccatura sol'8 lab4-. |
1672     r <si do sol'>2--\arpeggio |
1673     \simile r4 \acciaccatura si,8 do4 \acciaccatura sol'8 lab4 |
1674     r <red, sold si>2\arpeggio |
1675     r4 \acciaccatura si8 do4 \acciaccatura sol'8 lab4 |
1676     r \acciaccatura fad8 sol4 \acciaccatura la8 sib4 |
1677     r \acciaccatura red,8 mi4 \acciaccatura si'8 do4 |
1678     r <sol lab mi'>2\arpeggio | R2. \clef treble |
1679     <re' la' re>1\arpeggio \laissezVibrer r2 r4 | R1*7/4*2 \clef bass |
1680     r4 \acciaccatura fa,8 solb4-. \acciaccatura dod8 re4-. |
1681     r <dod, re la'>-.\arpeggio r |
1682     \simile r \acciaccatura fa8 solb4 \acciaccatura dod8 re4 |
1683     r <la re fa>\arpeggio r |
1684     r \acciaccatura fa8 solb4 \acciaccatura dod8 re4 |
1685     r \acciaccatura lad8 si4 \acciaccatura red8 mi4 |
1686     r \acciaccatura la,8 sib4 \acciaccatura fa'8 fad4 |
1687     R1*7/4*4 \clef treble |
1688     \repeat volta 2 { \det {<dod mi la>1\p <sib re sol?>2.
1689     <dod mi la> <sib re sol>1} R1*7/4 }
1690     <sib re sol>1*7/4\arpeggio \laissezVibrer R1*7/4
1691
1692     %%% Presto subito %%%
1693     \tt {\ind #"staccato leggiero" <mi sol>8\mp \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1694     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1695     \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1696     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1697     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1698     \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1699     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1700     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1701     \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1702     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1703     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1704     \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1705     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1706     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1707     \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1708
1709     %%% Tempo giusto %%%
1710     <mi' sol>4 r <mi sol>8\pp( fad,) | <mi' sol>4-. r <fa lab>-. |
1711     <mi sol>-. r <mi sol>8( fad,) | <mi' sol>4-. r <mi sol>8( fad,) |
1712     <mi' sol>4-. r <mi sol>8( fad,) | <mi' sol>4-. r <fa lab>-. |
1713     <mi sol>-. r8 fad,( <fa' lab>4-.) | <re la'>4-. r sol,8( re' la' sib |
1714     <mi, si'>4-.) r8 dod <fad si>( dod) | <sold' si>4-. r <la do>8( re, |
1715     <fa do'>4-.) r <la do>-. <lad dod>8( red,) r4 <si' re>-.\< <do mib>-.\! r R4. |
1716     r8 <lab re sol>~->\mf\< \t {<lab re sol> <lab re sol> <lab re sol>} |
1717     \t {<la red sold> <la red sold> <la red sold>}
1718     \t {<sib mi la> <sib mi la> <sib mi la>} |
1719     <sol do sib'>4--\f \st {<re' re'>8 <fad fad'> <re re'> <fa fa'> <dod dod'> |
1720     <fad, fad'>-> r r2 |
1721     r4 <re' re'>8 <fad fad'> <dod dod'> <fa fa'> <re re'> |
1722     <fad, fad'>-> r r2 | r8 <re' re'>\< <red red'> <mi mi'> <fa fa'> |
1723     <fad fad'>->\! \t {la16( do sib} mib8-.) \t {fa,16( lab solb} |
1724     si8) dod,16\< mi re sol} |
1725     <la, la'>4->\! r2 | R2.*3 \clef bass
1726     r8\pp mib,( sol do) mi,( lab | mib') lab,( si) mi,( sol sib |
1727     mib) mi,( sol do) mib,( si' | sol') mib,( sol do sol') si,( |
1728     mib) mi,( lab sol do si \clef treble | mi mib sol lab si do) |
1729     r4 \t {si,8( mib sol)} \t {re( fad sib)} |
1730     \t {sib,( re fad)} \t {si,( mib sol)} \t {fad,( sib re)} |
1731     \t {mib( sol si)} \t {do( mi sold} \t {la dod fa} |
1732     <la, la'>2.\mp)\laissezVibrer R2. R2 R4. R2 R1*5/8 R2.
1733
1734     %%% Tempo I %%%
1735     R1
1736     \acc {<solb, fa'>4\mf r2 <solb fa'>4 r <solb fa'> r <solb fa'> r2 |
1737     <solb fa'>4 r r8 <solb fa'> r2 \clef bass | <lab,, do>4\sffz} r1\fermata
1738     R1*5/4*21
1739   }
1740   \relative { \clef bass
1741     R1 R2. R2 R1*5/4*6
1742     r1 \ottava #-1 si,,4->( \acc {<sol? do>) r r2 si4( |
1743     <sol do> r do <sold red'>) r |
1744     r2 si4( <sol do> do <sold red'>) \ottava #0
1745     r \loco la' r <fa la>( <dod sib'>) r <sib' dod>( <fa re'>) r |
1746     <re la' sib>\sfz} r1 | R1*5/4*8
1747     \acc {<re do'>4 r2 <re do'>4 r <re do'> r <re do'> r2 |
1748     <re do'>4 r r8 <re do'> r2 | <sold si fa' sol!>4\sfz} r1 |
1749     R1*5/4*3
1750     \det {do1*5/4 re fa2~} fa8 sol~-- sol2 |
1751     <do, fa>1*5/4\laissezVibrer \arpeggio R1*5/4*11
1752     \ottava #-1 <mi,, fa'>4-> \ottava #0 r1 | R1*5/4-\fermataMarkup
1753
1754     %%% Boum %%%
1755     R1*5/4*13
1756     s1*5/4*14
1757     R1*5/4*5
1758
1759     %%% Moderato assai %%%
1760     R1*7/4*7
1761     \stdet {fa'4 r2 R1 si4 r2 R2 |
1762     mi,4 r2 red'4} r2 | mi,4 r2 sol4 r2 |
1763     mi4 r2 | fad4 r2 sol4 r2 | la4 r2 r4 do2 |
1764     <fa, mib'>1\arpeggio r2 r4 R1*7/4*2 |
1765     \stdet {sib4 r2 fad4} r2 | sib4 r2 dod4 r2 |
1766     sib4 r2 do4 r2 re4 r2 |
1767     R1*7/4*4 |
1768     \repeat volta 2 {\det {<la re fa>1 <si? mi sold>2.
1769     <la re fa> <si mi sold>1} R1*7/4}
1770     <si mi sold>1*7/4\arpeggio R1*7/4
1771
1772     %%% Presto subito %%%
1773     s1.*5
1774     \st {re,4\p mib' fa, | re mib' fa, | re mib' fa, |
1775     re mib' fa, | re mib' fa, | re mib' fa, |
1776     mib' sib si' | mi,, si' R2 |
1777     <fad dod'>4 sold' r | <fad, dod'> <si la'> r |
1778     <sold fad'> re' red | <sold, fad'> fad la | fa4} r R4. |
1779     <mi' la red>4~-> \t {<mi la red>8 <mi la red> <mi la red>}
1780     \t {<fa sib mi> <fa sib mi> <fa sib mi>}
1781     \t {<fad si mid> <fad si mid> <fad si mid>} |
1782     <mib,, mib'>2--\laissezVibrer R4. R2. |
1783     <mib mib'>2--\laissezVibrer R4. R2. |
1784     <mib mib'>2*5/4--\laissezVibrer |
1785     <la la'>2\laissezVibrer R4. <la' la'>4-> r2 | R2.*3
1786     <sol, sol'>2.--\laissezVibrer s
1787     <sol sol'>--\laissezVibrer s |
1788     <sol sol'>--\laissezVibrer s |
1789     <sol sol'>--\laissezVibrer s s |
1790     <sold sold'>2.\mp\laissezVibrer R2. R2 R4. R2 R1*5/8 R2.
1791
1792     %%% Tempo I %%%
1793     R1
1794     \acc {<lab' sol'>4 r2 <lab sol'>4 r <lab sol'> r <lab sol'> r2 |
1795     <lab sol'>4 r r8 <lab sol'> r2 | \ottava #-1
1796     <re,, sol dod>4} r1\fermata |
1797     R1*5/4*21
1798   }
1799 }
1800
1801 ActeDeuxSceneDeuxPiano = {
1802   \PianoDeuxMains
1803   \relative { \Piano
1804     R1.*6 R1*2 R2. \clef bass |
1805     \mg <re,, re'>16->\mf \md <re' sol lab dod>-.
1806     <re sol lab dod>-. \mg <fa, fa'>->
1807     \md <re' sol lab dod>-. \mg <re, re'>->
1808     \md <re' sol lab dod>-. \mg <fa, fa'>->
1809     \md <re' sol lab dod>-. \mg <fad, fad'>->
1810     \md <re' sol lab dod>-. <re sol lab dod>-. |
1811     <fa la sib mi>8.-> <fa la sib mi>16-.
1812     r8 <fa la sib mi>16-. <fa la sib mi>-.
1813     r <fa la sib mi>-. <fa la sib mi>8-- |
1814     r16 <re sol lab dod>8\< <fa la sib mi>16 r
1815     <re sol lab dod> <fa la sib mi>8 r16 <fa la sib mi>\! r8 |
1816     R2. R1.*3 | R1*2 R2. |
1817     \mg <si,, si'>16->\mf \md <re' sol lab dod>-. <re sol lab dod>-. \mg <re, re'>->
1818     \md <re' sol lab dod>-. \mg <si, si'>-> \md <re' sol lab dod>-. \mg <re, re'>->
1819     \md <re' sol lab dod>-. \mg <red, red'>-> \md <re' sol lab dod>-. <re sol lab dod>-.
1820     <re sol lab dod>-. \mg <si, si'>-> \md re' \mg <red, red'>-> \md |
1821     r \st {mi' dod re do mib} |
1822     \cmb #"p" #"sec" si8 \st {si16 si \mg si, \md si' si \mg si, \md si' si
1823     \mg sold, \md si' si \mg sold \md si si |
1824     \mg si, \md si' si si si si \mg sold, \md si'
1825     si \mg sol, \md si' si si \mg sol \md si si |
1826     \mg si, \md si' si si \mg lad-> \md si \mg si, \md si'
1827     si \mg si, \md si' si si \mg lad-> \md si si |
1828     \mg si, \md si' si \mg si, \md si' si \mg si, \md si'
1829     r8 \mg si,16 \md si' si si \mg lad \md si |
1830     \mg si, \md si' si \mg <fad'dod'> \md si, si \mg si, \md si'
1831     \mg <fad'dod'> \md si, \mg si, \md si' si \mg <dod'sold'> \md si, si |
1832     \mg si, \md si' si \mg si, \md si' si \mg si, \md si'} r2 |
1833     R2. R1. R1*2 R2.*3 R2 R2.*3 R2
1834     r16 \st {la'16\< fad sol fa lab} |
1835     \cmb #"p" #"sec" mi\! \st {mi mi \mg sol, \md mi' \mg mi, \md mi' mi
1836     \mg mi, \md mi' \mg sol, \md mi' \mg mi, sol \md mi' mi |
1837     \mg mi, \md mi' mi \mg sol, \md mi' \mg mi, sol \md mi'
1838     \mg mi, \md mi' \mg sold, \md mi' mi \mg mi' \md mi, mi |
1839     \mg mi, \md mi' mi \mg sol, \md mi' \mg mi, \md mi' mi
1840     \mg mi, \md mi' mi \mg sol, \md mi' \mg sold, \md mi' mi |
1841     \mg mi, \md mi' mi \mg la, \md mi' \mg mi, \md mi' \mg la,
1842     \md mi' mi \mg re \md mi \mg la, mi \md mi' mi |
1843     \mg mi, \md mi' \mg la, re \md mi mi }
1844     <re sol do>8 r8 r16 \st {la'\mp fad sol fa lab} |
1845     mi8-- \clef treble \st {<si' dod sold'> %% FIXME Issue #400
1846     <si dod sold'> r | r <dod red lad'> <dod red lad'>} r |
1847     r \simile <fad si dod> <fad si dod> r | r <si dod mi> <si dod mi> r |
1848     r <lad si fad'> <lad si fad'> r |
1849     r32 sold\mp\<( mi sold fadd lad fadd lad sold si sold si lad\> dod mi sold |
1850     si2*2\!)\laissezVibrer R2.
1851     R1. R1 R1.
1852     <la,, sib re la'>1*3/2\p\laissezVibrer \arpeggio R2. R1
1853     R2. R1 R2. R1 R2. R1 R2.
1854     R1 R2. R1 R2. R1 R2. R1
1855     R2. R1 R2. R1 R2. R1 R2.
1856     <la' la'>4--\pp \st {la8 \mg la, \md dod' \mg dod, \md fa'\< \mg fa,} |
1857     \md <la la'>4--\! \st {la8 \mg la, \md do'! \mg do,! \md mib'\< \mg mib,
1858     \md fad' \mg fad,} \md | <la la'>4--\! s s2 s1*2 |
1859     <sold' la'>8-.-> r2 | r4 r8 <la,, re mib sold>-> r |
1860     <la re mib sold>-> r r4 <mib' re' mib>8-. |
1861     <re' mib>-. r4 <mib, sold la re>8-. r | R2*5/4
1862     \acc {<la, re sold>4\sfz r r8 | R2*5/4
1863     r4 r8 <la re mib sold> r | r4 <re mib>8 r4 |
1864     <la re sold>4\sfz r r8 | R2*5/4*4
1865     R1*2 \clef bass <do,! la' dod>4\sffz} r r2 \clef treble |
1866     r4 \st {<re' dod'>\pp <si lad'> r | r <si lad'> <lab sol'>} r | R1
1867     mi'1->\p\laissezVibrer s1*2 <si' sold'>4-.-> r2 |
1868     r8*1/2 s8. r4 | R1*2 R2.*4
1869     r8 r16 <sold dod>( <fa mi'>8-.) r r4 |
1870     r8 r16 <sold red'>( <fa! fad'>8-.) r r4 | R2.
1871     R2*2 R2.*2 R2*5 \clef bass
1872     <re, sib' re>16\ppleggiero <re sib' re> <re sib' re> <re sib' re>
1873     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1874     <re sib' re> <re sib' re> <re sib' re> <re sib' re>
1875     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1876     <re sib' re> <re sib' re> <re sib' re> <re sib' re>
1877     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1878     <re sib' re> <re sib' re> <re sib' re> <re sib' re>
1879     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1880     <mi do' mi>8 r r4 R2*4 \clef treble r8 \st {<dod' mi sold>\pp <do fa la>} r |
1881     R2 \clef bass |
1882     <re, sib' re>16\pp <re sib' re> <re sib' re> <re sib' re>
1883     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1884     <re sib' re> <re sib' re> <re sib' re> <re sib' re>
1885     <mi sold mi'> <mi sold mi'> <mi sold mi'> <mi sold mi'> |
1886     <re sib' re>8 \clef treble <re' fad>-. <mib sol>-. r | R2*6
1887     R2.*7 \ottava #1 |
1888     \det {<dod'' fad dod'>4\ppp( <red sold red'>)} r8 <si lad'> |
1889     \det {<dod fad dod'>4( <sold red' sold>)} \ottava #0 r | R2.
1890     \ottava #1
1891     \det {<dod sold' dod>4\ppp( <sol' dod sol'> <dod, sol'? dod>) |
1892     <red sold red'>( <lad' red lad'>) r <dod, sol' dod>( <sold' dod sold'>) r |
1893     <dod, sold' dod>\>( <la' fa' la>\!)} \ottava #0 r R2.*2 |
1894   }
1895   \relative {
1896     R1.*6 R1*2 R2.
1897     s2. <re,, re'>8-> \st {mib re fa re lab' |
1898     fa sib lab si dod mi fa\> mi sol sib} dod4--\! | R1.*3
1899     R1*2 R2.
1900     s1 r16 \st {mi,, dod re do mib} |
1901     si4 s2. | s1*4 s2 r2 |
1902     R2. R1. R1*2 R2.*3 R2 R2.*3 R2
1903     r16 \st {la'16 fad sol fa lab} |
1904     mi8 s8 s4 s2 s1*3 s2 r8 r16 \st {la fad sol fa lab} mi8-- r r dod-. |
1905     mi-- r \st {dod do} | \simile mi-- r r dod-. mi r dod do mi4 r8 mi mi r r4 |
1906     <dod dod'>2*2--\laissezVibrer R2.
1907     R1. R1 R1.
1908     <sol' re'>1*3/2\laissezVibrer \arpeggio R2. R1
1909     R2. R1 R2. R1 R2. R1 R2.
1910     R1 R2. R1 R2. R1 R2. R1
1911     R2. R1 R2. R1 R2. R1 R2.
1912     <la la'>4-- s s2 |
1913     <la la'>4-- s s2. |
1914     <la la'>8-- \st {mib sol \md fad' sib \mg sib, re \md dod' |
1915     fa \mg fa, la \md sold' do \mg do, mi \md mib' |
1916     sol\< sol, si sib' re re, fad fa'\!} \mg |
1917     <la,,,,, sold'>8-.-> r2 | r4 r8 <la' sold'>-> r |
1918     <la sold'>8-> r r4 <la, sold'>8-. | <sold'' la>-. r2 | R2*5/4
1919     <sold,, mib' la>4->\sfz r r8 | R2*5/4
1920     r4 r8 <la' sold'>-> r | r4 <re mib>8-> r4 |
1921     <re, sold mib'>4->\sfz r r8 | R2*5/4*4
1922     R1*2 <si lad'>4->\sffz r r2 |
1923     r4 \st {<mi red'> <sol fad'> r | r <reb do'> <mi red'>} r | R1
1924     r8 <mi mi'>\pp\< \t {<mi mi'> <mi mi'> <mi mi'>} <mi mi'>4--\! <mi mi'>~-- |
1925     <mi mi'>8 <mi mi'>\< \t {<mi mi'> <mi mi'> <mi mi'>} <mi mi'>4--\! <mi mi'>~-- |
1926     <mi mi'>8 <mi mi'>\< \t {<mi mi'> <mi mi'> <mi mi'>} <mi mi'>2--\! |
1927     <re' dod'>4-.-> r2 |
1928     r16 r32 \stemUp <sold, si fa'>\p[ \md \stemDown <dod' mib re'>8-.] \stemNeutral \mg r4 |
1929     R1*2 R2.*4 r8 r16 <dod, fad>( <sib la'>8-.) r r4 |
1930     r8 r16 <la mi'>( <fad sol'>8-.) r r4 | R2.
1931     R2*2 R2.*2 R2*5 <re sib'>8 <re sib'> <re sib'> <re sib'> |
1932     <re sib'> <re sib'> <re sib'> <re sib'> |
1933     <re sib'> <re sib'> <re sib'> <re sib'> |
1934     <re sib'> <re sib'> <re sib'> <re sib'> |
1935     <dod sold'> r r4 | R2*4
1936     r8 \st {la'\pp sold} r | R2
1937     <re sib'>8 <re sib'> <re sib'> <re sib'> |
1938     <re sib'> <re sib'> sold sold | <re sib' re> \st {<sol' si> <fad lad>} r |
1939     R2*6
1940     R2.*7 \clef treble
1941     \pl {<fa'! do'!>2. <fa! do'>2} {fad'4--( sold--) r fad-- s } r4 |
1942     R2.
1943     \pl {<la, do mi>2.-- <la do mi>-- <sib re sol>-- <la do mi>2-- }
1944     {sold'4--( <sold dod>-- sold--) sold--( <sold red'>--) r4 |
1945     s4 dod-- r4 sold--( <dod fa>--)} r4 | R2.*2
1946   }
1947 }
1948
1949 ActeDeuxSceneTroisPiano = {
1950   \PianoDeuxMains
1951   \relative { \Piano
1952     %%% Larghetto %%%
1953     R4.*30 \clef bass |
1954     s4.*5 R4.*2 s4.*3 R4.*2 s4.*4 R4.*2 s4.*3
1955     \st {<re, sib' re>16\ppleggiero <re sib' re> <re sib' re> <re sib' re> |
1956     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1957     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1958     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1959     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1960     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1961     <re sib' re> <re sib' re> <re sib' re>} <re sib' re>( |
1962     <mi do' mi>) \st {<mi do' mi> <mi do' mi> <mi do' mi> |
1963     <mi do' mi> <mi do' mi> <mi do' mi> <mi do' mi> |
1964     <mi do' mi> <mi do' mi> <mi do' mi> <mi do' mi> |
1965     <mi do' mi> <mi do' mi> <mi do' mi> <mi do' mi> |
1966     s4
1967     <mi do' mi>16 <mi do' mi> <mi do' mi> <mi do' mi> |
1968     <mi do' mi> <mi do' mi> <mi do' mi>} <mi do' mi>( |
1969     <mid dod' mid>8) s16 \st {<mid dod' mid> |
1970     <mid dod' mid> <mid dod' mid> <mid dod' mid> <mid dod' mid> |
1971     si8-- <mid dod' mid>16 <mid dod' mid> |
1972     <mid dod' mid>\ppsempre <mid dod' mid> <mid dod' mid> <mid dod' mid> |
1973     <mid dod' mid> <mid dod' mid> <mid dod' mid> <mid dod' mid> |
1974     <mid dod' mid> <mid dod' mid> <mid dod' mid> <mid dod' mid> |
1975     <mid dod' mid> <mid dod' mid> <mid dod' mid> <mid dod' mid> |
1976     \clef treble
1977     <sol mi' sol> <sol mi' sol> <sol mi' sol> <sol mi' sol> |
1978     <sol mi' sol> <sol mi' sol> <sol mi' sol> <sol mi' sol> |
1979     <sol mi' sol> <sol mi' sol> <sol mi' sol> <sol mi' sol> | R4
1980     <lab re sol>16 <lab re sol> r <lab re sol> |
1981     <lab re sol> <lab re sol> r <lab re sol> |
1982     <lab re sol> <lab re sol> r <lab re sol> r8 |
1983     r16 <lab reb sol> r <lab reb sol> |
1984     r <lab reb sol> r <lab reb sol> |
1985     r <lab reb sol> r <lab reb sol>} | R4*4
1986     \clef bass
1987     s4.*5 R4.*2 s4.*7 \clef treble
1988     <do' sol' re'>16\pleggiero <do sol' re'> <do la' re> <do la' re> |
1989     <do sol' re'> <do sol' re'> <do la' re> <do la' re> |
1990     <do re sol> <do re sol> <do re la'> <do re la'> |
1991     <do re sol> <do re sol> <do re la'> <do re la'> |
1992     <sol la do>\> <sol la do> <sol la re> <sol la re> |
1993     <sol la do> <sol la do> <sol la re> <sol la re> |
1994     <re sol do> <re sol do> <la re> <la re>\! \clef bass |
1995     \cmb #"pp" #"secco" <re, sib' re>\< <re sib' re> <re sib' re> <re sib' re> |
1996     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1997     <mi do' mi>8->\! r R4 |
1998     <re sib' re>16\< <re sib' re> <re sib' re> <re sib' re> |
1999     <mi do' mi>8->\! r r4 |
2000     <dod sib' dod>16\< <dod sib' dod> <re sib' re> <re sib' re> |
2001     <mi do' mi>8->\! r R4*3 \clef treble |
2002     <re' la' mi'>4\p\arpeggio \laissezVibrer s4 R4*3
2003     r8 <dod red>-.\pp r <dod red>-. |
2004     r <do re sol>-. r <do re sol>-. |
2005     R2.-\fermataMarkup R2.*2
2006     r8 \st {<la sold'>\p la' <sol, fad'>
2007     sol' r | R2.
2008     r8 <la, sold'> la' <sol, fad'>
2009     sol' r | R2.
2010
2011     %%% Interlude %%%
2012     r8 <la, sold'> la' r <do, si'> do' r <mib, re'>} |
2013     <mi red'>2\laissezVibrer \clef bass |
2014     r8 <fa, mi'>\pp~ <fa mi'>16 <mi fa'>8.~
2015     <mi fa'>2\laissezVibrer s
2016     r4 \set tieWaitForNote = ##t
2017     \t {la8 fa~ mi'~} <fa, mi'>2\laissezVibrer
2018     \set  tieWaitForNote = ##f
2019     R2
2020     r4*1/2 s8 \tt {mi'16 mi,( dod' fa8)~} fa4 |
2021     \clef treble <reb do'>4.\p \> <do' si'>8~ |
2022     <do si'> <si do'>4.\! |
2023     \t {do8( si') fa16 solb} s4 |
2024     r8 r16 <la sold'>-.->\pp r8 <sold la'>---> |
2025     r <la sold'>---> r16 <sold la'>8.---> |
2026     r16 <la sold'>8.---> <sold la'>4---> |
2027     <la sold'>---> r <do la'>16->\mp <do la'>-> |
2028     <si fad' lad>4--\laissezVibrer r4 |
2029     R2*2
2030     la,4--(\p <re, dod'>--) R2*2 r4 <re fad dod'>--( |
2031     <si! fa' sib>--) r r <fa' la mi'>--( |
2032     <re sold dod>--) r8 mib16-.( sib--~|
2033     \tt {sib re' la dod' sold } sol'4->) |
2034     \st {\ottava #1 r16
2035     \pl {do,, fad8} {si16 fa' sib}
2036     \ottava #0 r8 sold,,16 <re dod'> |
2037     r sol' r8 r4 |
2038     r8 <sold la'>\pp r r16 <la sold'> |
2039     r8 <sold la'> r16 <la sold'> r8 |
2040     r <sold la'>\< r r16 <la sold'> |
2041     r8 <sold la'> r16 <la sold'>} r4 |
2042
2043     %%% Quatuor %%%
2044     <sold la'>8--\! r r4 R4. R2 R4. R2 R4.*2
2045     R2.-\fermataMarkup R2.*6 R2*2 R2. \clef bass
2046
2047     %%% Air baryton 1 %%%
2048     \cmb #"p" #"sombre" do,,,8( do \t {do\> do do} |
2049     do4--\! do--)~ do do,-- r |
2050     do'8(\< do \t {do\> do do} |
2051     do4--\! do--)~ do do,-- r |
2052     do'8(\< do \t {do\> do do} |
2053     do4--\! do--)~ do do-- r |
2054     do,8( do \t {do-- do-- do--} |
2055     do2--) s2. R2 s4. R2 s4. s8 r r4 |
2056     R2 <do do'>4--\mp <do do'>8-- <do do'>--
2057     \t {<do do'>--( <do do'>-- <do do'>--)} | s2
2058     R2 r4 r8 <dod dod'>--\< \t {<dod dod'> <dod dod'> <dod dod'>} |
2059     <re re'>1--->\!\laissezVibrer s2. R2 |
2060
2061     %%% Doppio tempo %%%
2062     R2*7 R2.*7 R2 R2.
2063     r4\pp <si'' re mi>--~ <si re mi>2 <la re mi>4--~ |
2064     <la re mi>2 <si re mi>2.-- <la re mi>2-- |
2065     R2. R2 R2. R2 R2. R2 R2. |
2066     r4 <re, re'>4-- <re re'>8-.( <re re'>-.
2067     \mg <re re'>-.) \md \clef treble |
2068     \ottava #1 \tt {re''''16->(\> dod si sold fad}
2069     \tt {fa mib do sib la} \ottava #0 |
2070     \tt {sol mi dod si sold\!}
2071     \mg \t {mib8 sib sol)} \md \clef bass |
2072     r4 <re re'>4-- <re re'>8-.( <re re'>-.
2073     \mg <re re'>-.) \md \clef treble |
2074     \ottava #1
2075     \tt {sold''''16->(\> re la mi si} \ottava #0
2076     fad re sib solb | \t {fa8 do lab\!} \mg fa mib) \md |
2077     R2*2
2078     \ottava #1
2079     \t {sib'''''16\sf( fa do)} \t {re( la mi)} \t {solb( reb lab)} |
2080     \ottava #0
2081     \tt {<fa sib>\(( do) <la re>( mi) <reb solb>} \mg \stemUp
2082     lab32 sib fa do\) \md \stemNeutral \clef bass |
2083     re8.-- re16 re8-. re-- re16 re-. re8-- | re2.---> r4 \clef treble |
2084
2085     %%% Soprano 2 %%%
2086     R2. R1 R2. R1 R2. R1 R2.
2087     R1 R2. R1 R2. R1 R2. R1
2088     R2. R1 R2. R1 R2. R1 R2. R1
2089     R2. R1 R2. R1 R2. R1 R2.
2090     R1 R2. R1 R2. R1 R2. R1
2091     R2. R1 R2. R1 R2. R1 R2. R1
2092     R2. R1 R2. R1 R2. R1 R2.
2093     R1 R2. R1 R2. R1 R2.
2094
2095     %%% Duo %%%
2096     r4\p <mi'' sold>8( <fa la>) r4 <mi sold>8( <fa la>) |
2097     r4 <mi sold>8( <fa la>) \mg <la, dod>-. \md <la' dod>-.
2098     \mg <sold, do>-. \md <sold' do>-. |
2099     r4 <mid sold>8( <fad la>) r4 <mid sold>8( <fad la>) |
2100     s1
2101     sold8( la) sold'( la) sold,( la) sold'( la) |
2102     r4 <sold, la'>---. r sold---. | R2*3 \clef bass |
2103
2104     %%% Baryton 2 %%%
2105     <re,, re'>2.->--\f s <re dod' re>->-- s <re do'! re>->-- |
2106     r2 s4 r4 \clef treble s2 |
2107     \ttt {re''16(\< fa sol si dod red}
2108     \ottava #1 \tt {fad)\! sol,(\< dod red fad}
2109     \ttt {lad)\! dod,(\< red fad la si} |
2110     <re re'>2->--)\sf\laissezVibrer s4\ottava #0 R2.*2 R4.
2111     \tt {lab16\pleggiero sol fa re do}
2112     \tt {si la fad mi red}
2113     \tt {dod sib lab sol fa} |
2114     re8-. lab'-. sib-. sol-. si4-- r8 mi-. re-. fa-. dod4-- |
2115     r8 \st {<fad,, lad> <sol si> r <lab do> <la dod> |
2116     r <sib re> <si red> r <do mi> <dod fa> |
2117     r \cresc <la sold'> <la sold'>( <sold la'>) r <mib' re'> |
2118     <mib re'>( <re mib'>) r <la' sold'> <la sold'>( <sold la'>)} |
2119     <re' re'>4->--\f <re re'>->-- <re re'>->-- <re re'>->-- r2 |
2120     <re re'>4->-- <re re'>->-- <re re'>->-- <re re'>->-- r2 |
2121
2122     %%% Boum %%%
2123     <sol,,! la sold'>4--\sffz r2 R2.*2
2124     \ottava #1
2125     \cmb #"ppp" #"étincelant" % N'ayons pas peur des mots !
2126     re''''16-- si( do dod
2127     \tt { re--) sold,( si dod re--) }
2128     \tt { fad,( sol la do re) } |
2129     \tt { mib( re do re do }
2130     \tt { la) do( la sol la }
2131     \tt { sol fad mi dod re) } |
2132     \tt { si--( dod mi fad mi }
2133     \tt { fad sol fad lad si }
2134     \tt { lad) sol( sold si dod } |
2135     \tt { re--) lad( si do dod }
2136     \tt { re--) sold,( lad si dod }
2137     \tt { re--) fad,( sol la do) } |
2138     \tt { re--( fa mib re do }
2139     \tt { la) do( la sol la) }
2140     \tt { fad( sol si sold re') } |
2141     \tt { si( do mib do mi }
2142     \tt { sold) sol( si sol sold }
2143     \tt { mi fad) mi( red dod } |
2144     \tt { lad dod) lad( sold lad }
2145     \tt { sol lab) sol( lab sol }
2146     \tt { fa sol sib lab sol) } |
2147     \tt { fa--( sol lab sol fa) }
2148     \tt { re( fa re do si) }
2149     \tt { lab( sol si) do( mib } |
2150     \tt { mi sol) red( mi sol }
2151     \tt { si) lad( re sold, fad }
2152     \tt { re'--) fa,( sold si dod } |
2153     \tt { re--) mib,( sol sib dod }
2154     \tt { re--) do,( fa sol la }
2155     \tt { re--) sib,( mib lab mi } |
2156     \tt { re'--) sol,( do, sib' mib,) }
2157     \tt { lab,( re sol red' sold) }
2158     \tt { la,( fad fa mi mib } |
2159     \tt { re--) sol,( la do re }
2160     \tt { mib) \ottava #0 re,(\< mib mi fa }
2161     \tt { fad) sol,( sold la do\! } |
2162
2163     %%% Contralto %%%
2164     <re, re'>4->) r | R2*11 R2. R2*6 \clef bass |
2165     s2.*4 \clef treble |
2166
2167     %%% Grand ensemble %%%
2168     r2 r8 <la sold'>4.\pp <sold la'> <la sold'>8~ <la sold'>2 |
2169
2170     %%%%% FIXME
2171     %%%%% something's blowing my mind here.
2172
2173     %<la'!>1*1/8\arpeggio \laissezVibrer % WTF???
2174
2175     <la'>1*1/8\arpeggio \laissezVibrer
2176     sib'8( \t {si'4 do,8)~} do2\laissezVibrer
2177     R1*3
2178     r4 \ind #"clair" <dod,, lad'>4.-- <do sol'>-- |
2179     <si lad'>2-- r8 <fa' la>4( lad8 |
2180     <mi si'>4) r r2 | R1*3
2181     r4 \t {sold8( \mg la,) \md sold'}
2182     \t {la( \mg sold,) \md la'} \t {sib( \mg sol,) \md sib'} |
2183     si-.( \mg fad,-.)
2184     \md \cmb #"p" #"scherzando" <sold'' do>( <la dod>) \mg
2185     <sold, do>( <la dod>) \md <sold' do>( <la dod>) |
2186     <mi' sold>4-. r r <mib sol>8-. <mib sol>-. |
2187     <mi sold>4-. r r2 | R1
2188     mid,8(\mp fad) <dod' mid>( <re fad>)
2189     <dod, mid>( <re fad>) <dod' mid>( <re fad>) |
2190     <mid, sold>( <fad la>) <mid' sold>( <fad la>)
2191     <mid, sold>( <fad la>) <mid' sold>( <fad la>)|
2192     <dod, mid>( <re fad>) <dod' mid>( <re fad>)
2193     <dod, mid>( <re fad>) <dod' mid>( <re fad>) |
2194     <mid, sold>( <fad la>) <mid' sold>( <fad la>)
2195     <mid, sold>( <fad la>) <mid' sold>( <fad la>) |
2196     <la, sold'>(\mpsempre <sold la'> <sold la'> <la sold'>)
2197     <la sold'>( <sold la'> <sold la'> <la sold'>) |
2198     <la sold'>( <sold la'> <sold la'> <la sold'>)
2199     <la sold'>( <sold la'> <sold la'> <la sold'>) |
2200     <la sold'> \ottava #1 <la' sold'>->\mp <la sold'>-> <la sold'>->
2201     <la sold'>-> <la sold'>-> <la sold'>-> <la sold'>-> |
2202     <la sold'>-> \ottava #0 r r2 |
2203
2204     s2 \t { <sol,,, do mib>8 <re'' fa dod'> <sib, fad' la>} |
2205     \ottava #1
2206     \cmb #"f" #"sonore" <lad'' dod sold'>16-> <la, mi sol> <lad' dod sold'>-> <la, mi sol>
2207     <do' fad la>-> <sold, si fa'> re' <sold, si fa'>
2208     <re'' mi fa sol>-- <sib, do red> <re' mi fa sol>-- <dod, red fad> |
2209     <sid' red sold>-> <la, re fa> <sid' red sold>-> <la, re fa>
2210     <dod' fad la>->\> <sold, si mi> sol' <sold, si mi>
2211     \ottava #0
2212     <sold' lad si dod> <mi, fad la> <sold' lad si dod> <sol, la do> |
2213     <fad' la re>-> <red, sold si> <fad' la re>-> <red, sold si>
2214     <sol' do mib>->\mp <re, fa sib> dod' <re, fa sib>
2215     <re' mi fa sol> <sib, do red> <re' mi fa sol> <dod, red fad> |
2216     <do' mib lab>-> <la, re fa> <do' mib lab>-> <la, re fa>
2217     <dod' fad la>->\p\> <sold, si mi> <la' re mib> <sold, si mi>
2218     <re' sold>--( re <re sold>-- re |
2219     <re  sold>8--)\! r r4 | R2*2
2220
2221     %%% Andante al fine %%%
2222     R2.*4
2223     mi2--\p\laissezVibrer s4 s2. R2.*3
2224     r8 do\p\>( si'4. la'8 fad'2)\!\laissezVibrer s4 s2. R2.*5
2225     <do,, si'>2--\laissezVibrer s4 s2. R2.*15
2226     r2 <mi mi'>8-.\mp <mi mi'>-. <mi mi'>4-- r2 |
2227     r4 <mi mi'>8-. <mi mi'>-. \t {<mi mi'>-. <mi mi'>-.<mi mi'>-.} |
2228     <mi mi'>4-- r2 |
2229     r8 r16 \mg \stemUp la, \stemNeutral \md
2230     \tt {sib([ fa'] do'[ dod sold']} \ottava #1
2231     <mi' la red mi>4--)\sffz \ottava #0
2232     r8 <mi, mi'>\ff\< \t {<mi mi'> <mi mi'> <mi mi'>}
2233     \tt {<mi mi'>16 <mi mi'> <mi mi'> <mi mi'> <mi mi'>\!}
2234   }
2235   \relative {
2236     %%% Larghetto %%%
2237     R4.*27
2238     \pl <fa,, do'>4.--\pp\laissezVibrer  la'--\laissezVibrer R4.
2239     <la, mi'>4.--\laissezVibrer
2240     \ottava #-1
2241     dod,,16-.(\p dod'-. \md dod'8-.) r \mg |
2242     re,-. \md re'-.-> r \mg |
2243     dod,,16-.( dod'-. \md dod'8-.) r \mg |
2244     re,-. \md re'-.-> r \mg |
2245     fad,,16-.( fad'-. \md fad'8-.) r \mg | R4.*2
2246     dod,,16-.(\p dod'-. \md dod'8-.) r \mg |
2247     re,-> \md re'->-. r \mg |
2248     dod,,16-.( dod'-. \md dod'8-.) r \mg | R4.*2
2249     dod,,16-.( dod'-. \md dod'8-.) r \mg |
2250     sol,-. \md sol'-.-> r \mg |
2251     dod,,16-.( dod'-. \md dod'8-.) r \mg |
2252     sol,16---. \md sol' \mg fa,---. \md fa'
2253     \mg lab,---. \md lab' \mg |
2254     mi,8-- r4 | R4.
2255     mi16---. \md mi' \mg re,---. \md re'
2256     \mg fa,---. \md fa' \mg |
2257     dod,16-.\p( dod'-. \md dod'8-.) r \mg |
2258     dod,,-. dod'-. \md dod'-- \mg |
2259     \ottava #0
2260     \stdet {<re, sib'>8 <re sib'> |
2261     <re sib'> <re sib'> |
2262     <re sib'> <re sib'> |
2263     <re sib'> <re sib'> |
2264     <re sib'> <re sib'> |
2265     <re sib'> <re sib'> |
2266     <re sib'> <re sib'> |
2267     <dod sold'> <dod sold'> |
2268     <dod sold'> <dod sold'> |
2269     <dod sold'> <dod sold'> |
2270     <dod sold'> <dod sold'> |}
2271     \ottava #-1 dod,16-.\p dod'-. \md dod'8-. \mg |
2272     \stdet {<dod, sold'> <dod sold'> |
2273     <dod sold'> <dod sold'>} |
2274     \ottava #-1
2275     si,16-.\mp si'-. \md si'8*1/2-. \mg s16 |
2276     r8 si,,16-. si'-.
2277     \ottava #0 R4 |
2278     \stdet {<si sold'>8 <si sold'> |
2279     <si sold'> <si sold'> |
2280     <si sold'> <si sold'> |
2281     <si sold'> <si sold'> |
2282     <sib fa'> <sib fa'> |
2283     <sib fa'> <sib fa'> |
2284     <sib fa'> <sib fa'> | R4
2285     <sib mi la>8 <sib mi la> |
2286     <sib mi la> <sib mi la> |
2287     <sib mi la> <sib mi la> r |
2288     <sib mib la>\> <sib mib la> |
2289     <sib mib la> <sib mib la> |
2290     <sib mib la> <sib mib la>\!} | R4*4
2291
2292     \ottava #-1
2293     sold16-.\p( sold'-. \md sold'8-.) r \mg |
2294     re,,-. \md <re' re'>->-. r \mg |
2295     sold,16-.( sold'-. \md sold'8-.) r \mg |
2296     re,,-. \md <re' re'>-.-> r \mg |
2297     sold,16-.( sold'-. \md sold'8-.) r \mg |
2298     sold,,16( sold') r4 | R4.
2299     fad,16-.(\mp fad'-. \md fad'8-.) r \mg |
2300     do,,-. \md <do' do'>-.-> r \mg |
2301     fad,16-.( fad'-. \md fad'8-.) r \mg |
2302     do,,-. \md <do' do'>-.-> r \mg |
2303     fad,16-.( fad'-. \md fad'8-.) r \mg |
2304     fa,,16-.( fa'-. \md fa'8-.) r \mg |
2305     mi,,16-.( mi'-.) \md <sol mi'>8-.-- r \mg |
2306     \ottava #0
2307     <mib, mib'>4--\mp\laissezVibrer s4*2 R4*4
2308     \st {<re' sib'>8 <re sib'> |
2309     <re sib'> <re sib'> |
2310     <dod sold'>-> r R4 |
2311     <re sib'>8 <re sib'> |
2312     <dod sold'>-> r R4 |
2313     <mib sib'>8 <re sib'> <dod sold'>->} r R4*3 |
2314     <do sol' re'>4--\arpeggio \laissezVibrer s4 R4*3
2315     r8 <si sol'>-. r <si sol'>-. |
2316     r <si sol'>-. r <si sol'>-. |
2317     R2.-\fermataMarkup R2.*2
2318     r8 \st {sib' <si! sib'> lab <la sold'> r R2.
2319     r8 sib <si! sib'> lab <la sold'> r R2.
2320
2321     %%% Interlude %%%
2322     r8 sib <si! sib'> r |
2323     dod <re dod'> r mi} |
2324     fa2\laissezVibrer s
2325     r4 <do, si'>8.\ppp <si do'>16~ | <si do'>2
2326     \ind #"con Ped." si8 sib' r4 |
2327     <fa mi'>4. <mi fa'>8~ <mi fa'>4. <do si'>8~|
2328     <do si'>16 si do'( \md fa) \mg r4 r16 mib,8.--|
2329     \pl <solb fa'>2-- {s4 \t {reb''16( solb, fa)~} fa8 } |
2330     solb,4-- r16 <do, si'>8.--\pp\laissezVibrer |
2331     r4 \md fa'''16-.( solb,-. \mg fa-.) solb,--~ |
2332     solb8 <solb, fa'>4.-- |
2333     r16 <do si'>8.~ <do si'>8 <si do'>~ |
2334     <si do'>16 do( si') solb fa( do reb,8)~ |
2335     reb4 r16 \pl {reb~ reb4} {<do' si'>16~ <do si'>4} |
2336     <sol, sol'>4--\laissezVibrer r4 |
2337     R2*2 \pl sol'!4-- \t {sold'8( fad mi)} <mi, red'>4-- R2*2 |
2338     r4 <mi red' sol>--( <sol do fad>--) r r <sol fad' sib>--(\arpeggio |
2339     <sib mib la>--) r R2*3
2340     <sol sol'>8.\f <sib, sib'>16~ <sib sib'> <dod dod'>8. |
2341     <mi, mi'>2---> | <dod' dod'>4 <mi, mi'>--->~ |
2342     <mi mi'>8. sib''16-. <dod, dod'>8-- r4 |
2343
2344     %%% Quatuor %%%
2345     <sol'' sol'>8-- r r4 R4. R2 R4. R2 R4.*2
2346     R2.-\fermataMarkup R2.*6 R2*2 R2.
2347
2348     %%% Air baryton 1 %%%
2349     <do,,, do'>2--\ppp\laissezVibrer do'-- fad,2--\laissezVibrer r4 |
2350     <do do'>2--\laissezVibrer do'-- fad,2--\laissezVibrer r4 |
2351     <do do'>2--\laissezVibrer do'-- sol2--\laissezVibrer r4 |
2352     \ottava #-1
2353     do,2--~ do |
2354     do4--\pp \md r8 do' \t {do--( do-- do--)} \mg <sol sol'>2-- |
2355     dod16 \md dod' \t {dod( dod dod)} dod8-- \mg |
2356     <sol, sol'>2-- |
2357     mi'16\p( \md mi') \t {mi( mi mi)} mi8-- | <do, do'>8--\mg
2358     <do, do'>~\t {<do do'>(-- do'-- do--)} |
2359     <do, do'>2-- | do4--( do-- do--) |
2360     dod16-.( dod'-. \md dod'8-.) \mg dod,16-.( \md dod'-. dod'8-.) \mg |
2361     dod,,,16( dod') r8 r4 | r2 dod,4-- |
2362     re1->--\mf re2-- re4--~ re8 re---. \t {re-.-- re---. re---.}\ottava #0 |
2363
2364     %%% Doppio tempo %%%
2365     re'4-> r | R2*6 R2.*7 R2 R2.
2366     <fa, fa'>2--(~ <fa fa'>4 r lab--) |
2367     <fa fa'>2--( r4 lab2--) | <fa fa'>2-- |
2368     \ottava #-1 fa4\mp~ fa8 fa \t {fa fa fa} |
2369     fa2--~ fa4 r8 fa4 fa8~ \t {fa fa fa} fa4-- |
2370     r8 fa4 fa8~ \t {fa fa fa} |
2371     fa4-- r \ottava #0 R2. |
2372     <re' re'>4--\mf r r4 s8 | <re' re'>2->--\laissezVibrer r4 s |
2373     <re, re'>4-- r r4 s8 | <re' re'>2->--\laissezVibrer r4 s |
2374     <re, re'>4-- <re re'>->--~ <re re'>8 <re re'>--
2375     \t {<re re'>--(\< <re re'>-- <re re'>--)} |
2376     lab'4->--\! r8 r4 \stemDown lab'8 \stemNeutral |
2377     <lab,, lab'>4-- r8 re4-> lab8-. | re2.->-- r4 |
2378
2379     %%% Soprano 2 %%%
2380     R2. R1 R2. R1 R2. R1 R2.
2381     R1 R2. R1 R2. R1 R2. R1
2382     R2. R1 R2. R1 R2. R1 R2. R1
2383     R2. R1 R2. R1 R2. R1 R2.
2384     R1 R2. R1 R2. R1 R2. R1
2385     R2. R1 R2. R1 R2. R1 R2. R1
2386     R2. R1 R2. R1 R2. R1 R2.
2387     R1 R2. R1 R2. R1 R2. \clef treble |
2388
2389     %%% Duo %%%
2390     \ind #"scherzando" <mi'' sold>8( <fa la>) r4
2391     <mi sold>8( <fa la>) r4 |
2392     <mi sold>8( <fa la>) r4 s2 |
2393     <mid sold>8( <fad la>) r4
2394     <mid sold>8( <fad la>) r4 |
2395     <do' mib>8( <re fad>)
2396     <mib sold>-. \md <re' fad>-. \mg
2397     <mib, sold>-. \md <mib' sold>-. \mg
2398     <sold, la>-. \md <sold' la>-. \mg |
2399     la,,8( sold) la'( sold) la,( sold) la'( sold) |
2400     r4 la,---. r <sold, la'>---. \clef bass R2*3
2401
2402     %%% Baryton 2 %%%
2403     re,4-- re-- re-- \t {re8(\mp \< \md mi sol} la16 sib do mib fa solb lab si\!) \mg |
2404     re,,4-- re-- re-- re16(\< \md mib fa lab sib si dod mi \t {fad8 sol la)\!} \mg |
2405     re,,4-- re-- re-- re16(\pleggiero fa sol sold) lad( dod red mi) fad( \md la si do) \mg |
2406     re,( mi fa sol) sib( \md do reb mib) fad( sold la si) \mg |
2407     r4 <re,,, re'>2->--\< | <dod dod'>2--->\!\laissezVibrer s4 R2.*2 R4.
2408     re4-- re-- re-- re8-. sib''-. lab-. si-. sol4-- |
2409     r8 re-. mi-. dod-. fa4-- |
2410     re,8-. r r re-. r4 |
2411     re8-. r r re-. r4 |
2412     re8-. r r4 sold8-. r |
2413     r4 sold,8-. r r4 |
2414     <re' re'>4->-- re->-- re->-- re->-- r2 |
2415     re4->-- re->-- re->-- re->-- r2 |
2416
2417     %%% Boum %%%
2418     <si fad' lad>4--\sffz r2 | R2.*2
2419     sold2\p\laissezVibrer s4 s2. |
2420     mi'2\laissezVibrer s4 s2. |
2421     do2\laissezVibrer s4 s2. |
2422     si2\laissezVibrer s4 s2. |
2423     fa2\laissezVibrer s4 s2. |
2424     sold2\laissezVibrer s4 s2. |
2425
2426     %%% Contralto %%%
2427     <re' re'>4-> r | R2*11 R2. R2*6
2428     \ottava #-1
2429     dod,8-.(\p dod'-. \md dod'4-.) r \mg |
2430     sol,4-. \md sol'->-. r |
2431     dod,,8-.( dod'-. \md dod'4-.) r \mg |
2432     sol,4-. \md sol'->-. r \mg \ottava #0 |
2433
2434     %%% Grand ensemble %%%
2435     <reb do'>2.\pp <do reb'>4~ <do reb'> <reb do'>2. |
2436     <sol, sol' lab'>1\arpeggio \laissezVibrer
2437     r2 \pl {r4 reb'\p~ reb2 sol,~ sol sold-- <mi mi'>1--\mp}
2438     { <reb'' do'>2--\> r8 <do reb'>4.\!~ <do reb'>2\laissezVibrer
2439     s1 r8 red4.-- r8 re4.--}
2440     <mi, dod'>2-- r8 <re' sib'>4.(~ |
2441     <re la'>4) r r2 | R1*3
2442     sib1*1/4--\laissezVibrer s4 s2 \clef treble | s1
2443     <red'' la'>4-. r r <mi sib'>8-. <mi sib'>-. |
2444     <red la'>4-. r r2 | R1 \clef bass
2445     re,,,1--\laissezVibrer s s s2 <re re'>2--\f~ |
2446     <re re'>4 r8 <re re'>--~ <re re'>2 |
2447     r4 <re re'>2.--
2448     r8 <re re'>4.--~ <re re'>2 R2.
2449
2450     %%% Chute %%%
2451     \t {<re, do' re>8--\mf\< \ottava #0 \md <do''' mib lab> \mg
2452     <si, mi sol> } \t { \md <dod' fad la> \mg <fa, sib> \md
2453     <sold' si mi>\! \mg } s4 | R2.*4 R2*3
2454
2455     %%% Andante al fine %%%
2456     R2.*21 <fa,, mi'>4.(\ppp <mi fa'>)\laissezVibrer s2.
2457     <fa mi'>2( <mi fa'>4)\laissezVibrer s2.R2.*9
2458     r2 mi'8-. mi-. mi4-- r2 |
2459     r4 mi8-. mi-. \t {mi-. mi-. mi-.} mi4-- r2
2460     r16 sol,\< re' s r4 \clef treble <mi'' la>4--\sffz \clef bass |
2461     r8 \ind #"ample" <mi,,, mi'> \t {<mi mi'> <mi mi'> <mi mi'>}
2462     \tt {<mi mi'>16 <mi mi'> <mi mi'> <mi mi'> <mi mi'>}
2463   }
2464 }