1178217e5b366918a0561794abd7f4ec10809966
[opera_libre.git] / instruments / saxophone2.ly
blob1178217e5b366918a0561794abd7f4ec10809966
1 %------------------------------------------------------------------%
2 % Opéra Libre -- saxophone2.ly %
3 % %
4 % (c) Valentin Villenave, 2008 %
5 % %
6 %------------------------------------------------------------------%
8 \include "italiano.ly"
10 SaxAltoDeux = {
11 #(make-instrument-name 'saxophone-two "alto sax" 25)
12 \clef treble
13 \revert Staff.InstrumentName #'stencil
16 SaxophoneBaryton = {
17 #(make-instrument-name 'saxophone-baritone "baritone sax" 25)
18 \clef bass
19 \revert Staff.InstrumentName #'stencil
22 PrologueSaxophoneDeux = { \SaxophoneBaryton
23 \relative {
25 %%% Introduction %%%
26 \partial 4 r4 R2.*3 R1
27 \ten mi,,2~\fp mi4 r | mi4~\p \tt {mi32( fa mi mi' fa)} mi'8~ mi4~ |
28 mi2~ mi4 r | mi,,2--\p r4 |
29 R2*2 \ten mi2.~ | mi2~ mi4 r |
30 mi2.( | mi'2) \t {sol4\<( sib do8) r} |
32 %%% Entrée du baryton 2 %%%
33 re,8.->\f dod16~-> dod8 mi-> r4 | R2*2 | reb,2--\p r4 | R2
34 la'4--\mp\< si-- fa'8->\! sol~-> |
35 \ten sol2~\p sol2.~ sol8 r r4 | R2. R2 |
36 sib,2~--\pp sib4 r \t {lab8(\fsubito fa mib} |
38 %%% Tempo giusto %%%
39 re8->\f) r r4 | R2*2 re4\p( mib fa lab sib si8) r |
40 \t {reb4\p( mi fad} \t {sol\< la do} |
41 re4\f) r2 lab,2.--\mp( re4--) r2 solb2.\p mib do |
42 r2 lab'8-> r r4 do8-> r r4 | re,,2\f re'4~-- re mib2-- |
43 reb2.---> r4 | R2*2 R2-\fermataMarkup
45 %%% Solo ténor %%%
46 R1*2 R2. R1 R2. R1
47 R2*4 R2.*11 R4.*15
48 mi,?8-.\pp r4 sol?8-. r4 |
49 mi8-. r4 sol8-. r4 |
50 mib8-. r4 solb8-. r4 |
51 mib8-. r4 solb8-. r4 |
52 mi8-. r4 mi8-. r4 |
53 re8-. r4 re?8-. r4 |
54 \ten do'4.~\pp do~ do~ do8 r4 |
55 do4.~ do~ do~ do8 r4 |
56 do4.~ do~ do4 r8 |
57 r r16 re'\mp\< \t {re re lab} |
59 %%% A tempo %%%
60 re,8\sfz r4 | lab4.--\p( re8) r4 | re4.~\p( re4.) |
61 \ten lab4.~\mf lab~ lab4 r8 | re,8-> r4 | R4.*2
62 r8 mib\mp( re) \ten fa4.~ fa~ fa4 r8 | R4.*4
63 r8 mi''\<( re | fa4.\f) R4. | r8 dod\<( si mi4\!) r8 |
64 R4.*2 fa,,4.~\p fa8 r4 fa'4--\mf r8 R4.
65 \t {mi16\>( fa fad} sol8) r |
66 R4. solb,8\pp( lab la |
67 si re mi fa\< sol sib do reb |
68 re4--\f) r re,,-- | fa-- r2 | R2. |
70 %%% Adagio %%%
71 R1*3 \ten \ind #"détimbré" sib1~\pp sib1.~ sib4 r r1 |
72 R1*2 \simile \ten sib1~ sib1.~ sib4 r r1 |
73 R1*2 sib2\pp r4 |
75 %%% Valse %%%
76 sol2 r4 | R2.*2
77 r4 \ind #"détimbré" si'2-- r4 la2-- | r4 solb2-- r4 solb-- r mi-- |
78 sol,2.~\pp sol4 r | R2.*2 R1*2
79 r2 lab4\mp( sol'2) r4 |
80 r si,2( mi2) r4 | r2 re4( la'2\> | sol\!) |
81 \ordin \ten do,1~\f do2 lab4-- |
83 %%% Vivo al fine %%%
84 re,4---> r | R2*3
85 \ten re'2~\p re~ re8 re->\mf\< re-> re-> re->\! r r4 |
86 R2*22 r4 mi,8->\pp r |
90 OuvertureSaxophoneDeux = { \SaxAltoDeux
91 \relative {
92 R2. r2 \tt { sib16 si solb' sol re'} |
93 mi,4 la,16 la sold8 r16 re \t {la' la lab} |
94 sib4
98 ActeUnSceneUnSaxophoneDeux = { \SaxAltoDeux
99 \relative {
100 R2*2 R2. R2*2 R2.
101 R2*2 R2. R2*2 R2.
102 R2*2 R2. R2*2 R2.
103 fa,2~\pp fa8 r16 r32 fa'\mf( sol4) |
104 fa,2.~\pp fa4 r sol'16\mf\>( sib reb8~\!) reb16 sib( sol fa) |
105 fa\>( mi4..\p) r4 |
106 reb,1~\p reb8 do'16\mp( re fa4.) r8 |
107 reb,4--\p r8 sib''16\mf( sol~) \t {sol do( sib} do8~) do r |
108 \t {reb4--( sib8~--} \t {sib fa4--)} sol~\< |
109 \ten sol2~\mf sol8 r r sol,~\mp( | sol sib4.) r4 | sol8( sib~) sib2 r4 |
110 sol8 sib~ sib4 \t {fa8(\< sib re} |
111 do4--\f) r2 | R2.*2
112 \ten solb2.~\pp solb~ solb~ solb4 r \t {solb8\<( la sol} |
113 \ten do1~\f) do2 r4 |
115 %%% Ad libitum %%%
116 R1 R2.*2 R1 R2.*2
118 %%% Agitato %%%
119 \ten re,1~\mf re2 r R1 |
120 re4\sfz r r2 | R1 r2 re4\sfz r |
121 r re\sfz r1 | R1*2 r4 re\sfz r1 | R1*3
122 r4 re\sfz r1 | R1*2 R1.
123 r8 mib-.\mp mib8.( si'16) lab2 r |
124 r4 \t {si8\mf\<( lab) si} mi4\! \t {lab8\<( mib lab} si2\!) |
125 r4 si,2--\mp r4 | r sib'2-- r4 r2 |
126 mi,,!1--\f r2 | R1.*2 |
128 %%% Allegro non troppo %%%
129 R1 R2. R1*5
130 R2. R1 R2. R1 R2. R1
131 sol2--\f r4 r2 \t {reb'4--\> sib-- lab--} |
132 sol2.--\! r4 | R1 sol2.--\p r4 | R1 sol2-- r4 |
133 R2.*2 R1*8
135 %%% Moderato %%%
136 R2.*2 R1 R2. R1
137 R2. R1
138 \ten mib2.~\pp mib2 r | \ten fa2.~ fa2 r | mib4-- fa2-- |
139 mib8.( fa16~) fa2. | solb8.\p( lab16~) lab2 |
140 solb4 lab2. | mib8.--\mp fa16~-- fa8 solb~-- solb16 lab8.~ |
141 lab8 solb-- fa-- mib-- | sib'8-> r r2 | R1
142 R2*4
144 %%% Allegro marcato %%%
145 r4 mib,8.--\mp\< mib16 solb4.\! r8 |
146 r4 mib8.--\< mib16 solb4\!( re8) r |
147 R1*2 dod4->\mf( re8-- mi-- sol!4--) r |
148 r4 mi8.\mp\< mi16 sol4.\! r8 |
149 r4 mi8.\< mi16 sol4\!( mib8) r | R1*2
150 r2 r4 fa---.\pp mi2--( fa8) r fa4---. |
151 mi2--( fa8) r r4 | R1
152 r2 r4 fa---. | mi2--( fa8) r fa4---. | mi2--( fa8) r r4 | R1*2
153 r2 r4 sib8-.\pp r | \st {lab( r fa r mib)} r re' r |
154 \st {do( r la r sol) r r4 |
155 fad8( r mi r dod)} r r4 | R1
157 %%% Agitato %%%
158 re2.\mf r4 | r re-- r re-- R1 |
159 r4 re2.--( re8-.) r r4 r2 | R1*6
160 do'8-.->\sfz r r4 r1 | R1*3 R2.
161 \st {si'8\p fa si fa la mi la mi |
162 dod fad dod sold dod fad dod->} r | R2 r1*4
166 ActeUnSceneUnBisSaxophoneDeux = { \SaxAltoDeux
167 \relative {
168 R2.*7
169 re4->\f r r2 | r4 mib,2\p\<(
170 re4\!) r r2 | r4 lab'2\p\<(
171 sol8->\f) r do'2---> | fa,---> sib,4~---> |sib lab2---> | R2.*2
172 \ten sib2.~---> sib4.\pp r8\fermata r4 | R2.
173 \ten sib2.~\pp sib2~ sib8 r\fermata r4 | R1 R2
175 %%% Largo %%%
176 R2*3 R2. R2 R2. R2 R2.*2
177 r2 r4 si-.\p | sib2-- r4 si-. | sib2-- r4
178 r sol\mp\<( solb fa\!) r2 |
179 R2.*2 R2*2
180 r2 r8 la-.\p | lab4-- r8 la-. | lab2-- |
181 r8 sib->\mf r4 | r8 la-> mi'-> r r4 |
182 r2 r8 lab,->( fa'-> mi->) |
183 R2. R2*3 R2.*3
185 %%% Adagio %%%
186 R1*33
187 R2*4
191 InterludeUnSaxophoneDeux = { \SaxAltoDeux
192 \relative {
193 R1. R1*3 R1. R1 R1.
194 mi32\mp( fa8..~) fa4 r mi8( fa~ fa4) \tt {re16( mi fa la sold} |
195 si4.) r8 \t {fa16( re mi} si8~) \ten si4~ si r r2 |
196 R1. r2 \t {r8 la'\mf( sold} si4~) si4. r8 |
197 r2 r4 \t {mi,4( fa8~)} | fa16 mi32( fa mi8~ mi4) r |
198 R2 R2.
199 sold4\mp( mi8) r sold4( mi8) r |
200 sold4( mi8) r sold4( mi8) r |
201 sold4( mi8) r sold4( mi8) r sold4( mi8) r |
202 sold4( mi8) r sold4( mi8) r |
203 sold4( mi8) r sold4( mi8) r |
204 \tt {mi16\mf( fa sol\< do sib} do2.\!) r2 |
205 \tt {mi,16 fa sol8 do16} sib4 \ttt {mib16 reb sib fa8 sol16} mi8 r |
206 fad,2.\f\> sol2\pp r4 | R2.*15
210 ActeUnSceneDeuxSaxophoneDeux = { \SaxAltoDeux
211 \relative {
212 %%% Air de la Soprano2 %%%
214 \repeat unfold 9 { R2.*2 R1*2} R2.*2 |
215 re'8\mf( mib re sib) lab( sib) re4-- | re8( mib re sib) lab( sib re mib) |
216 lab,( sib re mib) lab,( sib | re mib) r2 |
217 lab,8\mf( sib lab fa) lab( sib re mib) | re\>( sib lab fa) re( fa re do) |
218 lab4--\! r sol8( lab | do re) do( lab) do4-- | \ten re,1~\ppp| re2. r4 |
219 \repeat unfold 8 {R2.*2 R1*2}
220 R2.*2 R1 R1-\fermataMarkup |
222 %%% Récitatif %%%
224 R2.*2-\markup "Prenez le Sax. Baryton" \SaxophoneBaryton
225 R1 R2.*3 R1 R2.*4
226 \repeat tremolo 12 {si'32\p\< do} |
227 si8\sfz r r2 R2 R2. R1*2 R2.*5 R1 |
229 %%% Duo %%%
231 re,4---.\p re---. \simile re \repeat unfold 14 re
232 \ind #"senza cresc." reb \repeat unfold 6 reb
233 \repeat unfold 4 si
234 \repeat unfold 4 sib r
235 sol4->\mf lab8-> sib-> | reb4---> reb-- lab-- | \simile reb lab fa lab | reb lab fa reb |
236 reb' r8 lab r4 | \ten mi2.~\p| mi r4 | mi'1\mp\<( | dod2.~\!) dod~ dod4 r2 r2 r8 si'4.--\fsubito |
238 %%% Piu vivo %%%
239 sol,4\sfz r2 | R1-\markup "Prenez le Sax. Alto" \SaxAltoDeux R2.*2 R1
240 r4 la''--\mf fad-- | la8-> mib~-> mib4 r2|
241 r4 la-- fad-- |sol8-> mi~-> mi4 r2|
242 r4 la-- sol-- |mi'8-> si~-> si4 r | R2.
243 r4 si-- la-- |mi'8-> si~-> si4 r |
244 r si la | si8\< re~\! re4 r |
245 R2.*2 r16 la-.->\mp r8 r2 |
246 R2.*2 r4 r16 sold-> r8 r4 |
248 %%% Poco allargando %%%
249 \t {fa,4--\f( fa-- fa--)}
250 \t {fad--( fad-- fad--)}
251 \t {sol--( sol-- sol--)}
252 re'2-> | R1
253 %%% Tempo giusto %%%
254 R1*5 R2. R1*2 R2. R2
255 \ten sold,2~\mp sold | sold2.~ sold8 r r2 |
256 fa4.--\mf fa8( la) fa r fa( si) la r fa( la) fa r fa( |
257 si) re( mi) si( fad4--) r8 re'\f( mi) la, r re( mi) si'(|
258 sold-.) r r2 |
259 R1 R2.*3 R2 R2. R1*4
263 InterludeDeuxSaxophoneDeux = { \SaxophoneBaryton
264 \relative {
265 R1 R2. R2 R2. R2 R2. R2
266 R2*14
267 la,2.--\pp r4 | la2.-- r4 la2.-- r4 R1 R2.
268 fa2.-- r4 fa2 r4 | R2. reb2--\pp r R2. reb4-- r |
272 ActeUnSceneTroisSaxophoneDeux = { \SaxophoneBaryton
273 \relative {
274 R2.*4 sol8-.\mp mi4-- sol8-. mi4-- r r8 mi4-> dod8-. si2.~--\< si8\! r r2 |
275 R2.*8 r2 \t {mi'8-.\f mi-. mi-.} mi4-- sol-- la8-> mi~-> mi4 r2 |
276 R2.*5
278 %%% Lamento %%%
279 R1.*6 R1*5/4 reb,2\pp\>( do4\!) r2 |
280 reb\>( do4\!) r2 |
281 \simile reb do4 r2 |
282 re reb4 r2 |
283 sol2\p( fad4) r |
284 sol2( fad4) r |
285 sol2( fad4) r |
286 red2\>( mi4\!) r |
287 reb4.\mp reb,4 reb'8~ reb4\< sib'\! do,\<( reb,4.\mf) r8 r4 | R2*2
289 %%% Tempo I %%%
290 R2.*7 \ten mi2.~\fp mi mi\< lab8\sfz r r2 | R2.*3
291 R1. r2 r4 sol2.\pp( lab mib') mi1.~\p mi2. r4 r2 | \ten do1.~--\mp do2.~ do8 r r4 |
292 \ten do1~\pp do4 r2 | r4 si-- |
296 ActeUnSceneTroisBisSaxophoneDeux = { \SaxophoneBaryton
297 \relative {
298 R1*2 \ind #"détimbré" mi,1\pp R1 r2 \ten lab,~ lab1 R1 r2 fa~ fa r |
299 \ten solb1~\pp solb~ solb2. r4 | R1*2 |
300 solb1~ solb~ solb2. r4 | R1*5
301 r4 \st {re'16\p lab' fa sib reb8 r re,16 lab' fa sib |
302 reb8 fa,16 sib reb8 fa,16 sib} reb8 fa,16\< sib reb fa, re la |
303 solb4--\sf r r2 | R1
304 \ten si1\p~ si~ si2. r4 | R1*6 R2.
305 re,1~ re~ re2. r4 |
306 fa4\p( re8) r r2 fa4( re8) r r2 |
307 fa4( re8) r fa4( re8) r
308 fa4( re8) r \simile fa4 re8 r
309 fa4 re8 r fa4 re8 r
310 fa4 re8 r fa4 re8 r |
311 \ten solb1~\p solb2~ solb8 r \simile solb4~ solb1~ solb2. r4 solb1~ solb~ solb2. r4 |
312 R1*7
313 \ten solb1~\pp solb~ solb4 r r2 | R1*9
318 ActeUnSceneTroisTerSaxophoneDeux = { \SaxophoneBaryton
319 \relative {
320 R2*3 R2. R2*2 R2.*7 R1*6 R2.*19
321 r4 mib,2--\pp mib-- re4~-- re\> re\! r |
322 r mib2 mib-- re4~-- re\> re--\! r |
323 r sol2--\p sol-- fad4~-- fad\> fad--\! r |
324 r sol2-- sol-- fad4~-- fad\> fad--\! r |
325 r mib2--\p mib-- mib4~-- mib2 r4 |
326 r mib2--\mp\< sol-- si4~--\mf si r2 |
327 R2.*3 R1
328 r4 si,2--\pp si-- si4~-- si2 r4 |
329 r si2-- si si4~-- si2 r4 |
330 r sol'2--\p sol--\> fad4~--\! fad r2|
331 r4 sol2-- sol--\> fad4~\! fad r2 |
332 r4 mib2--\mp mib--\< re4~--\! re\> re--\! r |
333 r re'2-- sol-- fad4~-- fad sol\<( fad\!) |
334 r8 fad\mf( sol re mib sib si) fad'( sol re mib sib |
335 si4) r8 fad'\>( sol,4\!) | r8 re~--\p re4 r | R2.*15
339 InterludeTroisSaxophoneDeux = { \SaxophoneBaryton
340 \relative {
341 R1 R2. R1 R2. R1 R2.
342 si,8\p( lab) si( lab) si( lab) si---. do---. | si( lab) si( lab) si---. do16---. r |
343 \simile si8 lab si lab si lab si do | si lab si lab si do16 r |
344 reb8 sib reb sib reb mib | reb sib reb mi16 r |
345 reb8\mf sib reb sib reb mib | reb sib reb mi16 r |
346 fa8\f( re) fa( solb) si\<( lab) si( do\!) | R2*4
350 ActeUnSceneQuatreSaxophoneDeux = { \SaxophoneBaryton
351 \relative {
352 \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
353 R2-\fermataMarkup
354 R1 R2. R1*2 R1. R1*2 R1. R1*2
356 R2. r16 la-.\mp la--( la--) re4-.( do--) re8-.( la4.--) r4 | r16 la-.\mf la-. la-.
357 \acciaccatura dod16 re4-- \acciaccatura si16 do4--
358 \acciaccatura mib16 re8-.( la4.--) r4 | R2.*4
359 re,,4--->\mf r2 R2. re4---> r2 R2. re4---> r2 R2.*3
360 lab'4--\p lab-- lab-- \ten sib2~-- \tt {sib16 la( sol fa lab)} |
361 \ten mi2.~--\f mi4 r2 | r8 sib'-> r4 r8 sib-> |
362 mi,2---> r4 r8 sib'-> r4 r8 sib-> |
363 mi,2---> sib'8-. mi,~-> mi2 r4 R2.
364 reb8-> r r4 r2 | R2. R1 R2. R2 R2. R2 R2. |
365 \ten reb'2~--\p reb4 r2 | R1*5 R2 R2. R1
366 r2 \ten sib~\pp sib2. r4 | r2 sib~ sib2. r4 |
367 r2 lab~ lab2. r4 | r2 lab~ lab2. r4 |
368 r2 sib'4\mp( solb fa4. reb) |
369 r2 fa4\>( solb fa4. fa4\!) r8 |
370 dod,2->\mp( re4\> mi \ten sol1\!~) sol~ sol2. r4 | R1*3 R2*3 R2.*6
372 do4.--->\f si'8~\<( si16 re8. mi8\!) r |
373 do,4.---> re'8~\<( re16 mi8. fa8\!) r |
374 do,4---> do---> r8 fad,-.-> r4 R1
375 la8-.\mp lab-. reb,-. do'-. fa,-. mi'-. la,-.-> r r4 r2 |
376 r4 la8-.\p r sol-. r reb-. r si'-. r fa'-. r mib,-. r la-.-> r r2 |
377 R1 R2.
378 sol2.--\f r4 sol2-- r8 dod4.-- |
379 sol2-- r4 sol2-- r4 fa2-- r4 fa2.-- r4 r fa4.--\ff mib-- |
381 re2-- r4 | r8 re'-.->\f r | sold,2-- si4~-- si8 dod4-- |
382 re2-- | r8 re-. r | la4.-- sib8~-- sib8. do16~-- do4 |
383 mib2-- r8 mib-. r | si2~-- si8 do~-- do16 re8.-- |
384 fa,2~\p fa4 r8 r fa''4.~--\mp\< fa2 |
385 R2\! R4. r2 \ttt {re16\<( la solb) reb( sib fa)} |
387 re4->\f r r2 | \ten re1~\pp re2 r4 re-- |
388 \ten re1~ re2. r4 | r2 sol'\p( mi reb sib solb |
389 re4->) r r2 | R1*2
390 \st {re'4\p re re re R2 re4 re re R2. re4\pp re} R1 |
392 %%% Piu lento %%%
393 R2.*21
394 \st {la8\mp do sib mib fa lab, solb si reb mi re, sol |
395 la4 r r2 |
396 la8 solb lab mib reb sib' do sol fa re mi' si |
397 la4 r r2 |
398 la8 sol re' mi reb si solb lab fa mib sib' do |
399 la4} r la->\mp r R1.
400 do8\p( sib4) do8 \ten la2--~ la1.~la2. r4 |
401 \st {la8\p do sib mib fa lab, solb si reb mi re,4 |
402 la'8 sol re' mi reb si solb lab fa4 r |
403 la8 solb lab mib reb sib' do4 r8 re, r4 |
404 la'8 si mi re fa,4 do' reb, lab' |
405 la8\mp do sib mib reb si solb lab fa\< re mi' si |
406 la4->\mf r mib\sfz r | R1. R1 R1. sib'4\sfz r r2 |
407 la8\p solb lab mib reb sib' do sol fa re mi'4 |
408 la,8 si mi re, fa sol do sib reb4 r |
409 la8 do sib mib fa lab, solb4 r8 mi r4 |
410 la8 sol re' mi reb4 solb, fa sib |
411 la8 solb lab mib fa sol do sib reb mi re, sol |
412 la4-> r la\sfz r | r2 r4 la-> la-> } r | r2 re,4---> r |
416 EntracteSaxophoneDeux = { \SaxAltoDeux
417 \relative {
418 R2*7 mi4--\pp sold-- sol8-- r r4 |
420 %%% Vivo subito %%%
421 re4\sf r r2 R1*2
422 r2 r8 r16 sol,\<( do8.) sib16( |
423 \ten mib1~\mf) mib4. r8 r2 | R1*10
424 r4 re,--\p r re-- r re-- r2 | R1*7
425 r4 mib8.--\mp mib16 sol4-- r r la8-.\p la-. sold4-. r |
426 re1~\pp re4 r r2 | R1*3
427 r2 re8--\p r r4 R1 mi8 r r4 r2 R1*2
428 re'4\f re8 re re4 re8 re re4 re8 re re4 re8 re re4 re8 re re4 |
430 %%% Fugato %%%
431 re,4-> r r2 | R1-\markup "Prenez le Sax. Baryton" \SaxophoneBaryton R2.*2 R2
432 R1 R2.*2 R1
433 mi,2\p( sol8) r r4 | R2. lab2( si8) r |
434 R1 mi,2( sol8) r r4 | R2. si2.( fa4) r r2 |
435 R1 R2.*2 sol'1~ sol2. r4 | R2.*2
436 sold4--\mf re'-- la-- la-- |
438 %%% Stretto %%%
439 re,-- re,---> r re---> r re---> r re'---> | re,---> re'--\p re-- re-- |
440 reb-- reb-- si-- si-- sib-- sib-- sib-- sib-- |
441 lab2-- re-- mi( sol4) r |
442 r16 fa\mf fa8-> r4 r2 | r16 mi mi8-> r4 r mi8-. mi-. |
443 re4-. r r2 R1*3
445 %%% Noir %%%
446 R2.-\fermataMarkup R2.*4 R2 R2. R1 r4 r8 fa'?->\mf r4 R2
447 R1*4 mib,2( do4) r R1.*2 r2 mib( do4) r | R1. r2 mib-- |
448 R2.-\fermataMarkup R2.*8 R2.-\fermataMarkup
450 %%% poco più %%%
451 R2.*4 R2.-\fermataMarkup
453 %%% Andantino %%%
454 \ten la,1~--\p la4 r si1~-- si4 r do1~-- do4 r re2.-- r4 R2.
456 %%% Largo non troppo %%%
457 la1.\mp( si1~ si4) r |
458 do1.( re1~ re4) r |
459 la1. si1~ si4-- r |
460 do1. re1~ re4 r |
461 la2( la') la,-- si( si') r |
462 do,( do') do,-- dod( dod,) r |
463 re( re') re,-- sol( sol') r |
464 do,1-- do2-- \cresc re,1~\mp re4 r red1~ red4 r |
465 \ten mi1~--\f mi4 r mi2.-- r4 | R1 R2. mi8-.->\sffz r r4 |
469 ActeDeuxSceneUnSaxophoneDeux = { \SaxophoneBaryton
470 \relative {
471 R2.*4 R2 R2.*2 R2 \ten mi,2.~ mi2.~ mi2.~ mi4 r | R2. R2 R2.*2 R2 |
472 R2.*3 R2 | la4\mf( re,2~) | re4 r | mi4.( la,8~) la4~ | la2 r4 |
473 si2--\f | \ten mi,2.~-- | mi2.~ | mi2.~\> | mi4\! r |
475 %%% Entrée de la Soprano Deux %%%
476 R2.*2 R1 R2. fa'1\p mi2.~-- mi4 r mib2.~\pp mib4 r8 mi,4--\mp( fa-- sol8-. |
478 %%% Andantino %%%
479 \ten sib1~--) sib2. r4 R2.*4 R2
480 R2.*5 R1 R2. R2
481 solb4--\p reb'-- do8( lab) | solb2.-- r4 |
482 lab8( solb) reb'( do) r solb-. | do-- r r4 r2 |
483 solb8( lab) do4-- reb-- solb,8( reb') r4 r2 |
484 R2. R1 \ten solb,2.~\p solb2. r4 | R2. solb1~ solb2 r4 |
485 R1 R2. R1 R2. R1 R2. R1
486 solb2.~--\mf\> solb2.\! r4 |
488 %%% Entrée de la Contralto %%%
489 lab'2.~\pp lab2. r4 | R2. R1
490 R2. R1 R2. R1 R2. R1 R2.
491 R1 R2. R1 do,2.--\mp reb2--( mib) |
492 solb8-.\p r r2 | R1 R2. R1 R2. \ten fa2.~--\p fa4 r fa,--\mp |
493 sib2.--( si2) r4 sib2.--\mp si2\<( dod4) | mi2\! r4 R2.*2 R1 R2.
494 R1 re2\mp( mib4~ mib fa2.) | lab2.--( la2.) r4 | lab2.--( sol2.) r4 | R2. R1
495 re2.~\pp re1~ re4 r2 R2 sib2.--\pp r4 |
496 lab'\p( fa) r lab( fa) r2 lab4( fa) r lab fa lab-- la-- |
497 lab( fa) r lab( fa) r2 |
501 ActeDeuxSceneUnBisSaxophoneDeux = { \SaxAltoDeux
502 \relative {
503 R1 R2. R2
505 %%% Presto agitato %%%
506 R1*5/4*18
507 r8 sol'16\f( la sol4-.) r r2 |
508 R1*5/4*2
509 \accst {mib4 r2 mib4 r | mib r mib r2 | mib4 r r8 mib r2 |
510 fa,4\sfz} r1 | R1*5/4*7
511 r1 r8 si16\f( dod | si4-.) r1 | r8 re16( mi re4-.) r r2 |
512 R1*5/4 r4 r8 mi16( fa mi4-.) r2 | R1*5/4
513 \accst {reb,4 r2 reb4 r | reb r reb r2 | reb4 r r8 reb r2 | fa4\sfz} r1 |
514 R1*5/4 mi4->\sffz r1 | R1*5/4-\fermataMarkup
516 %%% Boum %%%
517 R1*5/4*13 mib2.\f( fa2 si fa2.) |
518 r4 mib2.( fa4~ fa2) lab2\<( si4 |
519 \ten mi1*5/4~\!) mi2. r2 |
520 r1 lab,4--( | sib2~--\< sib8 re~-- re2 |
521 reb'2--\!) r sib,4--( | mib2~--\< mib8 sol~--) sol2~|
522 sol4\>( fa2\!) r4 sol,~\mf\<( | sol2. si2~-- |
523 do2.--\!) r2 | reb2.--\f r2 | r4 reb2.--\mf r4 |
524 r2 \ten reb2.~--\mp reb4 r1 | R1*5/4*2
526 %%% Moderato assai %%%
527 R1*7/4*7-\markup "Prenez le Sax. Baryton" \SaxophoneBaryton
528 \ten fa,,2.~\pp fa4 r r2 | si2.~ si4 r |
529 mi,4---.\p r2 | red'4---. r2 | \simile mi,4 r2 | sol4 r2 |
530 mi4 r2 | fad4 r2 | sol4 r2 la4 r2 | do4 r2 |
531 fa,1--\pp r2 r4 | fa1\p( sol2.) fa( sol1) | R2.*7
532 sol1--\mp r2 r4 | R1*7/4*3
533 \repeat volta 2 { R1*7/4*3 } R1*7/4*2
535 %%% Presto subito %%%
536 mi''1--\f \ten fa,,2~-- fa1~ fa4 r |
537 \tt {re8->( fa) r4 r8} r4 fa2-- \t {mi8( fa sol)} |
538 sib2.---> r4 r2 | R1.
540 %%% Tempo giusto %%%
541 re,4-> r2 \det {re4\mp r fa |
542 re r2 re4 r2 | re4 r2 |
543 re4} r re8( fa | \det {mib'4) fa, mib' |
544 mi,4.} r8 | \st {fad'\p( si, mi,4) |
545 fad8( dod' sold'4) r |
546 fad,8( si mi4)} r |
547 sold,4-- r \st {sold8( red'} | \det {si'2) r4 |
548 fa4. r8 R4. |
549 mi8->} mib'~-> mib4\<( mi fa8\!) r |
550 mib,,2~--->\f mib4 r8 |
551 fad8.->\< mi'16-. dod'8-. dod4.--->\! |
552 mib,,2~---> mib4 r8 |
553 do'8.->\< sol'16-. mib'8-. mib4.--->\! |
554 R1*5/8 |
555 la,,4.---> r8 | do'8-. do4-> |
556 la->\sffz r2 R2.*3
557 r4 mib2--\p mi4( sol lab) |
558 r mi2-- mib4( lab sol) |
559 r mib2-- mi4( sol lab) |
560 r sib( si) r re( mib) |
561 r fa,2\<( mi2.--\mp) R2. R2 R4. R2 R1*5/8 R2.
563 %%% Tempo I %%%
564 R1 \ind #"en dehors" sol2\f la,4( sol'2) | r4 la,( sol') mib( solb |
565 re'2--) r2 r4 | do,4->\sffz r1\fermata |
566 R1*5/4*3
567 \ind #"détimbré" lab'1*5/4~\pp lab4 r1 |
568 R1*5/4*2
569 \simile sol1*5/4~ sol4 r1 | R1*5/4*12
573 ActeDeuxSceneDeuxSaxophoneDeux = { \SaxAltoDeux
574 \relative {
575 R1.*6 R1*2 R2.
576 re,4--\mp \stdet {re8 re r4 | re8 re r4 r8 re} |
577 r16 \st {sol sol sol} r8 re---. r4 | R2.
578 re1--\p r2 | R1.*2 R1*2 R2.
579 re4--\mp \stdet {re8 re} r8 re( do'4) | lab4-- r8 |
580 la2.\pp( si4~) si2. r4 | si1~ si2. r4 | \ten si1~\p si2. r4 |
581 R2. R1. R1*2 la2.\pp( sib la2) r4 | R2
582 sold2--( la4~) la2 r4 | sib2-- r4 | R2
583 la4.--\ff( mi4-.->) r r \stdet {la8\mf la | sold4 r r la8 la |
584 sold4 r r la8 la | sold4 r r sold8 sold} la4 r r2 |
585 mi2~\pp mi~ mi~ mi4 r | mi2~ mi4 r |
586 r4 r8 \accst {reb'\f reb reb r4 | reb8 reb reb4 reb8 reb |
587 reb4} r r1 | R1 R1. \ten sol,1.~--\pp sol2 r4 | sol4( re) r2 |
589 R2. R1 R2. R1 R2. R1 R2.
590 R1 R2. \ten mi'1~--\pp mi4 r2 | R1 R2. R1
591 R2. R1 R2. R1 R2. R1 R2.
592 la,2-.\fp R2 la2~\fp la4 r2 | \ten la1~\fp la4 r r2 | R1
593 \st {la8 la sold} r4 | sold4-- r8 \st {la la} | sold4-- r8 \st {la la |
594 sold re-> r re-> r | re re mib} r4 | la4---> r r8 | R2*5/4
595 \st {sold8 sold la} r4 | R2*5/4 la4 r r8 | R2*5/4*4
597 R1*2 sib4->\sffz r r2 | R1*3
598 mi,1~\pp mi~ mi2 r2 |
599 reb'4-.->\sfz r2 R2 R1 | \ten sol,1~\p sol2.~ sol2. solb4-- r2 R2.*4 |
600 R2*2 R2.*2 R2*2
601 mi'4\mp( mib re reb do si sib8) r \st {re,\p re |
602 r4 re8 re r4 re8 re | r4 re8} r16 sib'( |
603 do8-.->) r r4 | R2*4 r4 reb,8->\pp r | R2
604 \st {re!8\p r re re r4 mi8 mi | re8} r r4 | R2*6 R2.*16
608 ActeDeuxSceneTroisSaxophoneDeux = { \SaxophoneBaryton
609 \relative {
610 %%% Larghetto %%%
611 R4.*16
612 \ten fa,,4.~\pp fa4 r8 | R4.*5
613 la4.~ la4 r8 | R4.*2
614 fa4.~ fa4 r8 | la4 r8 |
615 reb,8->\p r4 | re8---. r4 |
616 reb8-> r4 | re8---. r4 |
617 fad8---. r4 | \ten fa4.~\pp fa4 r8 |
618 reb->\p r4 | re8---. r4 |
619 reb8-> r4 | \ten do'4.~\pp do4 r8 |
620 reb, r4 sol8 r4 |
621 reb8 r4 sol8 r4 |
622 \ten mi4.~\pp mi4 r8 | R4.
623 reb8-> r4 r8 r16 reb-. \t {reb\< reb reb} |
624 \stdet {re8\fp re' re re | re re re re |
625 re re re re re re |
626 reb reb reb reb |
627 reb reb reb reb reb reb reb reb |
628 reb reb si si si si | si si si si |
629 si si si si si si |
630 sib sib sib sib sib sib | R4
631 sib8 r sib r | sib r4 sib8 r sib r sib} r |
632 R4*4
633 lab8->\p r4 re,8---. re'-. r |
634 lab---. lab'-. r | re,,---. re'-. r |
635 lab---. r4 | r8 lab-. r sol4--( sib8-.) |
636 \stdet {fad8 r4 do'8 r4 |
637 fad,8 r4 do'8 r4 |
638 fad,8} \st {fad' r fa,-- fa' r |
639 mi,-- mi'} r |
640 \ten mib,4~ mib~ mib8 r mib'4~ mib~ mib~ mib8 r |
641 \st {re re re re reb-- r R4 |
642 re8 re reb-- r R4 | mib8 re reb-- r |
643 reb,-- r reb-- r reb'--} r |
644 \ten do4~\mp do~ do8 r \st {do8 do R4 si8 si R4 |
645 si8\p si r si |
646 R2.-\fermataMarkup R2.*6
648 %%% Interlude %%%
649 R2*3 |
650 r16 fa'(\ppleggiero fa fa fa fa fa fa) |
651 r4 r16 si,( si si | si si si si)} r4 |
652 r16 \simile do do do fad sold la si |
653 r4 r16 fa fa fa fa fa fa fa r4 |
654 r16 do\ppsempre do si si si do do do si si si |
655 si'8\(( do) si( do) red( mi)\) r4 |
656 si8\(( do) red( mi)\) r red,( mi fad |
657 sol) r sol( lab) | r4 do,8( reb~) reb2 r8 |
658 sol,2~\mp sol r16 \st {sol\p( sol sol sol sol sol sol)} |
659 r4 mi~ mi8 r16 \st {mi( mi mi mi mi | mi mi)} r8 sol'4~--\mp|
660 sol mi,( sol2) | r4 sol( sib) r16 \st {sib( sib sib |
661 sib sib sib sib) r4 | r8 r16 sib( sib sib sib sib |
662 sib sib)} r8 r4 | sol'8.--\mf sib,16~-- sib dod8.-- |
663 mi,4.-- r8 |
664 fad''8\f( mi) re( dod) | sib8.-- dod,16~-- dod8 r16 mi,\< dod' sib |
667 %%% Quatuor %%%
668 \st {sol\fp[ sol r sol'] sol, sol sol' sol,} | sol8-- r4 |
669 \st {sol16[ sol r sol'] sol, sol sol' sol,} | sol8-- r4 |
670 \st {mi16[ mi r mi'] mi, mi mi' mi,} | mi8-- r4 |
671 re8-- r4 | reb2--->\f r4\fermata | R2.*6 R2*2 R2.
673 %%% Air baryton 1 %%%
674 R2*2 R2. R2*2 R2.
675 do'2~--\pp do4 r | R2.
676 do2~-- do4 r R2.
677 r16 \st {do\pp( do do si si si si) | R4.
678 r16 re( re re mib mib mib mib) | R4.
679 r16 do( do do do do do do) |
680 r re( re re)} r8 do~ |
681 do2 r4 |
682 reb,8->\mf r r reb-. | r sol-- r16 dod-- r8 |
683 r8 sol( re'4.) r8 |
684 re,2--->\f r8 si''~ si r |
685 r16 r32 sib,( do16) mib~-> mib4. r8 |
686 r4 r8 lab,( |
688 %%% Doppio tempo %%%
689 re,8-.->) r r4 | R2
690 r4 \st {re'8\ff re} dod4-- re8-. re-. red4-- r |
691 r re8-.\mf re-. mib4-- re8-. re-. |
692 sold,2.~--\pp sold~ sold2 r4 |
693 sold2.~ sold~ sold2 r4 | R2.
694 r8 \st {si'\mp si si} \det {mi4 re} mi8-. si~-- |
695 si4. r8 | R2. R2 R2. R2 R2. R2 R2. R2 R2. R2 R2.
697 %%% Climax %%%
698 \ten re,2~--\mf re4 r8 |
699 sol4--\f lab8-. r | R2
700 \ten re,2~\mf re4 r8 |
701 mib4.--\f r8 | R2
702 re2~\mf\< re4 re--\! |
703 sold,8.->\f sold16 sold8 r sold4~-- |
704 sold sol-- fa-- |
705 re2.-- r4 |
707 %%% Soprano 2 %%%
708 r4 \st {la'8\p solb lab mib |
709 reb sib' do sol fa re mi' si |
710 la4} r2 | R1
711 re8( mi) \st {si la solb lab} |
712 mib4-- r la8-. solb-. lab( mib) |
713 reb4-- r2 | reb'8 sib do sol r fa' re mi |
714 si4-- r2 si4-- r r2 |
715 R2. R1 R2. R1R2. R1
716 r8 \st {re,\p\< la' solb lab mib} |
717 reb4--\! r r2 \stdet {sol4 r2 |
718 lab4 r r2 | solb4} r2 |
719 lab4 r sol r |
720 fa r2 re4---. r r2 |
721 R2. R1 R2. R1 R2. R1 R2.
723 %%% Soprano 1 %%%
724 re4---.\p r r2 | R2.
725 r4 \st {sib'8\pp mib fa lab, solb si |
726 reb,4-- r2 | reb'8 sib do sol r fa' re mi |
727 si4--} r2 r2 r4 si( |
728 sib4-.) r2 | R1 R2. R1 R2.
729 sib2.--\p r4 | R2.
730 \stdet {reb,4 r r2 | sol4 r2 sib4 r r2 | R2.
731 sib4 r r2 | R2. R1
732 sib4} r2 R1 R2. R1 R2.
734 %%% Duo %%%
735 R1*4
736 re,2.--\p sold4~-- sold2. fad4~-- |
737 \t {fad mi'( si} |
738 la'4.\mp) r8 |
739 re4-- re8-. re,-. |
741 %%% Baryton 2 %%%
742 re,4-- r2 | \acc {re4\f re re re-- r2 |
743 re4 re' re re'--} r2 |
744 \det {re,,4 re re re2->} r4 | R2.*4 R4.
745 re'2.~\mp re2 r4 |
746 re2.~ re2 r4 |
747 re,2.~ re2 r4 |
748 \accdet {re'\mf re re re,} r2 |
749 \acc {re'8\fmolto si mi, fad do' mib, |
750 re2-- r4 |
751 re8 sol sib do\< mib fad |
753 %%% Boum %%%
754 sold'4\sffz} r2 | R2.*2
755 sold,,4 si2 do4 r2 |
756 mi,2.~ mi2 r4 |
757 do'2.~ do4 r8 re do mib |
758 si2.~ si2 r4 |
759 fa2.~ fa2 r8 \t {fa16 fad sol} |
760 sold2.~ sold2 r4 |
762 %%% Contralto %%%
763 re8 r re' r re r re r re r r4 |
764 re,8 r re' r |
765 re r re r re r re r |
766 re r re r re r re r |
767 do r do r do r do r |
768 r4 si8 si la r r4 | R2. R2*6
769 reb,4 r2 | sol4 r2 |
770 reb8 reb' reb'4 r | sol,, r2 |
772 %%% Grand ensemble %%%
773 R1*2 r2 r8 sol sol sol |
774 sol sol sol sol r4 reb~ |
775 reb r r8 sol sol sol |
776 sol sol sol sol r2 |
777 mi1~ mi2 r8 mi mi mi |
778 mi mi mi mi r4 la8 re |
779 mi4 r sib la r2 r8 dod do si |
780 la4 r r2 | sib1~ sib2 r4 la8 la |
781 sib4 r r2 | sib4 r r2 |
782 R1 re,2. r4 |
783 r8 re re re re re re re |
784 r4 re'2.~ re8 re re re re re re re |
785 re2 r4 reb' mib fa solb fa8 solb |
786 fa mib reb4 solb lab | R2.
788 %%% Chute %%%
789 r8 re,, do'2 re,4 do'4. re,8~ re2 sold4~ sold si sib re2 r4 R2*3
791 %%% Andante al fine %%%
792 R2.*35
793 mi,2.~ mi2 r4 |
794 mi,2. \t {r8 mi sol} \t {red' sol re'} fad4 |
795 r8 mi,, \t {mi mi mi} \tt {mi16 mi mi mi mi}