Encoding consistency
[opera_libre.git] / instruments / alto1.ly
blob7af47a1d89706c50ed80cfd0530a5e3e44c48302
1 %------------------------------------------------------------------%
2 % Opéra Libre -- alto1.ly %
3 % %
4 % (c) Valentin Villenave, 2008, 2009 %
5 %------------------------------------------------------------------%
7 \include "italiano.ly"
9 AltoUn = {
10 #(make-instrument-name 'viola-one "viola" 25)
11 \clef alto
14 PrologueAltoUn = { \AltoUn
15 \relative {
17 %%% Introduction %%%
18 \partial 4 r4 R2.*3 R1
19 \ten mi,2~\f| mi4 r | r16 mi8.~\mf mi8 r r4 |
20 red'2~|red4 r|
21 mi,2.:32~\p mi2:32~ mi2:32
22 red2.\mp | re!2~|re |
23 mi2.:32 mi4 <si' re>~| <si re>8\< si \t {si--( si-- si--)} |
25 %%% Entrée du baryton 2 %%%
26 la16\fp la la la la la la la la la la la |
27 la la la la la la la la |
28 la\< la la la la la la la |
29 si4.--->\f r8 dod,-> dod-. |
30 r8 dod-> dod-. r | r dod-> dod-. r dod-.-> r |
31 r dod-. dod-. dod-. | re-> re-. r re-> re-. r | r re-> r4 |
32 mi8->\mf mi-. r mi-> mi-. r | mi-> mi-. r mi-. |
33 fa2~--\p fa2 r4 |
35 %%% Tempo giusto %%%
36 <re' re>8\sfz r re,-- mib-- |
37 re-- mib-- re-- mib-- re'-- mib-- re'-- mib,-- |
38 mib,-- mib mib mib fa fa fa fa |
39 lab lab lab lab | \clef treble
40 dod16\<( la dod mi) re( mi re fad) |
41 sol( mib sol la) fa( la lab do) |
42 re4\f r2 | r16 sol,,\<( sib do) mib( do mib fad) si( mib, fad si) |
43 re4--\f r2 | \clef alto
44 r16 sib,\mp sib sib sib4:32 r4 |
45 r16 dod dod dod dod4:32 r4 |
46 r16 mi mi mi mi4:32 r4 | \clef treble
47 r16 dod dod dod dod dod dod dod mi mi mi mi |
48 sol\<( mi sol la) do( la do mib) fa( mib fa lab) |
49 re4\f r \clef alto re,,,4~---> | re re2---> |
50 \ten dod1~---> dod4 r R2 R2-\fermataMarkup
52 %%% Solo ténor %%%
53 R1*2 R2. R1 R2. R1
54 R2*4 R2.*6 sol''2.~\pp sol |
55 R2.*3 \clef treble r4\fermata \pizz lab'8\p |
57 %%% Andantino %%%
58 lab, r lab' lab, r4 |
59 lab8 r lab r si,? si' |
60 lab r lab' lab, r lab' |
61 lab, r lab' lab, r lab' |
62 lab, r lab r sol sol, |
63 lab' lab, r sol' sol, r \clef alto
64 %%FIXME: grace synchronization bug
65 \acciaccatura s16 sol8 r4 | R4.
66 r4 sol'8\p r do, r |
67 r4 sol'8 r do, r |
68 r4 sol'8 r re r |
69 r4 sol8 r re r |
70 r mi r r mi r r fad r |
71 \arco solb,\>( mib reb) | \ten do4.~\pp do~ do4 r8 |
72 solb'( mib reb) | do4.~ do~ do4 r8 |
73 solb'( mib reb) | do4.~ do4 r8 |
74 fad4\< mib8~ mib dod4 |
76 %%% A tempo %%%
77 \t {re16\sfp re' re} re'8 r |
78 sold,,4:32\mp \t {sold16-> sol-> fa->} |
79 \t {re\sfp re' re} re'8 r |
80 sold,,4:32~ sold16 r |
81 re8:32\< fa: sol: <reb'lab'>4.~\f <reb lab'>~
82 <reb lab'>8 r16 <reb lab'> \t {<reb lab'> <reb lab'>-> <reb lab'>} |
83 re,8\sfz \clef treble r16 re'-.\mf re-. re-. |
84 dod'8-.-> r16 re,-. re-. re-. | dod'8-.-> r16 re,-. re-. re-. |
85 dod'8-.-> r16 re,-. re-. re-. | mi'8-.-> r16 si-. si-. si-. |
86 lad'8-.-> r16 si,-. si-. si-. | lad'8-.-> r16 si,-. si-. si-. |
87 lad'8-.-> r16 si,-. si-. si-. | lad'8-.-> r16 si,-. si-. si-. |
88 lad'-> lad, dod\< mi sol lad | sol8->\f r16 mi,\< mi mi |
89 fa'8\! r16 mi,\< mi mi | mi'8\! r16 dod,\< dod dod |
90 mi'8\! r16 dod,\< dod dod | mi'8\! r16 fa,-. fa-. fa-. \clef alto |
91 r8 r16 sib,-.\mf sib-. sib-. | r8 r16 fad-.\mp fad-. fad-. |
92 si8--\f\>( sib-- lab--) | \ten fa4.~\p fa~ fa8 r4 | R4.*3
93 \t {re16\pp re re} \t {mi mi mi} \t {fa fa fa} |
94 \t {sol sol sol} \t {sib sib sib} \t {do do do} |
95 \t {reb\< reb reb} \t {mib mib mib}
96 \t {solb solb solb} \t {lab lab lab} \t {la la la} |
97 la8\ff \clef treble r16 la' la la la8-> r16 la la la |
98 la8-> r16 re,-.\mf re-. re-. r8 r16 dod-.\> dod-. dod-.\! \clef alto |
99 sol8 r16 \pizz dod, r2 |
101 %%% Adagio %%%
102 R1*4 R1. \arco \ind #"flaut." fa,1:32\pp\> mi4\! r |
103 R1*3 R1. \simile mi1:32\pp( mi4) r |
104 R1*2 r8 do~\mp( \t {do mi si')} \t {la\>( mi' re)} |
106 %%% Valse %%%
107 sol,2.~\pp sol2 \clef treble \t {fa'8\<( la sold)} |
108 \t {do( si red\!)} r2 | re2.\pp( la4 fad) mi( do') r2 |
109 do4\>( sold\!) si\>( mib,\!) | sol4 sol,8\p( fad) mib'( re) |
110 si'( sib) \t {sol'\<( fad sib\!)} |
111 r mi,\pp( dod) r r dod( si) r r si( sib) r |
112 mi,4 \ttt {do'16\>( si do si do si}do4\!) r |
113 R1 R2. \clef alto |
114 \pizz do,,4\mp r2 | fad4 r2 | do4 r2 | fad4 r2 |
115 mi4 r sol r |
116 \arco <do, la'>4->\mf <do la'>8.-> <do la'>16 <do la'>8-.
117 <do la'>~-> <do la'>16 <do la'> <do la'>8-. |
118 <do la'>8.-> <do la'>16 <do la'>8-. <la' fad'>~->\<
119 <la fad'>16 <la fad'> <la fad'>8-. |
121 %%% Vivo al fine %%%
122 <re, la' re>8->\sfz r re-. re-. |
123 re-. mib16-. mib-. re8-> re-. |
124 re fa16-. fa-. re8-> re |
125 re re re re | mib-. fa-. lab-. sib-. |
126 do re, re re | re re re re |
127 re re re re | fad re re re |
128 re\mf re16-. re-. mib8-> r |
129 r8 re16-. re-. fa8-> r | r lab-> mib-> r |
130 re r r4 R2*17
131 r4 \pizz mi\mp |
135 ActeUnSceneUnAltoUn = { \AltoUn
136 \relative {
137 R2*2 R2. R2*2 R2.
138 do,8\<( re fad la) do( mi fad si) do\p\>( si mi, do) la( fad) |
139 re4\<( do8 re) fad( la do mi) sol\>( re la mi) do4 |
140 fa8\<( solb sib do) mib( solb lab do) reb\>( do lab mib) sib( fa) |
141 fa\<( solb sib do) mib( solb lab solb) lab( solb) mib( do) solb4 |
142 la8--\ppsubito \t {mib'16( si' fad')} fad4 do,,8( fa16 la mib'4) |
143 la,8-- \t {mib'16( si' fad')} fad4 la,,16-- la \t {mib'( si') fad'} |
144 \simile do,,8 la'16 mi' sol4 mi8 \t {sol16 do fad} fad4 |
145 la,,8 mi'16 sol mi8 \t {sol16 do fad} fad4 |
146 do,8\ppsempre \t {fa16 lab mi'} mi4 la,,8 do16 fa lab4 |
147 do,8 \t {fa16 lab mi'} mi4 do,16 do \t {fa lab mi'} |
148 mi8 \t {mi16 lab, fa} fa8 \t {mi'16 lab, fa}
149 fa8 \t {mi'16 lab, fa} fa8 \t {mi'16 lab, fa} |
150 \ttt {do( fa lab mi' lab, fa}
151 \ttt {do fa lab mi' lab, fa}
152 \ttt {do fa lab mi' lab, fa)} |
153 \ttt {lab\p( re, sib mi, sib' re}
154 \ttt {lab' re, sib mi, sib' re}
155 \ttt {lab' re, sib mi, sib' re}
156 \ttt {lab' re, sib mi, sib' re)} |
157 \ttt {lab'( re, sib mi, sib' re}
158 \ttt {lab' re, sib mi, sib' re}
159 \ttt {lab' re, sib mi, sib' re)} |
160 re( sib mi, sib') re( sib mi, sib')
161 re( sib mi, sib') re( sib mi, sib') |
162 re( sib mi, sib') re( sib mi, sib')
163 re( sib mi, sib') |
164 do\fp do do do do do do do do do do do |
165 do do do do do do do do do do do do |
166 do do do do do do do do re\< fa sol sib\! \clef treble |
167 <fad fad'>4\downbow <fad fad'>\downbow <fad fad'>\downbow |
168 \simile <fad mid'> <fad mid'> <fad mid'> |
169 <sold mid'> <sold mid'> <sold mid'> |
170 <fad fad'>\downbow fad16\< fad fa fa fa mib mib mib \clef alto |
171 \ten <do, do'>1~\fmolto <do do'>2 r4 |
173 %%% Ad libitum %%%
174 r2 <re' fad'>~\pp \ten <re fad'>2.~ <re fad'>~ <re fad'>4 r r2 | mi2.~ mi4 r2 |
176 %%% Agitato %%%
177 re,16\fp re re re re re re re re re re re re re re re |
178 re2:16 re: re: re: re: re: re: re: re: re:\< |
179 mib4:16\> re:\! re2:16 re: | re: re: re: re:\< |
180 mib4:16\> re:\! re2:16 re: | re: re: re: re: re: re:\< |
181 mib4:16\> re:\! re2:16 mib4:16\> re:\! |
182 mib:\> re:\! re2:16 mib4:16\> re:\! mib:\> re:\! |
183 mib2.---> r4 r8 \st {mib16\mf mib fab4 |
184 r8 fab r4 r16 mib fab8 r4 r8 fab r4 |
185 r4 r8 mib16 mib fab4 r r2 |
186 r4 r8 mib16 mib fab4 r |
187 r4 mib16 mib fab8 mib16 mib fab8} r4 r2 |
188 \ten mi'!1.\f R1.*2 \clef treble |
190 %%% Allegro non troppo %%%
191 \ind #"staccato leggiero" sib'16\pp sib sib sib sib sib sib sib sib sib sib sib sib sib sib sib |
192 sib sib sib sib sib sib sib sib sib sib sib sib | sib8 r r4 r2 |
193 sib16 sib sib sib sib sib sib sib sib sib sib sib sib sib sib sib |
194 sib8 r r4 r2 |
195 mib8-. sib-. mib-. sib-. \simile mib sib mib sib | mib do mib do mib do mib do |
196 mib\p reb mib reb mib reb | mib reb mib reb mib reb mib reb |
197 mi\mp re mi re mi re | mi re mi re mi re mi re |
198 fad\mf\< mi fad mi fad mi | fad mi fad mi fad mi fad mi\! \clef alto |
199 r4 sib,8\f( mi4.\!) | r8 sol,8~\mf sol2. |
200 sol4 r r2 | r2 r4 \ttt {fad16( la) si( do re fa)} |
201 la4\mf sol,8 re' sol, re' sol, re' | R1
202 sol,8\mf re' sol, re' sol, re' | R2.*2 R1*2 |
203 \st {sib16\pp do r8 sib16 do r8 sib16 do r8 sib16 do r8 | R1
204 sib16 do r8 sib16 do r8 sib16 do r8 sib16 do r8 | R1
206 %%% Moderato %%%
207 sib16\ppsempre do r8 sib16 do r8 sib16 do} r8 \simile sib16 do r8 |
208 sib16 do r8 sib16 do r8 sib16 do r8 sib16 do r8 |
209 sib16 do r8 sib16 do r8 sib16 do r8 |
210 sib16 do r8 sib16 do r8 sib16 do r8 |
211 sib16 do r8 sib16 do r8 sib16 do r8 sib16 do r8 |
212 sib16 do r8 sib16 do r8 sib16 do r8 |
213 sib16 do r8 sib16 do r8 sib16 do r8 sib16 do r8 |
214 sib16 do r8 sib16 do r8 sib16 do r8 |
215 sib16 do r8 sib16 do r8 sib16 do r8 sib16 do r8 |
216 sib16 do r8 sib16 do r8 sib16 do r8 |
217 sib16 do r8 sib16 do r8 sib16 do r8 sib16 do r8 |
218 sib16 do r8 sib16 do r8 sib16 do r8 |
219 sib16 do r8 sib16 do r8 sib16 do r8 sib16 do r8 |
220 sib16 do r8 sib16 do r8 sib16 do r8 |
221 sib16 do r8 sib16 do r8 sib16 do r8 sib16 do r8 |
222 sib16 do r8 sib16 do r8 sib16 do r8 |
223 sib16 do r8 sib16 do r8 sib16 do r8 sib16 do r8 |
224 sib16 do r8 sib16 do r8 sib16 do r8 |
225 sib16 do r8 sib16 do r8 |
226 sib16-.\p[ do-. r do-.] sib16-.[ do-. r do-.] \simile sib16[ do r do] |
227 sib16[ do r do] sib16[ do r do] sib16\<[ do r do] sib16[ do r do] |
228 sib16\mf do r8 sib16 do r8 | sib16 do r8 sib16 do r8 | R2*2
230 %%% Allegro marcato %%%
231 \acc {<do, la' sold' re'>4\sfz la'\mp <do, la'> la' |
232 <do, la' sold' re'>4\sfz la' <do, la'>} r |
233 \st {fad\p fad mib mib} <mib la>2--->( lab8) r r4 | R1
234 \acc {<la! mib' lab re>4\sfz la\mp re, la' |
235 <la! mib' lab re>4\sfz la re,} r |
236 \st {dod'\p dod la la} <la mi'>2--->( re8) r r4 | R1
237 r4 sold,\mp\>( fa8\!) r r4 | r sold\>( fa8\!) r r4 | R1
238 sold2\>( sol8\!) r r4 |
239 r sold\mp\>( fa8\!) r r4 | r sold\>( fa8\!) r r4 | R1
240 sold2\>( sib8\!) r r4 | R1
241 r2 r4 \pizz re\p do( la sol) r |
242 do( la sol) r r do\> si la\! |
244 %%% Agitato %%%
245 \arco re,8-.\mf re-. re-. re-. \simile re2:8 | re: re: re: re: |
246 re16\f( mi fa sol) sib8-.( reb-.) solb4-> r |
247 \st {sib8\sfz sol\pp re sol do sol re sol |
248 do sol fa do fa sib fa do |
249 fa sib fa do fa do sol do |
250 fa do sol do fa do mib lab |
251 re lab re, lab' re, lab re lab' |
252 mib sib mib lab sol reb sol, reb' |
253 <sol, fa'> do mib lab reb mib,-> lab-> reb->} |
254 re8->\sfz r r4 r1 | R1*2
255 \ind #"staccato leggiero" do8\pp la do la do la do la |
256 sib sol sib sol sib sol la fa la fa |
257 fad\p mi fad mi dod16 dod dod dod dod dod dod dod |
258 dod\< dod dod dod dod8-.->\! r | R2 R1*4
262 ActeUnSceneUnBisAltoUn = { \AltoUn
263 \relative {
264 R2.*5
265 \ttt {re,16\p( dod mi fa mi sol)} lab8-- r
266 \ttt {re16( dod mi fa mi sol)} |lab8-- r
267 \st {lad16 si lad dod si\< dod} si-- mi-- |
269 %%% Piu vivo %%%
270 re4\sfz\downbow re,\downbow re,2\downbow | mib\downbow r4 |
271 re''4\f\downbow r8 re,,~\downbow re2 | dod'2\downbow r4 |
272 re'4.--->\ff re---> | <fad, sold>---> <si, sold'>---> |
273 <sold fa'>--->\< <lad si'>---> | <lad si'>2.--->\!
274 R2. r4 <re sol\harmonic re''>2~\p <re sol\harmonic re''>4. r8\fermata r4 |
275 R2. r4 <re sol\harmonic re''>2~ <re sol\harmonic re''>~
276 <re sol\harmonic re''>8 r\fermata r4 | R1 R2
278 %%% Largo %%%
279 R2*3 R2.
280 \ind #"espr." mib,2\p( mi) mi4 |
281 fa2~\p\> fa4\! r2 |
282 r2 mi4\< sold4--\mp r r2 |
283 R1 R2. R2 R1 R2.*2 R2*2 R2. R2*3 R2. R1 R2.
284 r4 sib\mf\downbow \ten <mib, sib'>2~ <mib sib'>
285 <fad la>2.\mp r2 <fad la>4-.\downbow |
286 <mi sold>2.\downbow
288 %%% Adagio %%%
289 R1*14
290 r2 si''~\pp si1
291 <re,si'>~\pp <re si'>~<re si'>~<re si'>~<re si'>~
292 <re si'>~<re si'>~<re si'>~<re si'>~<re si'>~
293 <re si'>4 r <re si'>--( <re si'>-- |
294 <re si'>-- <re si'>--) r2 |
295 r4 <re si'>--( <re si'>-- <re si'>-- |
296 <re si'>--) r r2 | R1*3
297 R2 \pizz <fa si>4\mp <fad si> <sol si> r |
298 r \arco <mi, si'>\f\downbow
302 InterludeUnAltoUn = { \AltoUn
303 \relative {
304 R1. R1*3 R1. R1 R1.*2 R1*2 | mi1~\mf mi4 re8( mi) |
305 fa1. mi1~ mi4 r2 | R2 R2.
306 <la, re>1~--->\f <la re>2 r |
307 <la re>1---> r4 sol'-- \clef treble | mi'16\f( fa mi re\> si re la8\!) r4 r8 mi |
308 red'2. mi4( fad1--->) sol,2 | fad'2 r | <lab, mib'>2.--->\ff\>
309 <lab reb>2.~\p <lab reb>4 r2 | R2.*3 \clef alto
310 <solb, sib>2.~\pp <solb sib>~ <solb sib>~ <solb sib>~ <solb sib>2 r4 |
311 mib2.~ mib~ mib~ mib R2.*2
315 ActeUnSceneDeuxAltoUn = { \AltoUn
316 \relative {
317 %%% Air de la Soprano2 %%%
319 R2.*2 r4 sold'8\p\(( la sold mi) re( mi)
320 sold( la sold mi) re(\> mi) sold4~\!--\) | sold2 r4 | R2. |
321 sold8\mp( la sold mi) re( mi) sold( la
322 sold mi) re( mi) sold4-- sold8( la |
323 sold mi) re( mi) sold( la | sold mi) re( mi) sold4-- |
324 sold8( la sold mi) re( mi) sold( la
325 sold mi) re( mi) sold4-- sold8( la |
326 sold mi) re( mi) sold( la | sold mi) re( mi) sold4~-- |
327 sold1~ sold2 r2 | R2.*2 |
328 re,4-.\p si'-. sold8( fad) re4-. |
329 fad8( re) si'( sold) r fad sold4-. |
330 fad4-. re8( si') sold4-. | si8( sold) fad( re) r4 |
331 re'4-.\pp la'-. sold8( mi re4-.) |
332 mi8-.( re mi4-.) la8( re sold, mi) | re( mi) sold4-. r | R2.|
333 sold8\p( la sold mi) re( mi) sold( la |
334 sold mi) re( mi) sold4-. sold8( la |
335 sold mi) re( mi) sold( la |
336 sold mi) re( mi) sold4-. |
337 la,8\pp( si la fa mi fa la si |
338 la fa mi fa la4) la8( si |
339 la fa mi fa la si |
340 la fa mi fa la4) |
341 mi-.\mf si'-. la8( fa) mi4-. |
342 la8( fa) re'->( si) r si-. sol'4-> |
343 si,-. mi8( re) fa4~--->| fa2 r4 | \clef treble
344 \ten <lab lab'>1~\f <lab lab'>2. r4 |
345 <lab lab'>---> r <lab lab'>---> | r <lab lab'>---> r |
346 \ten <lab lab'>1~| <lab lab'>4 r \clef alto lab,( sol) |
347 re'2.~| re2 r4 | R1*2 R2.*2 |
348 \flaut sold8\pp( la sold mi re mi sold la |
349 sold mi re mi sold4) sold8( la|
350 sold mi re mi sold la | sold mi re mi sold4) |
351 sold8( la sold mi re4) sold8( la |
352 sold mi re mi sold4) sold8( la |
353 sold mi re4) sold8( la | sold mi re mi sold4) |
354 sold8( la sold mi re4) sold8( la |
355 sold mi re mi sold4) sold8( la |
356 sold mi re4) sold8( la | sold mi re mi) sold4~|
357 sold1~ sold~ sold2.~ sold~ |
358 sold1~ sold~ sold2.~ sold2 r4|
359 \flaut re8\ppp( mi sold la sold mi re mi) |
360 sold( la sold mi re mi) sold( la |
361 sold mi re mi) sold( la |
362 sold mi re2~)| \ten re2. r4 | R1 | R2.*2 | R1*2 |
363 R2.*2 | R1 R1-\fermataMarkup |
365 %%% Récitatif %%%
367 r4 r8 reb4.--\mp\downbow| sib2.--\downbow~ |sib1~ |sib2 r4 |
368 r4 r8 si!4.--\downbow| sold2.~--\downbow|sold1~|sold2 r4|
369 R2.| r4 r8 si4--\mp\downbow do8~--\downbow |do2.~ |do8 do~ \t {do do do}
370 do4:32\< | do8\sfz r r2 | R2| r4 r8 si4.\p\>\upbow |
371 fad1~\!|fad~|fad2.~|fad~|fad~|fad2 r4| R2. R1 |
373 %%% Duo %%%
375 \pizz <re sib'>4\mp\arpeggUp
376 \simile <re sib'> <re sib'>
377 \repeat unfold 13 <re sib'> r8 \arco <re sib'>\>( |
378 <mi do'>-.\!) r \pizz <mi do'>4\mp
379 \repeat unfold 4 <mi do'> r8 \arco <mi do'>\>( |
380 <sol mib'>-.\!) r \pizz <sol mib'>4 <sol mib'> r8 \arco <sol mib'>\>( |
381 <fa reb'>8-.\!) r \pizz <fa reb'>4 <fa reb'> | <fa reb'> r | R2
382 \arco si8--\mf
383 si-- si-- si-- \simile si si
384 \repeat unfold 22 si |
385 \st {<dod mi>\psubito <dod mi> <dod mi> <dod mi>} \simile <dod mi> <dod mi>
386 \repeat unfold 8 <dod mi> |
387 <sold' lad>\mp\< \repeat unfold 7 <sold lad>|
388 \ten fa2.~\! fa~ fa4 r2 R1 |
390 %%% Piu vivo %%%
391 \ten <sol, sol'>2.~\f <sol sol'>1 |
392 \st {<sol sol'>8\p sol fad' sol, mi' sol,} |
393 dod,\< sol' do sol sib' sol, |
394 sol''2.\ff r4 |
395 dod,,4-> dod16\downbow dod dod dod dod dod dod dod |
396 sol2.-- r4 |
397 dod16 dod dod dod dod dod dod dod dod4-- |
398 sol4-> sol2-- r4 |
399 dod,8.-> dod16~-> dod4 r |
400 r \pizz do'8\f la fa dod |
401 sol'4-> si8 red, fad do |
402 sol'4-> sol8 lab la sib |
403 si4-> re8 la fad dod |
404 sib'4-> sib8 si do dod |
405 re4-> \arco \tt {\arco re16( do la sol fad} \tt {si sib lab fa mib} |
406 re4) \pizz re'8 fa, si sold |
407 re4-> \arco \tt {re'16( si la sold fad}\tt {do' sib sol fa mi} |
408 re4) \pizz re'8 fad, sib sib|
409 re,4->\arco \tt {re'16( dod si sold fad} \tt {do' sib la sol mi } |
410 re4->) \pizz re'8 la fad sold |
411 dod,4-> \arco \tt {dod'16( si sold fad fa} \tt {sib la sol mi re} |
412 dod4->) r2 |
414 %%% Poco allargando %%%
415 <re' sib'>2.:16\ff la'4~ | la4. <si re>8~ <si re>2|
418 %%% Tempo giusto %%%
419 r8 \pizz <sib, re>\mf r <sib re> r <sib re> r <sib re> |
420 r <sib re> r <sib re> r <sib re> r <sib re> |
421 r <la dod> r <la dod> r <la dod> r <la dod> |
422 r <red, si'> r <red si'> r <red si'> r <red si'> |
423 r <sol si> <sol si>4 r2 |
424 r16 \arco reb''\fp\<( do sib lab sol fa re reb do sib lab) |
425 \ten <sol re' lad'>1~\f <sol re' lad'>2. r4 |
426 \ind #"détaché" do,16\mp\< mib solb lab si re mi sol \clef treble sib do mib solb |
427 lab4.\! r8 \clef alto |
428 <do,, fa\harmonic>2~ <do fa\harmonic>~ <do fa\harmonic> r4 |
429 \simile re,16\mf\< fad sold si do, mib fad sold si re mi sol |
430 la8->\! \t {re,16\mf( mi re)} \ttt {mi( re mi) la->( mi re) }
431 \ttt {mi( re mi) la->( mi re)} \ttt {mi( re mi) la->( mi re)} |
432 \ttt {si->( re mi) re( mi re)} \ttt {si->( re mi) re( mi re)} |
433 \ttt {si->( re mi) re( mi re)} \ttt {si->( re mi) re( mi re)} |
434 \ttt {la->( re mi) re->( mi la)} la8-> re-> |
435 \ttt {re,16\f( mi la) la( mi re)} \ttt {re( mi la) la( mi re)} |
436 \ttt {sol,( mi' la) la( mi sol,)} \ttt {sol( mi' la) la( mi sol,)}
437 \ttt {sol( mi' la) la( mi re)} | la8-.-> r r2 |
439 %%% Largo assai %%%
440 r4 re2.\p( | dod4.) r8 dod4( do4.) r8 do4( si4.) r8 r4 | r si-- |
441 \ten sib2.~\pp | sib2. r4 | r2 \pizz la4 lab sol r re r re r r2 |
445 InterludeDeuxAltoUn = { \AltoUn
446 \relative {
447 R1 R2. R2 R2. R2 R2. R2
448 \pizz mib4\mf si fad' sol, |
449 mib' si fa? sib |
450 la\psubito la'8 re, |
451 la4 la'8 re, |
452 la4 la'8 re, |
453 la4 la' |
454 r8 mi, r sib' | r do, r fad |
455 r mi r sib' | r do, r fad |
456 r mi\< do' lab' mi'4->\! r |
457 r8 \arco mi,,\mp( si' dod re2) |
458 r8 mi,( si' dod re2) |
459 r8 mi,( si' dod \ten re2~) |
460 re r | R2.
461 r8 do,( la' si mi2) |
462 r8 do,( la'4) r | R2. fa2.--\pp r4 R2. fa4-- r |
466 ActeUnSceneTroisAltoUn = { \AltoUn
467 \relative {
468 R2.*4 <mi, red'>2.:32~\mp <mi red'>:~<mi red'>:\< <mi red'>4->\! r2 |
469 \ind #"pizz. sul tasto" si'4\f r sib sol r lab fa--\< sol-- sib-- |
470 \arco <do, la'>2.:32\fp R2.
471 mib2.:32\pp re2.\p la'2.:32\< |
472 <si lad'>8-.\f <si lad'>4---> <si lad'>8-. <si lad'>4~--->
473 <si lad'>8 <si lad'>4-- <si lad'>8-. \ten <si lad'>4~--->
474 <si lad'> r \pizz sol\mf fa r2 |
475 r \arco re4\mp( dod2.) r2 re4\>( dod2\!) r4 |
477 %%% Lamento %%%
478 R1.*6 R1*5/4*5
479 <re'dod'>2\mp\> <si lad'>4\upbow\! r |
480 \simile <reb do'>2 <sib la'>4 r |
481 <re dod'>2 <si lad'>4 r |
482 <lab sol'>2\< <fad' re'>4\mf r |
483 <sib, sol' mib'>4--->\f <sol' mib'>8-> <sol mib'> \t {<sol mib'>-> <sol mib'> <sol mib'>}
484 <sib, sol' mib'>4---> <sol' mib'>8-> <sol mib'> \t {<sol mib'>-> <sol mib'> <sol mib'>}|
485 <mi red'>16->\< <mi red'> <mi red'> <mi red'> \t {<mi red'>->\! <mi red'>-> <mi red'>->} <mi red'>8->\sffz r4 |
486 R2*2
488 %%% Tempo I %%%
489 \pizz la,4\mp fad r fad mib r r mib r | R2.*2
490 \arco do'2.:32\sfp <lab do>: <la re>: sib:
491 \repeat tremolo 12 {re32\< do} la4-.->\sfz r2 | R2.
492 \pizz fa4\mp r re r2 mib4 |
494 %%% Tempo II %%%
495 R1.*2
496 r2 r4 \arco mib2.\pp\< mi1.~\p mi2. r4 r2 |
497 mib'1.:32\pppp <mib re'>2.:\mp <mib re'>4->\sffz r |
498 R1 R2. R2
502 ActeUnSceneTroisBisAltoUn = { \AltoUn
503 \relative {
504 R1*3 r4 red2--\pp r4 R1*2 r4 do2--\CaV r4 R1 |
505 r2 <do mib>4--\p <si fa'>-- <fad fad'>-- r r2 |
506 R1*14
507 fad1~\pp fad2. r4 |
508 r \pizz mib'\p r mib |
509 r mib r mib |
510 r mib r mib |
511 r mib r mib |
512 r mib r mib |
513 r mib r mib |
514 r <sol, mib'>\arpeggUp r <sol mib'>\arpeggUp |
515 r \simile <mi! sol mib'> r <mi sol mib'> |
516 r16 solb' fa'-> solb, r mib re'-> mib,
517 r mib re'-> mib, r do si'-> do, |
518 \t {la'8->\> mib fad} \t {do mib sol,} sib mi,\! |
519 r4 \arco la2\p la4\<( | do2\>) la~\! la1
520 R1*3
521 <do mib>1\p <do mib>2-- <do mib>-- <do mib>-- <sol do>-- |
522 \pizz <fad fad'>4-> r r2 | R1*6
523 r4 \arco fad\mp\upbow \ind #"pizz. du pouce" do\thumbpizz r |
524 r fad\upbow \simile do\thumbpizz r |
525 fad\upbow do\thumbpizz fad\upbow do\thumbpizz |
526 r4 <do fa\harmonic do''>2\pp r4 |
527 \ten do'1\p~\CaV do2\CaV reb( do si)
528 fad1~\pp fad~ fad4 r la2~\> la fad~\! fad4 r r2 |
529 R1*7
533 ActeUnSceneTroisTerAltoUn = { \AltoUn
534 \relative {
535 R2*3 R2. R2*2 R2.
536 \pizz <re re'>4\f r2
537 R2. r4 \arco sib2~\p sib4 r2 \clef treble |
538 \ind #"staccato leggiero" sib'16\p sib sib sib sib sib sib sib sib sib sib sib |
539 sib sib sib sib sib sib sib sib sib sib sib sib |
540 si si si si si si si si si si si si si si si si |
541 do do do do do do do do dod\< dod dod dod dod dod dod dod |
542 re8->\! r r4 r \pizz sol8->\mp lab-> |
543 r16 sol r8 sib-> r sold-> la-> r16 sold r8 |
544 la sold-> la-> r16 sold r8 si-> r la |
545 sib-> r16 la r8 do si lad-> si-> r16 lad |
546 r8 dod-> do\< re dod mib |
547 <re, re'>4->\! r2 R2.
548 \longHairpins {
549 \arco <re, sol\harmonic re''>2. ~\p
550 <re sol\harmonic re''> ~
551 <re sol\harmonic re''> ~
552 <re sol\harmonic re''> ~
553 <re sol\harmonic re''>4 r2 R2.
554 r4 re'4.~\pp\< re8\>\glissando
555 re'2.~\! re~ re8 r re,4.~\pp\< re8\>\glissando re'2.~\! re8 r re,4.~\p\<\upbow re8\glissando |
556 re'4\mp( si sib\>) <re, re'>\! r2 \clef alto |
557 r4 \ten re,,2~\p re r4 |
560 r \t {sib'8\pp( sol sib} \t {sol sib sol)} \t {sib( sol sib} \t {sol sib sol)}
561 \t {si( fad si} \t {fad si fad} si4) r |
562 r \t {sib8( sol sib} \t {sol sib sol)} \t {sib( sol sib} \t {sol sib sol)}
563 \t {si( fad si} \t {fad si fad} si4) r |
564 r sol'2~\mp\CaV \ordin sol\> fad4~\! fad2 r4 |
565 r \simile sol2~\CaV sol fad4~-- fad2 r4 |
566 r \t {fad8\mf\>\(( re) re(} \t {si) si( sol)\!\)} \t {si\<\(( re) re(} \t {fad)\) fad( sib~)} sib4~\! sib2 r4 |
567 r \t {fad8\mf\>\(( re) re(} \t {si) si( sol)\!\)} \t {fad'\>\(( mib) mib(}
568 \t {si\!) fad'( mib)\)} \t {sib'\>\(( sol) sol(} | \t {mib)\)\< si'( sol)} mib'4--\! \clef treble
569 r16 \pizz mi8.\mp |
570 fa4-> mi8-> fa-> r16 mi8. | fa4-> fad8-> sol-> r16 fad8. |
571 sol8 fad-> sol-> r16 fad r8 lab-> | sol4-> r r2 \clef alto |
573 r4 \arco \t {sib,,8( fa sib} \t {fa sib fa)} \t {sib( fa sib} \t {fa sib fa)}
574 \t {sib( fa sib} | \t {fa sib fa} sib4) r |
575 r \t {sib8( fa sib} \t {fa sib fa)} \t {sib( fa sib} \t {fa sib fa)}
576 \t {sib( fa sib} | \t {fa sib fa} sib4) r |
577 r \t {sib8\p( sol sib} \t {sol sib sol)} \t {sib( sol sib} \t {sol sib sol)}
578 \t {fad( si fad} \t {si\> fad si\!)} r2 |
579 r4 \t {sib8( sol sib} \t {sol sib sol)} \t {sib( sol sib} \t {sol sib sol)}
580 \t {fad( si fad} \t {si\> fad si\!)} r2 |
581 r4 \t {sib8\mp( sol sib} \t {sol sib sol)} \t {sib( sol sib} \t {sol sib sol)}
582 \t {si( fad si} \t {fad si fad} si4) r |
583 r4 \repeat tremolo 8 {re32\mf sib}
584 \repeat tremolo 8 {re sib}
585 \repeat tremolo 4 {red si} | red4 r2 |
586 r8 sib'\f( si) fad( sol) re( mib) sib'( si) fad( sol) re( |
587 mib) sib'4--\>( fad--) re8~--( re sib4-- si--) re8~--\mp re2 r4 |
588 R2.*4
589 do2.~\pp\CaV do~\CaV do~\CaV do~\CaV do2\CaV r4 |
590 sold2.~\pp sold~sold~sold2 r4 |
591 dod2.\p\fermata
595 InterludeTroisAltoUn = { \AltoUn
596 \relative {
597 r8 \pizz mib,\pp r mib r mib re'-> mib, |
598 r mib r mib re'-> mib, |
599 r mib r4 r2 | R2. R1 R2. \arco
600 \ten <sol mib'>1~\pp <sol mib'>2 r4 |
601 r8 mi---.\mp r mi---. r mi---. r mi---. | r mi---. r mi---. r mi---. |
602 <dod'la'>8-. <dod la'>4-- <dod la'>-- <dod la'>8-. |
603 <dod la'>-. <dod la'>4--( <dod la'>8-.) |
604 <si sol'>16\f <si sol'> <sold mi'> <sold mi'>
605 <si sol'> <si sol'> <sold mi'> <sold mi'>
606 <si sol'> <si sol'> <do lab'> <do lab'> |
607 <si sol'> <si sol'> <sold mi'> <sold mi'>
608 <si sol'> <si sol'> <do lab'> <do lab'> \clef treble
609 <re sib'> <re sib'> <si sol'> <si sol'>
610 <re sib'> <re sib'> <red si'> <red si'> |
611 <fad re'>\< <fad re'> <red si'> <red si'>
612 <fad re'> <fad re'> <sol mib'>8\! \clef alto
613 sol,16:32\mf mi: sol: lab: si: lab: si: do: |
614 mib:\< do: mib: mi: sol: mi: sol: lab: | si4--->\! r \clef treble
615 fad'8\sffz r r4 |
620 ActeUnSceneQuatreAltoUn = { \AltoUn
621 \relative {
622 \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2
623 r2 r16 do\< sib la sib4--\mf sold-- la8---. la---. r4 R2-\fermataMarkup
624 R1 R2. R1*2 R1. R1*2 R1. R1*2
626 %%% Agitato %%%
627 sol2.:32\fpp la: la8 r \t {do,\mf sol'( re')} \t {la' re,( sol,)} |
628 do,-.-> r r2 r2 r16 si'\< si si mi2~--\mf\< mi4\glissando sol2.\! la4-- r2 |
629 re,,16\upbow\p( mi sol la) sib( la sib do) mib\<( do mib fa) |
630 re4.--->\f re8-. \t {re re re} re4-- re-- re-- |
631 re4.---> re8-. \t {re re re} re4-- re-- re-- |
632 re8\< re re re re re |
633 mib,2.:32\psubito re: fad: |
634 la8\< la la la la la |
635 la->\! r re,16( mi sol la) do( re mi sol) |
636 la8->\f r r mi,-. \t {mi-> mi mi} mi-> mi-- mi-> mi-- mi-> mi-- |
637 r sib'4--\upbow mi-- sib8-. | mi,-> mi-- mi-> mi-- \t {mi->\< mi mi} |
638 r\! sib'4--\upbow mi-- sib8-. | mi4--\downbow mi--\downbow sib-- |
639 mi,16->\<( la re mi) sold4->\! la,16->\<( re mi sold) | la4->\! re,16->\<( mi sold la) re4->\! |
640 la8-.-> la,8:16\mp \ind #"leggiero" la2.:16|
641 \dwnb {la4 la la | la2.:16 r4|
642 la4 la la | la2:16 |
643 la4 la la | la2:16 |
644 la4 la la | la2:16} |
645 la2\upbow\> la4--\! |
647 %%% Placando assai %%%
648 sol2.--\upbow\p( dod,4--) sol'2.-- r4 |
649 sol2.--\upbow( dod,4--) sol'2.-- r4 |
650 dod,2\upbow\<( re mib) \ten mi2.~--\p mi r4 |
651 \t {r la--\upbow\mp( la--} \t {la-- la-- la--)}
652 \t {la--( la-- la--)} \t {sib--( sib-- sib--)} |
653 \t {r la--\upbow( la--} \t {la-- la-- la--)}
654 \t {la--( la-- la--)} \t {sib--( sib-- sib--)} |
655 \t {r \simile si si} \t {si si si} \t {si si si} \t {si si si} |
656 \t {r si si} \t {si si si} \t {si si si} \t {si si si} |
657 \t {r <fad lad>--\mf <fad lad>--} \t {<fad lad>-- <fad lad>-- <fad lad>--}
658 \t {<fa si>--\< <fa si>-- <fa si>--} <solb do>8-- <solb do>-- |
659 \t {r4\! <si red>--\f <si red>--} \t {<si red>-- <si red>-- <si red>--}
660 \t {<si fad'>\< <si fad'><si fad'>} <dod sol'>8 <dod sol'>\! |
661 R1*4 r2 \longHairpins {dod~\p dod4 dod\< mi2\>( dod2.\!) } r4 |
662 R2*3 R2.*2
664 \pizz fad,4\mp r mib\< la\! r2 fa4 r2 si4 r2 |
666 %%% A tempo %%%
667 \arco
668 <la si>2--->\f <la si>4-- <la si>-- <si re>-- <si re>2---> <si re>4-- <fa'sol>---> <fa sol>---> <fa sol>---> r |
669 \repeat tremolo 16 {sib,32\fp la}
670 \repeat tremolo 12 {sib la}
671 \repeat tremolo 16 {sib la}
672 \repeat tremolo 12 {sib la}
673 sib8 r r4 r2 |
674 \repeat tremolo 12 {si32\pp la}
675 \repeat tremolo 16 {si la}
676 si8 r16 fad'16:32~\mp\< fad8:32 sold8:32~ sold16:32 si8.:32 |
677 <sol dod>2--->\f( <sol dod>4--) <sol dod>-- <sol dod>4.---> <sol dod>8~-- <sol dod>4 r |
678 sib2---> r4 sib2---> r4 <re, si'>2--->\ff <re si'>4-- \st {si'8-> re, re si' si-> re, si'-> re, |
679 si'-> re, re si' si-> mib, si'-> mib,} |
680 \ten <re, dod'>2.~\ff <re dod'>8 r4 |
681 lad'16\upbow\mf( sold) sold( lad) lad( sold) sold( lad) lad( sold) sold( lad) |
682 lad( sold) sold( lad) lad( sold) |
683 \ten dod2~\ff dod8 r4 |
684 sol16\mf( fa) fa( sol) sol( fa) fa( sol) | sol( fa) fa( sol) sol( fa) fa( sol) |
685 sib2~--\f sib8 r4 |
686 lad16\mp( sold) sold( lad) lad( sold) sold( lad) |
687 lad( sold) sold( lad) lad( sold) sold( lad) |
688 si( sold) sold( si) si( sold) sold( si) | si( sold) sold( si) si( sold) |
689 sold\<( si) si( sold) sold( si) si( sold) |
690 sold( si) si( sold) sold( si) si( sold) |
691 R2\! R4. r4 \ind #"détaché" fad16\< la re fa sib re, fa la |
693 re8->\fp \st {re, re, re re re re re} |
694 \simile re re re re re re re re |
695 re re re re re re re re |
696 re' re re, re re' re re, re |
697 re' re re, re re' re re, re |
698 \cresc la'16 la la la la la la la la la la la la la la la |
699 la la la la la la la la do-> do do do do do do do |
700 do do do do mib-> mib mib mib mib mib mib mib mib mib mib mib |
701 re->\f re re re re, re re re re'\> re re re re, re re re | re4\! r r2 |
702 R1*2 R2 R2.*2 R2 R1 |
703 \pizz re4\mp r2 R2.*2 re4 r2 R2. re4 r2 R2. re4 r2 R2. re4 r2 R2.*2 |
704 re4 r2 R2. re4 r2 re4 r2 R2.*2 re4 r2 r4 sib'\mp\> r r re,\! r |
705 R1. R1 R1. R1 R1. R1 R1. R1
706 \arco \ten la''1.\mp ~ la2. r4 | R1.*5 R1 R1.
707 \ten do,,1\pp ~ do1. do4-.->\ffsubito r r2 R1.*5 R1 R1. R1
711 EntracteAltoUn = { \AltoUn
712 \relative {
713 R2*9
714 <re, re'>4\sfz r r2 R1*6 re16->\mf re re re re4 r8 re16-> re re re re8-. |
715 re16-> re re re re4-- r2 |
716 re16\mp\< re re re mib mib mib mib fa fa fa fa sib sib sib sib |
717 re4:16\fp re,: re': re,: |
718 re': re,: re': re,: |
719 re': re,: re': re,: |
720 re': re,: re': re,: |
721 re': re,: re': re,: |
722 re': re,: re': re,: |
723 re'2:16 re,2:16 re': re: |
724 re4 r r2 | R1*2
725 \ten re,1~\mp re2. r4 | R1*2
726 \ten re1~\p re2. r4 | do'4--(\upbow reb--\< re-- mib--) |
727 mi->\f r r <mib, la>-.->\mp | r <re dod'>-.-> r <re do'>-.-> |
728 re'4:16\fp re,: re': re,: |
729 re': re,: re': re,: |
730 re': re,: re': re,: |
731 re': re,: re': re,: |
732 re': re,: re': re,: |
733 re': re,: re': re,: |
734 re': re,: re': re,: |
735 re'4--->\mf re,-- re-- re-- re re re |
736 re2:8 re: |
738 %%% Fugato %%%
739 red1~\ff red~\> red2.~\p red~ red2~ |
740 red1~ red2 r4 | sol2.\mf(\glissando fad'1~\>)
741 fad~\! fad2.\>(\glissando re!2.~\p) re1~ re~ re2.~ re~
742 re1~ re~ <sol, re'>2.~ <sol re'>~ <sol re'>2 <re' la'>~--\mp |
743 <re la'>8 <sol, re'>4. <re' la'> <sol, re'>8~ |
744 <sol re' la'>4\mf <do, sol' re'>-- <sol' re' la'>-- |
745 <do, sol' re'>-- <sol' re' la'>-- <do, sol' re'>-- |
746 <re' la'>4:8 <sol, re'>: <re' la'>: <sol, re'>: |
748 %%% Stretto %%%
749 re'2:16\f re: | re: re: |
750 re4-- <dod re>2\sffz r4 \clef treble |
751 r8 \pizz si''\mp re,4-- sold,-- r \clef alto |
752 sol-- mi-- r sol-- |
753 \arco sold2:8\fp sold8 lad-> lad4:8 |
754 sold:-> sold8 lad-> lad2:8 |
755 sol!2:8->\mp sol: | dod,: dod:\< |
756 <sib re>4-.->\! r r2 | r4 \pizz re,\mp r re r re r2 | R1
758 %%% Noir %%%
759 R2.-\fermataMarkup red'4 r2 | R2. red4 r2 R2. R2 |
760 red4 r2 r4 red r2 | r4 red, r | R2 sol4\mp r r2 |
761 R1*4 R1.*4 R1 R2.-\fermataMarkup
763 R2. r4 \arco la2~\p la2.~ la~ la~ la~ la~ la2 r4 | R2.-\fermataMarkup
765 %%% Poco più %%%
766 la2.~\pp la~ la~ la2 r4 | R2.-\fermataMarkup |
768 %%% Andantino %%%
769 R1 R2 R1 R2 R1 R2 R1 R2. \clef treble
771 %%% Largo non troppo %%%
772 \ind #"à la corde" la''4\mp( sol) fa( mi) fa8\<( mi) fa( sol) |
773 la4\!( sol) fa( mi) fa8\<( mi) fa( sol) |
774 \simile la4\! sol fa mi fa8 mi fa sol |
775 la4 sol fa mi fa8 mi fa sol |
776 \ten <la, la'>1.~ <la la'> <sol mi'>
777 \pl fa1. {mi'2( re1)} | <la la'>1.\mf
778 \pl {la4( sol) fa( mi)} {si'2---> do--->} \det {<fa, re'>-> |
779 <sol do>1 <sol do>2 \clef alto |
780 <la, la'>2->\mp dod, <sol' mi'>-> |
781 <fa re'>-> re <la' fa'>-> | <si fa'>-> sol <si sol'>-> |
782 <do sol'>-> <do, sol'>-> do'} |
783 \cresc <re, re'>---> <re re'>---> <re re'>---> |
784 <red red'>---> <red red'>---> <red red'>---> |
785 <mi mi'>--->\f r1 | <mi mi'>2---> r | R1 R2. R2
789 ActeDeuxSceneUnAltoUn = { \AltoUn
790 \relative {\clef treble
791 \ttt {
792 <la' re\harmonic la''>16[\ppleggiero <la re\harmonic la''>
793 <la re\harmonic la''> <la re\harmonic la''>
794 <la re\harmonic la''> <la re\harmonic la''>]
795 } \ttt { \simile la''16 la la la la la }
796 \repeat unfold 20 { \ttt { la[ la la la la la] } }
797 \ttt { \ind #"senza cresc." la[ la la la la la] }
798 \repeat unfold 47 { \ttt { la[ la la la la la] } } la4-- r
799 \ttt { si,8\pp[ si16 si si si] } |
800 \ttt { \cresc mi,[ mi mi mi mi mi] }
801 \repeat unfold 5 { \ttt { mi[ mi mi mi mi mi] } }
802 \ttt { mi\f[ mi mi mi mi mi] }
803 \ttt { mi[ mi mi mi mi mi] }|
805 %%% Entrée de la Soprano Deux %%%
806 R2.*2 r4 \ttt {<dod la'>8\f <dod la'>16 <dod la'> <dod la'> <dod la'>} <dod la'>8 r r4 |
807 r4 r8 \t {<mib, re'>8\f <mib re'>16}
808 \ttt {<mib re'>8 <mib re'>16 <mib re'> <mib re'> <mib re'>} \clef alto |
809 R1 R2. R2 R2. R1
811 %%% Andantino %%%
812 R1*2 R2.*4 R2
813 r4 \pizz si\mp mi, r si' lad8-- fad mi4 fad8-- mi si' lad |
814 r fad lad4 r | r8 si lad4 si8 lad fad4 r8 si r fad lad4 |
815 \arco si2--\p r4 | R2
816 \pizz fad4 r2 | R1 R2. R1 R2. R1
817 r4 do'\mp mi, R1 r4 \arco lab--\p r lab-- r lab-- r | R2.
818 r4 la? r la r la r |
819 <la re>1~\pp <la re>2. <la re>2( <mi la>)
820 <la re>2.~<la re>2 <mi la> <la re>2.~ <la re>2. r4 |
821 \ten <la re>2.~ <la re>1~ <la re>2 r4 | R1
823 %%% Entrée de la Contralto %%%
824 \pizz fad4\mp r2 | R1
825 fa4 r2 R1 fad4 r fad r fa r mib |
826 r \arco <re'sol>--\p r \det {<re sol> r <re sol>} r | \simile re r re |
827 r mi r mi r mi r | <si mi> <si mi> r <si mi> r mi r r mi r mi\mp |
828 r8 \pizz la,4\mp do re,8 | r4 lab' do re, | r8 la'4 do re,8 | r4 lab' do re, |
829 r8 la'4 do re,8 | r lab'4 do re,8 | r sol r2 |
830 r8 la4\mp do re,8 | r lab'4 do re,8 | r la'4 do re,8 | r lab'4 do8 reb,4 |
831 r4 la' r8 do | r4 \arco re--\mf r re-- r re---. | mib,2-- r4 si'-- | r re-- r |
832 r dod--\pp r dod-- r do-- r | R1
833 r8 \pizz la4\mp do re,8 | r lab'4 lab8 do4 re, | r8 la'4 do re,8 |
834 r4 \arco \ten sol2.~\p sol2. r4 lab\mp\>( sol) fa |
835 \ind #"trem. sul tasto" re2.:32~\pp re1:32~ re2.~ re4 r | R1 R2. R1 R2. R1 R2. R1
839 ActeDeuxSceneUnBisAltoUn = { \AltoUn
840 \relative {
841 \pizz mi,4\mf r r2 | R2. R2
843 %%% Presto Agitato %%%
844 R1*5/4*2
845 \arco \ind #"sul tasto" <mi'sold>1*5/4~\pp <mi sold>~ <mi sold>2. r2 |
846 <la, red>1*5/4~ <la red>~ <la red>2. r2 |
847 R1*5/4*7
848 \repeat tremolo 8 { \simile mi'16*5/4\p re}
849 \repeat tremolo 8 { mi re}
850 \repeat tremolo 8 { mi re}
851 mi4 r re8\mp( mi re sib) la( sib) |
852 re4-- r2 re8( sib la sib) |
853 re4-- r2 \ordin re8-.\mf \st {re re re} |
854 \accdet {<la fad'>4\sfz r2 <la fad'>4\sfz r |
855 <la fad'>\sfz r <la fad'>\sfz r2 |
856 <la fad'>4\sfz r r8 <la fad'>\sfz r2 |
857 <re do'>4\sfz} r1 | R1*5/4*8
858 \ind #"détaché" fa,?8 re? fa re fa re fa-> solb fa re |
859 fa re fa re fa re fa-> solb fa re |
860 \simile fa re fa re fa re fa solb fa re |
861 fa re fa re fa re fa solb fa re |
862 fa\< re fa re fa re fa solb fa re |
863 \accdet {<fad do'>4\sfz r2 <fad do'>4\sfz r |
864 <fad do'>\sfz r <fad do'>\sfz r2 |
865 <fad do'>4\sfz r r8 <fad do'>\sfz r2 |
866 <sib la'>4\sfz} r1 | R1*5/4
867 <fad dod'>4->\sffz r1 | R1*5/4-\fermataMarkup
869 %%% Boum %%%
870 R1*5/4*11 \repeat tremolo 16 {red'32*5/4 mi}
871 \repeat tremolo 16 {red32\< mi} red4-- |
872 \ind #"à la corde" <si! sol' sib>2.--->\f \accdet {<re mi sib'>2 <si! sol' sib> <re mi sib'>2. |
873 r4 <si! sol' sib>2. <re mi sib'>4~\<} <re mi sib'>2 \accdet {<si sol' sib>2. |
874 \ten <mib, lab mi'!>1*5/4\!} \accdet {<lab re>2 <mib lab mi'!>2.} |
875 <re' sol>2.\> re2\! | \ten <reb, sib'>1*5/4~--->\f <reb sib'>2. <reb sib'>2---> |
876 \ten <mib si' lab'>1*5/4~ <mib si' lab'> |
877 r4 \accdet {<si' lab'>2\< <si lab'>} |
878 <sib sol'>1*5/4~\ff <sib sol'>2. r2 | R1*5/4*5
880 %%% Moderato assai %%%
881 R1*7/4*7 R2. R1 R2. R2
882 r4 do'2--\p \pizz red,,4 \arco si''2~--\upbow si4 \det {do2 si4. do~} |
883 do2 r4 | \pizz fad,, \arco do''2~-- do4 si2~-- si r4 | do,,\leftpizz r2 |
884 \ten fa1*7/4~\p fa4 r2 r1 | R1*7/4
885 r8 \pizz fa\p\< fad dod' re4\! |
886 r8 dod,\< re la' sib4\! | r8 \simile fa fad dod' re4 |
887 r8 fad, la re fa4 | r8 fa, fad dod' re4 |
888 r8 mib, lab si mi4 | r8 fa, solb sib reb4 |
889 \arco \small solb,4( \normalsize fa1*6/4)~\mf fa1 r2 r4 |
890 R1*7/4*2 \repeat volta 2 {\det {fa1\mf sold2. fa sold1 R1*7/4}
891 \meno sold1} r2 r4 | R1*7/4 |
893 %%% Presto subito %%%
894 \tt {\ind #"détaché" red8\mf\upbow fad red red red} \tt {red fad red red red} \tt {red fad red red red} |
895 \tt {red fad red red red} \tt {red fad red red red} \tt {red fad red red fad} |
896 \tt {red fad red red fad} \tt {red fad red red fad} \tt {red fad red red fad} |
897 \tt {red fad red red fad} \tt {fad red red fad red} \tt {fad red red fad red} |
898 \tt {fad red red fad red} \tt {fad red red fad red} \tt {fad red red fad red} |
899 \st {re\fp mib mi fa lab si re4} r2 |
900 re,8-- \st {mib fa lab si do re4} r2 |
901 re,8-- \st {mib fa lab si do mi4} r2 |
902 re,8-- \st {mib fa lab sib si} | dod4-- \pizz re8\mp sol, re'4 r |
903 mi8 sold, mi'4 <sold, mi'>\arpeggUp |
904 mi'8 la, mi'4 <la, mi' la>\arpeggUp |
905 fa'8 do fa4 si,8 red, si'4 sold8 red sold4 |
906 r8 red\< sold dod fad si mi\! |
907 r4 r8 \arco red,--\< \det {mi mi fa fa} |
908 \accdet {<fad,do' sol' mib'>4\ff <fad do' sol'>8.} <fad do'>16-.
909 <fad do' sol'>8.---> \st {<fad do'>16 <fad do'>8} |
910 \accdet {<dod la' mi'>2 r4 |
911 <fad do' sol' mib'> <fad do' sol'>8.} <fad do'>16-.
912 <fad do' sol'>8.---> \st {<fad do'>16 <fad do'>8} |
913 <do la' mib' sib'>2---> r4 |
914 <fad dod'>8-.-> <fad dod'>8.---> \st {<fad dod'>16 <fad dod'>8 <fad dod'>} |
915 \accdet {<sol sol'>4 <sol fad'>8.} <sol fad'>16-. \accdet {<sol fad'>8.\< <sol mi' si'>} |
916 <la mi' la>4\sffz r2 | re4\mf( mi si sold) r \stdet {<re do'>\downbow | <fa mib'> <fad mi'> <sol fa'>} |
917 r8 \det {lab\mp\downbow( lab lab lab lab) | sol\<( sol do do si si\!) |
918 r sol( sol sol sol sol) lab\<( lab si si do do\!)} |
919 r sol sol sol sol sol \det {lab\<( lab si si do do\!) |
920 r re\upbow( re re) mib( mib) r fad( fad fad) sol( sol)} |
921 sib4 \det {sol8 fad mib re | <sib sol'>2.\mp} R2. R2 R4. R2 R1*5/8 R2.
923 %%% Tempo I %%%
924 fad'16->\mf( sol fad mib) re( mib fad mib) re( si) sib( si) re( mib) re( si) |
925 \accdet {<mib, sib'>4\sfz r2 <mib sib'>4\sfz r | <mib sib'>\sfz r <mib sib'>\sfz r2 |
926 <mib sib'>4\sfz r r8 <mib sib'>\sfz} r2 | <do si'>4->\sffz r1\fermata |
927 R1*5/4*3
928 \ten mib''1*5/4~\pp mib2. r2 | R1*5/4*2
929 \ten mi1*5/4~ mi2. r2 | R1*5/4*3
930 sol,8\p( mi sol mi sol mi sol mi sol mi) |
931 sol( mi sol mi sol mi sol mi sol mi) |
932 sol( mi sol mi sol mi sol mi sol mi) |
933 \simile sol mi sol mi sol mi sol mi sol mi |
934 sol mi sol mi sol mi sol mi sol mi |
935 sol mi sol mi sol mi sol mi sol mi |
936 sol mi sol mi sol mi sol mi sol mi |
937 sol mi sol mi sol mi sol mi sol mi |
938 sol( mi sol mi sol) r r2 |
942 ActeDeuxSceneDeuxAltoUn = { \AltoUn
943 \relative {
944 \pizz sold'4\mp sold la r r2 | sold4 sold la r r2 | R1.
945 sold4 sold la r sold sold | la4 r r1 | R1. R1*2 R2.
946 \arco re,,8->\f r r16 re8-- fa16 r fad8.-- | re8---> re16 re re re re re re8 r |
947 <la're sold>--\fmolto <la re sold>-- <sib re la'>4---> \t {re,8--\upbow\mf mib-- fa--} |
948 <la re sold>--\f <la re sold>-- <sib re la'>4---> \t {re,8--\upbow\mf fad-- la--} |
949 \ten fad1.~-- fad1 r2 |
950 R1. R1*2 R2.
951 <sol dod>16->\f <sol dod> <sol dod>8 <sol dod>-- re--
952 r \acc {<sol dod> r re16 red | r mi\upbow dod re do mib} |
953 r8 \det {sold'\mf sold la} r4 \st {fad,16\p fad fad fad} |
954 r8 \det {sold'\mf sold la} r4 \st {dod,,16\p dod re8} \clef treble |
955 r8 \det {sold'\mf sold red'} r4 \clef alto mid,,16 mid fad8 \clef treble |
956 r8 \det {si' si red} r4 si,16\mp si <dod lad' red>8-- |
957 \cresc <red' lad'> \clef alto <fad,,dod'>16 <fad dod'>
958 <fad dod'>8 \clef treble <red''lad'>-- \clef alto
959 <fad,,dod'> <dod'sold'>16 <dod sold'> <dod sold'>8-- <fad,dod'>-- |
960 \st {sold'16\f sold sold sold sold sold sold sold
961 sold sold sold sold sold sold sold sold} |
963 R2. R1. R1*2
964 r16 \ind #"espr." do,,(\pdolce fa la do4) r | r16 do,( sol' sib do4) r |
965 r16 do,( fa la do4) r | r16 do,( fa sold si4) |
966 r16 re,( sold si re4) r16 do,\upbow( la' do) |
967 r16 do,( mi la do4) r | r16 sol( sib re do4) r |
968 \pizz do,\mp do' R4.
969 r8 \arco <la sold'>--\f \det {<la sold'> <re la'>} r4 \st {sold,16\mf sold la8} |
970 r \det {<la sold'>\f <la sold'> <re la'>} r4 \st {re,16\mf re mi8} \clef treble |
971 r \det {<mib' lab>\f <mib lab> <do sib'>} r4 \st {sol16\mf sol la8} |
972 r <mi'red'>--\f <mi red'> <fa mi'> r4 \st {si,16 si do8} |
973 r \det {<mi mi'> <mi mi'> <fa fa'>} r4 \pizz <si, fa'> \clef alto |
974 \arco dod16-.\pleggiero \st {dod dod8 dod16 dod dod8 |
975 dod16 dod dod8 dod16 dod dod8 |
976 si16 si dod8 si16 si dod8 | dod4 r |
977 mi,16 mi mi mi mi mi mi mi |
978 mi mi mi mi mi mi mi mi} | \ten <si' mi>1~\mf <si mi>2 r4 |
980 R1. R1 R1.
981 \t {re8\pp( sib re} \t {sib re sib} \t {re sib re} \t {sib re sib}
982 \t {re sib re} \t {sib re sib} | dod2) r4 R1 |
983 \pizz <la'la>4\mp r2 | R1 R2. R1 R2. R1
984 \arco mib4\pp( reb dob | sib4) r r2 | R2. R1
985 sib4\p( do! re! mib4) r mi\>( fad | sold\!) r2 | R1
986 \pl {la,4_\leftpizz s2 s1 s2. s1 s2. s1 s2. }
987 {la'2.:32~\pp \oneVoice la1:~la2.:~la1:~la2.:~la1:~la2.:\<} |
988 <la,la'>4--\! r R2 \clef treble \ind #"détaché" fad'16\f mi fa sol la8 sold |
989 do16 lad si dod red8 re fad16\< mi fa sol | la4--->\! r r2 \clef alto |
990 fa,,16\mf\< re mib fa lab fad sol la do4\! r | la1:16
992 <la sold'>4--->\f fa'8\upbow\< la sold | \acc {la\! la sold r4 |
993 <la, sold'>--} re8\< mib sold | \acc {la\! la sold r4 |
994 <la,sold'>--} mib8\< mib re | \dwnb {<mib re'>4\! <mib re'> r8 |
995 <re la' mib'>4} r r8 |
996 <la'sold'la>4---> r \st {mib'8 | mib re} r4 r8 |
997 \dwnb {<mib,re'>4 <mib re'> r8 | <re la' mib'>4} r r8 |
998 \acc {la'8 la sold r4 | r8 mi'4-- mi-- | sib-- r r8 |
1000 R1*2 <do, la'>4\sffz} r r2 |
1001 r4 \pizz sold'\mp fad r | r fa mib r | R1
1002 \repeat tremolo 16 { \arco fa32\p mi}
1003 \repeat tremolo 8 { fa mi}
1004 \repeat tremolo 8 { fad re}
1005 \repeat tremolo 16 { fad\< re}
1006 <dod' red>4\sfz r2 | r8 \pizz fa,\mp r4 |
1007 R1*2 R2.*4 r4 fa' r r fa r R2. |
1009 r16 \arco mi-.\pleggiero \st {do mi r red si red |
1010 r re sib re r dod la dod} |
1011 r \simile do lab do r si sol si r sib solb sib |
1012 r do la do r si sold si r sib sol sib |
1013 r la fad la r lab fa lab |
1014 r sol mi sol r fad red fad |
1015 \st {dod8\p r sol' r do, r fad r | fa r mi} r |
1016 \pizz <re sib'>4\mp <re sib'>8 \arco sold'16-.\mf sold-. |
1017 <sib, re la'>8-- r \pizz <re,sib'>4\mp |
1018 <re sib'>8 \arco sold'16-.\mf sold-. <sib, re la'>8-- r |
1019 \pizz <re, sib'>8 \arco sold'16-.\mf \st {sold la8 fad16 fad} |
1020 sol8-- \st {mi,16\pleggiero mi r8 red16 red |
1021 r8 re16 re r8 dod16 dod |
1022 r do lab' do r si sol si |
1023 r sib solb sib r la fa la | R2
1024 r8 dod16\pp dod do8} r | R2
1025 \pizz <re, sib'>4\mp <re sib'>8 \arco sold'16-.\mf sold-. |
1026 la8-- r16 re,,( mi8) r16 mi( | re8) si'!16-. si-. lad8-- r |
1027 R2*2 \pizz re,4\mp r fa r mib r R2 |
1029 \arco \ind #"flautando sul tasto"
1030 la2.:32~\pp la:~ la:~ la:~ la:~ la:~ la2 r4 |
1031 R2.*2 \st {sol'16\p sol} lab8-- \st {sol16 sol} lab8-- r4 |
1032 R2.*4 \st {sold16\pp sold la8 sold16 sold la8 r4 |
1033 r sold16 sold la dod,} r4 |
1037 ActeDeuxSceneTroisAltoUn = { \AltoUn
1038 \relative {
1039 %%% Larghetto %%%
1040 sold'16\pp sold la( dod,) sold' sold |
1041 la( dod,) sold' sold la( dod,) |
1042 \simile sold' sold la dod, sold' sold |
1043 la dod, sold' sold la dod, |
1044 sold' sold la dod, sold' sold |
1045 la dod, sold' sold la dod, |
1046 sold'8 r4 | R4.
1047 sold16 sold la dod, sold' sold |
1048 la dod, sold' sold la dod, |
1049 sold'8 r4 | R4.
1050 sold16 sold la dod, sold' sold |
1051 la dod, sold' sold la dod, |
1052 sold'8 r4 | R4.
1053 sold16 sold la do,! sold' sold |
1054 la do, sold' sold la do, |
1055 sold'8 r4 | R4.
1056 sold16 sold la do, sold' sold |
1057 la do, sold' sold la do, |
1058 sold'8 r4 | R4.
1059 sold16 sold la do, sold' sold |
1060 la do, sold' sold la do, |
1061 sold'8 r4 | R4.
1062 sold16 sold la do, sold' sold |
1063 la do, sold' sold la do, |
1064 \st {sold'->\mf sold la8 r |
1065 r sold sold la-> r4 |
1066 la16-> la sib8 sold16 sold |
1067 la8->} r4 |
1068 \ten <re,, sol>4.~--\p <re sol>4 r8 |
1069 \st {sold'16->\mf sold la8 r |
1070 r sold sold la->} r4 |
1071 \ten <sib, re>4.~\p <sib re>4 r8 |
1072 \st {sold'16\mf sold la8 r |
1073 r sold sold la8-> r4 |
1074 sold16-> sold la8} r |
1075 \ten <lad, sold'>4.~\p <lad sold'>4 r8 |
1076 r4 \st {sold'16\mf sold la8-> r4 |
1077 sold16-> sold la8} r |
1078 \pizz <re,, sib'>4\p\arpeggUp <re sib'>\arpeggUp <re sib'>8\arpeggUp
1079 \arco sold'16\mf sold <re la'>8---> sol16 sol <sib, lab'>8---> r |
1080 \pizz <re, sib'>4\p\arpeggUp <re sib'>\arpeggUp <mi do'>8
1081 \arco sold'16\mf sold la8---> fad16 fad sib8---> r |
1082 r \st {sold16\mf sold la8->} r |
1083 \pizz <mi, do' sold'>\p\arpeggUp sold' <mi, do' la'>4\arpeggUp |
1084 \st {sold'16\mf sold la8->} |
1085 r \pizz <mid, dod'>\p\arpeggUp \arco sold'->\mf sold-> la-> r |
1086 \pizz <mid, dod'>\p\arpeggUp <mid dod'>\arpeggUp r \arco sold'16-.\mf \st {sold la8-> fad16 fad sol8} r |
1087 \pizz <fa, do'>4\p\arpeggUp <fa do'>\arpeggUp R4
1088 mi4 mi mi r8 |
1089 mib4 mib mib R4 |
1090 <fa do'>4\pp\arpeggUp <fa do'>\arpeggUp <fa do'>8 <fa do'> |
1091 \arco sold'16-.->\mf \st {sold la8 r r sold sold la-> r4 |
1092 r8 sold sold la-> r4 |
1093 sold16-> sold la8 r |
1094 r sold16 sold la8 |
1095 sib-> r4 | r8 sold16 sold la8 |
1096 sib-> r4 | r8 lad16 lad si8 |
1097 do->} r4 | r8 la-- la-- sib-- r4 |
1098 \ten do,4~\mp do~ do~ do8 r |
1099 \pizz sib16\mp mib, r mib |
1100 sib' mib, r mib |
1101 sib' mib, r mib |
1102 re re' r re re, re' r re |
1103 dod,8-> r | R4
1104 re16\mf re' r re dod,8-> r R4 |
1105 re16\mp re' r re dod,8
1106 \arco sold''16\mf sold la8---> r |
1107 \pizz <mi, do'>8 \arco sold'16 sold la8---> r |
1108 \ten <do,, sol' re'>4~ <sol' re'>~ <sol re'>8 r |
1109 r \pizz <sol la>\mp r <sol la> r <sol la> |
1110 r <sol re'> r <sol re'> r <sol re'> |
1111 R2.-\fermataMarkup R2.*2
1112 r8 \arco la16\p la sib8---. sol16 sol sold8---. r | R2.
1113 r8 la16 la sib8---. sol16 sol sold8---. r | R2.
1115 %%% Interlude %%%
1116 sold'16\p sold la( la,) sold' sold la( la,) |
1117 sold' sold la( la,) sold' sold la( la,) |
1118 fa2~\p fa~ fa4 r16 \st {do'\ppleggiero si do |
1119 r do si do r si do8 |
1120 si16 do r si do8 si16 do} |
1121 r \simile do si do do do si do |
1122 do do si do do do si do |
1123 r re-.\< mib8-- fa16-. fad8-- sold16-. la8-- si16-. do-. \clef treble |
1124 red\mp red mi( mi,) red' red mi( mi,) |
1125 fad' fad sol( sol,) fad' fad sol( sol,) |
1126 \simile red' red mi mi, fad' fad sol sol, |
1127 fad' fad sol sol, red' red mi mi, |
1128 red' red mi mi, do' do dod dod, |
1129 red' red mi mi, red' red mi mi, |
1130 fad' fad sol sol, fad fad' fad sol sol, fad |
1131 lad\mp lad si si, lad' lad si si, |
1132 dod' dod re re, dod' dod re re, |
1133 lad' lad si si, lad' lad si si, |
1134 dod' dod re re, dod' dod re re, |
1135 lad' lad si si, lad' lad si si, |
1136 dod' dod re re, dod' dod re re, |
1137 lad' lad si si, dod' dod re re, |
1138 mi' mi fa fa, mi' mi fa fa, |
1139 dod' dod re re, dod' dod re re, |
1140 mi' mi fa fa, mi' mi fa fa, |
1141 dod'\< dod re re, mi' mi fa fa, |
1142 sol'\mf sol lab lab, sol' sol lab lab, |
1143 mi' mi fa fa, lad lad si si, |
1144 dod'\< dod re re, mi' mi fa fa, |
1145 sol'\! sol lab lab, sol' sol lab lab, |
1146 mi' mi fa fa, mi' mi fa fa, |
1147 sol'\< sol lab lab, sol' sol lab lab, la'->\! la-> |
1149 %%% Quatuor %%%
1150 la8-> \clef alto \pizz la,,\mp sold sib |
1151 fad4-- r8 | r la sold si | fa4-- r8 |
1152 r fad sol sol\leftpizz |
1153 \arco \ind #"jeté" <lab sol'>32\mf <lab sol'>16. r16 <lab sol'>32 <lab sol'> r8 |
1154 <lab sol'>32 <lab sol'>16. <lab sol'>32 <lab sol'>16. r8 |
1155 mib'2--\f r4\fermata |
1156 r8 \st {la,16\p la sold8} r r4 | R2.*2
1157 r2 r8 \pizz sold' r \arco fad16 fad sol8 \pizz mi r \arco red |
1158 r re--\> do--( do-- sib-- sib--) | \ten lab2~\pp lab~ lab4 r2 |
1160 %%% Air baryton 1 %%%
1161 \flaut <lab la'!>2~\pp <lab la'>4 r <fa mi'>2 r4 |
1162 <lab la'!>2~ <lab la'>4 r <fa mi'>2 r4 |
1163 \t {mi'8 re mi} \t {re mi re} |
1164 \t {mi( re mi} \t {re mi re} | mi2) r4 |
1165 re16( mi re sib lab sib) re( mi | re sib lab sib) re( mi re sib) |
1166 lab( sib re mi) sib( re mi lab) re,\<( mi) lab-- lab-- |
1167 la4--\! r16 dod,,8--\mp sol'16-. | dod,4-- r8 |
1168 r sol'-- r16 dod,-. r8 | mi4-- r8 |
1169 do!\mp re( la' sol) | do4 r |
1170 re,8 la'( sol) do r4 \clef treble |
1171 sold''16->\mf sold-> la8-> r4 \clef alto |
1172 r8 sol,,-- r16 dod,8.-- | sol'2---> r4 \clef treble |
1173 \st {sold''16\f sold la la sold sold la la sold sold la la sold sold la la |
1174 sib, sib sib sib sol sol sol sol re re re re \clef alto |
1175 fa, fa mi mi mi mi fa fa} |
1177 %%% Doppio tempo %%%
1178 re2:16\f re: re: re: re: re: re4-- r |
1179 sold2.~\p sold~ sold2 r4 |
1180 re4-.\p la'-. sold8( mi) | re4-. mi8( re) la'-. sold~-- |
1181 sold2.~ sold2 r4 |
1182 r8 re'( mi) r r mi-> r2 |
1183 r4 <si mi>~-- <si mi> r \clef treble \det {sold'8\mp sold la4 r |
1184 r2 sol8 sol sold4 r r2 sold8 sold la4} r |
1185 r sol2:16\p fad: sold4: si2: | sib: reb: sib4: |
1187 %%% Climax %%%
1188 sold4-> r R4. |
1189 \ind #"détaché" re''16-> dod si sold \st {mi8 si \clef alto |
1190 fa do} sib16 la sol mi | re8-> r r4 | R4. \clef treble |
1191 \st {re'''8 si} sold16 fad re si |
1192 \st {la8 re,} \clef alto sib16 sol fa mi |
1193 re8-> r r4 | R2 \clef treble
1194 si'''4\ff r8 mib,16\> mib mib sib sib sib |
1195 re,2--\! r4 |
1196 re''4---> re,16 la sold fad re4 \clef alto sold,16 fad mi mib |
1198 %%% Soprano 2 %%%
1199 re8-> r r2 | R1
1200 r8 sib'-.-> r4 \st {sib8\p sib |
1201 si si r si si r la la |
1202 sib4-- r8 sib r sib r sib r sib sib r sib\< sib |
1203 mi,\! mi r mi r mi | r mi r mi mi r mi mi |
1204 mid mid r mid r mid r mid r mid r mid r mid} |
1205 R2. R1 R2. R1 R2. R1
1206 <sold re'>4-- \st {<sold re'>8 <sold re'> r4 |
1207 sold'8->\mp sold la4 r2 | r4 sol sol | sold4->} r r2 |
1208 \pizz sold,8 fad la fa' r4 r2 r4 \arco fad( |
1209 sol) r2 \clef treble |
1210 \st {re4\mf la'} sold8( mi) re4-. mi8( re) la'( sold) r mi-. |
1211 sold4-- r r2 | <mi' re'>4-- sold8( mi) re4-- |
1212 <sold mi'>-> r r2 \clef alto |
1213 r4 r8 \st {sol,,\p r sol |
1214 R1 R2.
1216 %%% Soprano 1 %%%
1217 re'8\pp re r re r re r re re re r re r re |
1218 re re r re r re r re mi\p mi r mi r mi |
1219 mi mi r mi r mi r mi mid mid r mid r mid |
1220 r mid r mid r mid r mid} |
1221 R2. R1 R2. R1 R2. R1 R2.
1222 \st {sold8->\mf sold la4 r2 | r4 fad fad sol-> r r2 |
1223 R2. R1 R2. R1
1224 r2 sol8\p sol} sold( sold,) sol' sol sol( sold,) si' si \clef treble |
1225 do( do,) sold' sold la( la,) \simile sid' sid dod dod, sid' sid dod dod, |
1226 sold'\< la mi mi' fa fa, |
1228 %%% Duo %%%
1229 sold'4--\! r r2 \clef alto |
1230 sold,8\mf( la sold mi) re( mi) sold( la |
1231 sold mib) re( mib) la2~-- la2. r4 |
1232 fad8( sold fad re) dod( re) fad( sold |
1233 si) sold( fad) re~-- re2~ re4 r |
1234 \det {sold, sold la2} |
1236 %%% Baryton 2 %%%
1237 re8--->\fsubito \t {si16( do dod)} re8---> \t {sold,16( si dod)} re8---> fad,32( sold si dod) |
1238 \accdet {re4\downbow re\downbow re\downbow} |
1239 mib8---> \t {do16( dod re)} mib8---> \t {la,16( do re)} \ttt {mib-> sol,( la do re mib)} |
1240 \accdet {fa4 fa r \clef treble |
1241 <re' re'>\downbow <re re'>\downbow <re re'>\downbow <re re'>\downbow} r2 |
1242 \simile <re re'>4 <re re'> <re re'> <re re'> r2 \clef alto |
1243 \tt {re,16\mf( la sib do dod} re4->) \ttt {re16( fa, fad la sib re} |
1244 mib4->) \tt {mib16( mi, sol si do} mib4->) |
1245 \acc {mi8\f r16 fa r8 mi r16 fa8--} dod16-. |
1246 mi8-> r16 dod\< mi fa | lab4->\! r2 |
1247 \st {sold8\f sold} la4-> \st {sol8 sol} | sold4-> r2 |
1248 \st {<fad, mi'>8\mf r16 <sol fa'> r8 <lab mi'> r16 <la fa'> r8 |
1249 <sib mi> fa'16 dod do mi r8 fa16 dod} r8 |
1250 \ind #"détaché" solb'16 mib re fa mi mib solb re sol mib lab fa |
1251 mi sol solb fa lab mi sol fa fad\< sold la si |
1252 \accdet {<re, re'>4\f <re re'> <re re'> <re re'> r2 |
1253 <re re'>4 <re re'> <re re'> <re re'>} r8 \acc {<do, do'> <mib mib'> <fad fad'> |
1255 %%% Boum %%%
1256 <sol la>4\sffz} r2 R2.*2
1257 r8 sol--(\mp\downbow sol-- sol-- sol-- sol--) |
1258 lab--(\< lab-- si-- si-- do-- do--)\! |
1259 r do--( do-- do-- do-- do--) |
1260 dod--(\< dod-- mi-- mi-- fa-- fa--)\! |
1261 r \simile re re re re re dod dod fad fad fa fa |
1262 r fa fa fa fa fa | mi mi lab lab la la \clef treble |
1263 r \ind #"à la corde"
1264 sol\mp( si sol si sol) |
1265 si( sold mib' do mi do) \clef alto |
1266 r8 sol,-- fad( sib) si( sib) |
1267 re( si) do( re) mib4-- |
1269 %%% Contralto %%%
1270 re4->-- \pizz fad,\mp fad fad |
1271 fad r re'->\sfz r8 <fad, re'>\mp\arpeggUp |
1272 r <fad re'>\arpeggUp r <fad re'>\arpeggUp |
1273 r \simile <fad re'> r <fad re'> |
1274 r <fad re'> r <fad re'> |
1275 r <fad re'> r <fad re'> |
1276 r <mib lab> r <mib lab> |
1277 r <mib lab> r <mib lab> |
1278 r4 \arco lab8->\mf lab-> la4-> r | R2.
1279 r4 sol8\p sol lab4---. r |
1280 r sold8 sold la4---. r | R2*2
1281 sold'8-.->\mf sold-. la4-. r |
1282 r sol8-. sol-. sold4-. |
1283 sold8-.-> sold-. la4-. r |
1284 r fad8-. fad-. sol4-. |
1286 %%% Grand ensemble %%%
1287 dod,,1~\psubito dod sol'1~ sol2 dod,~ |
1288 dod sol'~ sol sold4-- r \clef treble |
1289 red''8\mp red mi( mi,) red' red mi( mi,) |
1290 sol' sol lab( lab,) sol' sol lab( lab,) |
1291 \simile red red mi mi, red' red mi mi, |
1292 fad' fad sol sol, fad' fad sol sol, |
1293 mid' mid fad fad, red' red mi mi, |
1294 re' re red red, do' do dod dod, |
1295 \ind #"détaché"
1296 la'\mp la sold sold la la sold sold |
1297 dod dod sid sid dod dod do do |
1298 la la sold sold la la sold sold |
1299 dod\mf dod sid sid dod dod do do |
1300 fa fa mi mi fa fa mi mi |
1301 mid\f mid fad( fad,) mid' mid fad( fad,) |
1302 sold' sold la( la,) sold' sold la( la,) |
1303 \simile mid' mid fad fad, mid' mid fad fad, |
1304 sold' sold la la, sold' sold la la, |
1305 sold'\fmolto sold la la, sold' sold la la, |
1306 sold' sold la la, sold' sold la la, |
1307 re' re mib mib, re' re <mib, re'> <mib re'> |
1308 <mib re'>-> r r2 |
1310 %%% Chute %%%
1311 <solb, sib>2.\ff\glissando la'2.:32\sfp~ la2:\< sold4:
1312 mi:\mp\> re: la: \clef alto sold: re2:\! re4-- r R2*2
1314 %%% Andante al fine %%%
1315 R2.*4
1316 \ind #"sul tasto, con sord."
1317 mi2:16\pp mi4:16 |
1318 mi2:16 mi4:16 |
1319 mi2:16 mi4:16 |
1320 mi2:16 mi4:16 |
1321 mi2:16 mi4:16 |
1322 mi2:16 mi4:16 |
1323 mi2:16 mi4:16 |
1324 mi2:16 mi4:16 |
1325 sold2.\p~ sold\>~ sold sol2.\!~ sol~ sol2 r4 | R2.*2
1326 mi2:16\pp mi4:16 |
1327 mi2:16 mi4:16 |
1328 mi2:16 mi4:16 |
1329 mi2:16 mi4:16 |
1330 mi2:16 mi4:16 |
1331 mi2:16 mi4:16 |
1332 mi2:16 mi4:16 |
1333 mi2:16 mi4:16 |
1334 mi2:16 mi4:16 |
1335 mi2:16 mi4:16 |
1336 mi2:16 mi4:16 |
1337 mi2:16 mi4:16 |
1338 mi2-- r4 | r4 \ind #"senza sord." mi,2--\p~ mi2 r4 |
1339 mi'2.:32\< mi2.:32\mp\> mi2.\p \clef treble |
1340 r8 do'-- \tt {red16\< sold fad si la} red4->\!\upbow
1341 \ind #"ample" <mi,, mi'>8--->\ff\< <mi mi'>--->
1342 \t {<mi mi'>---> <mi mi'>-. <mi mi'>-.}
1343 \tt {<mi mi'>16---> <mi mi'>-> <mi mi'>-> <mi mi'>-> <mi mi'>->\!}